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Douglas Harper

From Wikipedia, the free encyclopedia
American sociologist (born 1948)
For the compiler of theOnline Etymology Dictionary, seeDouglas R. Harper.

Douglas A. Harper (born 1948) is an Americansociologist and photographer.[1] He is the holder of the Rev. Joseph A. Lauritis, C.S.Sp. Endowed Chair in Teaching with Technology atDuquesne University, a chair funded by a grant from theMellon Foundation.[2]

Biography

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Harper was born inSaint Paul, Minnesota, United States. He earned a B.A. fromMacalester College in 1970 and a PhD in sociology fromBrandeis University. While doing research for his PhD dissertation aboutrailroad tramps, he rodefreight trains for 20,000 miles (32,000 km) in the western United States.[3]

Career

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After graduation, Harper wrote a book, Good Company,[4] about railroad tramps.

Harper made extensive use ofphoto elicitation interviews in his 1987 book,Working Knowledge, a sociological treatment of the ruralbricoleur in America.[5] His 2001 publication,Changing Works, applied the same method to the historical reconstruction of cultural memory.

Harper later co-authored books on post-colonial culture in Hong Kong, Italian food culture, and thesemiotics ofItalian fascism, in which he researched images as method of cross-cultural communication. In 2014, he studied the sociology of public space in the Italianpiazza and in the de-industrialized regions of the AmericanRust Belt.

Harper has taught sociology atSUNY Potsdam, theUniversity of South Florida, andDuquesne University, and as a guest professor at theUniversity of Amsterdam andUniversity of Bologna. He edited the academic journalVisual Studies during its first thirteen years and wrote five works of visualethnography published by theUniversity of Chicago Press. HisVisual Sociology (Routledge 2012) is a comprehensive treatment of the topic.

Harper was co-founder of theInternational Visual Sociology Association withLeonard M. Henny and others; in 2013 he was elected its president.[6]

He has had many photographic exhibitions in the US and abroad.[citation needed]

Books

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  • 2014:I Simboli del fascismo nella Roma del XXI secolo, cronache di un' oblio. Douglas Harper, Francesco Mattioli. Aciraele-Roma: Bonnano. ("The symbols of fascism: Reports of an oblivion"). In Press.[when?]
  • 2012:Visual Sociology. Douglas Harper. London:Routledge.[7]
  • 2009:The Italian Way: Food and Social Life. Douglas Harper and Patrizia Faccioli. Chicago:University of Chicago Press.
  • 2009:Hong Kong: Migrant Lives, Landscapes, and Journeys. Caroline Knowles and Douglas Harper. Chicago: University of Chicago Press.
  • 2006:Good Company: A Tramp Life. Boulder: Paradigm. Douglas Harper. (Revised and expanded third edition).[8]
  • 2003:The Cultural Study of Work. Douglas Harper and Helen Lawson, editors. Boulder:Rowman Littlefield. 2004 Outstanding Title, designation by the American Library Association.
  • 2001:Changing Works: Visions of a Lost Agriculture. Douglas Harper. University of Chicago Press. Scholarly Achievement Award, North Central Sociological Association and Collier Award, Society for Visual Anthropology.
  • 1998:Mondi Da Vedere: Verso una sociologia piu visuale. Patrizia Faccioli and Douglas Harper, editors. Milan:FrancoAngeli.
  • 1994:Cape Breton, 1952: The Photographic Vision ofTimothy Asch (editor).University of Southern California: Ethnographics Press;International Visual Sociology Association.[9]
  • 1993:Eyes Across the Water, vol. II: Essays on Visual Sociology and Anthropology. Robert Boonzajer Flaes and Douglas Harper, editors. Amsterdam: Het Spinhuis Press.
  • 1987:Working Knowledge: Skill and Community in a Small Shop. Douglas Harper. University of Chicago Press. Paperback edition, University of California Press, 1992.[10]
  • 1982: Good Company. Douglas Harper. University of Chicago Press. Second edition translations: Good Company: Un sociologo tra I vagabondi. Milan: FrancoAngeli, 1999 in Italian; Les Vagabonds du Nord-Ouest Américain. Paris:L'Harmattan, 1998 in French.

Films

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  • 2013:The First Step to Recovery. (a 60-minute documentary film, in process.) Douglas Harper and Margaret Patterson, co-directors.
  • 1983:Ernie's Sawmill. Douglas Harper and Stephen Papson, co-directors. A 16 mm, 20-minuteethnographic film.

References

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  1. ^Mary Strong; Laena Wilder (May 1, 2009).Viewpoints: Visual Anthropologists at Work. University of Texas Press. pp. 38–.ISBN 978-0-292-70671-2.
  2. ^"Rev. Joseph A. Lauritis, C.S.Sp. Endowed Chair in Teaching with Technology | Make a Gift | Duquesne University". Archived fromthe original on April 2, 2015. RetrievedJanuary 22, 2015.
  3. ^Becker, Howard S. (November 1, 2007).Telling About Society. University of Chicago Press. p. 199.ISBN 978-0-226-04126-1.
  4. ^Kornblum, William (January 31, 2011).Sociology in a Changing World.Cengage Learning. p. 30.ISBN 978-1-111-30157-6.
  5. ^Kolb, Bettina (January 31, 2012)."Unveiling Space by Using Participatory Photo Interview". In Silva, Carlos Nunes (ed.).Online Research Methods in Urban and Planning Studies: Design and Outcomes. IGI Global. pp. 120–137.ISBN 978-1-4666-0075-1.
  6. ^"Doug Harper: IVSA President".International Visual Studies Association. RetrievedMarch 18, 2015.
  7. ^Harper, Douglas (2012).Book Review : Douglas Harper,Visual Sociology. New York: Routledge, 2012, 294 pp. Routledge.ISBN 978-0-415-77896-1. RetrievedNovember 25, 2016 – via Ejournals.library.ualberta.ca.
  8. ^"Good Company. Douglas Harper (Book)".Connection.ebscohost.com. January 3, 1982. Archived fromthe original on April 2, 2015. RetrievedNovember 25, 2016.
  9. ^"Photographic image of cover ofCape Breton 1952 : The Photographic Vision of Timothy Asch".Ethnographicspress.com. Archived fromthe original(JPG) on November 14, 2016. RetrievedNovember 13, 2016.
  10. ^"Working Knowledge: Skill and Community in a Small Shop by Douglas Harper" Peter F. MurphyThe Oral History Review Vol. 16, No. 2 (Autumn, 1988), pp. 157–159,Oxford University Press
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