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Don't Tap the Glass

From Wikipedia, the free encyclopedia
2025 studio album by Tyler, the Creator

Don't Tap the Glass
The album cover shows an edited image of Tyler, The Creator with bigger hands, a chain, glasses, a red cap reading "GLASS", and a big mouth.
Studio album by
ReleasedJuly 21, 2025 (2025-07-21)
Recorded
  • December 2024
  • 2025
Genre
Length28:30
LabelColumbia
ProducerTyler, the Creator
Tyler, the Creator chronology
Chromakopia
(2024)
Don't Tap the Glass
(2025)
Singles from Don't Tap the Glass
  1. "Ring Ring Ring"
    Released: July 30, 2025
  2. "Sugar on My Tongue"
    Released: August 20, 2025

Don't Tap the Glass (stylized inall caps) is the ninth studio album by American rapper and producerTyler, the Creator. It was released throughColumbia Records on July 21, 2025. The album includes guest appearances from American songwritersPharrell Williams (under both his name and his alter ego, Sk8brd),Madison McFerrin, andYebba. Tyler was the sole producer of all ten tracks.

Don't Tap the Glass was supported by two singles: "Ring Ring Ring" and "Sugar on My Tongue", which were serviced to US rhythmic radio on July 30 and August 20, respectively.[1][2] The album received generally positive reviews from critics and debuted at number one on theBillboard 200. Its release date coincides with the eighth anniversary of Tyler's fifth studio album,Flower Boy (2017).

Don't Tap the Glass was teased three days prior to release through art installations during Tyler'sChromakopia: The World Tour, along with a website that promotedmerchandise that was associated with the album's title. Heavy speculation regarding the album's guest appearances andtrack listing, fueled by early media reports, was debunked by Tyler in the lead-up to the release. On July 20, Tyler held a listening party in Los Angeles, California, for 300 guests, throughout which a ban on cameras and cell phones was enforced. In 2026, Tyler is set to embark on a Latin American tour, including headline appearances at theFestival Estéreo Picnic andLollapalooza Chile, Argentina, and Brazil.

Background and release

[edit]

Tyler began work on the album in December 2024, and recorded for most of the album during hisChromakopia: The World Tour.[3]

July 18thNYC outsideChromakopia Concert

The title was first used during a concert atBarclays Center on July 18, 2025, as part ofChromakopia: The World Tour; an art installation was outside the venue, featuring a figure enclosed in a clear box, with the title written on the front. An identical art installation appeared at theWorld Trade Center.[4] Tyler, who had previously[when?] been teasing something scheduled for July 21,[5] also shouted the title to the crowd.[6] Following the concert, theGolf Wang website was updated with new merchandise—includingvinyl records, T-shirts, and hats—featuring the album's branding.[7][8] On July 19, a website (donttaptheglass.com) was established, promoting the album and selling merchandise branded with the album's title. The website also displayed three boxes in blue, yellow, and red, respectively, with cryptic messages.[8]

A fabricated track listing was reposted onTwitter byComplex magazine on July 19, 2025, showing guest appearances fromKendrick Lamar andEarl Sweatshirt, among others. The post gained traction with fans until Tyler responded, saying that the information was false;Complex subsequently deleted the tweet and apologized.[9] Tyler also denied speculation that the album would be aconcept album.[6] In an interview withZane Lowe, Tyler described the album's quick rollout as "freeing", stating: "I didn't want to spend three years and try to be super innovative. [...] Bro, I made an album, I was done."[10] He stated the goal of the album was "to be fun and say outrageous shit and say shit that… inside jokes that me and my friends laugh at, and just talk big fly shit" and that he "just wanted to be silly again".[11]

On the eve of the album's release, Tyler held a listening party at theHollywood Forever Cemetery, promoting it saying "Don’t Come If You Aren’t Going To Dance".[12][13] Afterwards, he told fans it was one of the "greatest nites [sic] of my life", and encouraged listeners to enjoy the album "at full volume" while "dancing, driving, [or] running".[14][15][16] Through a social media statement, Tyler spoke openly about the effects of video recordings at concerts, attributing it to the decline of dancing:[14]

"I asked some friends why they don't dance in public and some said because of the fear of being filmed. I thought damn, a natural form of expression and a certain connection they have with music is now a ghost. It made me wonder how much of our human spirit got killed because of the fear of being a meme, all for having a good time... This album was not made for sitting still. Dancing driving running any type of movement is recommended to maybe understand the spirit of it. Only at full volume."

— Tyler, the Creator

Don't Tap the Glass was released on July 21, 2025, throughColumbia Records.[15]

Promotion

[edit]
[icon]
This sectionneeds expansion. You can help byadding missing information.(July 2025)
TheDon't Tap the Glass album logo, using a modified version of Scriptorium's Bastion font

Hours after the album's release, Tyler, the Creator released a music video for "Stop Playing with Me", which featured cameos fromClipse (brothersPusha T andMalice),LeBron James, andMaverick Carter.[17]

In the following days after, Tyler released five videos with the songs "Sucka Free", "Don't Tap That Glass / Tweakin'", "Ring Ring Ring" and "Big Poe" to further promote the album, these videos would consist of people dancing to the album and flashing the logo of the album in the last few seconds. The videos with "Don't Tap That Glass / Tweaking" were released separately, rather than both parts being in one video. The video for the second part of "Don't Tap That Glass / Tweaking" was released early via a locked Instagram story on Tyler's Instagram page CHROMAKOPIA.[citation needed]

On July 23, 2025, Tyler held a second listening party in the Under the ‘K’ Bridge Park inBrooklyn, New York.[18] A music video for "Sugar on My Tongue", directed by Tyler himself, was released on August 12, 2025.[19] A music video for "Sucka Free" was released on August 27, 2025.[20]

To further promote the album, Tyler will also embark on a Latin American tour in March 2026, headliningFestival Estéreo Picnic and the South American editions ofLollapalooza, and with solo shows inSan José,Mexico City,Guadalajara andSan Juan.[21]

Composition

[edit]
[icon]
This sectionneeds expansion. You can help byadding missing information.(July 2025)

Don't Tap the Glass has been described by journalists as arap house,[22]dance,[23][24]house,[25][24]funk[24][25] andtechno album.[25] At twenty-eight minutes and thirty seconds in length,Don't Tap the Glass is the shortest studio album inTyler, the Creator's discography[26] and the second-shortest release overall, behind the ten minutes and twenty-two seconds EPMusic Inspired by Illumination & Dr. Seuss' The Grinch (2018).[citation needed]Don't Tap the Glass has 10 tracks—the smallest number of tracks on any studio album from Tyler.[citation needed]

The opening track "Big Poe" samples "Roked" byShye Ben Tzur at the start of the track, and samples "Pass the Courvoisier, Part II" byBusta Rhymes, featuringSean Combs andPharrell Williams.[27] The seventh track, "Don't Tap That Glass / Tweakin'" is aNew Orleans bounce song.[11] The eighth track, "Don't You Worry Baby", contains elements of Atlanta bass andMiami bass.[11] The ninth track, "I'll Take Care of You", is ajungle song[11] and samples "Cherry Bomb" by Tyler, the Creator and "Knuck If You Buck" byCrime Mob, featuringLil Scrappy.[28]

For this album,Tyler, the Creator has taken inspiration from many other things around him and from his childhood, ranging from a wide variety of people to tangible things. One band in particular that Tyler took inspiration from was the Zambian rock band, known as theNgozi Family. When presented with the physical cover of the Ngozi FamilyLP titled “45,000 Volts" by famous interviewerNardwuar, Tyler goes on to explain how he particularly enjoys the graphic design used for the back cover of the LP. Tyler describes that he loves the cutout and the jagged ends of the cover that surrounds an image of the band members who are appearing as clumsy. The look of the jagged ends can be described as a child using safety scissors to cut it out. It is noticed that on the physical copy of Tyler’s album “Don't Tap the Glass”, it has similar jagged ends around his own image just like the cover for the LP “45,000” by the Ngozi Family.[29]

Critical reception

[edit]
Professional ratings
Aggregate scores
SourceRating
AnyDecentMusic?7.1/10[30]
Metacritic77/100[31]
Review scores
SourceRating
AllMusicStarStarStarHalf star[32]
Clash7/10[33]
ConsequenceB+[34]
The GuardianStarStarStarStar[35]
The Line of Best Fit8/10[36]
NMEStarStarStarStar[37]
MusicOMHStarStarStarStar[38]
Pitchfork7.7/10[39]
Rolling StoneStarStarStarHalf star[40]
Slant MagazineStarStar[41]
[icon]
This sectionneeds expansion. You can help byadding missing information.(August 2025)

Don't Tap the Glass received positive reviews frommusic critics. According to the review aggregatorMetacritic,Don't Tap the Glass received "generally favorable reviews" based on aweighted average score of 77 out of 100 from 11 critic scores.[31] The review aggregator site AnyDecentMusic? compiled 10 reviews and gave the album an average of 7.1 out of 10, based on their assessment of the critical consensus.[30]

John Amen's review forThe Line of Best Fit concludes that "Tyler doesn't break new ground as much as he amends the soil that's already there" and that it emphasizes how multifaceted he is.[36] Shahzaib Hussain ofClash described the album as a "mash-up of shrewd and slinky dancefloor capers that dials back the conceptual overload, hits the reset button and revels in fun."[33] Writing forHotNewHipHop, Gabriel Bras Nevares gave the album a positive review, calling it the "shortest, sweetest, most blunt, and most smack-talking LP in his entire discography."[42]

Accolades

[edit]
CeremonyYearAwardResultRef.
Grammy Awards2026Best Alternative Music AlbumNominated[43][44]

Year-end lists

[edit]
PublicationAccoladeRankRef.
BillboardThe 50 Best Albums of 20258[45]
ClashAlbums Of The Year 202544[46]
ComplexThe 50 Best Albums of 202517[47]
ConsequenceThe 50 Best Albums of 202513[48]
The 25 Best Rap Albums of 20258[49]
CrackThe Top 50 Albums of 202523[50]
Exclaim!50 Best Albums of 202515[51]
The FaderThe 50 best albums of 202550[52]
HotNewHipHopThe 40 Best Rap Albums of 202520[53]
HuffPostThe Best Albums Of 2025N/a[54]
NMEThe 50 best albums of 202538[55]
PasteThe 25 best rap albums of 202524[56]
PitchforkThe 30 Best Pop Albums of 202526[57]
Rolling StoneThe 25 Best Hip-Hop Albums of 202510[58]
StereogumThe 50 Best Albums Of 202539[59]
The 10 Best Rap Albums Of 20257[60]
VarietyTop 10 Albums of 20257[61]

Commercial performance

[edit]

In the United States,Don't Tap the Glass debuted atop theBillboard 200, with first-week sales of 197,000album-equivalent units, consisting of 93.34 million on-demand streams and 128,000 pure album sales, earning Tyler, the Creator his fourth consecutive number one album on the chart.[62]

Track listing

[edit]

All tracks are written and produced byTyler Okonma, with additional writers noted.[63]

No.TitleWriter(s)Length
1."Big Poe" (withPharrell Williams / featuringSk8brd)3:02
2."Sugar on My Tongue" 2:33
3."Sucka Free" 2:41
4."Mommanem"
  • Tommi Eckart[b]
  • Nicholas Deinhardt[b]
1:15
5."Stop Playing with Me" 2:13
6."Ring Ring Ring"3:21
7."Don't Tap That Glass / Tweakin'"3:42
8."Don't You Worry Baby" (featuringMadison McFerrin)
2:58
9."I'll Take Care of You" (featuringYebba)3:20
10."Tell Me What It Is" 3:22
Total length:28:30
CD and vinyl release[64]
No.TitleLength
10."Down Bad"2:01
11."Tell Me What It Is"3:17
Total length:30:26

Sample credits[28][65]

Personnel

[edit]

Credits adapted fromQobuz.

  • Tyler, the Creator – executive production, production (all tracks), recording (all tracks)
  • Ron "T.nava" Avant – vocoder (tracks 2–3, 6)
  • Swizz Beatz – vocals (track 7)
  • Vic Wainstein – recording (tracks 2–3, 6, 8–10)
  • Ivan Marcelo – assistant recording (tracks 3, 6)
  • Garrett Duncan – assistant recording (track 8)
  • Danforth Webster – assistant recording (track 9)
  • Collin Clark – assistant recording (track 10)
  • Neal H Pogue – mixing (all tracks)
  • Zachary Acosta – assistant mixing (all tracks)
  • Mike Bozzi – mastering (all tracks)

Charts

[edit]

Weekly charts

[edit]
Weekly chart performance forDon't Tap the Glass
Chart (2025)Peak
position
Australian Albums (ARIA)[67]4
Australian Hip Hop/R&B Albums (ARIA)[68]1
Austrian Albums (Ö3 Austria)[69]4
Belgian Albums (Ultratop Flanders)[70]1
Belgian Albums (Ultratop Wallonia)[71]3
Canadian Albums (Billboard)[72]6
Danish Albums (Hitlisten)[73]10
Dutch Albums (Album Top 100)[74]2
Finnish Albums (Suomen virallinen lista)[75]22
French Albums (SNEP)[76]33
German Albums (Offizielle Top 100)[77]4
Hungarian Albums (MAHASZ)[78]14
Icelandic Albums (Tónlistinn)[79]5
Irish Albums (OCC)[80]2
Italian Albums (FIMI)[81]10
Japanese Dance & Soul Albums (Oricon)[82]3
Japanese Digital Albums (Oricon)[83]25
Japanese Western Albums (Oricon)[84]25
Japanese Hot Albums (Billboard Japan)[85]17
Lithuanian Albums (AGATA)[86]5
New Zealand Albums (RMNZ)[87]4
Norwegian Albums (IFPI Norge)[88]14
Polish Albums (ZPAV)[89]6
Portuguese Albums (AFP)[90]1
Scottish Albums (OCC)[91]1
Spanish Albums (PROMUSICAE)[92]25
Swedish Albums (Sverigetopplistan)[93]6
Swiss Albums (Schweizer Hitparade)[94]1
UK Albums (OCC)[95]2
UK R&B Albums (OCC)[96]1
USBillboard 200[97]1
USTop R&B/Hip-Hop Albums (Billboard)[98]1

Year-end charts

[edit]
Year-end chart performance forDon't Tap the Glass
Chart (2025)Position
USBillboard 200[99]148
US Top R&B/Hip-Hop Albums (Billboard)[100]42

Notes

[edit]
  1. ^"Pass the Courvoisier, Part II" is a remix of another Busta Rhymes track of the same name, which itself contains elements of the following songs:[66]This sample is additionally not included on physical versions of the album.

References

[edit]
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Studio albums
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