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Cornucopia

From Wikipedia, the free encyclopedia
Mythological symbol of abundance, also called the horn of plenty
For other uses, seeCornucopia (disambiguation).
Cornucopia of a Roman statue ofLivia asFortuna, 42-52 AD, marble,Altes Museum,Berlin

Inclassical antiquity, thecornucopia (/ˌkɔːrn(j)əˈkpiə,-n(j)-/ ; from Latin cornu 'horn' and copia 'abundance'), also called thehorn of plenty, is asymbol of abundance andnourishment, commonly a largehorn-shapedcontainer overflowing withproduce, flowers, ornuts. InGreek, it was called the "horn of Amalthea" (Ancient Greek:κέρας Ἀμαλθείας,romanizedkéras Amaltheías),[1] afterAmalthea, a nurse ofZeus, who is often part of stories of the horn's origin.

Baskets orpanniers of this form were traditionally used inwestern Asia and Europe to hold and carry newlyharvested food products. The horn-shaped basket would be worn on the back or slung around the torso, leaving the harvester's hands free for picking.

In Greek/Roman mythology

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Cornucopia at the center of a coin ofBerenice II of Egypt; the Greek inscription reads ΒΑΣΙΛΙΣΣΗΣ ΒΕΡΕΝΙΚΗΣ, "of Queen Berenice".

Mythology offers multipleexplanations of the origin of the cornucopia. One of the best-known involves the birth and nurturance of the infantZeus, who had to be hidden from his devouring fatherCronus. In a cave onMount Ida on the island ofCrete, baby Zeus was cared for and protected by a number of divine attendants, including the goatAmalthea ("Nourishing Goddess"), who fed him with her milk. The suckling future king of the gods had unusual abilities and strength, and in playing with his nursemaid accidentally broke off one of herhorns, which then had the divine power to provide unending nourishment, as the foster mother had to the god.[2]

In another myth, the cornucopia was created whenHeracles (RomanHercules) wrestled with the river godAchelous and ripped off one of his horns; river gods were sometimes depicted as horned.[3] This version is represented in theAchelous and Herculesmural painting by theAmerican Regionalist artistThomas Hart Benton.

The cornucopia became the attribute of severalGreek andRoman deities, particularly those associated with the harvest, prosperity, or spiritual abundance, such aspersonifications of Earth (Gaia orTerra); the childPlutus, god of riches and son of the grain goddessDemeter; thenymphMaia; andFortuna, the goddess of luck, who had the power to grant prosperity. InRoman Imperial cult, abstract Roman deities who fostered peace(pax Romana) and prosperity were also depicted with a cornucopia, includingAbundantia, "Abundance" personified, andAnnona, goddess of thegrain supply to the city of Rome.Hades, the classical ruler of the underworld in themystery religions, was a giver of agricultural, mineral and spiritual wealth, and in art often holds a cornucopia.[4]

Modern depictions

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Giant cornucopia oforchids atKew Gardens, 2025

In modern depictions, the cornucopia is typically a hollow, horn-shaped wicker basket filled with various kinds of festivefruit andvegetables. In most ofNorth America, the cornucopia has come to be associated withThanksgiving and the harvest. Cornucopia is also the name of the annual November Food and Wine celebration inWhistler, British Columbia, Canada. Two cornucopias are seen in theflag andstate seal ofIdaho. The GreatSeal of North Carolina depicts Liberty standing and Plenty holding a cornucopia. The coats of arms ofColombia,Panama,Peru,Venezuela,Victoria, Australia andKharkiv, Ukraine, also feature the cornucopia, symbolizing prosperity.[citation needed]

Cornucopia motifs appear in some modern literature, such asTerry Pratchett'sWintersmith andSuzanne Collins'sThe Hunger Games.[citation needed]

The horn of plenty is used for body art and atThanksgiving, as it is a symbol of fertility, fortune and abundance.[citation needed]

Gallery

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See also

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Notes

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  1. ^Pearson,p. 60.
  2. ^David Leeming,The Oxford Companion to World Mythology (Oxford University Press, 2005), p. 13; Robert Parker,Polytheism and Society at Athens (Oxford University Press, 2005), p. 422.
  3. ^Ovid,Metamorphoses 9.87–88, as cited by J. Rufus Fears, "The Cult of Virtues and Roman Imperial Ideology,"Aufstieg und Niedergang der römischen Welt II.17.2 (1981), p. 821.
  4. ^Clinton, Kevin (1992).Myth and Cult: The Iconography of the Eleusinian Mysteries. Stockholm. pp. 105–107.{{cite book}}: CS1 maint: location missing publisher (link)
  5. ^Virginia, L. Campbell (2017).Ancient Rome - Pocket Museum. Thames & Hudson. p. 196.ISBN 978-0-500-51959-2.
  6. ^"Maison dite des Cariatides ou Maison Pouffier" [House known as the Caryatids or Maison Pouffier].pop.culture.gouv.fr (in French). Retrieved18 September 2023.
  7. ^Sharman, Ruth (2022).Yves Saint Laurent & Art.Thames & Hudson. p. 147.ISBN 978-0-500-02544-4.
  8. ^Martin, Henry (1927).Le Style Louis XIV (in French). Flammarion. p. 21.
  9. ^"Opéra - théâtre".pop.culture.gouv.fr (in French). Retrieved18 September 2023.
  10. ^"Paire de Vases « Fuseau »".amisdulouvre.fr (in French). Retrieved10 May 2023.
  11. ^"tapis de choeur Louis-Philippe".pop.culture.gouv.fr (in French). Retrieved18 September 2023.
  12. ^Jones 2014, p. 294.
  13. ^Oltean, Radu (2016).Bucureștii Belle Époque (in Romanian). Art Historia. p. 58.ISBN 978-973-0-22923-3.

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