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Chorus line

From Wikipedia, the free encyclopedia
Group of dancers who perform synchronized routines
For the Broadway musical, seeA Chorus Line.
Theatrical poster from 1900 showing an early chorus line.
A modern chorus line

Achorus line is a large group ofdancers who together performsynchronized routines, usually inmusical theatre. Sometimes,singing is also performed. While synchronized dancing indicative of a chorus line was vogue during the first half of the 20th century, modern theatre uses the terms "ensemble" and "chorus" to indicate all supporting players in astage production.

History

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In the mid-1800s, chorus lines of cartwheeling, synchronized dancingcan-can "girls" began sprouting up throughout Paris with even edgier, more erotic cabarets found in venues like theMoulin Rouge,Le Lido, and theFolies Bergẻre. By the late 1860s, the scandalous trend found its way to the United States with a more conservative trend of chorus lines hitting England, includingTiller Girls andGaiety Girls. Chorus lines throughout Western Europe and the United States largely owned the stages of the early twentieth century.[1] Chorus line dancers in earlyBroadway musicals andrevues were referred to by slang terms such asponies,gypsies andtwirlies.

Chorus lines hit vogue in the 1920s and 30s, as the life and possibilities of a "chorus girl" became sensationalized in fiction, newspapers, and film, capturing the imaginations of young women seeking independence, adventure, and a happily ever after. Real-life examples of the Cinderella narrative includedLilian Russel andBillie Dove, both of whom began their careers as chorus girls and married into wealth.[2]

For women hoping to make a career out of performing, the chorus line was a common place of entry. Big names of the day likePaulette Goddard,Barbara Stanwyck, andBetty Grable are just some of the stars who began successful performing careers by joining a chorus line.[2]

One of the most popular productions of the time was theZiegfeld Follies, operating out ofNew York City, which was well-known for hiring only the most striking women for the chorus line.Florenz Ziegfeld Jr received the reputation of being able to objectively define and select exceptionally beautiful women.[2] Ziegfeld's standards, then, soon became the ideal, and publications and news articles circulated with headlines like, "How I pick my Beauties" and "Picking out pretty girls for the stage".[2]

Decades later, chorus lines of a more erotic flavor found huge success in Las Vegas, before declining again in the face of competition fromburlesque andstrip clubs.[1]

Some popular chorus lines found their way onto the golden screen. One group in particular wasSamuel Goldwyn's dancers, theGoldwyn Girls. Popping up in numerousMGM productions, the famous Goldwyn Girls included stars who went on to find great success on-screen likeLucille Ball,Virginia Mayo, andJane Wyman.[1]

To this day, some live performance venues keep the traditional chorus line alive with groups likeThe Rockettes, but more frequently the term "chorus line" in modern terms is used to differentiate supporting singers and dancers of any gender in a musical or musical revue from the lead actors or performers.[3]

Famous chorus lines

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Famous performers

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Performers who started out dancing in traditional chorus lines include:

See also

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References

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  1. ^abcLowbrow, Yeoman (2017-10-22)."Chorus Line Dancers and Can-Can Girls from the 1920s-1960s".Flashbak. Retrieved2022-05-17.
  2. ^abcdVictoria, Ava (5 May 2022)."The Life of a Chorus Girl".The Vintage Woman. Retrieved5 May 2022.
  3. ^"Definition of CHORUS LINE".www.merriam-webster.com. Retrieved2022-05-18.
  4. ^Stuart, Judson D. (May 1915)."The High Cost of Stage Beauty".The Theatre. New York, New York: The Theatre Magazine Co.: 240. RetrievedJune 18, 2021 – via Google books.
  5. ^abcdeCantu, Maya.American Cinderellas on the Broadway Musical Stage: Imagining the Working Girl from Irene to Gypsy, p. 49 (Palgrave Macmillan 2015).
  6. ^"Timeline of Lucille Ball's Life & Career - Fenton History Center". Archived fromthe original on 2017-11-07. Retrieved2017-10-30.
  7. ^"Profile: 'Call me Madam'".BBC News. 2000-10-23. Retrieved2012-09-09.
  8. ^"Obituary: Anise Boyer Burris".New York Amsterdam News. October 23, 2008. p. 37.
  9. ^Freeland, David (2009).Automats, Taxi Dances, and Vaudeville: Excavating Manhattan's Lost Places of Leisure.NYU Press. p. xii.ISBN 9780814727898.
  10. ^abCantu, Maya.American Cinderellas on the Broadway Musical Stage: Imagining the Working Girl from Irene to Gypsy, p. 18 (Palgrave Macmillan 2015).
  11. ^"Glorifying the American Girl: Adapting an Icon", Cynthia J. Miller; "The Adaptation of History: Essays on Ways of Telling the Past" edited by Laurence Raw, Defne Ersin Tutan; McFarland, 2012; page 33

External links

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