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Colonel James Anderson Monument

Coordinates:40°27′10″N80°00′21″W / 40.452865°N 80.005963°W /40.452865; -80.005963
From Wikipedia, the free encyclopedia
Public monument in Pittsburgh, Pennsylvania, US

Colonel James Anderson Monument
The monument in 2013
Map
Interactive map of Colonel James Anderson Monument
LocationCarnegie Free Library of Allegheny,Pittsburgh, Pennsylvania, United States
Coordinates40°27′10″N80°00′21″W / 40.452865°N 80.005963°W /40.452865; -80.005963
DesignerDaniel Chester French (sculptor)
Henry Bacon (architect)
FabricatorRobert Caterson (contractor)
Dedicated dateJune 15, 1904
Dedicated toColonel James Anderson

TheColonel James Anderson Monument is a public monument inPittsburgh, Pennsylvania, United States. It was designed byDaniel Chester French and commissioned by businessman and philanthropistAndrew Carnegie. Anderson had opened his personal book collection to the youth ofAllegheny, Pennsylvania, including Carnegie, and his actions would later inspire Carnegie to create theCarnegie library system. The monument, dedicated in 1904, is located outside theCarnegie Free Library of Allegheny.

History

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James Anderson, the son ofWilliam Anderson, was born inShippensburg, Pennsylvania in 1785. During theWar of 1812, he served underWilliam Henry Harrison and attained the rank ofcolonel. Following the war, he became a businessman in thePittsburgh area and, later in life, a philanthropist. He later died in 1861.[1] During the 1850s and 1860s,[2] in one act of philanthropy, he opened his personal library of 400 volumes to the "working boys" ofAllegheny, Pennsylvania.[3]Andrew Carnegie and several of his friends were among those "working boys" in the city who regularly checked out books from Anderson's library. Carnegie was greatly affected by the library, later stating in his autobiography that "in this way the windows were opened in the walls of my dungeon through which the light of knowledge streamed in".[4] It is believed that Anderson's free library would later inspire Carnegie to set up theCarnegie library system.[1][5] Carnegie later claimed that "when fortune smiled upon me, one of my first duties was the erection of a monument to my benefactor".[6]

On January 6, 1898, Carnegie sent a letter to his associate William Nimick Frew expressing his wish to erect a monument in Anderson's honor in front of theCarnegie Free Library of Allegheny,[1] which was the first publicly funded Carnegie library.[7] On February 8, Frew notified Allegheny mayor Charles Geyer of Carnegie's wishes. Carnegie also asked Frew to discuss the plan withHoward Russell Butler, and while Carnegie initially recommended seeking outAugustus Saint-Gaudens to design the monument, ultimatelyDaniel Chester French was chosen as the sculptor for the monument. However, French was preoccupied at the time and did not start on the monument until 1902.[1] That same year, before the monument's completion, the Alleghenycity council organized a committee to handle the location for the monument, as well as its unveiling ceremony.[8]Henry Bacon served as the architect for the monument, and Robert Caterson of New York City served as thegeneral contractor.[1]

The monument wasdedicated on June 15, 1904.[9] As part of the ceremonies, multiple civic organizations participated in a parade, and a marching band performed before an audience of approximately 10,000 spectators. According to a history book, it was the "second major work ofpublic art" commissioned in the Pittsburgh and the first to be unveiled in a large ceremony.[2] Frew presented the monument, which was unveiled by L. Andele Anderson and received on behalf of the city by Mayor James G. Wyman. Music and singing was provided by both the American Military Band and the United German Singing Societies, while addresses were given by Samuel Harden Church,Stephen G. Porter,J. Leonard Levy, George D. Riddle, L. L. Gilbert,The Reverend Francis P. Ward, and Richard B. Scandrett. Additionally, a poem was read by George Barbour and abenediction was given by The Reverend J. A. Jayne to close the ceremony.[1]

The monument was originally located in Diamond Square,[6] at the corner of East Ohio Street and Federal Street.[9] However, in the 1960s, the monument was dismantled by theUrban Redevelopment Authority of Pittsburgh during their creation ofAllegheny Center. In 1984, thePittsburgh History and Landmarks Foundation initiated a campaign to restore the monument.[9] As a result, while the sculptures are original,[9] the remainder of the monument, including the stone pedestals and bench, is a replica.[5] Today, the monument is located in Allegheny Center, across from the library building.[5]

Design

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The monument consists of anexedra and features twobronze sculptures. Atop acolumn is one sculpture, abust of Anderson,[9] which is situated behind the other sculpture, a 62-inch (1.6 m)-tallstatue of a worker.[2] The shirtless worker is seated on ananvil and reading a book.[2] The statue of the reader is variously known as eitherLabor[2] orLabor Reading.[5] In front of the monument is a bronze plaque measuring 33 inches (84 cm) by 13 inches (33 cm).[1] It bears the following inscription:[10]

TO COLONEL JAMES ANDERSON – FOUNDER OF FREE LIBRARIES IN WESTERN PENNSYLVANIA / HE OPENED HIS LIBRARY TO "WORKING BOYS" AND UPON SATURDAY AFTERNOONS ACTED AS LIBRARIAN THUS DEDICATING NOT ONLY HIS BOOKS BUT HIMSELF TO THE NOBLE WORK- THIS MONUMENT IS ERECTED IN GRATEFUL REMEMBRANCE BY ANDREW CARNEGIE ONE OF THE WORKING BOYS TO WHOM WERE THUS OPENED THE PRECIOUS TREASURES OF KNOWLEDGE AND IMAGINATION THROUGH WHICH YOUTH MAY ASCEND

Analysis

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Historian Edward Slavishak notes that the sculpture ofLabor depicts Carnegie's ideas of an individual rising up from working-class conditions through education and the relationship betweencapitalist and worker where the capitalist serves as apatron, in this case by providing knowledge to the worker. According to Slavishak, "[t]he displayed worker turned his site of work, the anvil, into a stage for self-education, not manly toil. In Carnegie's vision and French's execution, the worker made a conscious decision to abandon work, yet never strayed far from the workplace".[2] He also argues thatLabor depicts Carnegie's "ideal labor force", where strength, while evident, was secondary to mental pursuits.[11]

See also

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References

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  1. ^abcdefgOfficial Souvenir Program 1904.
  2. ^abcdefSlavishak 2008, p. 128.
  3. ^Carnegie 1920, p. 45.
  4. ^Carnegie 1920, p. 46.
  5. ^abcdKDKA-TV 2010.
  6. ^abCarnegie 1920, p. 47.
  7. ^Allegheny City Society.
  8. ^Municipal Reports 1903, p. 1360.
  9. ^abcdePittsburgh Art Places.
  10. ^Carnegie 1915, p. 88.
  11. ^Slavishak 2008, p. 129.

Bibliography

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Sculptures
(public)
Medals
Museums
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