| Cinema of Ireland | |
|---|---|
 | |
| No. ofscreens | 537 (2019)[1] |
| • Per capita | 11.0 per 100,000 (2011)[1] |
| Main distributors | Warner Bros. 18.4% Paramount 16.2% Universal 12.1%[2] |
| Produced feature films (2011)[3] | |
| Fictional | 20 |
| Animated | 2 |
| Documentary | 10 |
| Number of admissions (2011)[5] | |
| Total | 16,350,000 |
| • Per capita | 3.6 (2010)[4] |
| National films | 640,000 (3.9%) |
| Gross box office (2011)[5] | |
| Total | €112 million |
| National films | €4.4 million (3.9%) |
TheIrish film industry has grown somewhat from the late 20th century, due partly to the promotion of the sector byFís Éireann/Screen Ireland and the introduction of heavy tax breaks. According to the Irish Audiovisual Content Production Sector Review carried out by theIrish Film Board andPricewaterhouseCoopers in 2008 this sector, has gone from 1,000 people employed six or seven years previously, to well over 6,000 people in that sector by the time of the report. The sector was reportedly valued at over €557.3 million and represented 0.3% of GDP.[6] Most films are produced inEnglish as Ireland is largelyAnglophone, though some productions are made inIrish either wholly or partially.
According to a 2009 article inVariety magazine spotlighting Irish cinema, up to 1999/2000, Ireland had only two filmmakers "anyone had heard of":Neil Jordan andJim Sheridan.[7] However, as of 2009[update], theVariety article stated that Ireland then had "more than a dozen directors and writers with significant and growing international reputations" and listed directors such asLenny Abrahamson,Conor McPherson,John Crowley,Martin McDonagh,John Michael McDonagh,John Carney,Kirsten Sheridan,Lance Daly,Paddy Breathnach andDamien O'Donnell and writers such asMark O'Rowe,Enda Walsh andMark O'Halloran.[7]
In 2009,Minister for Arts, Sport and Tourism,Martin Cullen, said that "the film industry is the cornerstone of a smart and creative digital economy".[8] In addition to the economic benefit that the Irish film industry brings in by way of cash investment from overseas and the associated VAT, PAYE and PRSI receipts, it was reported in 2009 that there were also "soft benefits" in terms of the development and projection of the Irish culture and the promotion of tourism.[9]
Some of the most successful Irish films includeThe Wind That Shakes the Barley (2006),Intermission (2003),Man About Dog (2004),Michael Collins (1996),Angela's Ashes (1999),The Commitments (1991),Once (2007) andThe Quiet Girl (2022).Mrs. Brown's Boys D'Movie (2014) holds the record for the biggest gross on the opening day of an Irish film in Ireland.[10]
During the 20th century, a number of films were censored or banned, owing largely to the influence of the Catholic Church with films includingThe Great Dictator (1940),A Clockwork Orange (1971) andLife of Brian (1979) being banned at various times,[11] although virtually no cuts or bans have been issued as of the early 21st century.[citation needed] TheIrish Film Classification Office policy is that of personal choice for the viewer, considering his job to examine and classify films rather than censor them.[12][13]
The first fictional film shot in Ireland wasKalem Company'sThe Lad from Old Ireland (1910), which was also the first American film shot on location outside the United States. It was directed bySidney Olcott, who returned the next year to shoot over a dozen films primarily in the small village ofBeaufort, County Kerry. Olcott intended to start a permanent studio in Beaufort, but the outbreak of World War I prevented him from doing so.[14]
The Irish government was one of the first in Europe to see the potential benefit to the exchequer of having a competitive tax incentive for investment in film and television, making use of a revised and improved version of its Section 481 tax incentive in 2015 which gives production companies a tax credit rate of 32% when making certain films.[15] Other countries have recognized the success of Ireland's incentive scheme and matched it or introduced a more competitive tax incentive. After a long lobbying process, significant improvements were introduced to the Section 481 relief for investment in film projects in 2009 to boost employment in the industry and help re-establish Ireland as an attractive global location for film and television production.[8]
Kevin Moriarty, managing director ofArdmore Studios inCounty Wicklow, has described Ireland as an "attractive film location" that is recognised for the "quality of the output of the Irish film industry and a perception that Ireland is a viable film destination".[8]
Notable films that have been filmed in Ireland includeThe Quiet Man (1952),Ten Little Indians (1965),The Spy Who Came In from the Cold (1965),The Lion in Winter (1968),The First Great Train Robbery (1979),Excalibur (1981),The Fantasist (1986),Braveheart (1995),Reign of Fire (2002),King Arthur (2004),The Guard (2011),Star Wars: The Force Awakens (2015), andStar Wars: The Last Jedi (2017).[citation needed]
.jpg)
The first cinema in Ireland, theVolta, was opened at 45 Mary Street, Dublin, in 1909 by the novelistJames Joyce.[16]
Ireland has a relatively high rate of cinema attendance, and had the highest rate in Europe in 2017.[17]
There are several cinema chains operating in Ireland. Among them areODEON Cinemas (formerlyUCI/Storm Cinemas),Omniplex, IMC Cinemas (Both Omniplex and IMC are owned by theWard Anderson group),Cineworld,Vue and Movies@Cinemas.
Ireland has been home to several producers ofanimated films.Sullivan Bluth Studios was opened in 1979 as Don Bluth Productions, with its primary location inDublin, to produce animated films by directorDon Bluth and producerMorris Sullivan. Some films produced at Sullivan Bluth's Irish studio include 1988'sThe Land Before Time, 1989'sAll Dogs Go to Heaven (co-produced with UK-basedGoldcrest Films) and 1991'sRock-a-Doodle. Many of these films competed favourably with productions byWalt Disney Pictures at the time. However, following a number of box-office flops in the early to mid-1990s, including 1994'sThumbelina andA Troll in Central Park and 1995'sThe Pebble and the Penguin, the studio soon declared bankruptcy and was closed in 1995.
Today, Ireland has a number of animation studios that produce television and commercial animation, as well as feature films and co-productions.Cartoon Saloon, founded in 1999 by Paul Young andTomm Moore, is among the most prolific. It has produced the award-winning TV seriesSkunk Fu! as well as a feature film, 2009'sThe Secret of Kells, animated primarily with Traditional paper and pencil hand drawn animation and detailing a fictitious account of the creation of theBook of Kells. The film was nominated at the82nd Academy Awards forBest Animated Feature. Since then, Cartoon Saloon had released a slate of critically acclaimed animated films such asSong of the Sea, released in 2014.,[18]The Breadwinner released in 2017[19] andWolfwalkers in 2020.[20]
The Irish Film Board Act of 1980 set the foundation for an expanding Irish-based film industry.[21] It provided, among other things, very advantageous tax advantages for film productions and resident foreign creative individuals. A number of world-renowned writers, including Len Deighton, Frederick Forsyth, and Richard Condon took advantage of the allowances, residing in Ireland for a number of years. The Film Act was the result of an initial collaboration between theTaoiseach,Jack Lynch, andLynn Garrison, an aerial film director who shared asemi-detached house with Lynch. The Film Act became the basis for other national film acts throughout Europe and America.
Bord Scannán na hÉireann/the Irish Film Board (IFB) is the national development agency for the Irish film industry investing in talent, creativity and enterprise. The agency supports and promotes the Irish film industry and the use of Ireland as a location for international production.[22]
The Irish Film Board was set up in 1981 to boost the local industry, and one of its earliest supported projects wasThe Outcasts in 1982.[23] After the infamous closure of theIrish Film Board in 1987, Irish stories and filmmakers continued to break through with considerable international successMy Left Foot (Jim Sheridan),The Crying Game (Neil Jordan),The Commitments (Alan Parker) all made with non-Irish finance. The success of these projects coupled with intensive local lobbying led to the re-establishment of the Irish Film Board in 1993.
Many film critics[who?] point to the fact that the Irish Film Board's output has been poor, as most films which are chosen for funding do little or no business outside of the country, and are rarely popular in Ireland. However, IFB funded films likeIntermission,I Went Down,Man About Dog,The Wind That Shakes The Barley, andAdam & Paul proved popular with domestic audiences and had "respectable" box office performance in Irish cinemas.[24] Both the Oscar-winning filmOnce and the Palme d'Or winnerThe Wind That Shakes the Barley experienced international success in the early 21st century.Once, which was made on a shoestring budget, took over $10 million at the US box office and over $20 million in worldwide ticket sales, whileThe Wind That Shakes the Barley was distributed theatrically in 40 territories worldwide.[25]
Over the last four years,[when?] Irish films have screened and won awards at several international film festivals including Cannes, Sundance, Berlin, Toronto, Venice, London, Tribeca, Edinburgh and Pusan.[25]
The Wind That Shakes The Barley won the prestigious Palme d'Or award for Best Film at the Cannes Film Festival in 2006, whileGarage, directed by Lenny Abrahamson, picked up the CICEA Award at the Directors Fortnight at the festival in 2007. After winning the Audience Award at the Sundance Film Festival in 2007,Once went on to win the Best Foreign Film prize at the Independent Spirit Awards in 2008 and an Academy Award for Best Original Song. The Irish short filmSix Shooter won the Academy Award for Best Short Film in 2006 while the short filmNew Boy was nominated for the same award in 2009.[25]
In 2009 a record seven IFB funded films (Ondine,Perrier’s Bounty,Triage,A Shine of Rainbows,Eamon,Cracks, andColony) were selected for the Toronto International Film Festival.[26]
The director Tony Keily criticised the board's insistence on funding "uncommercial commercial cinema".[27] Paul Melia also criticised the IFB over its slowness in awarding funding.[28]
In 2005 a Jameson Whiskey-sponsored poll selected the top 10 Irish films. They included:[29]
In 2020,The Irish Times ranked 50 Irish films. The top 10 included:[30]
In 2023, theIrish Independent published a list of the top 30 Irish films, as voted by 30 film-makers and critics. The top 10 included:[31]
TheIrish Film and Television Awards have been awarded since 1999, and in their current form since 2003. The Best Irish Film award winners have been:
| Year | Name | Director | Budget | Box office | References |
|---|---|---|---|---|---|
| 2022 | An Cailín Ciúin | Colm Bairéad | €1.2 million | $6.785 million (worldwide) | [35] |
| 2024 | Kneecap | Rich Peppiatt | $4.1 million | [36] | |
| 2021 | Arracht | Tomás Ó Súilleabháin | €1.2 million | €164,000 | [37] |
| 2022 | Róise & Frank | Rachael Moriarty and Peter Murphy | $80,196 | ||
| Doineann | Damian McCann | £435,000 | $12,175 | ||
| 2023 | Tarrac | Declan Recks | €1.2 million | $10,151 | [38] |
| 2022 | Foscadh | Seán Breathnach | $9,643 | [39][40] | |
| 2019 | Finky | Dathaí Keane | [citation needed] |
| Africa |
| ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Asia |
| ||||||||||||
| Europe |
| ||||||||||||
| Americas |
| ||||||||||||
| Oceania | |||||||||||||
| Intercontinental & transnational | |||||||||||||
| Companies | |
|---|---|
| Currency & taxation | |
| Banking | |
| Policy | |
| Proposed | |
| Development demographics | |
| Localised | |
| People and labour |
|
| Sectors | |
| Co-operatives | |
| History | |
