The origins of the Western-style coat may be traced to the sleeved, close-fitted and front-fastened coats worn by theScythian nomads of the eurasian steppes, though this style of coat may be much older, having been found with four-thousand-year-oldTarim mummies and in five-thousand-year-old mummy ofOtzi[4][5][6][7][8] The medieval and renaissance coat (generally spelledcote orcotte by costume historians) is a mid-length,sleeved outer garment worn by both men and women, fitted to the waist and buttoned up the front, with a full skirt in its essentials, not unlike the modern coat.[9]
By the eighteenth century, overcoats had begun to supplantcapes andcloaks as outerwear in Western fashion. Before theIndustrial Revolution, which began in the second half of the eighteenth century, the extremely high cost of cloth meant certain styles of clothing represented wealth and rank, but as cloth became more affordable post-industrialization, people within a lower social class could adopt the fashionable outdoor wear of the wealthy elite, which, notably, included a coat.[10] In the nineteenth century, the invention of the sewing machine paired with existing textile machinery increased the affordability of mass-produced, ready-to-wear clothing and helped spur the popularity of wearing coats and jackets.[11] By the mid-twentieth century the termsjacket andcoat became confused for recent styles; the difference in use is still maintained for older garments.
Overcoat (left) and topcoat (right) fromThe Gazette of Fashion, 1872
In the early nineteenth century, Western-style coats were divided into under-coats and overcoats. The term "under-coat" is now archaic but denoted the fact that the wordcoat could be both the outermost layer for outdoor wear (overcoat) or the coat is worn under that (under-coat). However, the termcoat has begun to denote just the overcoat rather than the under-coat. The older usage of the wordcoat can still be found in the expression "to wear a coat and tie",[12] which does not mean that wearer has on an overcoat. Nor do the termstailcoat,morning coat or house coat denote types ofovercoat. Indeed, an overcoat may be worn over the top of atailcoat. In tailoring circles, thetailor who makes all types of coats is called acoat maker. Similarly, in American English, the termsports coat is used to denote a type ofjacket not worn as outerwear (overcoat) (sports jacket in British English).
Swedish police women with coats in 1958. That was their uniform.
The termjacket is a traditional term usually used to refer to a specific type of short under-coat.[13] Typical modern jackets extend only to the upper thigh in length, whereas older coats such astailcoats are usually of knee length. The modern jacket worn with a suit is traditionally called alounge coat (or alounge jacket) in British English and asack coat in American English. The American English term is rarely used. Traditionally, the majority of men dressed in acoat and tie, although this has become gradually less widespread since the 1960s. Because the basic pattern for thestroller (black jacket worn with striped trousers inBritish English) anddinner jacket (tuxedo inAmerican English) are the same as lounge coats, tailors traditionally call both of these special types of jackets acoat.
An overcoat is designed to be worn as the outermost garment worn as outdoor wear;[14] while this use is still maintained in some places, particularly in Britain, elsewhere the termcoat is commonly used mainly to denote only the overcoat, and not the under-coat. Atopcoat is a slightly shorter[citation needed] overcoat, if any distinction is to be made. Overcoats worn over the top of knee length coats (under-coats) such asfrock coats,dress coats, andmorning coats are cut to be a little longer than the under-coat so as to completely cover it, as well as being large enough to accommodate the coat underneath.
The length of an overcoat varies: mid-calf being the most frequently found and the default when current fashion is not concerned with hemlines. Designs vary from knee-length to ankle-length, briefly fashionable in the early 1970s and known (to contrast with the usurpedmini) as the "maxi".[15]
Speakers ofAmerican English sometimes informally use the wordsjacket andcoat interchangeably.[16]
Caraco, an eighteenth- and nineteenth-century fitted coat initially associated with the working class; it is similar to aBedgown
Casaquin, an eighteenth-century coat that fastened down the middle and reached the hip
Redingote, an eighteenth-century fitted riding coat with a long skirt down the back worn as a part of a riding habit
Spencer, a waist-length, frequently double-breasted, coat from the early nineteenth century sometimes made of the same cloth as the gown beneath it
Pelisse, an early-nineteenth-century high-waisted and fitted long coat
Basque bodice, a Victorian-era coat that was sometimes made with tails
Paletot, a nineteenth-century mid- to full-length coat similar in design to the casaquin in which it is fastens in the front and is fitted to the waist before widening to drape over the skirt
Suit coats, a development in the late nineteenth century in which coats or jackets paired with a skirt of the same cloth were worn for purposes other than as riding habits; developed into women's modern suit sets
An evening coat from the 1950s by designerSybil Connolly
The termscoat andjacket are both used around the world. The modern terms "jacket" and "coat" are often used interchangeably as terms, although the term "coat" tends to be used to refer to longer garments.
Devere, Louis:The Handbook of Practical Cutting on the Centre Point System (London, 1866); revised and edited byR. L. Shep. R. L. Shep, Mendocino, California, 1986.ISBN0-914046-03-9
Doyle, Robert:The Art of the Tailor, Sartorial Press Publications, Stratford, Ontario, 2005.ISBN0-9683039-2-7
Mansfield, Alan; Cunnington, Phillis:Handbook of English Costume in the 20th Century 1900-1950, Plays Inc, Boston, 1973ISBN0-8238-0143-8
Snodgrass, Mary Ellen:World Clothing and Fashion: An Encyclopedia of History, Culture, and Social Influence, Volume 1, Sharpe Reference, Armonk, NY, 2014. ISBN 978-0-7656-8300-7
Stephenson, Angus (editor):The Shorter Oxford Dictionary. Oxford University Press, New York, 2007
Unknown author:The Standard Work on Cutting Men’s Garments. 4th ed. Originally pub. 1886 by Jno J. Mitchell, New York.ISBN0-916896-33-1
Vincent, W. D. F.:The Cutter’s Practical Guide. Vol II "All kinds of body coats". The John Williamson Company, London, circa 1893.
Waugh, Norah:The Cut of Men's Clothes 1600-1900, Routledge, London, 1964.ISBN0-87830-025-2
Whife, A. A (ed):The Modern Tailor Outfitter and Clothier; 4th revised ed. 3 vols. The Caxton Publishing Company Ltd, London, 1951
^Wilson, Elizabeth (1987).Adorned in Dreams: Fashion and Modernity. Berkeley: University of California Press. pp. 26–27.ISBN0-520-06122-5.
^Cooper, Grace Rogers (1968).The Sewing Machine: Its Invention and Development (2nd ed.). Washington, D.C.: Smithsonian Institution Press. pp. 57–59.ISBN0-87474-330-3.
^McGraw-Hill Dictionary of American Idioms and Phrasal Verbs (2002)