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Cowboy hat

From Wikipedia, the free encyclopedia
Large hat associated with cowboys

A felt cowboy hat

Thecowboy hat is a high-crowned, wide-brimmedhat best known as the defining piece of attire for theNorth Americancowboy. Today it is worn by many people, and is particularly associated withranch workers in theUnited States,Canada,Mexico,Central America andBrazil,station workers inAustralia andNew Zealand, with manycountry,regional Mexican andsertanejo music[a] performers, and with participants in the North Americanrodeo circuit. It is recognized around the world as part of traditionalOld West apparel.

The cowboy hat as known today has many antecedents to its design, including Mexican hats such as thesombrero, the various designs of wide-brimmed hats worn by farmers and stockmen in theeastern United States, as well as the designs used by theUnited States Cavalry.

The first western model was the open-crowned "Boss of the Plains", and after that came the front-creased Carlsbad, destined to become the most prominent cowboy style.[1] The high-crowned, wide-brimmed, soft-felt western hats that followed are intimately associated with the cowboy image.[2]

History

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Typical Mexican sombrero of the 1830s to 1850s.

Cowboy hats, like thesombreros of Mexico, were designed in response to the demands of the physical environment. High crowns provide insulation, and wide brims provide shade. Hot and sunny climates inspire such tall-crowned, wide-brimmed designs,[3] and hats with one or both of these features have evolved again and again in history and across cultures. For example, the Greekpetasos of two millennia ago, and thetraditional conical hat widespread in different regions of Asia – and worn into modern times – incorporate such heat-mitigating features.[b] Inclusion in headgear forriders on horseback can be seen at least as far back as theMongolian horsemen of the 13th century.[c]

AnArkansas farmer wearing a wide-brim felt hat.

It is not clear when the cowboy hat received its name. European-Americans in the Western United States originally had no standard headwear. People moving West wore many styles of hat, includingtop hats,bowlers, Civil War headgear such as cavalry andslouch hats, andsailor hats.[12]

Various styles of American cowboy hats evolved from Mexican hats like the sombrero charro, torro hats and sombreros calentanos. While modern Mexican cowboys adopted the American style cowboy hats and modified it to have smaller brims and higher crowns. According toLucius Beebe, the bowler was the most widely-worn hat in the American West, prompting him to assert, in contradiction to popular belief, that the bowler, not the cowboy hat, was "the hat that won the West".[13] The working cowboy wore wide-brimmed and high-crowned hats. The hats were most likely adopted from Civil-War-era slouch hats that were commonly worn by Confederate soldiers who lacked the official uniform andkepi hat of the Union army; they may have also been influenced by the Mexicanvaqueros before the invention of the modern design.[14]John Batterson Stetson is credited for originating the modern-day American cowboy hat.[15]

Typical Mexican charro hat of the 1850s and 1860s which may have influenced John B. Stetson
ABoss of the Plains hat

The original "Boss of the Plains", manufactured by Stetson in 1865, was flat-brimmed, had a straight sided crown, with rounded corners.[16] These light-weight, waterproof hats were natural in color, with four-inch crowns and brims.[17] A plain hatband was fitted to adjust head size.[18] The sweatband boreStetson's name.[2][19] There was only one style of hat, but they were made in different qualities ranging from one-grade material at five dollars apiece to purebeaver felt hats for thirty dollars each.[20] J. B. Stetson was the first to market the "Boss of the Plains" to cowboys, and it has remained the universal image of the American West.[21] The charisma of theWest was carried back East when adventurers returned in the expensive "Boss of the Plains"-style hat.[22]

The cowboy hat has been adopted as a regional identifier amongMāori tribes (iwi) living inGisborne District of New Zealand'sNorth Island collectively called "Ngā Kaupoi" ('the cowboys') for their native adoption of horses; one of its resident politicians,Rawiri Waititi, is well known for his hat-donning appearance.[23]Hawaii'spaniolo wearpapale woven frompandanus leaves taken directly from the design of the Mexican sombrero.[24]

Design

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Stetson hat manufactured in the 1920s

Modern cowboy hats are made of fur-basedfelt,straw or, less often,leather. They are sold with a tall, rounded crown and a wide flatbrim. They have a simple sweat band on the inside to stabilize the fit of the head, and usually a small decorative hat band on the outside of the crown. Hats are customized by creasing the crown and rolling the brim. Hats are also sold pre-creased and pre-rolled. Often a more decorative hat band is added. In some places, "stampede strings" or "wind strings" are also attached. Hats can be manufactured in virtually any color, but are most often seen in shades of beige, brown and black. Beginning in the 1940s,pastel colors were introduced, seen often on hats worn by movie cowboys and rodeo riders.[25] "Today's cowboy hat has remained basically unchanged in construction and design since the first one was created in 1865 byJ. B. Stetson."[26]

Modern designs

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Modern working cowboys wearing cowboy hats. While providing lessprotection from the sun, their turned-up brims prevent them from being as easily knocked off duringlasso use.

The modern cowboy hat has remained basically unchanged inconstruction and underlyingdesign since the Stetson creation.[26]The cowboy hat quickly identified its wearer as someone associated with the West.[27] "Within a decade the name 'John B. Stetson' became synonymous with the word 'hat' in every corner and culture west of theMississippi River."[28] The shape of the hat's crown and brim were often modified by the wearer for fashion and to protect againstweather by being softened in hot steam, shaped, and allowed to dry and cool. Because of the ease of personalization, it was often possible to tell where a cowboy hat was from, right down to whichranch, simply by looking at the crease in the crown.[21] Common modern hat creases include the classic Cattleman crease, Cool Hand Luke, Minick, Brick, and the Gus.[29]

Later as the mystique of theWild West was popularized by entertainers such asBuffalo Bill andwestern films starring actors such asTom Mix, the Cowboy hat came to symbolize theAmerican West.[20]John Wayne christened them "the hat that won the West".[2] The Boss of the Plains design influenced various wide-brimmed hats worn byfarmers andranchers all over the United States. Later designs were customized for law enforcement, military and motion pictures.

The first American law-enforcement agency to adopt Stetson's western hat as part of their uniform was theTexas Rangers.[30] TheTexas Legislature designated the cowboy hat as the official "State Hat of Texas" in 2015.[31]

Variations

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Ten-gallon hats

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Some cowboy hats have been called "ten-gallon" hats. The term came into use about 1925.[32] There are multiple theories for how the concept arose.

One theory is that the term "ten-gallon" is a corruption of the Spanish modifiertan galán, which loosely translates as "really handsome"[33] or "so fine". For example, "un sombrero tan galán" translates as "such a fine hat".

Another theory is that the term "ten-gallon" is a corruption of the Spanish termgalón, which means "galloon", a type of narrow braided trim around the crown, possibly a style adapted bySpanish cowboys. When Texas cowboys misunderstood the wordgalón for "gallon", the popular, though incorrect, legend may have been born. According to Reynolds and Rand, "The term ten-gallon did not originally refer to the holding capacity of the hat, but to the width of a Mexicansombrero hatband, and is more closely related to this unit of measurement by the Spanish than to the water-holding capacity of a Stetson."[34]

Early print advertising by Stetson showed a cowboy giving his horse a drink of water from a hat.[35] The Stetson company notes that a "ten-gallon" (38 liters) hat holds only34 US gallon (2.8 L).[34][36]

Calgary White Hat

[edit]
Main article:Calgary White Hat

TheCalgary White Hat is a white felt cowboy hat which is the symbol of both theCalgary Stampede annual rodeo and the city ofCalgary. Created by Morris Shumiatcher, owner of Smithbilt Hat Company, it was worn for the first time at the 1946 Stampede. In the early 1950s, Mayor of CalgaryDonald Hugh Mackay began presenting the white hat to visiting dignitaries, a tradition that the office of the mayor continues to this day. Thousands of tourists and groups also participate in "white hatting ceremonies" conducted by Tourism Calgary and by volunteer greeters at theCalgary International Airport. In 1983, the Calgary White Hat was incorporated into the design of theflag of Calgary.[37]

See also

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Wikimedia Commons has media related toCowboy hats.

References

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Explanatory notes

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  1. ^Sertanejo is a Brazilian musical rhythm associated with rural areas in theCentre-South of Brazil that originated fromcaipira music. Due toAmerican cultural influence, musicians of this musical rhythm sought to adopt and imitate the fashion used byNorth American singers and actors in western films, although the rhythm developed independently, with no connection to Mexican Regional music or to American and Canadian Country music. Sertanejo, in a metaphorical sense, emerged through convergent evolution.[citation needed]
  2. ^Attributed to multiple sources.[4][5][6]
  3. ^Attributed to multiple sources.[3][7][8][9][10][11]

Citations

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  1. ^Foster-Harris 2007, p. 106.
  2. ^abcSnyder 1997, p. 5.
  3. ^abBender 1994, p. 10.
  4. ^Peralta 2012.
  5. ^Sacks 2005.
  6. ^China National Silk Museum n.d.
  7. ^Cartwright 2019.
  8. ^Dai, Lu & Li 1998, p. 82.
  9. ^Huang & Chen 1995, p. 249, pl. 8.
  10. ^Cammann 1963.
  11. ^Shea 2020, p. 89.
  12. ^Carlson 1998, at:n5 (unpaginated).
  13. ^Beebe 1957.
  14. ^Bender 1994, p. 11.
  15. ^Sobey 1999, p. 95.
  16. ^Snyder 1997, p. 73.
  17. ^Snyder 1997, p. 51.
  18. ^Bender 1994, p. 54.
  19. ^Christian 1992, pp. 57–58.
  20. ^abReynolds & Rand 1995, p. 15.
  21. ^abReynolds & Rand 1995, p. 17.
  22. ^Snyder 1997, p. 49.
  23. ^Muru-Lanning 2020.
  24. ^Martin 1987, pp. 74–75.
  25. ^Snyder 1997, p. 27.
  26. ^abReynolds & Rand 1995, p. 8.
  27. ^Reynolds & Rand 1995, p. 10.
  28. ^Bender 1994, p. 12.
  29. ^NPR (2023).
  30. ^Snyder 1997, p. 10.
  31. ^Hatch 2022, p. 22.
  32. ^Bender 1994, p. 31.
  33. ^Tobar 2013.
  34. ^abReynolds & Rand 1995, p. 11.
  35. ^Snyder 1997, p. 11.
  36. ^Stetson Co. (2024).
  37. ^Klaszus 2016.

Works cited

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