| 104 – Destiny of the Daleks | |||
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| Doctor Who serial | |||
| Cast | |||
Others
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| Production | |||
| Directed by | Ken Grieve | ||
| Written by | Terry Nation | ||
| Script editor | Douglas Adams | ||
| Produced by | Graham Williams | ||
| Executive producer | None | ||
| Music by | Dudley Simpson | ||
| Production code | 5J | ||
| Series | Season 17 | ||
| Running time | 4 episodes, 25 minutes each | ||
| First broadcast | 1 September – 22 September 1979 | ||
| Chronology | |||
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| List of episodes (1963–1989) | |||
Destiny of the Daleks is the first serial of the17th season of the Britishscience fiction television seriesDoctor Who, which was first broadcast in four weekly parts onBBC1 from 1 September to 22 September 1979. The story introducesLalla Ward as the newlyregeneratedRomana.
It is set on the planetSkaro centuries after events of the 1975 serialGenesis of the Daleks. TheDaleks arrive on Skaro to find their creatorDavros (David Gooderson) in suspended animation. They seek his guidance to help them beat theMovellan race with whom the Daleks are in a stalemated war.
TheTARDIS lands on a rocky planet which theFourth Doctor and a newly-regeneratedRomana decide to explore. They soon see a group of ragged-looking humanoids burying one of their dead, followed by the arrival of an alien spaceship which half-buries itself in a nearby valley. As the pair are about to investigate, underground explosions force them back towards the ruins, where the Doctor is trapped under a fallen concrete pillar. Romana, unaware that she’s being followed by a gaunt figure, returns to the TARDIS to reassembleK9 so he can assist, but further explosions half-bury the TARDIS in rubble. When she returns to the city she discovers the Doctor missing, and her path blocked by the gaunt man. Backing away, she falls down a rubble chute; when she regains consciousness, she is captured by threeDaleks and taken away for interrogation.
Meanwhile, the Doctor is thanking the white-clad, silver-haired humanoids who have rescued him, remarking on their strength. Reluctantly, their leader, Commander Sharrel, informs him that they are on the planet designated D-5-Gamma-Z-Alpha, otherwise known asSkaro; the Doctor subsequently learns that theMovellans are here to wage war against the Daleks. Two Movellans bring in the gaunt stranger, a Starship Engineer called Tyssan who reveals that the Daleks used him as slave labour as part of a search operation.
Romana, who managed to fake her own death to escape the Daleks’ mining operation, is reunited with the Doctor as he, Tyssan and the Movellans make their way into the Dalek headquarters. There, the Doctor establishes that the Daleks are searching for something on a level that they have yet to access, and that he remembers an alternative route to this area. Although the accompanying Movellans are seemingly killed en route – by Dalek firepower and rockfalls – the Doctor, Romana and Tyssan manage to reach the location before the Daleks, just in time to witnessDavros, the Daleks’ creator, awakening from suspended animation.
With Daleks rapidly approaching, the three move the revived Davros into a blocked-off room elsewhere in the ruins of the Dalek city, with Romana and Tyssan heading off to get help from the Movellans. However, the Daleks soon discover the two, with the Doctor holding Davros hostage with a makeshift explosive, bargaining with the Daleks to free all their prisoners and to let him escape. Romana, meantime, has learned that the Movellans are not as altruistic as they appear; they intend to use their Nova Device, which makes a planet’s atmosphere flammable, to kill all life on the planet. The Doctor meets up with Tyssan and, having disabled a female Movellan scout, confirms that the Movellans are robots.
Captured by the Movellans, the Doctor and Romana learn that they and the Daleks’ computer-controlled space battle fleets have been in a logical stalemate for centuries, with not a single shot being fired. Realising that the Movellans will want the Doctor to give them the same “irrational” advantage as he could give the Daleks, Davros orders a bomb-laden squad of his creations to attack and destroy the Movellan craft, unaware that Tyssan has taken over the vessel with the help of the freed prisoners and some reprogrammed Movellans. Romana, meantime, disables Commander Sharrel before he can set off the Nova Device.
Successfully destroying Davros’s lone bodyguard, the Doctor forces Davros to destroy the Dalek suicide squad before they reach the Movellan ship. Davros is put into the custody of the former slave workers, and placed in cryogenic suspension before the journey to Earth where he will be put on trial. The Doctor and Romana leave, remarking on the fact whoever makes mistakes often wins.
The Doctor readsOolon Colluphid's bookThe Origins of the Universe and says he got it wrong "on the first line". Colluphid is a character fromThe Hitchhiker's Guide to the Galaxy written byscript editor Douglas Adams, who inserted the reference to his own work.[1]
This was Dalek creator Terry Nation's last script forDoctor Who; he declined several further offers due to the extensive uncredited story rewrite by script editorDouglas Adams, who claimed on several occasions that Nation had not delivered a script but simply several pages of story notes that rehashed previous Dalek stories.[citation needed]Ken Grieve, director of the serial, noted "When I arrived, I had one episode...a rough draft of the second one, and two outlines of the latter two episodes. The resolution was worked out by Douglas, [producer Graham Williams], and I."[2] Nation moved to the United States in 1980 and went on to work for various television projects in America, most famously as a writer and producer forMacGyver.
Michael Wisher was unavailable to reprise the role of Davros, as he was on tour in Australia.[3] David Gooderson replaced him, but the Davros mask (which was originally fitted for Wisher) was five years old and in poor condition; as a result, it suffers in appearance.K9 only appears near the start of the story, explained in-story as due to an electronic form oflaryngitis – the croaking was provided byRoy Skelton.[4] K9's later appearances in the season were voiced byDavid Brierley, following the departure ofJohn Leeson. K9's absence was because the prop was unsuitable for the large amount of location filming — the production team had suffered several problems using K9 on a similar location inThe Stones of Blood, and were not keen on repeating the experience. Terry Nation has said he had no desire to use K9 in his storyline; the scene (as well as other continuity gestures to Season 16) was inserted during rewrites by Douglas Adams.
Winspit Quarry inDorset was used for the planet Skaro,[5] also used were the quarry's small stone cottage and two larger buildings, (all of which were just empty derelict shells). The BBC added to the flooring of the two larger buildings a large number of silver coloured cylinders and pipes, sticking out of the rubble, which transformed these two derelict shells into the external ruins of the long abandoned Dalek city and the disused Kaled bunkers.
This was one of the first British productions to make use of aSteadicam; due to the high cost of such a set-up, nearly all the props and sets were reused, including the Davros mask.
The instalments are credited onscreen as "episodes", rather than "parts" – the only serial made afterThe Green Death to do so. In the next story,City of Death, it was returned to "parts".
Tim Barlow, who played Tyssan, was deaf at the time of filming.[4]
Tony Osoba later played Kracauer in the 1987 serialDragonfire and Duke in the 2014 episode "Kill the Moon".David Yip later played Curly in the audio playThe Girl Who Never Was.
| Episode | Title | Run time | Original release date | UK viewers (millions) [6] |
|---|---|---|---|---|
| 1 | "Episode One" | 24:03 | 1 September 1979 (1979-09-01) | 13.0 |
| 2 | "Episode Two" | 25:14 | 8 September 1979 (1979-09-08) | 12.7 |
| 3 | "Episode Three" | 24:32 | 15 September 1979 (1979-09-15) | 13.8 |
| 4 | "Episode Four" | 26:05 | 22 September 1979 (1979-09-22) | 14.4 |
When Episode One was broadcast, ITV was three weeks into a ten-week strike, which took it entirely off air with the exception of the Channel region, and all BBC programmes received a significant audience boost as a result. Episode Three broke the record for the highest-rated episode ofDoctor Who, set by an omnibus repeat ofPyramids of Mars on 27 November 1976: this was broken again the following week. According to the BBC's Audience Research Report, the serial was received positively, especially amongst children. The Daleks and Baker were praised, though the response to Ward was more mixed.[7] The story was repeated on BBC1 across four consecutive evenings from Tuesday to Friday, 5–8 August 1980, achieving viewing figures of 4.9, 5.8, 7.1, and 6.5 million viewers respectively.[8]
Paul Cornell,Martin Day, andKeith Topping wrote inThe Discontinuity Guide (1995) that the serial had "a tacky, inconsequential feel that comes from a decade of having its best jokes sneered at."[9] InThe Television Companion (1998),David J. Howe and Stephen James Walker criticised Romana's bizarre regeneration, the implication that the Daleks were now robots, and David Gooderson's Davros, believing the character was not only harmed by being played by a lesser actor but that he was also not as well written. Despite this, they said the story "ultimately manages to rise above all its undoubted failings and provides a fair degree of entertainment."[7] In 2011, Mark Braxton ofRadio Times wrote that the Daleks lacked menace and the script could be too comedic at times, but in spite of its flaws it was "clattering good fun".[10]The A.V. Club reviewer Christopher Bahn praised the first episode and the introduction of the new Romana, but felt the story quickly became dull, mishandled Davros, and failed to do anything with the Daleks.[11] Ian Berriman ofSFX gaveDestiny of the Daleks two out of five stars, criticising the Daleks as robots and much of the comedy. He also noted that it looked "shabby".[12]
 | |
| Author | Terrance Dicks |
|---|---|
| Cover artist | Andrew Skilleter |
| Series | Doctor Who book: Target novelisations |
Release number | 21 |
| Publisher | Target Books |
Publication date | 20 November 1979 |
| ISBN | 0-426-20096-9 |
Terrance Dicks' novelisation, published byTarget Books in November 1979, was released two months after transmission – one of the quickest Doctor Who novelisations, before any of the previous season's stories. AGerman translation was published byGoldmann in 1990.
Destiny of the Daleks was released onVHS in July 1994. In 2001 it was remastered and re-released as part ofThe Davros Collection, which consisted ofGenesis of the Daleks,Destiny of the Daleks,Resurrection of the Daleks,Revelation of the Daleks andRemembrance of the Daleks. It was released on DVD on 26 November 2007, both on its own and as part of theDavros Collection DVD box set (as listed above). This serial was also released as part of theDoctor Who DVD Files in issue 58 on 23 March 2011. It was further remastered in 2021 and released on Blu-ray as part ofDoctor Who The Collection Season 17 on 20 December 2021. The soundtrack, with linking narration by Lalla Ward, was released on vinyl byDemon Records on 13 April 2019.[13]
Doctor Who episodes | |
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| Season 17 | |
