Dick Clark | |
|---|---|
.JPG) Clark in 1974 on the set ofThe $10,000 Pyramid | |
| Born | Richard Wagstaff Clark (1929-11-30)November 30, 1929 Bronxville, New York, U.S. |
| Died | April 18, 2012(2012-04-18) (aged 82) Santa Monica, California, U.S. |
| Alma mater | Syracuse University |
| Occupations |
|
| Years active | 1945–2012 |
| Organization | Dick Clark Productions |
| Known for | American Bandstand Pyramid Dick Clark's New Year's Rockin' Eve |
| Spouses | |
| Children | 3, includingDuane |
| Awards | Full list |
Richard Wagstaff Clark[1][2] (November 30, 1929 – April 18, 2012) was an American television and radio personality and television producer who hostedAmerican Bandstand from 1956 to 1989. He also hosted five incarnations of thePyramid game show from 1973 to 1988 andDick Clark's New Year's Rockin' Eve, which broadcast New Year's Eve celebrations in New York City'sTimes Square.
As host ofAmerican Bandstand, Clark introducedrock and roll to many Americans. The show gave many new music artists their first exposure to national audiences, includingThe Supremes,Ike & Tina Turner,Smokey Robinson and the Miracles,Stevie Wonder,Simon & Garfunkel,Iggy Pop,Prince,Talking Heads andMadonna. Episodes he hosted were among the first in which black people and white people performed on the same stage, and they were among the first in which the live studio audience sat down together withoutracial segregation. SingerPaul Anka claimed thatBandstand was responsible for creating a "youth culture". Due to his perennially youthful appearance and his largely teenaged audience ofAmerican Bandstand, Clark was often referred to as "America's oldest teenager" or "the world's oldest teenager".[3][4]
In his off-stage roles, Clark served as chief executive officer ofDick Clark Productions (though he sold his financial interest in the company during his later years). He also founded theAmerican Bandstand Diner, a restaurant chain themed after the television program of the same name. In 1973, he created and produced the annualAmerican Music Awards show, similar to theGrammy Awards.[3]
Clark was born on November 30, 1929, inBronxville, New York, and raised in neighboringMount Vernon,[5] the second child of Richard Augustus Clark and Julia Fuller Clark, née Barnard. His only sibling, elder brother Bradley, aWorld War IIP-47 Thunderbolt pilot, was killed in theBattle of the Bulge.[6]
Clark attended Mount Vernon's A.B. Davis High School (later renamed A.B. Davis Middle School), where he was an average student.[7] At the age of 10, Clark decided to pursue a career in radio.[7] In pursuit of that goal, he attendedSyracuse University, graduating in 1951 with a degree in advertising and a minor in radio.[7] While at Syracuse, he was a member ofDelta Kappa Epsilon fraternity (Phi Gamma).[8]
In 1945, Clark began his career working in the mailroom atWRUN, anAM radio station inUtica, New York, that was owned by his uncle and managed by his father. Almost immediately, he was asked to fill in for the vacationing weatherman and, within a few months, he was announcing station breaks.[7]
While attending Syracuse, Clark worked atWOLF-AM, then a country music station. After graduation, he returned to WRUN for a short time where he went by the name Dick Clay.[7] After that, Clark got a job at the television stationWKTV inUtica, New York.[7] His first television-hosting job was onCactus Dick and the Santa Fe Riders, acountry-music program. He later replacedRobert Earle (who later hosted theGE College Bowl) as a newscaster.[9]
In addition to his announcing duties on radio and television, Clark owned several radio stations. From 1964 to 1978, he owned KPRO (nowKFOO) inRiverside, California under the name Progress Broadcasting.[10][11] In 1967, he purchased KGUD-AM-FM (nowKTMS andKTYD, respectively) inSanta Barbara, California.[12][13]
In 1952, Clark moved toDrexel Hill, Pennsylvania, a suburb ofPhiladelphia, where he took a job as a disc jockey at radio stationWFIL, adopting the Dick Clark handle.[14] WFIL had an affiliated television station (nowWPVI) with the samecall sign, which began broadcasting a show calledBob Horn's Bandstand in 1952. Clark was responsible for a similar program on the company's radio station and served as a regular substitute host when Horn went on vacation.[7] In 1956, Horn was arrested for drunk driving and was subsequently dismissed.[7] On July 9, 1956, Clark became the show's permanent host.[7]
Bandstand was picked up by theABC television network, renamedAmerican Bandstand, and debuted nationally on August 5, 1957.[15] The show took off, due to Clark's natural rapport with the live teenage audience and dancing participants as well as the "clean-cut, non-threatening image" he projected to television audiences.[16] As a result, many parents were introduced to rock and roll music. According to Hollywood producerMichael Uslan, "he was able to use his unparalleled communication skills to presentrock 'n roll in a way that was palatable to parents."[17] James Sullivan ofRolling Stone stated that "Without Clark, rock & roll in its infancy would have struggled mightily to escape the common perception that it was just a passing fancy."[18]
In 1958,The Dick Clark Show was added to ABC's Saturday night lineup.[7] By the end of year, viewership exceeded 20 million, and featured artists were "virtually guaranteed" large sales boosts after appearing.[7] In a surprise television tribute to Clark in 1959 onThis Is Your Life, hostRalph Edwards called him "America's youngest starmaker", and estimated the show had an audience of 50 million.
Clark moved the show from Philadelphia to Los Angeles in 1964.[7] The move was related to the popularity of new "surf" groups based in southern California, includingThe Beach Boys andJan and Dean. After moving to Los Angeles, the show became more diverse and featured more minorities.[19] The show was notable for promotingdesegregation in popular music and entertainment by prominently featuring black musicians and dancers.[18][20] Prior to this point, the show had largely excluded black teenagers.[21][22]
The show ran daily Monday through Friday until 1963, then weekly on Saturdays until 1988.Bandstand was briefly revived in 1989, withDavid Hirsch taking over hosting duties. By the time of its cancellation, the show had become the longest-running variety show in TV history.[7]
In the 1960s, the show's emphasis changed from merely playing records to including live performers. During this period, many of the leading rock bands and artists of the 1960s had their first exposure to nationwide audiences. A few of the many artists introduced wereThe Supremes,Ike and Tina Turner,Smokey Robinson and the Miracles,The Beach Boys,Stevie Wonder,Prince,Simon and Garfunkel,Jerry Lee Lewis,Buddy Holly,Bobby Fuller,Johnny Cash,Sam Cooke,Fats Domino andChubby Checker.[23][24]
During an interview with Clark by Henry Schipper ofRolling Stone magazine in 1990, it was noted that "over two-thirds of the people who've been initiated into theRock and Roll Hall of Fame had their television debuts onAmerican Bandstand, and the rest of them probably debuted on other shows [they] produced."[25] During the show's lifetime, it featured over 10,000 live performances, many by artists who were unable to appear anywhere else on TV, as the variety shows during much of this period were "antirock".[25] Schipper points out that Clark's performers were shocking to general audiences:
The music establishment, and the adults in general, really hatedrock and roll. Politicians, ministers, older songwriters and musicians foamed at the mouth.Frank Sinatra reportedly called Elvis Presley a "rancid-smelling aphrodisiac".[25]
Clark was therefore considered to have a negative influence on youth and was well aware of that impression held by most adults:
I was roundly criticized for being in and around rock and roll music at its inception. It was the devil's music, it would make your teeth fall out and your hair turn blue, whatever the hell. You get through that.[26]
In 2002, many of the bands he introduced appeared at the 50th anniversary special to celebrateAmerican Bandstand.[27] Clark noted during the special thatAmerican Bandstand was listed in theGuinness Book of Records as "the longest-running variety show in TV history." In 2010,American Bandstand and Clark himself were honored at the Daytime Emmy Awards.[28]Hank Ballard, who wrote "The Twist", described Clark's popularity during the early years ofAmerican Bandstand:
The man was big. He was the biggest thing in America at that time. He was bigger than the president![29]
As a result of Clark's work onBandstand, journalist Ann Oldenburg states "he deserves credit for doing something bigger than just putting on a show."[29]Los Angeles Times writer Geoff Boucher goes further, stating that "with the exception of Elvis Presley, Clark was considered by many to be the person most responsible for the bonfire spread ofrock 'n roll across the country in the late 1950s", making Clark a "household name".[17] He became a "primary force in legitimizing rock 'n' roll", adds Uslan. Clark, however, simplified his contribution:
I played records, the kids danced, and America watched.[30]
Shortly after becoming its host, Clark also ended the show's all-white policy by featuring black artists such asChuck Berry. In time, blacks and whites performed on the same stage, and studio seating was desegregated.[23] Beginning in 1959 and continuing into the mid-1960s, Clark produced and hosted theCaravan of Stars, a series of concert tours built upon the success ofAmerican Bandstand, which by 1959 had a national audience of 20 million.[29] However, Clark was unable to hostElvis Presley,the Beatles orthe Rolling Stones on either of his programs.[17]
The reason for Clark's impact on popular culture has been partially explained byPaul Anka, a singer who appeared on the show early in his career: "This was a time when there was no youth culture—he created it. And the impact of the show on people was enormous."[31] In 1990, a couple of years after the show had been off the air, Clark considered his personal contribution to the music he helped introduce:
My talent is bringing out the best in other talent, organizing people to showcase them and being able to survive the ordeal. I hope someday that somebody will say that in the beginning stages of the birth of the music of the fifties, though I didn't contribute in terms of creativity, I helped keep it alive.[25]
In 1960, theUnited States Senate investigatedpayola, the practice of music-producing companies paying broadcasting companies to favor their product. As a result, Clark's personal investments in music publishing and recording companies were considered a conflict of interest, and he sold his shares in those companies.[32]
When asked about some of the causes for the hearings, Clark speculated about some of the contributing factors not mentioned by the press:
Politicians ... did their damnedest to respond to the pressures they were getting from parents and publishing companies and people who were being driven out of business [by rock]. ... It hit a responsive chord with the electorate, the older people. ... they full-outhated the music. [But] it stayed alive. It could've been nipped in the bud, because they could've stopped it from being on television and radio.[25]
As reported by aNew York Times Magazine interview with Dick Clark,Gene Shalit was Clark's press agent in the early 1960s. Shalit reportedly "stopped representing" Clark during the Congressional investigation ofpayola. Clark never spoke to Shalit again, and referred to him as a "jellyfish".[33]
Beginning in late 1963, Clark branched out into hosting game shows, presiding overThe Object Is.[34] The show was canceled in 1964 and replaced byMissing Links, which had moved fromNBC. Clark took over as host, replacingEd McMahon.[34]
Clark became the first host ofThe $10,000 Pyramid, which premiered on CBS March 26, 1973.[35] The show—a word-association game created and produced by daytime television producerBob Stewart—moved to ABC in 1974. Over the coming years, the top prize changed several times (and with it the name of the show), and several primetime spinoffs were created.[35]
As the program moved back to CBS in September 1982, Clark continued to host the daytime version through most of its history, winning threeEmmy Awards for best game show host.[36] In total,Pyramid won nine Emmy Awards for best game show during his run, a mark that is eclipsed only by the twelve won by thesyndicated version ofJeopardy!.[37] Clark's finalPyramid hosting gig,The $100,000 Pyramid, ended in 1988.[38]
Clark subsequently returned toPyramid as a guest in later incarnations. During the premiere of theJohn Davidson version in 1991, Clark sent a pre-recorded message wishing Davidson well in hosting the show. In 2002, Clark played as a celebrity guest for three days on theDonny Osmond version. Earlier, he was also a guest during theBill Cullen version ofThe $25,000 Pyramid, which aired simultaneously with Clark's daytime version of the show.[39]
Entertainment Weekly credited Clark's "quietly commanding presence" as a major factor in the game show's success.[35]
Clark hosted the syndicated television game showThe Challengers, during its only season (1990–91).The Challengers was a co-production between the production companies of Dick Clark andRon Greenberg. During the 1990–91 season, Clark and Greenberg also co-produced a revival ofLet's Make a Deal for NBC withBob Hilton as the host. Hilton was later replaced by original hostMonty Hall. Clark later hostedScattergories on NBC in 1993; andThe Family Channel's version ofIt Takes Two in 1997. In 1999, along with Bob Boden, he was one of the executive producers ofFox's TV game showGreed, which ran from 5 November 1999, to 14 July 2000, and was hosted byChuck Woolery. At the same time, Clark also hosted the Stone-Stanley-createdWinning Lines, which ran for six weeks on CBS from 8 January through 12 February 2000,Geraldo Rivera was actually supposed to hostWinning Lines but couldn't agree on the contract, so CBS selected Clark to host.[40]
He concluded his game show hosting career with another of his productions,Challenge of the Child Geniuses, a series of two two-hour specials broadcast on Fox in May and November 2000.
In 1972, Dick Clark first producedNew Year's Rockin' Eve, a New Year's Eve music special forNBC which included coverage of theball drop festivities in New York City. Clark aimed to challenge the dominance ofGuy Lombardo's New Year's specials onCBS, as he believed itsbig band music was too dated. After two years on NBC—during which the show was hosted byThree Dog Night andGeorge Carlin, respectively—the program moved to ABC, and Clark assumed hosting duties. Following Lombardo's death in 1977,Rockin' Eve experienced a surge in popularity and later became the most-watched annual New Year's Eve broadcast. Clark also served as a special correspondent forABC News'sABC 2000 Today broadcast, covering the arrival of 2000.[41][42][43]
Following his stroke (which prevented him from appearing at all on the 2004–05 edition),[44] Clark returned to make brief appearances on the 2005–06 edition while ceding the majority of hosting duties toRyan Seacrest. Reaction to Clark's appearance was mixed. While some TV critics (including Tom Shales ofThe Washington Post, in an interview with theCBS Radio Network) felt that he was not in good enough shape to do the broadcast, stroke survivors and many of Clark's fans praised him for being a role model for people dealing with post-stroke recovery.[42][45] Seacrest remained host and an executive producer of the special, assuming full duties after Clark's death.[46]
Clark's first love was radio and, in 1963, he began hosting a radio program calledThe Dick Clark Radio Show. It was produced by Mars Broadcasting ofStamford. Despite Clark's enormous popularity onAmerican Bandstand, the show was only picked up by a few dozen stations and lasted less than a year.[47]
On March 25, 1972, Clark hostedAmerican Top 40, filling in forCasey Kasem.[48] In 1981, he createdThe Dick Clark National Music Survey for theMutual Broadcasting System.[36] The program counted down the top 30 contemporary hits of the week in direct competition withAmerican Top 40. Clark left Mutual in October 1985, and Bill St. James (and later Charlie Tuna) took over the National Music Survey.[36] Clark's United Stations purchased RKO Radio Network in 1985 and, when Clark left Mutual, he began hosting USRN's "Countdown America" which continued until 1995.
In 1982, Clark launched his own radio syndication group with partners Nick Verbitsky andEd Salamon called the United Stations Radio Network. That company later merged with the Transtar Network to become Unistar. In 1994, Unistar was sold to Westwood One Radio. The following year, Clark and Verbitsky started over with a new version of the USRN, bringing into the foldDick Clark's Rock, Roll & Remember, written and produced by Pam Miller (who also came up with the line used in the show and later around the world: "the soundtrack of our lives"), and a new countdown show:The U.S. Music Survey, produced by Jim Zoller. Clark served as its host until his December 2004 stroke.[36]United Stations Radio Networks continues in operation as of 2020.
Dick Clark's longest-running radio show began on 14 February 1982.Dick Clark's Rock, Roll & Remember was a four-hour oldies show named after Clark's 1976 autobiography. The first year, it was hosted by veteran Los Angeles disc jockey Gene Weed. Then in 1983, voiceover talentMark Elliot co-hosted with Clark. By 1985, Clark hosted the entire show.Pam Miller wrote the program and Frank Furino served as producer. Each week, Clark profiled a different artist from the rock and roll era and counted down the top four songs that week from a certain year in the 1950s, 1960s or early 1970s. The show ended production when Clark suffered his December 2004 stroke. Reruns from the 1995–2004 era continued to air in syndication until USRN withdrew the show in 2020.
At the peak of hisAmerican Bandstand fame, Clark also hosted a 30-minute Saturday night program calledThe Dick Clark Show (akaThe Dick Clark Saturday Night Beech-Nut Show). It aired from 15 February 1958, until 10 September 1960, on the ABC television network. It was broadcast live from the "Little Theater" in New York City and was sponsored by Beech-Nut gum. It featured the rock and roll stars of the day lip-synching their hits, just as onAmerican Bandstand. However, unlike the afternoonBandstand program, which focused on the dance floor with the teenage audience demonstrating the latest dance steps, the audience ofThe Dick Clark Show sat in a traditional theater setting. While some of the musical numbers were presented simply, others were major production numbers. The high point of the show was Clark's unveiling, with great fanfare at the end of each program, of the top ten records of the previous week.[49] This ritual became so embedded in American culture that it was imitated in many media and contexts, which in turn were satirized nightly byDavid Letterman on his ownTop Ten lists.
From 27 September to December 20, 1959, Clark hosted a 30-minute weekly talent/variety series titledDick Clark's World of Talent at 10:30 p.m. Sundays on ABC. A variation of producer Irving Mansfield's earlierCBS series,This Is Show Business (1949–1956), it featured three celebrity panelists, including comedianJack E. Leonard, judging and offering advice to amateur and semi-professional performers. While this show was not a success during its nearly three-month duration, Clark was one of the few personalities in television history on the air nationwide seven days a week.[49]
One of Clark's guest appearances was in the final episode ("The Case of the Final Fade-Out") of the originalPerry Mason TV series, playing a character named "Leif Early" in a show that satirized the show business industry.[50] He appeared as a drag-racing-strip owner in a 1973 episode of theprocedural drama seriesAdam-12.
Clark appeared in an episode ofPolice Squad!, in which he asks an underworld contact aboutska and obtains skin cream to keep himself looking young.[citation needed]
Clark attempted to branch into the realm ofsoul music with the seriesSoul Unlimited in 1973. The series, hosted byBuster Jones, was a more risqué and controversial imitator of the popular seriesSoul Train and alternated in theBandstand time slot. The series lasted for only a few episodes.[51] Despite a feud between Clark andSoul Train creator and hostDon Cornelius,[52] the two men later collaborated on several specials featuring black artists.
Clark hosted the short-livedDick Clark's Live Wednesday in 1978 for NBC.[53] In 1980, Clark served as host of the short-lived seriesThe Big Show, an unsuccessful attempt by NBC to revive the variety show format of the 1950s/'60s. In 1984, Clark produced and hosted the NBC seriesTV's Bloopers & Practical Jokes with co-hostEd McMahon. Clark and McMahon were longtime Philadelphia acquaintances, and McMahon praised Clark for first bringing him together with future TV partnerJohnny Carson when all three worked at ABC in the late 1950s. TheBloopers franchise stemmed from the Clark-hosted (and produced) NBCBloopers specials of the early 1980s, inspired by the books, record albums and appearances ofKermit Schafer, a radio and TV producer who first popularized outtakes of broadcasts.[50] For a period of several years in the 1980s, Clark simultaneously hosted regular programs on all three major American television networks—ABC (Bandstand), CBS (Pyramid) and NBC (Bloopers).[54]
In July 1985, Clark hosted the ABC primetime portion of the historicLive Aid concert, an all star concert designed byBob Geldof to end world hunger.[55] During the1988 Writers Guild of America strike, Clark (as host and producer) filled in a void on CBS' fall schedule withLive! Dick Clark Presents.[56]
Clark also hosted various pageants from 1988 to 1993 on CBS. He did a brief stint as announcer onThe Jon Stewart Show in 1995.[57] Two years later, he hosted thePennsylvania Lottery 25th Anniversary Game Show special with then-Miss Pennsylvania Gigi Gordon forJonathan Goodson Productions. He also created and hosted two Fox television specials in 2000 calledChallenge of the Child Geniuses,[58] the last game show he hosted.[citation needed]
From 2001 to 2003, Clark was a co-host ofThe Other Half withMario Lopez,Danny Bonaduce andDorian Gregory, a syndicated daytime talk show intended to be the male equivalent ofThe View. Clark also produced the television seriesAmerican Dreams about a Philadelphia family in the early 1960s whose daughter is a regular onAmerican Bandstand. The series ran from 2002 to 2005.[50]
Clark wrote, produced and starred in the 1968 filmKillers Three, a Western drama that served as a promotional vehicle forBakersfield country musiciansMerle Haggard andBonnie Owens.
In 1967, Clark made an appearance in theBatman television series. Clark also appears in interview segments of a 2002 film,Confessions of a Dangerous Mind, which was based on the "unauthorized autobiography" ofChuck Barris, who had worked at ABC as a standards-and-practices executive duringAmerican Bandstand's run on that network.[59]
In the 2002Dharma & Greg episode "Mission: Implausible", Greg is the victim of a college prank, and he devises an elaborate plan to retaliate, part of which involves his use of a disguise kit; the first disguise chosen is that of Dick Clark. During a fantasy sequence that portrays the unfolding of the plan, the real Clark plays Greg wearing his disguise.[60]
He also made brief cameos in two episodes ofThe Fresh Prince of Bel-Air. In one episode he plays himself at a Philadelphia diner, and in the other he helpsWill Smith's character hostbloopers from past episodes of that sitcom.[61]
With Ed McMahon, Clark was a spokesman forAmerican Family Sweepstakes until he quit over controversy from the company regarding their sales techniques.[62] Though McMahon continued until the company went out of business, Clark's previous involvement in the Payola scandal motivated him to be sensitive about his public image.
In 1965, Clark branched out from hosting, producingWhere the Action Is, an afternoon television program shot at different locations every week featuring house bandPaul Revere and the Raiders.[7] In 1973, Clark began producing the highly successfulAmerican Music Awards.[7] In 1987, Dick Clark Productions went public.[7] Clark remained active in television and movie production into the 1990s.[7]
Clark had a stake in a chain of music-themedrestaurants licensed under the names "Dick Clark's American Bandstand Grill",[63] "Dick Clark's AB Grill", "Dick Clark's Bandstand – Food, Spirits & Fun" and "Dick Clark's AB Diner".[64] There are currently two airport locations inNewark, New Jersey andPhoenix, Arizona; one location in theMolly Pitcher travel plaza on theNew Jersey Turnpike inCranbury, New Jersey; and one location at "Dick Clark's American Bandstand Theater" inBranson, Missouri. Until recently,Salt Lake City, Utah had an airport location.[65] Other restaurants that have closed were located inKing of Prussia (Pennsylvania); Miami;Columbus;Cincinnati;Indianapolis; andOverland Park (Kansas).
"Dick Clark's American Bandstand Theater" opened in Branson in April 2006,[66] and nine months later, a new theater and restaurant titled "Dick Clark's American Bandstand Music Complex" opened nearDolly Parton'sDollywood theme park inPigeon Forge, Tennessee.[67]
From 1979 to 1980, Clark reportedly owned the former Westchester Premier Theatre inGreenburgh, New York, renaming it the Dick Clark Westchester Theatre.[68]
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Clark was the son of Richard A. Clark, who managedWRUN radio inUtica, New York.[69]
He was married three times. His first marriage was to Barbara Mallery in 1952; the couple had one son, Richard A. Clark, and divorced in 1961. He married Loretta Martin in 1962; the couple had two children,Duane and Cindy, and divorced in 1971. His third marriage, to Kari Wigton, whom he married in 1977, lasted until his death. He also had three grandchildren.[70]
During an interview onLarry King Live in April 2004, Clark revealed that he hadtype 2 diabetes.[71][72] His death certificate noted that Clark hadcoronary artery disease at the time of his death.[73]
On December 6, 2004, Clark was hospitalized in Los Angeles after suffering what was initially termed a minor stroke. Although he was expected to be treated without any serious complications, it was later announced that Clark would be unable to host his annualNew Year's Rockin' Eve broadcast, withRegis Philbin filling in for him. Clark returned to the series the following year, but thedysarthria that resulted from the stroke rendered him unable to speak clearly for the remainder of his life.
On April 18, 2012, Clark died from aheart attack at a hospital inSanta Monica, California, shortly after undergoing atransurethral resection procedure to treat anenlarged prostate. He was 82 years old.[48][73] After his estate obtained the necessary environmental permits, he was cremated on April 20 and his ashes were scattered over thePacific Ocean.[74]
Following Clark's death, longtime friend andHouse Rules Committee ChairmanDavid Dreier eulogized Clark on the floor of theU.S. Congress.[75] PresidentBarack Obama praised Clark's career: "WithAmerican Bandstand, he introduced decades' worth of viewers to the music of our times. He reshaped the television landscape forever as a creative and innovative producer. And, of course, for 40 years, we welcomed him into our homes to ring in the New Year."[76]Motown founderBerry Gordy and singerDiana Ross spoke of Clark's impact on the recording industry: "Dick was always there for me and Motown, even before there was a Motown. He was an entrepreneur, a visionary and a major force in changing pop culture and ultimately influencing integration," Gordy said. "He presented Motown andthe Supremes on tour with the "Caravan of Stars" and onAmerican Bandstand, where I got my start," Ross said.[77]
Television
Halls of Fame
Organizational
| Awards and achievements | ||
|---|---|---|
| Preceded by | Daytime Emmy Award for Outstanding Game Show Host 1979 | Succeeded by |
| Preceded by | Daytime Emmy Award for Outstanding Game Show Host 1985–1986 | Succeeded by |
| Media offices | ||
| Preceded by Position created | Host ofPyramid 1973–1988 | Succeeded by |
| Preceded by Position created | Executive producer/host ofNew Year's Rockin' Eve 1973–2012 Served alongside:Regis Philbin (2005; as executive producer) Ryan Seacrest (2006–12; as host) | Succeeded by Ryan Seacrest |
| Preceded by | Miss USA host 1989–1993 | Succeeded by |
| Preceded by | Miss Universe host 1990–1993 | Succeeded by |
| Preceded by | American Bandstand host 1956–1989 | Succeeded by |
| International | |
|---|---|
| National | |
| Artists | |
| People | |
| Other | |