Derrick May | |
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 Derrick May | |
| Background information | |
| Also known as |
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| Born | (1963-04-06)April 6, 1963 (age 61) |
| Origin | Detroit, Michigan, U.S. |
| Genres | |
| Occupations | |
| Years active | 1986–present |
| Labels | Transmat |
Derrick May (born April 6, 1963), also known asMayday andRhythim Is Rhythim, is an Americanelectronic musician fromBelleville, Michigan, United States. May is credited with pioneeringtechno music in the 1980s along with collaboratorsJuan Atkins andKevin Saunderson, commonly known asThe Belleville Three.[1]
May is an only child[2] born to a single mother inDetroit. May began to explore electronic music early in his life. At age 13, Derrick May began attendingBelleville High School, and became friends withJuan Atkins in 1981.[3] After an altercation, May became friends with Saunderson.[4][5] Atkins taught May andKevin Saunderson the essence of DJing as well, formed a trio, Deep Space Soundworks, collectively existing to present their favorite music at parties and clubs.[6] In an interview with a French magazine, May explained that people used to laugh at the ideas that they were entertained byKraftwerk anddisco sounds, we did our thing and continued to believe in ourselves, regardless.[7] During high school, Saunderson and Belleville High School classmate Juan Atkins were fans of DJ Charles "The Electrifying Mojo" Johnson.
When their careers took off, the three young men opened their three individual record labels, Metroplex belonging to Juan Atkins, KMS and Inner City for Kevin Saunderson and Transmat/Fragil all on Gratiot Ave, in Detroit's Eastern Market, this was known as Techno Alley.[8]
When Derrick May was a teenager, he worked part-time in a video arcade.[9]
May's production career started in 1987 with the release of a record called "Nude Photo" (written by Thomas Barnett), which helped kickstart theDetroit techno music scene. A year later, he followed this release with what was to become one oftechno's classic anthems, the seminal track "Strings of Life", which was named byFrankie Knuckles.[10] It "hit Britain in an especially big way during the country's 1987–1988 house explosion."[11] May's best known track, according to Frankie Knuckles, "just exploded. It was like something you can't imagine, the kind of power and energy people got off that record when it was first heard. Mike Dunn says he has no idea how people can accept a record that doesn't have a bassline."[10] The song was featured in video gameMidnight Club: Street Racing.[12][13]
Opened in 1988, The Music Institute in Detroit was where they held their residency.[14] May describes the place as a spiritual place for music. "We had a young beautiful black crowd and I mean beautiful in the sense of spirit mind and soul. We had white kids coming, Spanish kids coming, gay kids coming, straight kids coming."[3]
Derrick was a mentor to many great artists. Among them,Carl Craig andStacey Pullen have cited the difference between May's two labels as Transmat being fully devoted to original creation, whereas Fragile is where an artist can utilize more sampling, for a little creative push. May also ran a side-gig collective known as KAOS, a separate and lesser-known endeavor from Deep Space. May's Transmat Records label was the home of his best material, cuts like "Nude Photo," "Strings of Life," "Kaos" and "It Is What It Is," most produced from 1987 to 1989 as Rhythim Is Rhythim.[15] And though his release schedule all but halted during the 1990s, he continued DJing around the world and helping other artist to release their music honed Transmat into one of the most respected techno labels in the world.[9]
In Surreal Underground Entertainment 1993 America, Carl Craig said he "doesn't want Americans to look back at the music and think of it as a down point in history. The majority of American artists sent their musical efforts to Europe because it is more accepted by a wider audience."[16]
In the documentary about the Detroit techno scene, High Tech Soul, May notes that he saw people in Italy wearingUnderground Resistance shirts and was surprised at the group's success outside of Detroit. He says, "People were going crazy over Underground Resistance, and it was like they weren't even there."[17]
Recently, May produced the music for the film of the popular fighting video gameTekken.[18]
For two years, in 2003 and 2004, he was given control of Detroit's popularannual electronic music festival.[19] Originally conceived by Carl Craig, Derrick May, produced for 2 years. He named his event Movement, replacing the Detroit Electronic Music Festival along the Detroit city riverfront. Derrick May claims Carole Marvin stole the idea of festival from himself and Carl Craig. Her actions created a rift in the electronic music community in the talking a self-righteous stance, by firing Carl Craig.[20][21] In 2004, Kevin Saunderson and Ade' Mainor produced the Festival of Sound Electronically and International Nurtured, in short: Fuse-In for 1 year in 2005. As of 2019, the Detroit Electronic Festival is operated by Paxahau.[22]
Derrick May also still maintains a steady performance schedule, playing internationally many weekends. A pioneer of techno, he produces what he calls Hi-Tek Soul or "George Clinton meetingKraftwerk in an elevator."[10] He has also citedYellow Magic Orchestra,Ryuichi Sakamoto andUltravox as influences.[23]
In November 2020, May was accused of sexual assault by several women dating back to the early 2000s. May denies all allegations.[24][25][26][27] In connection with the accusations, he also filed a lawsuit for defamation against Michael James, a collaborator on the track "Strings of Life", who May believed to be pursuing a personal vendetta over unpaid royalties. The suit was later cancelled in February 2021.[28][29][30]
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