| Crazy People | |
|---|---|
 Theatrical release poster | |
| Directed by | Tony Bill Barry L. Young (commercials) |
| Written by | Mitch Markowitz |
| Produced by | Thomas Brand Robert K. Weiss |
| Starring | |
| Cinematography | Victor J. Kemper |
| Edited by | Mia Goldman |
| Music by | Cliff Eidelman |
| Distributed by | Paramount Pictures |
Release date |
|
Running time | 91 minutes |
| Country | United States |
| Language | English |
| Box office | $13.2 million[1] |
Crazy People is a 1990 Americanblack comedy film starringDudley Moore andDaryl Hannah, directed byTony Bill, and music byCliff Eidelman.
Emory Leeson is an advertising executive who experiences anervous breakdown. He designs a series of "truthful" advertisements, blunt and bawdy and of no use to his boss Drucker's firm.
One of his colleagues, Stephen Bachman, checks him into a psychiatric hospital. Emory goes into group therapy under the care of Dr. Liz Baylor and meets other voluntary patients, such as the lovely and vulnerable Kathy Burgess. There is also George, who can speak only one word: "Hello."
By mistake, Emory's advertisements get printed and the new campaign turns out to be a tremendous success. Campaigns like: "Jaguar — For men who'd like hand jobs from beautiful women they hardly know." and "Volvo — they're boxy but they're good."
Drucker grabs credit for the ads. He assigns Stephen and the rest of his employees to design similar new ad campaigns featuring so-called honesty in advertising, but nothing works.
Emory is approached in the sanitarium about creating new ads himself. He insists that his fellow mental patients also be involved and suitably rewarded for their work, transforming the sanitarium into a branch of the advertising industry.
They come up with wild advertising slogans, like one for aGreek travel agency that goes: "ForgetParis. TheFrench can be annoying. Come toGreece. We're nicer." And another one called "Come... IN theBahamas" for the islands' national tourism board.
The patients experience happiness at being needed and improve from their various illnesses, including George, who begins to speak. Drucker and the doctor in charge of the hospital get greedy and try to separate the team, but it doesn't work. Dr. Baylor defies her boss and Emory negotiates to get new automobiles for all of the patients. Emory and Kathy, who have fallen in love, leave the hospital in an army helicopter piloted by Kathy's long-lost brother, stopping to take the rest of the patients with them. They then open their own advertising agency, withSony ("Sony - BecauseCaucasians are just too damn tall") as their first client.
Mitch Markowitz was the initial director, but was fired 3 days into production and replaced by Tony Bill.[2]John Malkovich was originally cast as Emory until he left during production.[3] The movie's uncredited producerSydney Pollack replaced Malkovich withDudley Moore.[4]
The film features the track "Hello Song", performed byFloyd Vivino.[5]
Crazy People received mostly negative reviews and has a rating of 35% onRotten Tomatoes based on 20 reviews.[6]Roger Ebert envisioned a call from the fictional Movie Police in his review:
"Excuse me, sir. Movie Police here. Do you have a love story in this movie?" "Uh, afraid not. There's no need for one." "But who is the female lead?" "There isn't any." "And the heart-warming romantic conclusion?" "Are you kidding? This is a cynical satire about advertising." "And do you have a lot of lovable, huggable goofballs in supporting roles?" "Only the usual demented creative types who work in any ad agency." "Then I'm afraid you'll have to come down to the studio with us. What you've done is against . . . Movie Law!" Why do I get the feeling a scene like this was played at some point early in the history of "Crazy People"? Because the two halves of the movie fit together so uneasily.[7]
Owen Gleiberman awarded the film a D− grade in one ofEntertainment Weekly's earliest reviews, stating "All told, the film is less a diatribe against advertising than an unintentional celebration of it."[8]
The movie was released onVHS andLaserdisc (nowout of print) in late 1990, and on widescreenDVD in 2004.[9] It was released on Blu-ray byShout! Factory on March 21, 2023.[10]