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 The CrossGen Comics logo utilized before being re-designed byMarvel Entertainment. | |
| Industry | Publishing |
|---|---|
| Founded | 1998; 27 years ago (1998) (as Cross Generation Comics) 2010; 15 years ago (2010) (as CrossGen) |
| Founder | Mark Alessi |
| Defunct | 2012; 13 years ago (2012) |
| Fate | Assets acquired byThe Walt Disney Company, re-branded as a label forMarvel Comics |
| Headquarters | 135 W. 50th Street,New York City,New York, U.S. |
Key people | Mark Alessi Gina M. Villa Barbara Kesel Mark Waid Ron Marz |
| Products | Comics |
| Owner | Marvel Comics (Marvel Entertainment) |
Cross Generation Comics orCrossGen Comics was an Americancomic book publisher and entertainment company that operated from 1998 to 2004. The company's assets were acquired byThe Walt Disney Company in 2004, and designated toDisney Publishing Worldwide. In July 2010, Disney re-established the brand throughMarvel Comics, who announced plans to revive CrossGen titles, though it was short-lived.
CrossGen Comics, Inc., was founded in 1998, inTampa, Florida, by entrepreneurMark Alessi.
In 1999, the company acquired theOrlando-based multi-genrefan conventionMegaCon, from founder James Breitbiel,[1] who became CrossGen's marketing and distribution director.
In January 2000, CrossGen Comics, Inc. debuted withCrossGenesis, a sneak-peek at the CrossGen universe. It provided an outline of the universe, worlds, and characters of CrossGen's flagship titles that would be released six months later. Gina M. Villa, head of creative departments, and Mark Alessi wrote a history of the Sigilverse before any comics were written.[2] The head creative team consisted ofBarbara Kesel,Mark Waid andRon Marz. Unlike other comics publishers such asDC Comics andMarvel Comics, which rely mainly on freelance writers and artists, most of CrossGen's talent were salaried employees of the company and worked out of its headquarters inOldsmar, Florida. Later creators such asJ. M. DeMatteis worked freelance, with CrossGen publishing finished properties. The company's publications covered a variety of genres with characters inhabiting a singleshared universe.[3][4][5]
The first wave of CrossGen titles included:Sigil, amilitary science fictionspace opera;Mystic, a magicalfantasy;Meridian, flavored by traditionalfolklore;Scion, an adventure series inspired by tales ofKing Arthur; andCrossGen Chronicles, a series detailing the "untold" history of the CrossGen universe.
The protagonists of the first wave of CrossGen comics were linked in commonality by the Sigil each character had received. It was a branding on their body, a marking that granted them unusual powers. The Sigil, and the story of the Sigil-Bearers, was a prominent aspect of the narrative.
In November 2000, theHomeric mythThe First was released and, steadily over the next three years, CrossGen released many more titles.
The following were released in 2001:Crux (based on the Atlantean myth);Sojourn (an epic fantasy in the style ofThe Lord of the Rings);Ruse (aVictoriandetective story); andNegation.
In the following year, these titles were released: thehorror storyRoute 666; thewuxiacomedyWay of the Rat; and thesamurai dramaThe Path.[6]
The company enjoyed great initial success, with fifteenHarvey Award nominations in 2002.[7]
In 2003, other titles were released expanding the fictional universe: thesword and sorcery epicBrath;Chimera, a limited series about a Sigil-bearer on the far reaches of the Universe; thepirate adventureEl Cazador; and two other titles that explain the origin of the Sigil-bearers,Solus andMark of Charon.
Titles such asNegation andCrux blended genres. Although most CrossGen titles shared common elements (such as a Sigil, the presence of a Mentor and a member of the god-like First), the titles rarely crossed over with each other. The major example of crossing over was Sam ofSigil, who spent four issues in the world ofBrath and part of one issue in the world ofMeridan, with the latter period also being told from Sephie's perspective in issue #20 ofMeridan. There was one company-crossover event, theNegation War, but was never concluded.
In 2003, CrossGen Comics, Inc. changed its name to CrossGen Entertainment, Inc. (CGE), and formed eleven wholly owned subsidiary companies, which represented its broad-based entertainment products and offerings. These companies were to act independently of CGE, functioning as interior business units while all working towards CGE's overall goals. With this arrangement, all current and future projects would be managed and guided by Crossgen's founding principles. These projects consisted of:
CrossGen Comics Entertainment, Inc.(CGE) was set up to take over the publishing of all existing comics properties. Its logo would appear on anything that came from CrossGen. CGE acted as a publisher for affiliated companies that would retain full ownership and control of their property and would reap the benefits of joining with a larger company.
Code6 was another imprint of CrossGen Entertainment created to publish titles set outside of theSigilverse, such asThe Red Star,DemonWars, andThe Crossovers. All titles published with the Code6 logo would be owned by both the creator and CrossGen Entertainment, Inc. with the majority of ownership resting with CGE. CrossGen would pay an upfront page rate and then split all rights and revenues 75%-25%.
Code6 is the Florida Police signal code for an escaped prisoner. It was used to describe the attitude of the creators working at Code6.
One of Crossgen's innovations was the sale of comic subscriptions via the Internet. Subscribers could view all of Crossgen's titles through a web browser. The web comics reproduced the fine color of the original, but the lettering was sometimes not quite legible;hovering over the word or thought bubble caused it to enlarge to a readable size, a feature developed in Flash by Gabo Mendoza of Gabocorp Studios. The online library was estimated to contain 160 issues and 4,400 pages by the end of 2002. CrossGen was among the first comics companies to publish online.
In 2003, CrossGen found itself in a scandal over freelancer payments, exposing systemic financial problems.[8] As the news reached comics fans, sales were affected and creative staff, such as Gina Villa, Brandon Peterson, and Ron Marz, began to abandon the company.[citation needed]
Some industry observers noted that the company's difficulties became apparent shortly after theBorders andBarnes & Noble bookstore chains discontinued stocking CrossGen's trade paperback collections, and returned huge numbers of unsold books for credit/refund, more than wiping out the publisher's optimistically low reserves against returns. In an interview with Marc Alessi on theDollar Bin podcast, the root cause of CrossGen's financial collapse was said to be the result of a large decrease in the value of Perot Systems stock that was largely backing the company's financing. The financial plan was to lose money in the first six years before earning profits in the seventh year through film and television deals.[9]
In late 2003 the company restructured, selling MegaCon to show organizer Elizabeth Widera.[10][11]
CrossGen filed forbankruptcy in June 2004 and ceased publishing, leaving titles such asSojourn,Negation War,Brath, and many others cancelled mid-story.[12]
In July 2004,Disney Publishing was interested in licensing CrossGen content but, upon discovering the company's bankruptcy, began seeking to acquire its assets instead. Founder Alessi loaned the company $75,000,[13] but was unable to prevent the company's takeover. On November 15, Disney purchased CrossGen's assets for $1 million with plans to publish four prose hardcover novels based on writer J. M. DeMatteis and artistMike Ploog'sAbadazad.[5][14]
CGCreators.net was created to attempt to track the subsequent doings of various staff associated with the company.[15] It has since ceased operations.
As of 2008, various CrossGen domain names and URLs were held bycybersquatters.[16]
In 2006, Checker Books obtained the rights to publish trade collections of various CrossGen series, starting withSojourn. A total of nine collected editions were part of the agreement: two each forSojourn,Negation, andScion, and single volumes forThe Way of the Rat,Sigil, andThe Path. There are no plans by Checker Books for more traveler-sized collections.
Mark Thompson, the publisher of Checker Books, traveled to New York in 2007 and spoke with Disney representatives about reprinting further collections. No agreement has been made at the time, but according to Mark Thompson, he indicated that this would happen.[17] In a quick follow-up interview he expanded on things, explaining how difficult it has been to pin down what is considered 'full distributed' and to solve this they are: "planning to propose to Disney that we 'catch up' by putting out omnibus collections".[18]
In 2008, Checker Books published three CrossGen titles.[19] These were:
In July 2010,Marvel Comics (also a Disney-owned company) announced a plans to revive a number of CrossGen titles.[20]
Marvel began to publishRuse andSigil in March 2011 as four-issue miniseries.[21] Both completed their run, and a third Crossgen title,Mystic, premiered in August 2011.[22] Two more books,Route 666 andKiss Kiss Bang Bang, were announced duringFan Expo Canada in late August, and were set to start in February 2012, but were never published due to low interest in the previously released series.[23]
In 2022, Marvel Comics releasedCrossGen Tales #1, a trade paperback collection that contains the reprinted original first issues ofMystic,Sigil,Ruse, andSoujourn.[24] An omnibus collection of the originalSigil series was released in 2023.
In September 2024, every issue ofMystic appeared within theMarvel Unlimited app. Each issue displays the Marvel logo in the place where the CrossGen logo used to be. The series was also released in omnibus trade format that month.[citation needed]
The majority of CrossGen's titles took place within ashared universe, informally dubbedthe Sigilverse by CrossGen fans.[25] CrossGen published the following titles in the Sigilverse. Most titles are listed in order of appearance.Miniseries and one-shots associated with an ongoing title are listed thereunder.
| Title | Prequel | Issue #1 | Final issue # | Final issue |
|---|---|---|---|---|
| CrossGenesis | - | Jan 2000 | 1 | Jan 2000 |
| CrossGen Chronicles | - | June 2000 | 8 | July 2002 |
| Mystic | - | July 2000 | 43 | Jan 2004 |
| Sigil | - | July 2000 | 42 | Dec 2003 |
| Saurians: Unnatural Selection | Feb 2002 | 2 | March 2002 | |
| Scion | - | July 2000 | 43 | April 2004 |
| Meridian | - | July 2000 | 44 | April 2004 |
| The First | - | Nov 2000 | 37 | Dec 2003 |
| Crux | - | May 2001 | 33 | Feb 2004 |
| Sojourn | July 2001 | Aug 2001 | 34 | May 2004 |
| Ruse | - | Nov 2001 | 26 | Jan 2004 |
| Archard's Agents: A Most Convenient Murder | - | Jan 2003 | 1 | Jan 2003 |
| Archard's Agents: The Case of the Puzzled Pugilist | - | Nov 2003 | 1 | Nov 2003 |
| Archard's Agents: Deadly Dare | - | April 2004 | 1 | April 2004 |
| Negation | Dec 2001 | Jan 2002 | 27 | March 2004 |
| Negation: Lawbringer | - | Nov 2002 | 1 | Nov 2002 |
| Mark of Charon | - | April 2003 | 5 | Aug 2003 |
| Negation War | - | April 2004 | 2 | June 2004 |
| The Path | March 2002 | April 2002 | 23 | April 2004 |
| Way of the Rat | - | June 2002 | 24 | June 2004 |
| The Silken Ghost | - | June 2003 | 5 | Oct 2003 |
| Route 666 | - | July 2002 | 22 | June 2004 |
| Brath | Feb 2003 | March 2003 | 14 | June 2004 |
| Chimera | - | March 2003 | 4 | July 2003 |
| Solus | - | April 2003 | 8 | Dec 2003 |
| El Cazador | - | Oct 2003 | 6 | June 2004 |
| El Cazador: The Bloody Ballad of Blackjack Tom | - | April 2004 | 1 | April 2004 |
| Kiss Kiss Bang Bang | - | Feb 2004 | 5 | June 2004 |
CrossGen collected several of the above titles intrade paperback format.
CrossGen published two monthly anthologies, referred to as compendia, that reprinted several titles from the main shared continuity. Each issue contained between 6 and 11 issues.
After 12 issues,Edge was renamedVector due to a trademark conflict with another company. A third compendium calledCaravan was never released.
Roughly halfway through the run of the compendia, their format changed from standard comic size to a half-page sizeddigest format, usually with a higher page count. CrossGen later used this compendium format to collect runs of single titles, such asMeridian andThe Path, to reported success.
In addition to its Sigilverse comics, CrossGen published a number of additional titles:
| Title | Issue #1 | Final issue # | Issue count |
|---|---|---|---|
| Abadazad | March 2004 | May 2004 | 3 |
| R.A. Salvatore's Demon Wars: Trial by Fire | January 2003 | May 2003 | 5 |
| R.A. Salvatore's Demon Wars: Eye for an Eye | June 2003 | Nov 2003 | 5 |
| The Crossovers | Feb 2003 | Dec 2003 | 9 |
| Lady Death: A Medieval Tale | March 2003 | April 2004 | 12 |
| Lady Death: Wild Hunt | April 2004 | May 2004 | 2 |
| The Red Star | Feb 2003 | July 2004 | 5 |
| Space Ace | Sep 2003 | Nov 2003 | 3 |
| Dragon's Lair | August 2003 | Nov 2003 | 3 |
| Masters of the Universe | - | - | - |
| Masters of the Universe: Icons of Evil | Aug 2003 | Oct 2003 | 3 |
| Masters of the Universe: Rise of the Snakemen | Oct 2003 | Jan 2004 | 3 |
| Masters of the Universe: Encyclopedia | Jan 2004 | Jan 2004 | 1 |
| John Carpenter's Snake Plissken Chronicles | June 2003 | Feb 2004 | 4 |
| American Power | N/a - never published | - | - |
| Tales of the Realm | Oct 2003 | May 2004 | 5 |
| Snake Plissken Chronicles | June 2003 | Feb 2004 | 4 |
| Rob Zombie's Spookshow International | Nov 2003 | July 2004 | 3 |
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