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| Cobra Verde | |
|---|---|
 Theatrical release poster | |
| Directed by | Werner Herzog |
| Screenplay by | Werner Herzog |
| Based on | The Viceroy of Ouidah byBruce Chatwin |
| Produced by | Lucki Stipetić Walter Saxer |
| Starring | Klaus Kinski King Ampaw José Lewgoy |
| Cinematography | Viktor Růžička |
| Edited by | Maximiliane Mainka |
| Music by | Popol Vuh |
| Distributed by | Werner Herzog Filmproduktion |
Release date |
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Running time | 111 minutes |
| Countries | West Germany Ghana |
| Language | German |
Cobra Verde (also known asSlave Coast) is a 1987 Germandrama film directed byWerner Herzog and starringKlaus Kinski, in their fifth and final collaboration. Based uponBruce Chatwin's 1980 novelThe Viceroy of Ouidah, the film depicts the life of a fictionalslave trader who travels to the West African kingdom ofDahomey. It was filmed on location inGhana,Brazil, andColombia.
In the late 19th century, Francisco Manoel da Silva (Klaus Kinski) is a debauched Brazilian rancher who has reluctantly gone to work at a gold mining company after his ranch is ruined by drought. When he discovers that he is being financially exploited, he murders his boss and goes on the lam to pursue a career as an outlaw. He becomes the notorious Cobra Verde (Green Snake), the most vicious bandit of thesertão.
In a visit to town, da Silva encounters and subdues by force of character an escaping slave, an act that impresses wealthy sugar baron Dom Octávio Coutinho (José Lewgoy). Dom Coutinho, unaware that he is dealing with the legendary bandit, hires da Silva to oversee the slaves on his sugar plantation. When da Silva subsequently impregnates all three of the Dom's daughters, the sugar baron is furious, but the situation becomes even more complicated when he discovers that da Silva is none other than the infamous Cobra Verde.
As punishment, rather than kill him or have him prosecuted, Dom Coutinho decides to send da Silva on the impossible mission of re-opening the slave trade with Western Africa. The bandit is aware he is likely to be killed in Africa, but accepts anyway. He travels by sea toDahomey, West Africa (present-dayBenin), where he must negotiate with the fearsome KingBossa Ahadee of Dahomey (played by His Honour theOmanhene Nana Agyefi Kwame II of Nsein, a village north of the city ofAxim, Ghana).
Amazingly, da Silva succeeds in convincing the King to exchange slaves for new rifles. He takes overElmina Castle and takes Taparica (King Ampaw), sole survivor of the previous expedition, for a partner. They begin operating the slave trade across the Atlantic to Brazil. Soon, however, the fickle king has them captured and brought before him. The King accuses da Silva of various crimes that he has no knowledge of, including poisoning the King's greyhound, and sentences him to death. He and Taparica are rescued the night prior to da Silva's decapitation by the King's nephew, who negotiates a blood alliance with da Silva, planning to overthrow the King. The ambitious bandit trains an enormousarmy of native women (who, after learning to use weapons, at first want to kill all men) and leads them on a raid to successfully overthrow King Bossa.
Against all expectations, the slave trade is maintained under the new king, thanks to da Silva's resourcefulness. However, da Silva eventually falls out of favour with the new King, and discovers that in the meantime Brazil has outlawed slavery and seized his assets, and the British have placed a price on his head. Despite the adversity, da Silva is glad that finally a change has come and recognises that slavery has been a crime. The exhausted bandit goes onto the beach at Elmina and desperately tries to pull a ship's boat to water, but he collapses in the surf as the tide slowly comes in and a crippled African man walks on all fours toward him along the shore. The film ends with a group of confident young African women laughingly chanting over the credits.
Cobra Verde was based onBruce Chatwin's 1980novelThe Viceroy of Ouidah, which was itself based on the Brazilian slave traderFrancisco Félix de Sousa and his role in helping KingGhezo overthrow his brotherAdandozan as King ofDahomey with the help of Ghezo'sDahomey Amazons. Herzog approached Chatwin about adapting his work into a film, and after learning thatDavid Bowie had also expressed interest in adapting it as a feature, Herzog raced to acquire the rights and begin production.[1]
The film was shot in Ghana, Brazil, and Colombia. During pre-production, Herzog showed Kinski photographs of the locations he was considering. Kinski disagreed with Herzog about which locations would be best for the film, and he took a trip with a group of friends to some remote places that fascinated him, including the foothills of theSierra Nevada de Santa Marta and the Cape of the Sailing on theGuajira Peninsula in northern Colombia. Herzog ultimately decided to film inVilla de Leyva andValle del Cauca. About the locations in the film, Kinski said: "Herzog does not know that I give life to the dead scenery."
Cobra Verde was the last film Werner Herzog made with Klaus Kinski. Their now-legendary personality conflict peaked during the film. The film's production was especially affected by Kinski's fiery outbursts. The cast and crew were continually plagued by Kinski's wrath, most famously culminating in the film's originalcinematographerThomas Mauch walking out on the project after a perpetual torrent of verbal abuse from Kinski. Herzog was forced to replace Mauch withViktor Růžička.[2]
Herzog's opinions of Kinski are deeply explored in his 1999 documentary retrospective,My Best Fiend, in which he examines their unique friendship, the associated hatred, and the legacy that both qualities were responsible for. The filming ofCobra Verde and the relationship of Herzog and Kinski was also the subject of a 1987 Swiss documentary film titledLocation Africa.
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