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Düsseldorf School of painting

From Wikipedia, the free encyclopedia
19th-century German school of painting
"Düsseldorf School" redirects here. For the music genre, seeKrautrock. For the art school, seeKunstakademie Düsseldorf.
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TheDüsseldorf School of painting is a term referring to a group of painters who taught or studied at theDüsseldorf Academy (now theStaatliche Kunstakademie Düsseldorf or Düsseldorf State Art Academy) roughly between 1819 and 1918,[1] first directed by the painterWilhelm von Schadow.[2]

About

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The work of the Düsseldorf School is characterized by finely detailed yet fanciful landscapes, often with religious or allegorical stories set in the landscapes. Major members of the Düsseldorf School advocated "plein air painting", and tended to use apalette with relatively subdued and even colors. The Düsseldorf School derived from and was a part of theGermanRomantic movement. Prominent members of the Düsselorf School included von Schadow,Karl Friedrich Lessing,Johann Wilhelm Schirmer,Andreas Achenbach,Hans Fredrik Gude,Adolph Tidemand,Oswald Achenbach, andAdolf Schrödter.[3]

The Düsseldorf School had a significant influence on theHudson River School in the United States, and many prominent Americans trained at the Düsseldorf Academy and show the influence of the Düsseldorf School, includingGeorge Caleb Bingham,David Edward Cronin,Eastman Johnson,Worthington Whittredge,Richard Caton Woodville,William Stanley Haseltine,James McDougal Hart,Helen Searle, andWilliam Morris Hunt, as well as German émigréEmanuel Leutze.Albert Bierstadt applied but was not accepted. His American friendWorthington Whittredge became his teacher while attending Düsseldorf.

Notable artists

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The old "Academie of Düsseldorf",Andreas Achenbach, 1831
Clearing Up—Coast of Sicily,Andreas Achenbach, 1847,The Walters Art Museum
Jolly Flatboatmen in Port,George Caleb Bingham, 1857
Tranquillity after the Storm,Erik Bodom, 1871
Fugitive Slaves in the Dismal Swamp, Virginia,David Edward Cronin, 1888
On the Seashore,Eugen Dücker, 1875
The Veterans (From Days Gone By),Bengt Nordenberg, 1882,Hallwyl Museum
Die Amazonenschlacht,Anselm Feuerbach, 1873
Dandenong Ranges from Beleura,Eugene von Guerard, 1870
Negro Life at the South,Eastman Johnson, 1859
Washington Crossing the Delaware,Emanuel Leutze, 1851
Romantische Landschaft,Carl Friedrich Lessing
Rain in an oak forest,Ivan Shishkin, 1891
Mathilde Wesendonck,Karl Ferdinand Sohn, 1850
Lady in Aquamarine,Carl Schmitz-Pleis, 1911

Between 1819 and 1918, some 4000 artists[4][5] belonged to the Düsseldorf school of painting, including:

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See also

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References

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  1. ^Als die zu betrachtende Zeitspanne der Düsseldorfer Malerschule hat sich unter Einbeziehung desLangen 19. Jahrhunderts der Zeitraum von 1819, das Jahr der preußischen Neugründung der Kunstakademie Düsseldorf und des Beginns des Direktorats vonPeter Cornelius, bis 1918, das Jahr des Endes des Ersten Weltkriegs und des Deutschen Kaiserreichs, allgemein durchgesetzt. Der vom KunsthistorikerWolfgang Hütt vertretene Ansatz, das Jahr 1869 als das Datum einer gescheiterten Künstler-Revolte gegen das Direktorat einer „junkerlich-preußischen Beamtenbürokratie“ unterHermann Altgelt als Ende der Düsseldorfer Malerschule zu betrachten, setzte sich nicht durch. – Vgl. Wolfgang Hütt:Die Düsseldorfer Malerschule 1819–1869. VEB E. A. Seemann Buch- und Kunstverlag, Leipzig 1983, S. 250 f.
  2. ^Schadow and his students "bildeten den Krystallisationspunkt, um den sich in späteren Jahren die Düsseldorfer Schule anlegte".Wolfgang Müller von Königswinter:Düsseldorfer Künstler aus den letzten fünfundzwanzig Jahren. Leipzig, 1854, S. 1
  3. ^Humboldt, Wilhelm von (1968). Albert Leitzmann (ed.).Gesammelte Schriften. 1. Abteilung: Werke. Band 6 1827–1835. Walter de Gruyter. p. 585.ISBN 978-3-11-019258-2. Retrieved4 January 2011.
  4. ^Kunstmuseum Düsseldorf undGalerie Paffrath (Hrsg.):Lexikon der Düsseldorfer Malerschule, 3 Bände, Düsseldorf und München, 1997–1999
  5. ^Baumgärtel, Bettina, ed. (2011).The Düsseldorf School of Painting and Its International Influence 1819-1918. Düsseldorf, Germany: Museum Kunstpalast. pp. 402–420.ISBN 978-3-86568-737-1.
  6. ^Lekisch, Barbara (2003).Embracing Scenes about Lakes Tahoe & Donner: Painters, Illustrators & Sketch Artists 1855–1915, pp 173–174. Great West Books.ISBN 0944220142
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