| "Charlie X" | |||
|---|---|---|---|
| Star Trek: The Original Series episode | |||
_screenshot.jpg) Charlie seizes control of theEnterprise | |||
| Episodeno. | Season 1 Episode 2 | ||
| Directed by | Lawrence Dobkin | ||
| Story by | Gene Roddenberry | ||
| Teleplay by | Dorothy C. Fontana | ||
| Featured music | Fred Steiner | ||
| Cinematography by | Jerry Finnerman | ||
| Production code | 8 | ||
| Original air date | September 15, 1966 (1966-9-15) | ||
| Guest appearances | |||
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| Episode chronology | |||
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| Star Trek: The Original Seriesseason 1 | |||
| List of episodes | |||
"Charlie X" is the second broadcast episode of thefirst season of the Americanscience fiction television seriesStar Trek. Written byDorothy C. Fontana from a story byGene Roddenberry, and directed byLawrence Dobkin, it first aired on September 15, 1966.
In the episode, theEnterprise picks up an unstable 17-year-old boy who spent 14 years alone on a deserted planet and lacks the training and restraint to handle his superhuman mental powers wisely.
TheUSSEnterprise meets the merchant vesselAntares to take charge of Charlie Evans, the sole survivor of a transport ship that crashed on the planet Thasus. For fourteen years, 17-year-old Charlie grew up there alone, stranded in the wreckage, learning how to talk from the ship's computer systems, which remained intact. Charlie is to be transported to his nearest relatives on the colony Alpha V. Crew members aboardAntares speak praises about Charlie, but seem pleased to see him removed from their ship. He tells Dr.McCoy the crew ofAntares did not like him very much, and that all he wants is for people to like him.
Despite his eagerness to please, Charlie becomes obnoxious since his lack of upbringing has left him with no knowledge of social norms or control of his emotions. He latches on toCaptain Kirk as afather figure and develops aninfatuation with YeomanJanice Rand. He demonstrates extraordinary powers oftelepathy and matter transmutation, though the crew initially fail to recognize the cause. Charlie meets Rand in the recreation room, whereMr. Spock plays a Vulcan lyrette andLt. Uhura suddenly starts singing. Charlie is annoyed with being a subject in Uhura's performance, as well as with Rand paying more attention to the song than to him, so he causes Uhura to temporarily lose her voice and Spock's instrument to malfunction.
When theAntares is nearly out of sensor range, it transmits a message to theEnterprise. The message is cut off before it can convey a warning. Scanners show theAntares has been reduced to debris.
Kirk tries to teach Charliemartial arts. Sam, Kirk's training partner, laughs at one of Charlie's falls, and Charlie makes him "vanish". Shocked, Kirk calls for security guards to escort Charlie to his quarters. Charlie makes allphasers on the ship disappear, but ultimately yields to Kirk's order that he return to his quarters. Records show that Charlie's abilities are the same as those of Thasians, but the medical examination McCoy conducted when Charlie came on board confirmed that he is human. Charlie admits he used his powers to remove a vital component of theAntares warp core, causing the ship to explode. Frustrated at the adversarial turn in his relationship with the crew, Charlie breaks out of his quarters and begins to use his powers on the crew - changing their physical forms or freezing them according to his whim. When Rand resists his romantic advances and slaps him, he makes her "disappear." When Kirk demands to know if Rand is dead or alive, Charlie refuses to tell him.
Realizing Charlie's powers are too great to be controlled, Kirk opts to divert from Alpha V so as to at least keep Charlie away from a civilized world, where he would wreak havoc. Charlie discovers Kirk's plans, and takes control of theEnterprise. Speculating that controlling theEnterprise may sap Charlie's power, Kirk orders all of the ship's systems to be activated and attacks Charlie. Though his hypothesis proves incorrect, it distracts Charlie from fleeing a Thasian ship that had been pursuing them.
The ship approaches and restores theEnterprise and its crew to their proper forms - although they admit they cannot restore theAntares. The Thasian commander says that his race gave Charlie his powers so he could survive on their world, but these powers (which they can't remove from him) make him too dangerous to live among humans. Charlie begs Kirk not to let the aliens have him, since the Thasians lack any physical form or capacity for love. However, the Thasians reject Kirk's argument that Charlie belongs with his own kind, and with a final echoing wail of "I wanna stay!" Charlie is transported away and Yeoman Rand begins crying.
The premise for this episode formed part ofGene Roddenberry's original March 1964 pitch forStar Trek, under the name "The Day Charlie Became God". When the series entered production, Roddenberry assigned it toDorothy C. Fontana to dramatize.[1]
For a while during production, the episode was known as "Charlie's Law"; a name which survived in theJames Blishadaptation of the episode forBantam Books. In a scene in the script which did not air, Charlie's Law is stated as "You'd better be nice to Charlie ... or else."[2]
Gene Roddenberry made an uncredited audio cameo as the cook (or mess officer) who exclaims that the turkey-shaped meatloaf in the galley ovens has turned into real turkeys. This was his only speaking role inStar Trek: The Original Series.[3]
Zack Handlen ofThe A.V. Club gave the episode a "B" rating. Handlen marked the episode down for its poor treatment of YeomanJanice Rand and use of the "god-child" cliché, but praised more "disturbing" elements of the episode, such as Charlie's pranks and his eventual fate.[4]
In 2016,Syfy ranked guest star Robert Walker's performance as Charlie as the 6th best guest star on the original series[5] and Uhura's singing as the character's seventh best moment inStar Trek.[6]
In 2024Hollywood.com ranked Charlie X at number 13 out of the 79 original series episodes, calling it "bold, primary-colored fantasia of ‘60s pop art".[7]
