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The Flower Princess

From Wikipedia, the free encyclopedia
(Redirected fromDi Nü Hua)
For the princess, seePrincess Changping.
The Flower Princess
Chinese帝女花
Transcriptions
Standard Mandarin
Hanyu PinyinDì Nǚ Huā
Yue: Cantonese
JyutpingDai3 Neoi5 Faa1

Di Nü Hua is a fictional Chinese story aboutPrincess Changping of theMing Dynasty and her husband/lover, Zhou Shixian. The first known story was aKunqu script written in theQing Dynasty, while the second version was aCantonese opera from the early 1900s later found inJapan andShanghai. Little information is available from this early 1900s version. The contemporary prevailing version, not meant to be historically accurate, comes from the secondCantonese opera script.

The story unfolds as Princess Changping and Zhou Shixian are introduced to each other, participating in an arranged marriage.

They meet and get engaged with the blessing of their parents. Her father, the emperor, is overthrown byLi Zicheng. To save herself, the Princess hides as a nun in a monastery, but she happens to meet Zhou again. After being found by the new regime (theQing dynasty), she follows Zhou's plan to eventually commit suicide. Zhou formulates a plan to make sure that her father is properly buried (without asking for a proper burial ceremony) while her little brother is released to safety. Zhou returns alone to negotiate with the new regime using the bargaining power vested in him by a written request from her. Once the new regime makes good on these promises, the couple return to her former home for a wedding ceremony. They take poison (in some versions it isarsenic) on their wedding night in the palace garden where they first met.

Adaptations

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Yam Kim-fai (left) in costume with Bak Sheut-sin
Yam Kim-fai (left) with Bak Sheut-sin pose in costume for a performance ofThe Flower Princess.

Using the Kunqu version and other publications, playwrightTang Ti-sheng adapted the story into a Cantonese opera. The opera made its debut at theLee Theatre on 7 June 1957. ActressesYam Kim-fai andBak Sheut-sin were part of the original cast and portrayed the leading roles. They continued to play the leads until 1961, after which they appeared only sporadically from 1962 to 1970.

In October 2007, Yuen Siu Fai, who played the Princess's father[1] in 40 performances in Hong Kong and Macau in 2006 and 2007 explained to one academic on a radio talk show broadcast: "This title has become this popular today mostly by word of mouth since the mid-1960s; staged at Kai De Amusement Park Cantonese Opera Theatre. The performances of Chor Fung Ming throughout the 1970s and 1980s in newly developed satellite cities and towns were very well received. The role of male lead is extremely heavy by design and demonstrates the ‘masculine’ traits of Yam style (e.g.Chinese: 走鑼邊花). The more organic actors/actresses in this role would find it more emotionally demanding. It was non-stop and exhausting after intermission."[2][3]

While most well-knownTang works cater to the female leads, this is an exception. The importance of Zhou Shixian, instead of the Princess, in this 1957 version is also unique compared to other versions such asEternal Regret of Dynasty Ming (Chinese: 《明末遺恨》) andHow Jing-ngo Slew the Tiger (Chinese: 《貞娥刺虎》),[4] both ofPeking opera.

Notable performances

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Loong Kim Sang 2019

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From 28 November 2019 to 14 December 2019, theLoong Kim Sang performance commemorated 30 years since the passing of her mentorYam Kim Fai.

Peking opera 2018

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According toYu Kuizhi, this production was inspired by the (late 2006 to early 2007)[1] performances at the Lyric Theatre, Hong Kong.

Yu talked specifically how much the 2006 performance ofLoong Kim Sang impressed him and addressed Loong assensei (meaning accomplished, to show respect to someone who has achieved a certain level of mastery in an art form or some other skill) throughout that event.

Films/CD/DVD

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A film adaptation directed byWong Tin-lam and starring some of theCantonese opera original cast was released in 1959, while the album of full 4-hour stage version was released in 1960. In 1976, the 1959 film was remade by directorJohn Woo asPrincess Chang Ping[5] starring the Chor Fung Ming (Young Phoenix) Cantonese Opera Troupe alongLeung Sing Bor and Lang Chi Bak. A live recording of the stage performance[6] by Chor Fung Ming (Young Phoenix)[7] Cantonese Opera Troupe in December 2007 to celebrate the 50th anniversary of debut is available in DVD/CD.

TV

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TV stations, inHong Kong as well asTaiwan, have a few productions, sometimes renamed, relating to the 1957 version. In 1981,ATV Home adapted the play into a television drama titledPrincess Cheung Ping (Chinese: 武侠帝女花), in awuxia setting, starringDamian Lau,Michelle Yim andDavid Chiang. In 2003,TVB producedPerish in the Name of Love, a television series loosely based on the original play.Steven Ma andCharmaine Sheh starred in the leading roles.

Summary

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References

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  1. ^abThe University of Hong Kong, Culture & Humanities Fund, Fundraising Event (part of the close to HK$18 millions raised within two years)"Princess Changping" Gala Performance on 9 December 2006, Lyric Theatre, The Hong Kong Academy Of Performing Arts
  2. ^(in Chinese)2007年十月推出全新節目「細說帝女花」第1-10集,Yuen Siu Fai阮兆輝指出,《帝女花》自仙鳳鳴公演後,被眾多小戲班帶出來在「遊樂場仔」演出,漸被更多觀眾認識,但以這樣文雅而有深度的一齣劇,之所以進入全城的意識範圍,則有賴七、八十年代大紅大紫的雛鳳鳴劇團把戲帶落鄉演出,而所謂落鄉的「鄉」,在其時已漸漸變成「都市」。...指出愈是有本領的演員,演這齣戲則愈能真正感受劇力,故演得更辛苦,並舉出戲中的張力為例...。(第3-4集) - '戲擔人'
  3. ^Some transcript(in Chinese)
  4. ^How Zhen E Slew the Tiger (1960) at theHong Kong Movie DataBase
  5. ^Princess Chang Ping, retrieved2019-11-04
  6. ^2010-06-15Chinese - 戲曲視窗:粵劇導演不懂粵劇
  7. ^Yam Kim FaiBiography page...support and train new talent with Chufengming (Young Phoenix) Opera Troupe orChinese -雛鳳鳴劇團

External links

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1959 film

1976 film

Authority control databasesEdit this at Wikidata
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