Dive is a Belgianelectronic body music project formed in 1990 byDirk Ivens (Absolute Body Control,Klinik, Blok 57,Sonar). Dive's "audio trademark" is the experimental sound of abuseddrum machines, pulsating through crackling distortion on almost every song.
Dirk Ivens began Dive as a solo project in 1990 during the waning days of his participation in the bandKlinik.[1] With Dive, Dirk sought to have complete control over his creative process as a change from his many previous years working with bands.[2] Dive as a musical concept was intended to project a far more minimal presence, not only in terms of the equipment and sounds produced, but in live performances as well; Dirk performs on stage with just himself and his recordings and minimal visual presentation.[2]
The earliest Dive works were produced with only a rhythm machine and several effects units that, together, produced rhythmic, distorted noise tracks overlain with Dirk's vocals - always processed, sometimes distorted.[1] The overall presentation was that of "noise as noise" with instructions in the liner notes that the music was "to be played at maximum volume."[3] With the release ofSnakedressed, Dive took on a more club-friendly sound with a wider sonic palette and less pronounced distortion.[4]
Although explicitly a solo project of Ivens', Dirk has worked numerous times in the studio with composer and Minus Habens label founderIvan Iusco. Several tracks included in the albumsConcrete Jungle,Snakedressed,True Lies andUnderneath are written and produced by Ivan.[4][5] Rafael M. Espinosa of Geistform also produced several tracks forBehind The Sun andUnderneath.[6] The latest album "Where Do We Go From Here?" was made in collaboration with Jan Dewulf (Your Life On Hold and Diskonnekted). It is available as regular CD and as a wooden box, limited to 500 copies, including the album on vinyl, the CD and an exclusive vinyl EP with extended versions and remixes from Numb and Suicide Commando.
Dive's live performances have always remained a solo effort.[2]
^Comer, M. Tye (27 December 1999)."RPM"(PDF).CMJ New Music Report. Vol. 60, no. 648. Great Neck, NY: College Media, Inc. p. 25.ISSN0890-0795. Retrieved13 January 2022.
