The perception of darkness differs from the mere absence of light that sometimes lead to afterimages. In perceiving, the eye is active, and the part of the retina that is unstimulated produces a complementary afterimage.[1]
In terms of physics, an object is said to be dark when it absorbsphotons, causing it to appear dim compared to other objects. For example, matte black paint does not reflect much visible light and appears dark, whereas white paint reflects much light and appears bright.[2] For more information, seecolor. An object may appear dark, but it may be bright at a frequency that humans cannot perceive.
A dark area has limited light sources, making things hard to see. Exposure to alternating light and darkness (night and day) has caused several evolutionary adaptations to darkness. When avertebrate, like a human, enters a dark area, itspupils dilate, allowing more light to enter the eye and improvingnight vision. Also, the light detecting cells in the human eye (rods and cones) will regenerate more unbleachedrhodopsin when adapting to darkness.
One scientific measure of darkness is theBortle scale, which indicates the nightsky's and stars' brightness at a particular location, and the observability of celestial objects at that location.[3]
The material known asVantablack is one of the darkest substances known, absorbing up to 99.965% of visible light (at 663 nm if the light is perpendicular to the material), and was developed by Surrey NanoSystems in the United Kingdom.[4][5] The name is a compound of the acronym VANTA (vertically aligned nanotube arrays) and the word black.[6]
The color of apoint, on a standard 24-bitcomputer display, is defined by three RGB (red, green, blue) values, each ranging from 0–255. When the red, green, and blue components of a pixel are fully illuminated (255,255,255), the pixel appears white; when all three components are unilluminated (0,0,0), the pixel appears black.[7]
Artists use darkness to emphasize and contrast the presence of light. Darkness can be used as a counterpoint to areas of lightness to createleading lines andvoids. Such shapes draw the eye around areas of the painting. Shadows add depth and perspective to a painting.
Colorpaints are mixed together to create darkness, because each color absorbs certain frequencies of light. Theoretically, mixing together the threeprimary colors, or the threesecondary colors, will absorb all visible light and create black. In practice, it is difficult to prevent the mixture from taking on a brown tint.
As a poetic term in theWestern world, darkness is used to connote the presence of shadows, evil, and foreboding,[8] or in modern parlance, to connote that a story is grim, heavy, and/or depressing.[9]
The concept oflight and darkness holds profound symbolic and theological significance across various religious traditions, serving as metaphors for creation, morality, and the nature of existence.
In theJudeo-Christian tradition, the first creation narrative begins with a void, described as "formless and empty," over which "darkness was over the surface of the deep" (Genesis 1:2). Into this void,God introduces light, declaring, "Let there be light" (Genesis 1:3), and separates this light from the darkness. This initial act of creation is distinct from the later creation of celestial bodies—the sun and moon—on the fourth day.
The symbolism of darkness and light in these traditions extends beyond the physical. Light is often associated with divine presence, knowledge, and goodness, while darkness symbolizes ignorance, separation from God, and sin. For example, inExodus 10:21, darkness is described as "the second-to-last plague" inflicted upon Egypt, representing both physical and spiritual blindness. Similarly, in theNew Testament,Jesus frequently contrasts light and darkness in his teachings. Darkness is the "outer realm" where there is "weeping and gnashing of teeth" (Matthew 8:12), symbolizing eternal separation from God.
InIslam, light (nūr) and darkness (ẓulumāt) are frequently invoked in both physical and spiritual contexts, reflecting profound moral and theological truths. TheQuran begins its account of creation withAllah (or God) making the heavens and the earth and then creating "the darknesses and the light" (Quran 6:1). However, unlike some traditions where darkness is portrayed as inherently evil or chaotic, Islam emphasizes that both are under Allah's divine will and serve His purposes.
Light in the Quran often represents guidance, faith, and divine revelation, while darkness symbolizes misguidance, disbelief, and moral corruption. For instance, believers are often described as being "brought out from darkness into light" (Quran 2:257), a metaphor for their journey from ignorance to divine knowledge. This dichotomy underscores the moral framework of Islam, where both light and darkness are tools through which Allah tests and guides humanity.
In ancientGreek mythology,Erebus was a primordial deity representing the personification of darkness, particularly associated with the shadowy realm of death and theunderworld. In Greekcosmology, darkness was often linked to the afterlife, where souls journeyed into the depths of the underworld, a place of shadow and obscurity.
Darkness in Greek cosmology was not merely an absence of light but a distinct and active force. The underworld, ruled byHades, was a place of obscurity and shadow, reflecting the ambiguous fate of the human soul after death. In this tradition, darkness often signified the unknown and the eternal, as well as the boundaries between life and the afterlife.
The use of darkness as arhetorical device has a long-standing tradition. William Shakespeare, working in the 16th and 17th centuries, made a character called the "prince of darkness" (King Lear: III, iv) and gave darkness jaws with which to devour love. (A Midsummer Night's Dream: I, i)[10] Geoffrey Chaucer, a 14th-century Middle English writer ofThe Canterbury Tales, wrote that knights must cast away the "workes of darkness".[11] InDivine Comedy, Dante described hell as "solid darkness stain'd".[12]
InOld English there were three words that could mean darkness:heolstor, genip, andsceadu.[13]Heolstor also meant "hiding-place" and became holster.Genip meant "mist" and fell out of use like manystrong verbs. It is however still used in theDutch saying "in het geniep" which means secretly.Sceadu meant "shadow" and remained in use. The worddark eventually evolved from the worddeorc.[14]
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