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Multifoil arch

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(Redirected fromCusped arch)
Architectural element
Multifoil arch in theAljafería,Zaragoza,Spain

Amultifoil arch (or polyfoil arch), also known as acusped arch,[1][2]polylobed arch,[3][4] orscalloped arch,[5] is anarch characterized by multiple circular arcs or leaf shapes (calledfoils, lobes, or cusps) that are cut into its interior profile or intrados.[2][1][6][7] The termfoil comes from theold French word for "leaf." A specific number of foils is indicated by a prefix:trefoil (three),quatrefoil (four), cinquefoil (five), sexfoil (six), octofoil (eight). The term multifoil or scalloped is specifically used for arches with more than five foils.[8][9][10] The multifoil arch is characteristic ofIslamic art andarchitecture; particularly in theMoorish architecture ofal-Andalus (Iberian Peninsula) andNorth Africa and inMughal architecture of theIndian subcontinent.[11] Variants of the multifoil arch, such as thetrefoil arch, are also common in other architectural traditions such asGothic architecture.[2]: 132 

Origins

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The first multifoil arches were developed by theUmayyads and can be found in a small mosque atQasr al-Hallabat, one of theUmayyad Desert Castles, in present-dayJordan.[12][13] The architects of this structure experimented with both hollow/concave lobes and protruding/convex lobes in therelieving arches above the doors.[14]: 513–514  Multifoil arches also appear early on as decorative niches in theQasr al-'Ashiq inSamarra, present-dayIraq, and in theMosque of Ibn Tulun inCairo,Egypt, both of which were built underAbbasid (andTulunid) rule in the 9th century.[1][15][16]: 87  These examples have been used to support the hypothesis that multifoil arches originated in theMiddle Eastern regions of the Islamic world, althoughRichard Ettinghausen,Oleg Grabar and Marilyn Jenkins-Madina have called this hypothesis into question.[16]: 87–89 [14]: 513 

Other early examples of multifoil arches are found in theGreat Mosque of Cordoba inal-Andalus (present-daySpain), in particular the arches of themaqsura area added to the mosque in the 10th century byal-Hakam II.[17]: 232–234  Ettinghausen, Grabar, and Jenkins-Madina argue that the form of these arches probably developed locally in al-Andalus, noting that in Cordoba they occurred as structural elements while in the eastern Islamic world they occurred mostly as decorative elements.[16]: 87–89  Another scholar, Ignacio Arce, notes that Ettinghausen and Grabar did not take into account the earlier occurrences at the Qasr al-Hallabat mosque, where polylobed arches are used as structural elements.[14]: 513–514  Jonathan Bloom also argues that the intersecting cusped arches of the Great Mosque of Cordoba were a local development, likely the result of a deliberate elaboration from the older two-tiered round arches that were part of the mosque since its initial foundation in 785.[18]: 72 

Later developments

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North Africa and al-Andalus

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The typical multifoil arches that appear in later buildings of Al-Andalus and North Africa also have precedents inFatimid architecture inIfriqiya and Egypt, for example atBab Zuweila (dated to 1091).Georges Marçais argued that both the Great Mosque of Cordoba and Fatimid architecture in Ifriqiya were probably the most relevant precedents which led to the adoption and development of multifoil arches in the western regions of the Islamic world.[17]: 232–234  Multifoil arches appear prominently in the 11th-centuryAljaferia palace of theTaifas period in al-Andalus. In theAlmoravid andAlmohad periods (11th–13th centuries), this type of arch was further refined for decorative functions whilehorseshoe arches continued to be standard elsewhere.[17]: 232–234  They appear, for example, in theGreat Mosque of Tlemcen (in present-dayAlgeria) and theMosque of Tinmal (present-day Morocco).[17]: 232  The motif of intersecting multifoil arches also gave rise to thesebka motif which is frequently employed in the art and architecture of the region.[17]: 257–258  In Egypt, the cusped trefoil or trilobed arch became a characteristic decorative feature ofportals in late Fatimid architecture andMamluk architecture (from approximately the 12th to 16th centuries).[19]: 191 [20]: 89 

Indian subcontinent

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The cusped arch is attested inHindu temple architecture such as the trilobed or trefoil arches of theMartand Temple (8th century) and thetemple of Pandrethan (10th century), both inKashmir,[22] as well as at the temple ofMalot (10th century) in northernPunjab.[23]: 58  The example at the Martand Temple is made with acorbelled stone construction.[24] This use of a trefoil arch, typically inside a triangularpediment on the façade of temples, was a characteristic feature of Hindu architecture in Kashmir and thewestern Himalayan region during this time.[25][24][26] Some of the earliest trefoil-arched entrances in this tradition are attested in temples atBilot andMari-Indus, dated byMichael W. Meister to the late 6th or early 7th century and the 8th century, respectively.[23]: 31, 36–37  Over the 9th and 10th centuries this style evolved further and sometimes incorporated five-lobed (or cinquefoil) arches, as exemplified in theAmb temples dated to this period.[23]: 31  The most important contribution ofIndo-Islamic architecture to this region was the introduction the"true" arch during theDelhi Sultanate period,[a] which progressively replaced thetrabeate or corbel arch.[22][29] After this, multifoil arches later became a characteristic feature ofMughal architecture during the 17th century,[30][31][32] particularly during the reign ofShah Jahan (r. 1628–1658).[33][34] It was also characteristic ofRajput architecture, which developed in close relation with Mughal architecture during theMughal era.[35][31]

Christian Europe

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In the architecture of Christian Europe, multifoil arches appear occasionally inRomanesque architecture, with some early examples inFrance such as thechapel of Saint-Michel-d’Aiguilhe inLe Puy-en-Velay, France (10th–11th century) and theAbbey of Cluny (circa 1100).[1][46]: 272  In the Christian territories of the Iberian Peninsula (present-day Spain), the earliest examples are from the early 12th century and found in theCollegiate Church of San Isidoro inLéon and theCathedral of Santiago de Compostela.[46]: 272  These early Iberian examples were highly similar to the multifoil arches of contemporary Islamic/Moorish architecture in al-Andalus and were probably directly appropriated from the latter.[47]: 105–107 [46]: 272  Scholars Francine Giese and Sarah Keller argue that this initial appropriation from Muslim architecture was likely intended to express a sense of triumph and superiority over Islamic al-Andalus at the time, but that over the course of the 12th century the motif becameacculturated to Romanesque art and then developed independently from al-Andalus in both Christian Iberia and France.[46]: 272  As a result, multifoil arches became more common and developed multiple variations in the Romanesque architecture of these regions during the later 12th century.[47]: 105–107 [46]: 272  InToledo, after its conquest byCastile in 1085, the new churches andsynagogues which were built in the 12th century and after were designed in aMudéjar style that frequently incorporated polylobed arches as part of its visual repertoire.[46]: 273  TheCathedral of Toledo, whose construction began in the 13th century, was built primarily in a Gothic style but also incorporates polylobed arches (most notably in thetriforium of theambulatory), suggesting that this motif had by then become thoroughly assimilated to local Christian architecture.[46] Multifoil arches, particularly trefoil arches, became common in Gothic architecture for portals and decoration throughout Europe.[2] Cusped forms (not necessarily as arches) were also common to form the motifs used in Gothictracery.[1]

See also

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Notes

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  1. ^The construction technique of atrue arch was known in India prior to this but its use was very limited[27] and was attested in isolated examples.[28]

References

[edit]
  1. ^abcde"cusp | architecture | Britannica".www.britannica.com. Retrieved2021-11-19.
  2. ^abcdHourihane, Colum (2012).The Grove Encyclopedia of Medieval Art and Architecture. Vol. 2. Oxford University Press.ISBN 978-0-19-539536-5.
  3. ^"Qantara - Fragment of wood ornamented with arches".www.qantara-med.org. Retrieved2020-09-11.
  4. ^Llorente, Margarita Sánchez."Arch".Discover Islamic Art - Virtual Museum. Retrieved2020-09-11.
  5. ^Ragette, Friedrich (2003).Traditional Domestic Architecture of the Arab Region. Edition Axel Menges. p. 37.ISBN 978-3-932565-30-4.
  6. ^"Cusped Arches".National Geographic Society. 2012-09-14. Archived fromthe original on 2021-11-19. Retrieved2021-11-19.
  7. ^Curl, James Stevens; Wilson, Susan (2015).The Oxford Dictionary of Architecture. Oxford University Press.ISBN 978-0-19-967498-5.
  8. ^"Definition of MULTIFOIL".www.merriam-webster.com. Retrieved2022-05-16.
  9. ^"Multifoil".buffaloah.com. Retrieved2022-05-16.
  10. ^Davies, Nikolas; Jokiniemi, Erkki (2012-05-04).Architect's Illustrated Pocket Dictionary. Routledge.ISBN 978-1-136-44406-7.
  11. ^Lookuparchitecture: Moorish archesArchived 2012-04-04 at theWayback Machine. Retrieved 21 November 2011
  12. ^Alexander Sarantis, Enrico Zanini, Luke Lavan. (2008). Technology in Transition A.D. 300-650, Brill, p. 513.
  13. ^Diana Darke. (2020). Stealing from the Saracens: How Islamic Architecture Shaped Europe, Hurst, p. 166.
  14. ^abcArce, Ignacio (2008)."Umayyad Building Techniques and the Merging of Roman-Byzantine and Partho-Sassanian Traditions: Continuity and Change". In Lavan, Luke; Zanini, Enrico; Sarantis, Alexander (eds.).Technology in Transition A.D. 300-650. Brill. pp. 491–538.ISBN 978-90-474-3304-0.
  15. ^Petersen, Andrew (1996). "arch".Dictionary of Islamic architecture. Routledge. pp. 24–25.ISBN 9781134613663.
  16. ^abcEttinghausen, Richard; Grabar, Oleg; Jenkins-Madina, Marilyn (2001).Islamic Art and Architecture: 650–1250 (2nd ed.). Yale University Press.ISBN 9780300088670.
  17. ^abcdeMarçais, Georges (1954).L'architecture musulmane d'Occident. Paris: Arts et métiers graphiques.
  18. ^Bloom, Jonathan M. (2020).Architecture of the Islamic West: North Africa and the Iberian Peninsula, 700-1800. Yale University Press.ISBN 9780300218701.
  19. ^Graves, Margaret S. (2018-07-31).Arts of Allusion: Object, Ornament, and Architecture in Medieval Islam. Oxford University Press.ISBN 978-0-19-069592-7.
  20. ^Behrens-Abouseif, Doris (2007).Cairo of the Mamluks: A History of Architecture and its Culture. The American University in Cairo Press.ISBN 9789774160776.
  21. ^"Qantara - Gates of Bāb al-Nasr, Bāb al-Futūh, and Bāb al-Zuwayla".www.qantara-med.org. Retrieved2021-11-19.
  22. ^abManchanda, Bindu (2006).Forts & Palaces of India: Sentinels of History. Roli Books Private Limited.ISBN 978-81-7436-381-7.
  23. ^abcMeister, Michael W. (2010).Temples of the Indus: Studies in the Hindu Architecture of Ancient Pakistan. Brill.ISBN 978-90-04-19011-5.
  24. ^abMichell, George (1988).The Hindu Temple: An Introduction to Its Meaning and Forms. University of Chicago Press. p. 127.ISBN 978-0-226-53230-1.
  25. ^Brown, Percy (1959).Indian Architecture (Buddhist and Hindu Period). Mumbai: D.B. Taraporevala. p. 157.ISBN 978-1-4474-9857-5.
  26. ^Handa, Om Chanda; Hāṇḍā, Omacanda (2001).Temple Architecture of the Western Himalaya: Wooden Temples. Indus Publishing. p. 102.ISBN 978-81-7387-115-3.
  27. ^Ray, Aniruddha (2019).The Sultanate of Delhi (1206-1526): Polity, Economy, Society and Culture. Routledge. pp. 385–386.ISBN 978-1-000-00729-9.
  28. ^Loofs-Wissowa, Helmut (1986)."The True and the Corbel Arch in Mainland Southeast Asian Monumental Architecture". In Marr, David G.; Milner, Anthony Crothers (eds.).Southeast Asia in the 9th to 14th Centuries. Institute of Southeast Asian Studies. p. 246.ISBN 978-9971-988-39-5.
  29. ^Liddle, Swapna (2019). "The Qutub Minar and the village of Mehrauli: Multiple meanings in monuments". In Ray, Himanshu Prabha (ed.).Decolonising Heritage in South Asia: The Global, the National and the Transnational. Taylor & Francis. pp. 158, 161.ISBN 978-0-429-80285-0.
  30. ^M. Bloom, Jonathan; S. Blair, Sheila, eds. (2009). "Architecture; VII. c. 1500–c. 1900; D. India".The Grove Encyclopedia of Islamic Art and Architecture. Oxford University Press.ISBN 9780195309911.
  31. ^abDadlani, Chanchal; Sharma, Yuthika (2017)."Beyond the Taj Mahal: Late Mughal Visual Culture". In Flood, Finbarr Barry; Necipoğlu, Gülru (eds.).A Companion to Islamic Art and Architecture. Wiley Blackwell. p. 1062.ISBN 9781119068662.
  32. ^Nath, R. (2006). "Monuments: Mughal". In Wolpert, Stanley A. (ed.).Encyclopedia of India: Vol. 3. Thomson Gale. pp. 156–165.ISBN 978-0-684-31352-8.
  33. ^Parihar, Subhash (1999).Some Aspects of Indo-Islamic Architecture. Abhinav Publications. p. 92.ISBN 978-81-7017-381-6.
  34. ^Chaitanya, Krishna (1987).Arts of India. Abhinav Publications.ISBN 978-81-7017-209-3.
  35. ^Dadlani, Chanchal (2016)."Innovation, Appropriation, and Representation: Mughal Architectural Ornament in the Eighteenth Century". In Necipoğlu, Gülru; Payne, Alina (eds.).Histories of Ornament: From Global to Local. Princeton University Press. p. 185.ISBN 978-0-691-16728-2.
  36. ^Lone, Shabir Ahmad (2022-05-26)."Art and Architecture of Ancient Kashmir During Karkota Dynasty with Special Reference to Lalitaditya Muktapida (724-761 A.D)".Journal of Psychology and Political Science.2 (3):11–20.ISSN 2799-1024.
  37. ^Talbot, W. S. (April 1903)."Art. XII.—An Ancient Hindu Temple in the Punjāb".Journal of the Royal Asiatic Society.35 (2):335–338.doi:10.1017/S0035869X00030379.ISSN 2051-2066.S2CID 164193218.
  38. ^Zeeshan, Mahwish (2015)."Masonry art: Preservation of archeological sites in Chakwal".The Explorer Islamabad: Journal of Social Sciences.1 (7):251–254.
  39. ^"Incredible India | Agra Fort".www.incredibleindia.org. Retrieved2022-11-02.
  40. ^"Incredible India | Amber Fort".incredibleindia.org. Retrieved2022-11-02.
  41. ^World, Veena (2021-04-01)."Lotus Mahal: An Architecture Highlight of Hampi | Veena World".Veena World Blog. Retrieved2022-11-03.
  42. ^Wright, Colin."[Interior of the Diwan-i-Am, Fort, Agra.]".www.bl.uk. Retrieved2022-11-02.
  43. ^Pote, Shareen (2013-11-02)."10 Interesting Facts About City Palace Jaipur".Remote Traveler. Retrieved2022-11-03.
  44. ^Manchanda, Bindu (2001).Jaisalmer: The City of Golden Sands and Strange Spirits. HarperCollins Publishers India. p. 81.ISBN 978-81-7223-434-8.
  45. ^"Incredible India | Nathmal Ki Haveli".www.incredibleindia.org. Retrieved2022-11-02.
  46. ^abcdefgGiese, Francine; Keller, Sarah (2021)."The Limits of Otherness: Decoding the Entangled Heritage of Medieval Iberia". In Giese, Francine (ed.).Mudejarismo and Moorish Revival in Europe: Cultural Negotiations and Artistic Translations in the Middle Ages and 19th-century Historicism. Brill. pp. 269–279.ISBN 978-90-04-44858-2.
  47. ^abMartin, Therese (2006).Queen as King: Politics and Architectural Propaganda in Twelfth-Century Spain. Brill.ISBN 978-90-474-1851-1.

External links

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