In modern times,cross burning orcross lighting is a practice which is associated with theKu Klux Klan. However, it was practiced long before the Klan's inception. Since the early 20th century, the Klan has burned crosses on hillsides as a way tointimidate and threaten Black Americans and other marginalized groups.[1][2]
InScotland, thefiery cross, known as thecrann-tara, was used as a declaration of war.[3] The sight of it commanded allclan members to rally to the defence of the area. On other occasions, a small burning cross would be carried from town to town. During theWar of 1812, burning crosses were used to mobilize theCanadian Militia'sGlengarry Light Infantry when American forces invaded Canada.[4] In 1820, over 800 fighting men of Clan Grant were gathered, by the passing of the fiery cross, to come to the aid of their Clan Chieftain and his sister in the town ofElgin, Scotland.[5] In Scotland itself, the last significant use of the burning cross was made in 1745, during theJacobite rising,[6] and it was subsequently described in the novels and poetry of SirWalter Scott, particularlyThe Lady of the Lake of 1810.
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In thefirst era,Reconstruction Klans did not burn crosses. The belief that reconstruction Klans burned crosses was introduced byThomas Dixon Jr., in his novelThe Clansman: A Historical Romance of the Ku Klux Klan (1905). A cross burning is first described in Book IV Chapter 2 "The Fiery Cross" on pages 324–326 of the 1905 edition. It is introduced by one of the characters as "the old Scottish rite of the burning cross. It will send a thrill of inspiration to every clansmen in the hills." It is further elaborated that
In olden times when the Chieftain of our people summoned the clan on an errand of life and death, the Fiery Cross, extinguished in sacrificial blood, was sent by swift courier from village to village. This call was never made in vain, nor will it be to-night in the new world. Here, on this spot made holy ground by the blood of those we hold dearer than life, I raise the ancient symbol of an unconquered race of men—
This scene is accompanied by an unnumbered plate illustration byArthur I. Keller, captioned "'The fiery cross of old Scotland's hills'", showing two robed, unmasked Klansmen, one of whom is holding a lighted cross, over a bound, blindfolded and gagged Black American, while robed and hooded klansmen look on.[7] The novel ends with a Klansman waiting for election results stating "Look at our lights on the mountains! They are ablaze - range on range our signals gleam until the Fiery Cross is lost among the stars" meaning that he had won and civilization had been saved in the South.[8] The fiery cross is mentioned once again in the final novel of Dixon's Klan trilogy,The Traitor: A Story of the Fall of the Invisible Empire, when aGrand Dragon tosses a burning cross on a heap of discarded Klan robes and regalia in obedience to the order of theGrand Dragon to dissolve the order.[9] This scene is accompanied by an illustration captioned "Some of the men were sobbing" by Charles David Williams featuring a gathering of Klansmen over a burning pile of robes, carrying three burning crosses.[10]
InD.W. Griffith's filmThe Birth of a Nation (1915), an adaptation of Thomas Dixon's novel,The Clansman, two sequences depict cross-burnings.
The first sequence depicts aConfederate colonel's little sister, who rejects a marriage proposal by a Black captain (of theoccupying Union force) and flees after he chases her (thePiedmont, South Carolina legislature had legalized interracial marriages, and the story imagines the social chaos that whites feared would develop). She is cornered at the edge of a cliff and threatens to jump off the cliff unless he stops. He continues his pursuit, and she jumps.
Her brother finds her dying at the bottom of the cliff and holds her in his arms; she identifies her attacker before she passes away. The few members of the local clan burn a small (around 8 inches [20 cm]) cross, drenched in the young girl's blood. Akangaroo court isconvened, hearsthe girl's dying words when the colonel gives his testimony, finds the captain guilty ofmurder, andexecutes him. The clan membersplace his body on the front porch of the South Carolina governor's mansion with a square piece of white sheeting with the initials KKK.
The second sequence depicts the aftermath of twohome invasions. The first home invasion occurs at the governor's mansion. ABlack member of the South Carolina legislature proposes marriage to the governor's daughter and, when she rejects his proposal, he threatens her with weapons. The governor attempts to intervene but his attempt fails and he is taken captive. The second home invasion occurs at the house of the Confederate colonel; his mother was revealed to be a clan sympathizer and she expressed her sympathy for the clan by making clan uniforms. The clan wishes to intervene in thesehostage situations but it is prevented from doing so by the occupying Union troops. The colonel requests help by burning a cross in the daytime; the black smoke which is produced by the burning cross signals clans from neighboring counties to come to their aid and contest the Union military's control of the town. Each clan wears distinct head-dresses and robes. They greet each other with their faces uncovered although they ride into town with sheeting over their faces. The colonel's uniform has two adjacent square crosses on his robe, presumably from the original clan in Scotland.
In the United States, the first recorded cross burning occurred on November 25, 1915, ten months after the debut ofThe Birth of a Nation, when a group of men which led byWilliam J. Simmons burned a cross atopStone Mountain, Georgia, inaugurating the revival of the Ku Klux Klan. The event was attended by 15 charter members and a few aging former members of the original Klan.[11]
Crosses were burned during theTallahassee bus boycott of 1956.[12]
According to journalist and civil rights advocateCarey McWilliams, in California during the '30s, several crosses were burned as part of the intimidation practices of thevigilante groups which were organized to break off pickers' strikes by the Associated Farmers.[13]
Croix-de-Feu (French:[kʁwadəfø],Cross of Fire) was anationalistFrenchleague of theinterwar period.
In 2003, theSupreme Court of the United States invoked a stage adaptation of Sir Walter Scott'sThe Lady of the Lake in itsVirginia v. Black decision as an example of a display of cross burning that was notintended "to intimidate a person or group of persons" when they struck down a Virginia statute that included the language "Any such burning of a cross shall beprima facie evidence of an intent to intimidate a person or group of persons" because itpresumes that the "intent [is] to intimidate."[14]
An itinerant Methodist preacher named William Joseph Simmons started up the Klan again in Atlanta in 1915. Simmons, an ascetic-looking man, was a fetishist on fraternal organizations. He was already a "colonel" in the Woodmen of the World, but he decided to build an organization all his own. He was an effective speaker, with an affinity for alliteration; he had preached on "Women, Weddings and Wives," "Red Heads, Dead Heads and No Heads," and the "Kinship of Kourtship and Kissing." On Thanksgiving Eve 1915, Simmons took 15 friends to the top of Stone Mountain, near Atlanta, built an altar on which he placed an American flag, a Bible and an unsheathed sword, set fire to a crude wooden cross, muttered a few incantations about a "practical fraternity among men," and declared himself Imperial Wizard of the Invisible Empire of the Knights of the Ku Klux Klan.
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