Du Mu | |
|---|---|
 Du Mu by Shangguan Zhou (上官周, b. 1665) | |
| Born | 803 |
| Died | 852 |
| Occupation | Calligrapher, poet, politician |
| Nationality | Chinese |
| Period | Tang dynasty |
Du Mu (Chinese:杜牧;pinyin:Dù Mù;Wade–Giles:Tu4 Mu4; 803–852) was a Chinese calligrapher, poet, and politician who lived during the lateTang dynasty. Hiscourtesy name wasMuzhi (牧之), andart nameFanchuan (樊川).[1] He is best known for his lyrical and romanticquatrains.[2]
Regarded as a major poet during a golden age of Chinese poetry, his name is often mentioned together with that of another renownedLate Tang poet,Li Shangyin, as the "Little Li-Du" (小李杜), in contrast to the "Great Li-Du":Li Bai andDu Fu. Among his influences were Du Fu, Li Bai,Han Yu andLiu Zongyuan.
Du Mu was born in the Tang capitalChang'an (modernXi'an) into an elite family, theJingzhao Du clan, whose fortunes were declining. His grandfather wasDu You, a minister at the Tang court and the compiler of the Tang Dynasty encyclopediaTongdian. He passed thejinshi ("Presented Scholar") level of theimperial civil service examination in 828 at the age of 25, and began his career as a bureaucrat holding a series of minor posts,[3] first as an editor of at the Institute for the Advancement of Literature. A few months later, he joined the entourage of Shen Chuanshi (沈傳師), a surveillance commissioner, first toHongzhou, then a year later toXuanzhou.[4] In 833 he was sent to joinNiu Sengru inYangzhou. In Yangzhou he began to mature as a poet. In 835 he was appointed investigating censor and returned to the capital where, possibly concerned about being drawn into a factional dispute involving his friend Li Gan who had opposedZheng Zhu, he asked to be transferred toLuoyang. This was granted, and he avoided the purge that followed theSweet Dew Incident which happened later in the year.[5]
Du Mu held many official positions in various locales through the years, but he never achieved a high rank, perhaps due to enemies made in the factional dispute at the imperial court in 835. In 837 he returned to Yangzhou to care for his younger brother Du Yi who was sick and had become blind, then went to work in Xuanzhou, taking his brother with him. In 838 he was appointed Rectifier of Omission of the Left and Senior Compiler of the History Office, and he returned to Chang'an. In 840 he was promoted to Vice Director of the Catering Bureau, then transferred to the position of Vice Director of the Board of Review in 841. Starting in 842 he was made governor of a succession of small poor rural prefectures, firstHuangzhou, thenChizhou and Muzhou. Du was dissatisfied with the appointment and he appeared to blame it onLi Deyu. He began to feel his career was a failure and he expressed his dissatisfaction in his poems.[6]
In 848 Du Mu returned to Chang'an after being appointed Vice Director of Merit Titles and was awarded his old post in the History Office. He was transferred to the post of the Vice Director of the Ministry of Personnel in 849, then was appointed governor ofHuzhou in 850 at his own request. He was recalled to Chang'an in 851 to the post of Director of the Bureau of Evaluation and Drafter, and was appointed to the office of Secretariat and Drafter in 852. He fell ill that winter and died before the next lunar year.
Du Mu was skilled inshi,fu and ancient Chineseprose. He is best known as the writer of sensual, lyricalquatrains featuring historical sites or romantic situations, and often on themes of separation, decadence, or impermanence. His style blends classical imagery and diction with striking juxtapositions, colloquialisms, or other wordplay. He also wrote longnarrativepoems.
One of his best-known poems is "Qingming Festival" (Qingming Festival is a day of remembrance for the dead when people visit the graves of their ancestors to pay respect.)
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On day of Qingming Festival, a drizzly rain falls. |
Another well-known one is Autumn Evening. It tells of a lonely concubine at the palace whose fan has lost its purpose now that summer has ended. This is taken to be an allusion by the poet of his frustrations at his family's decline in influence.[7]The Cowherd and the Weaver Girl in the poem refers to the story of two separated lovers who can only meet once a year and who were used to name theAltair andVega stars:
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Silvery candle, autumnal light, chills the painted screen |
Du Mu enjoyed traveling in the misty mountains of southeast China, especiallyXuanzhou, and remembering the fallen Southern dynasties, as exemplified by his poem "Written on the Kaiyuan Temple at Xuanzhou" (Tí Xuānzhōu Kāiyuán Sì提宣州開元寺):
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He wrote a commentary onThe Art of War[8] and many letters of advice to high officials.
A twenty-book collection of his prose works,Fan Chuan Wen Ji (Chinese:樊川文集;pinyin:fánchuān wénjí), survives.[8]
In 1968,Roger Waters of the rock bandPink Floyd borrowed lines from his poetry including "Lotuses lean on each other in yearning" (多少綠荷相倚恨) to create the lyrics for the songSet the Controls for the Heart of the Sun from the band's second albumA Saucerful of Secrets.
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