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Dudley Andrew

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American film theorist
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Dudley Andrew
Born (1947-07-28)July 28, 1947 (age 78)
Academic background
Education
Academic work
Institutions

James Dudley Andrew (born July 28, 1945)[1][2] is an Americanfilm theorist, particularly specializing inworld cinema,aesthetics, andFrench cinema. He is R. Selden Rose Professor Emeritus ofFilm andComparative Literature atYale University, where he has taught since the year 2000.

Education

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Andrew earned a BA from theUniversity of Notre Dame in 1967, an MFA fromColumbia University in 1969, and a Ph.D from theUniversity of Iowa in 1972. He studied English and philosophy before learning filmmaking.

Career

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Before moving to Yale, he taught for thirty years at theUniversity of Iowa. Andrew's works have been widely translated, including into French, Spanish, Portuguese, Chinese, Korean, Arabic, Persian, Turkish, Serbo-Croatian, and Polish.[3]

Awards

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He has been awarded aGuggenheim Fellowship[4] and was named a Commandeur in theOrdre des Arts et des Lettres by the French Ministry of Culture, its highest distinction. In 2006, he was elected a Fellow of theAmerican Academy of Arts and Sciences.[1] In 2011, he received theSociety for Cinema and Media Studies Distinguished Career Achievement Award.[5]

Selected publications

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  • The Major Film Theories. Oxford, New York: Oxford University Press, 1976.
  • André Bazin. New York: Oxford University Press, 1978.ISBN 0-19-502165-7
  • Kenji Mizoguchi: A Guide to References and Resources with Paul Andrew. G.K. Hall & Co., 1981.
  • Concepts in Film Theory. Oxford, New York: Oxford University Press, 1984.
  • Film in the Aura of Art. Princeton: Princeton University Press, 1986
  • Breathless: Jean-Luc Godard, Director. (Rutgers Films in Print series). Rutgers University Press, 1988.
  • Mists of Regret: Culture and Sensibility in Classic French Film. Princeton:Princeton University Press, 1995.ISBN 0-691-00883-3
  • Editor,The Image in Dispute: Art and Cinema in the Age of Photography. Austin: University of Texas Press, 1997.
  • Sanshô Dayû (Sansho the Bailiff) with Carole Cavanaugh. (BFI Film Classics). British Film Institute, 2000.ISBN 0-85170-541-3
  • Popular Front Paris and the Poetics of Culture with Steven Ungar. Cambridge:Harvard University Press, 2005.
  • What Cinema Is! UK: Wiley-Blackwell, 2010
  • Editor,Opening Bazin: Postwar Film Theory and Its Afterlife. Oxford University Press, 2011
  • Editor, with Anne Gillain.A Companion to François Truffaut. Wiley-Blackwell, 2013
  • Editor and Translator,André Bazin's New Media. University of California Press, 2014
  • Editor,André Bazin on Adaptation: Cinema's Literary Imagination. University of California Press, 2022
  • French Cinema: A Very Short Introduction. Oxford University Press, 2023

References

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  1. ^ab"Book of Members, 1780–2010: Chapter A"(PDF).American Academy of Arts and Sciences.Archived(PDF) from the original on June 18, 2006. RetrievedApril 18, 2011.
  2. ^"Andrew, Dudley, 1945-".Library of Congress Authorities.Archived from the original on December 16, 2019. RetrievedApril 15, 2012.
  3. ^"Dudley Andrew". Film Studies.Yale University.Archived from the original on February 14, 2012. RetrievedDecember 3, 2009.
  4. ^"Dudley Andrew".John Simon Guggenheim Memorial Foundation. Archived fromthe original on June 22, 2011. RetrievedJanuary 25, 2010.
  5. ^"Distinguished Career Achievement Award".Society for Cinema and Media Studies. RetrievedSeptember 4, 2025.
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