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Contemporary Western is a subgenre of theWestern genre that includes contemporary settings and usesOld West themes, archetypes, and motifs, such as a rebelliousantihero, open plains and desert landscapes, or gunfights. This sub-genre includes thepost-Western,neo-Western, andurban Western genres that include "thecowboy cult" in a modern setting that involves the audience's feelings and understanding of Western movies.[1] A neo-Western can be said to use Western themes set in the present day.[2]: 62 According to Stephen Teo inEastern Westerns: Film and Genre Outside and Inside Hollywood, there is little difference between the neo-Western and post-Western, and the terms may often be used interchangeably.[3]: 96
As early as 1929, there was talk about the need for change in Western films in order to stay relevant in then-modern America ("Tom Mix, Hoot Gibson and Ken Maynard must swap horses for aeroplanes or go to the old actors' home."). However, the rise of the contemporary Western is credited to two specific reasons: 1) contemporary setting enabled the use of a higher number of potential plot-ideas, which "included everything from modern crooks and evil Nazis to high-tech cars and machine guns"; 2) Gene Autry, a famous Western film star, was also a famous singer and performer. In order to use his reputation as much as possible, Republic Pictures decided that it was best for Autry to play himself, thus moving the films from the Old West into a contemporary setting. Some earlier actors, such as Ken Maynard and Hoot Gibson, sometimes starred in the films featuring modern setting, but Autry was the first actor starring in such films on a regular basis.[4]: 109 Autry's films were also described as "crime dramas in contemporary Western setting".[5]: 100
Other early examples of the genre were films starringRoy Rogers which included contemporary settings with heavy reliance on traditional western characters and imagery, such asSilver Spurs (1943). His films made after 1947 are described as "almost without exception, modern-day adventure films set in the American west".[6]: 90, 153 Republic Pictures, which distributed a significant number of Autry's and Rogers's films, soon specialized in the contemporary Western subgenre, an example of which is also Paramount'sTexas Rangers Ride Again (1940).[6]: 153
Beginning in the postwar era, radio dramas such asTales of the Texas Rangers (1950–1952), withJoel McCrea, a contemporary detective drama set in Texas, featured many of the characteristics of traditional Westerns.[7] In this period, post-Western precursors to the modern neo-Western films began to appear. This includes films such asNicholas Ray'sThe Lusty Men (1952) andJohn Sturges'sBad Day at Black Rock (1955).[8]: 56 Examples of the modern "first phase" of neo-Westerns include films such asLonely Are the Brave (1962) andHud (1963).[8]: 324 The popularity of the subgenre has been resurgent since the release ofJoel and Ethan Coen'sNo Country for Old Men (2007).[9]
The subgenre can also be seen in television in shows such asBreaking Bad. According toBreaking Bad creatorVince Gilligan, "After the firstBreaking Bad episode, it started to dawn on me that we could be making a contemporary Western. So you see scenes that are like gunfighters squaring off, likeClint Eastwood andLee van Cleef—we haveWalt and others like that."[10]
Manyspace Westerns andscience fiction Westerns can be classed within the neo-Western genre, particularly if thescience fiction elements are of secondary importance to the Western characteristics of the plotlines. Some well-known examples include the original TV seriesStar Trek (1966–1969) and theJoss Whedon filmSerenity (2005).[11] Other kinds of science fiction Westerns, such as the filmMad Max (1979), have also become popular.
Some neo-Westerns still take place in theAmerican West and reveal the progression of theOld West mentality into the late 20th and early 21st centuries. This subgenre often features Old West-type characters struggling with displacement in a "civilized" world that rejects their "outdated" brand of justice. However, the contemporary Western need not be limited to the traditional American West setting.Coogan's Bluff andMidnight Cowboy are examples of urban Westerns set in New York City.[1]: 148–149 The neo-Western television seriesJustified is set in Eastern Kentucky.[12]
The neo-Western has three identifying themes. First is the lack of rules, with morals guided by the character's or audience's instincts of right and wrong rather than by governance. The second is characters searching for justice. The third theme, characters feeling remorse, connects the neo-Western to the broaderWestern genre, reinforcing a universal theme that consequences come with actions.[9] Other conventions of the genre include "virility and thus patriarchal rights... secured through public performances of competence; and competence, in turn, is measured and proven in (successful) acts of violence."[13]Taylor Sheridan's filmography includes many examples of what being a neo-Western means.[9]
This list is not exhaustive. It includes major films and television labelled contemporary Western, neo-Western, post-Western, or urban Western. The list highlights the media released to illustrate the development of the concept over time.
another gun-happy neo-western, 'Justified' has been true to its Elmore Leonard roots
Before Taylor Sheridan became the Academy Award-nominated screenwriter of the 2016 neo-western "Hell or High Water"...
