Movatterモバイル変換


[0]ホーム

URL:


Jump to content
WikipediaThe Free Encyclopedia
Search

Coat

From Wikipedia, the free encyclopedia
Warming outerwear garment for men and women
For other uses, seeCoat (disambiguation).
Not to be confused withOvercoat, a garment meant solely as an outer garment.
Watercolor painting of a dark-bearded white man in glasses, a hat, and a long, thick, pale-colored coat with a fur collar. The man has his hands in his pockets, and the coat is open, showing indiscriminate clothing of a dark color beneath.
Man wearing a coat, painting byJulian Fałat, 1900

Acoat is typically an outergarment for the upper body, worn by any gender for warmth orfashion.[1] Coats typically have longsleeves and are open down the front, and closing by means ofbuttons,zippers,hook-and-loop fasteners (AKA velcro), toggles, abelt, or a combination of some of these. Other possible features includecollars,shoulder straps, andhoods.

Etymology

[edit]

Coat is one of the earliest clothing category words inEnglish, attested as far back as the earlyMiddle Ages. (See alsoClothing terminology.) TheOxford English Dictionary tracescoat in its modern meaning toc. 1300, when it was writtencote orcotte. The word coat stems fromOld French and thenLatincottus.[2] It originates from theProto-Indo-European word forwoolen clothes.

An early use ofcoat in English iscoat of mail (chainmail), atunic-like garment of metal rings, usually knee- or mid-calf length.[3]

History

[edit]

The origins of the Western-style coat may be traced to the sleeved, close-fitted and front-fastened coats worn by theScythian nomads of the eurasian steppes, though this style of coat may be much older, having been found with four-thousand-year-oldTarim mummies and in five-thousand-year-old mummy ofOtzi[4][5][6][7][8] The medieval and renaissance coat (generally spelledcote orcotte by costume historians) is a mid-length,sleeved outer garment worn by both men and women, fitted to the waist and buttoned up the front, with a full skirt in its essentials, not unlike the modern coat.[9]

By the eighteenth century, overcoats had begun to supplantcapes andcloaks as outerwear in Western fashion. Before theIndustrial Revolution, which began in the second half of the eighteenth century, the extremely high cost of cloth meant certain styles of clothing represented wealth and rank, but as cloth became more affordable post-industrialization, people within a lower social class could adopt the fashionable outdoor wear of the wealthy elite, which, notably, included a coat.[10] In the nineteenth century, the invention of the sewing machine paired with existing textile machinery increased the affordability of mass-produced, ready-to-wear clothing and helped spur the popularity of wearing coats and jackets.[11] By the mid-twentieth century the termsjacket andcoat became confused for recent styles; the difference in use is still maintained for older garments.

Coats, jackets and overcoats

[edit]
Black-and-white fashion plate of two Victorian-era white men each wearing top hats, coats, trousers and black shoes. The man on the left is wearing an open, thick overcoat that reaches to his calves, with loose sleeves that reach his wrists and wide cuffs on the sleeves. The lapel is also broad, covering his shoulders. He is wearing a coat beneath this that reaches his knees that fastens off-center. Beneath that, a pair of checked trousers is visible on the lower-half and upper-half a vest is visible over a white shirt with a tall collar and small bowtie. The man on the right is wearing a buttoned topcoat that reaches his knees where it flares out. His sleeves reach his wrists and the coat is buttoned off-center with two rows of buttons. Beneath this are a pair of dark trousers and a barely visible neckline of a white shirt.
Overcoat (left) and topcoat (right) fromThe Gazette of Fashion, 1872

In the early nineteenth century, Western-style coats were divided into under-coats and overcoats. The term "under-coat" is now archaic but denoted the fact that the wordcoat could be both the outermost layer for outdoor wear (overcoat) or the coat is worn under that (under-coat). However, the termcoat has begun to denote just the overcoat rather than the under-coat. The older usage of the wordcoat can still be found in the expression "to wear a coat and tie",[12] which does not mean that wearer has on an overcoat. Nor do the termstailcoat,morning coat or house coat denote types ofovercoat. Indeed, an overcoat may be worn over the top of atailcoat. In tailoring circles, thetailor who makes all types of coats is called acoat maker. Similarly, in American English, the termsports coat is used to denote a type ofjacket not worn as outerwear (overcoat) (sports jacket in British English).

Swedish police women with coats in 1958. That was their uniform.

The termjacket is a traditional term usually used to refer to a specific type of short under-coat.[13] Typical modern jackets extend only to the upper thigh in length, whereas older coats such astailcoats are usually of knee length. The modern jacket worn with a suit is traditionally called alounge coat (or alounge jacket) in British English and asack coat in American English. The American English term is rarely used. Traditionally, the majority of men dressed in acoat and tie, although this has become gradually less widespread since the 1960s. Because the basic pattern for thestroller (black jacket worn with striped trousers inBritish English) anddinner jacket (tuxedo inAmerican English) are the same as lounge coats, tailors traditionally call both of these special types of jackets acoat.

An overcoat is designed to be worn as the outermost garment worn as outdoor wear;[14] while this use is still maintained in some places, particularly in Britain, elsewhere the termcoat is commonly used mainly to denote only the overcoat, and not the under-coat. Atopcoat is a slightly shorter[citation needed] overcoat, if any distinction is to be made. Overcoats worn over the top of knee length coats (under-coats) such asfrock coats,dress coats, andmorning coats are cut to be a little longer than the under-coat so as to completely cover it, as well as being large enough to accommodate the coat underneath.

The length of an overcoat varies: mid-calf being the most frequently found and the default when current fashion is not concerned with hemlines. Designs vary from knee-length to ankle-length, briefly fashionable in the early 1970s and known (to contrast with the usurpedmini) as the "maxi".[15]

Speakers ofAmerican English sometimes informally use the wordsjacket andcoat interchangeably.[16]

Types

[edit]

Eighteenth and nineteenth centuries

[edit]

Men's

[edit]

Some of these styles are still worn. Note that for this period, only coats of the under-coat variety are listed, andovercoats are excluded.

Women's

[edit]
  • A headless mannequin is wearing a green quilted skirt and over it wearing a pink caraco with a purple fern motif. The caraco is a fitted coat that passes the hip of the wearer and buttons up the front; this version has full, fitted sleeves, a square neckline, and there is a large gap at the front skirt of the caraco.
    Caraco, an eighteenth- and nineteenth-century fitted coat initially associated with the working class; it is similar to aBedgown
  • A fashion plate of three individuals, two white women modeling the casaquin: one green casaquin over a maroon dress with a wide crinoline and the second a maroon and green striped one over a matching dress. The casaquin is a coat that falls somewhere between the hips and knees and is wide enough around the skirt of the coat to lay over a wide-hooped skirt. The sleeves of these particular examples are wide and three-fourths length. It's fitted around the bodice. There is a white man in the middle with a tricorn hat, an ivory jacket that reaches his knees with a flared skirt. It has loose sleeves with wide cuffs, and the coat is worn over white stockings and black boots. He has a walking stick in his hand.
    Casaquin, an eighteenth-century coat that fastened down the middle and reached the hip
  • A drawing of a veiled woman in a big purple hat and a purple, long-sleeved redingote: a coat that is fitted at the bodice and hits above the hips at the front but cut so that it is left long in the back so that it reaches the floor. Under the coat is a white, floor-length gown. She is carrying a riding crop.
    Redingote, an eighteenth-century fitted riding coat with a long skirt down the back worn as a part of a riding habit
  • Full-body mannequin wearing a white, floor-length empire waist dress with three rows of ruffles around the bottom and a copper-colored spencer jacket: a long-sleeved, form fitted jacket that reaches the waist and has puffs at the shoulders.
    Spencer, a waist-length, frequently double-breasted, coat from the early nineteenth century sometimes made of the same cloth as the gown beneath it
  • A headless mannequin wearing a light beige floor-length coat that buttons up the middle with three lines of decorative, zigzagging cording along the fitted bodice, long sleeves, and scalloped collar
    Pelisse, an early-nineteenth-century high-waisted and fitted long coat
  • A color fashion plate of a green gown with a train and lace around the sleeve hems and a basque bodice. The bodice is made from a matching cloth and buttons up the front. It has short, square tails in the back.
    Basque bodice, a Victorian-era coat that was sometimes made with tails
  • A black-and-white fashion plate of six women each wearing long gowns (three white, one dark, two hidden behind other women) and paletots: coats that are fitted to the arms and bodice but flair out to lay over the gowns rounded by crinolines, each coat is shown at a different length and with different shapes around the hem, such as one whose hem is large zigzags, another comes to a point, another is asymmetrical so that it comes longer in the back, and another is the same length all the way around.
    Paletot, a nineteenth-century mid- to full-length coat similar in design to the casaquin in which it is fastens in the front and is fitted to the waist before widening to drape over the skirt
  • Black-and-white photograph of a young black woman wearing a hat with feathers and a suit: a coat with long, leg-of-mutton sleeves and wide-black lapels with a skirt the same cloth as the coat. The coat's skirt passes just over her hips. The coat is open to show a white blouse beneath. The woman is holding a cane behind her back.
    Suit coats, a development in the late nineteenth century in which coats or jackets paired with a skirt of the same cloth were worn for purposes other than as riding habits; developed into women's modern suit sets
Color photograph of a burgundy-colored, very loose fitting coat that opens down the middle, reaches the wearer's knees and has short loose-sleeves that stop before the elbow. There is a rough appearance to the texture of the cloth.
An evening coat from the 1950s by designerSybil Connolly

Modern

[edit]
Further information on modern coats:Jacket

The termscoat andjacket are both used around the world. The modern terms "jacket" and "coat" are often used interchangeably as terms, although the term "coat" tends to be used to refer to longer garments.

Modern coats include the:

See also

[edit]

Bibliography

[edit]
  • Antongiavanni, Nicholas:The Suit, HarperCollins Publishers, New York, 2006.ISBN 0-06-089186-6
  • Byrd, Penelope:The Male Image: men's fashion in England 1300-1970. B. T. Batsford Ltd, London, 1979.ISBN 978-0-7134-0860-7
  • Croonborg, Frederick:The Blue Book of Men's Tailoring. Croonborg Sartorial Co., New York and Chicago, 1907
  • Cunnington, C. Willett;Cunnington, Phillis (1959):Handbook of English Costume in the 19th Century, Plays Inc, Boston, 1970 reprint
  • Devere, Louis:The Handbook of Practical Cutting on the Centre Point System (London, 1866); revised and edited byR. L. Shep. R. L. Shep, Mendocino, California, 1986.ISBN 0-914046-03-9
  • Doyle, Robert:The Art of the Tailor, Sartorial Press Publications, Stratford, Ontario, 2005.ISBN 0-9683039-2-7
  • Mansfield, Alan; Cunnington, Phillis:Handbook of English Costume in the 20th Century 1900-1950, Plays Inc, Boston, 1973ISBN 0-8238-0143-8
  • Snodgrass, Mary Ellen:World Clothing and Fashion: An Encyclopedia of History, Culture, and Social Influence, Volume 1, Sharpe Reference, Armonk, NY, 2014. ISBN 978-0-7656-8300-7
  • Stephenson, Angus (editor):The Shorter Oxford Dictionary. Oxford University Press, New York, 2007
  • Unknown author:The Standard Work on Cutting Men’s Garments. 4th ed. Originally pub. 1886 by Jno J. Mitchell, New York.ISBN 0-916896-33-1
  • Vincent, W. D. F.:The Cutter’s Practical Guide. Vol II "All kinds of body coats". The John Williamson Company, London, circa 1893.
  • Waugh, Norah:The Cut of Men's Clothes 1600-1900, Routledge, London, 1964.ISBN 0-87830-025-2
  • Whife, A. A (ed):The Modern Tailor Outfitter and Clothier; 4th revised ed. 3 vols. The Caxton Publishing Company Ltd, London, 1951

References

[edit]
  1. ^"coat : Oxford English Dictionary". Archived fromthe original on October 27, 2020. Retrieved2021-12-06.
  2. ^"Home : Oxford English Dictionary".www.oed.com. Retrieved2016-07-09.
  3. ^"Encarta". Archived fromthe original on 2009-08-29.
  4. ^Welters, Linda; Lillethun, Abby (2018).Fashion History: A Global View. London: Bloomsbury. pp. 113–114.ISBN 978-1-4742-5363-5.
  5. ^Yi-Chang, Young-Soo (2016)."The Study on the Scythian Costume III - Focaused on the Scythian of the Pazyryk region in Altai -".Fashion & Textile Research Journal.18 (4):424–437.doi:10.5805/SFTI.2016.18.4.424.
  6. ^Kim, M. (2007)."A study on the Scythian costume".Journal of Fashion Business.11:204–220.
  7. ^Opuscula Atheniensia. C.W.K. Gleerup. 1984.ISBN 978-91-85086-59-7.
  8. ^"Clothing".Museo Archeologico dell’Alto Adige. Retrieved2024-09-26.
  9. ^Goldentul, Zhanna; University of Louisville (2009).Coats:A discussion of garment, evolution, and identity. p. 4.ISBN 978-1-109-30027-7. Retrieved14 September 2011.[permanent dead link]
  10. ^Wilson, Elizabeth (1987).Adorned in Dreams: Fashion and Modernity. Berkeley: University of California Press. pp. 26–27.ISBN 0-520-06122-5.
  11. ^Cooper, Grace Rogers (1968).The Sewing Machine: Its Invention and Development (2nd ed.). Washington, D.C.: Smithsonian Institution Press. pp. 57–59.ISBN 0-87474-330-3.
  12. ^McGraw-Hill Dictionary of American Idioms and Phrasal Verbs (2002)
  13. ^Oxford English Dictionary. (1989) 2nd ed.jacket,n. "...a short coat without tails..."
  14. ^Oxford English Dictionary. (1989) 2nd ed.overcoat,n. "A large coat worn over the ordinary clothing..."
  15. ^Christopher Booker (1980) The Seventies
  16. ^Oxford English Dictionary,Oxford University Press, 1971

General:Picken, Mary Brooks:The Fashion Dictionary, Funk and Wagnalls, 1957. (1973 editionISBN 978-0-308-10052-7)

Headwear
Neckwear
Underwear
andlingerie
Top
Bottom
Full
Tops
Bottoms
Trousers
Skirts
Full-Body
Wear
Suits and
uniforms
Dresses
andgowns
Formal, semi-
formal, informal
Casual
Coats
and
outerwear
Overcoats
Suit coats
Other
Nightwear
Swimwear
Legwear
Footwear
Accessories
Adornments
Non-worn items
Dress codes
Western
Related
International
National
Other
Retrieved from "https://en.wikipedia.org/w/index.php?title=Coat&oldid=1316921955"
Categories:
Hidden categories:

[8]ページ先頭

©2009-2025 Movatter.jp