Charles Willson Peale | |
|---|---|
 c. 1791self-portrait of Peale | |
| Born | (1741-04-15)April 15, 1741 |
| Died | February 22, 1827(1827-02-22) (aged 85) Philadelphia,Pennsylvania, U.S. |
| Resting place | Saint Peter's Episcopal Churchyard (Philadelphia, Pennsylvania) |
| Known for | Painting |
| Spouses | |
| Relatives | Peale family |
Charles Willson Peale (April 15, 1741 – February 22, 1827) was an American painter, military officer, scientist, and naturalist.
In 1775, inspired by theAmerican Revolution, Peale moved from his nativeMaryland toPhiladelphia, where he set up a painting studio and joined theSons of Liberty. During theAmerican Revolutionary War, Peale served in thePennsylvania Militia and theContinental Army, participating in several military campaigns. In addition to his military service, Peale also served in the Pennsylvania State Assembly from 1779 to 1780.
Peale's portraits of leading American figures of the late 18th century are some of the most recognizable and prominent from that era. In 1784, he founded thePhiladelphia Museum, one of the first American museums. More than two centuries after Peale painted his 1779 portraitWashington at Princeton, the painting sold for $21.5 million, the highest price ever paid for an American portrait.
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Peale was born on April 15, 1741, inChester, Maryland.[1] He was the son of Charles Peale (1709–1750) and his wife Margaret Triggs (1709–1791). Peale had a younger brother,James Peale (1749–1831), and was the brother-in-law ofNathaniel Ramsey, who would go on to serve as a delegate to theCongress of the Confederation.
Four years after his father's death in 1750, Peale, at age 13, became an apprentice to saddle maker Nathan Waters.[2] When he reached maturity, Peale opened his own saddle shop.[3]
In 1764, Peale joinedSons of Liberty, an organization of theThirteen Colonies that proved influential in organizing and paving the way for theAmerican Revolution.[4][5] He proved unsuccessful in saddle making as a career and then tried fixing clocks and working with metals, but both of these endeavors also failed. He then took up painting.
Finding that he had a talent for painting, especially portraiture, Peale studied for a time underJohn Hesselius andJohn Singleton Copley.John Beale Bordley and friends eventually raised enough money for him to travel to England to take instruction fromBenjamin West. Peale studied with West for three years beginning in 1767, afterward returning to North America and settling inAnnapolis, Maryland. There, he taught painting to his younger brother,James Peale, who in time also became a noted artist.
In 1775, Peale's enthusiasm for theAmerican Revolution and the new national government led him to move from Maryland toPhiladelphia, then the national capital, where he began painting portraits of notable Americans and visitors from overseas. His estate, now located atLa Salle University in Philadelphia, is now open to the public. Peale also recruited troops for thePennsylvania militia, which ultimately joined with other militias to create theContinental Army, commanded byGeorge Washington. In the Pennsylvania militia, Peale rose to the rank of captain and participated in several battles including theBattle of Trenton andBattle of Princeton.[6] While in combat, he painted miniature portraits of various officers in the Continental Army. He produced enlarged versions of these in later years. After the Revolutionary War, he served in the Pennsylvania state assembly for a year, from 1779 to 1780, and then returned to painting full-time in Philadelphia.
Peale was a prolific artist. He completed portraits of scores of historic figures, includingBenjamin Franklin,John Hancock,Thomas Jefferson,Alexander Hamilton,James Mitchell Varnum, and George Washington. In 1771, Washington sat for a portrait with Peale, and he later sat for six additional sittings. Using the seven portraits he painted of Washington, Peale produced close to 60 portraits of Washington. In January 2005, one of them, Peale'sWashington at Princeton sold for $21.3 million (~$32.8 million in 2024), setting a record for the highest price paid for a North American portrait.
In 1794, Peale designed the first stateseal of Maryland.
One of his most celebrated paintings isThe Staircase Group (1795), a double portrait of his sons Raphaelle and Titian, is painted in thetrompe-l'œil style[7] and appears today in thePhiladelphia Museum of Art. While interplaying with space and illusion, the painting also subtly commented on political debates about nationalism, education, and civic identity in the early America.[8]
Peale had a great interest innatural history, and organized the first U.S. scientific expedition in 1801. These two major interests combined in his founding of thePhiladelphia Museum in 1784, also known as Peale's museum. It housed a diverse collection of botanical, biological, and archaeological specimens, along with hundreds of pictures.[8][9]In 1786, Peale was elected to theAmerican Philosophical Society.[10]
The museum contained a large variety of birds which Peale himself acquired, and in many instances mounted, having taught himself taxidermy. In 1792, Peale initiated a correspondence with Thomas Hall, of the Finsbury Museum, City Road, Finsbury, London proposing to purchase British stuffed items for his museum. Eventually, an exchange system was established between the two, whereby Peale sent American birds to Hall in exchange for an equal number of British birds. This arrangement continued until the end of the century. The Peale Museum was the first to display amastodon skeleton (which in Peale's time were referred to asmammoth bones; these common names were amended byGeorges Cuvier in 1800, and his proposed usage is that employed today) that Peale found inNew York. Peale worked with his son to mount the skeleton for display.
The display of the mammoth bones entered Peale into a long-standing debate betweenThomas Jefferson andComte de Buffon. Buffon argued that Europe was superior to the Americas biologically, which was illustrated through the size of animals found there. Jefferson referenced the existence of these "mammoths" (which he believed still roamed northern regions of the continent) as evidence for a greater biodiversity in North America. Peale's display of these bones drew attention from Europe, as did his method of re-assembling large skeletal specimens in three dimensions.
The museum was among the first to adoptLinnaean taxonomy. This system drew a stark contrast between Peale's museum and his competitors who presented their artifacts as mysterious oddities of the natural world.
The museum underwent several moves during its existence. At various times it was located in several prominent buildings, includingIndependence Hall and the original home of theAmerican Philosophical Society.
The museum eventually failed, in large part because Peale was unsuccessful at obtaining government funding. After his death, the museum was sold to, and split up by, showmenP. T. Barnum andMoses Kimball.[11]
In 1762, Peale married Rachel Brewer (1744–1790), who bore him ten children, most of them named for Peale's favorite male and female artists. Several of his sons and daughters also pursued careers as painters, including:
After Rachel's death in 1790, Peale married Elizabeth de Peyster (1765–1804), a descendant ofJohannes de Peyster, the next year. With his second wife, he had six additional children, including:
In 1805, Peale married Hannah Moore, aQuaker from Philadelphia, who became his third wife. She helped to raise the younger children from his previous two marriages.
Peale's slave,Moses Williams, was also trained in the arts while growing up in the Peale household and later became a professionalsilhouette artist.[14]
In 1810, Peale purchased a farm inGermantown, where he intended to retire. He named this estateBelfield and cultivated extensive gardens there. After Hannah's death in 1821, Peale lived with his son Rubens and sold Belfield in 1826. Peale died on February 22, 1827, and was buried atSt. Peter's Episcopal Church inPhiladelphia alongside his wife Elizabeth DePeyster.[15]
ARenaissance man, Peale had expertise not only in painting but also in many diverse fields, includingcarpentry,dentistry,optometry,shoemaking, andtaxidermy. In 1802,John Isaac Hawkins patented the second officialphysiognotrace, a mechanical drawing device, and partnered with Peale to market it to prospective buyers. Peale sent a watercolor sketch of the physiognotrace, along with a detailed explanation, toThomas Jefferson. The drawing is now held with the Jefferson Papers in the Library of Congress.[16]
Around 1804, Peale obtained the American patent rights to thepolygraph from its inventor John Isaac Hawkins, about the same time as the purchase of one by Thomas Jefferson. Peale and Jefferson collaborated on refinements to this device, which enabled a copy of a handwritten letter to be produced simultaneously with the original.
Peale wrote several books. Two of these wereAn Essay on Building Wooden Bridges (1797) andAn Epistle to a Friend on the Means of Preserving Health (1803).
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Sources
de Peyster family tree |
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