| Central Station | |
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 Theatrical release poster | |
| Portuguese | Central do Brasil |
| Directed by | Walter Salles |
| Screenplay by |
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| Story by | Walter Salles |
| Produced by | |
| Starring | |
| Cinematography | Walter Carvalho |
| Edited by |
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| Music by | |
Production companies |
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| Distributed by |
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Release dates |
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Running time | 113 minutes |
| Countries | |
| Language | Portuguese |
| Budget | $2.9 million[2] |
| Box office | $22 million[3] |
Central Station (Portuguese:Central do Brasil) is a 1998roaddrama film directed byWalter Salles from a screenplay byJoão Emanuel Carneiro and Marcos Bernstein, based on an original idea by Salles. It starsFernanda Montenegro,Marília Pêra andVinícius de Oliveira. The film tells the story of a young boy's friendship with a jaded middle-aged woman.
Central Station premiered in Switzerland on 16 January 1998, in Brazil on 3 April, and in France on 2 December. The film received critical acclaim, with Montenegro's performance earning her a nomination for theAcademy Award for Best Actress and theGolden Globe Award for Best Actress in a Motion Picture – Drama (becoming the first Brazilian actor to ever be nominated in the lead actress category on both awards), while the film was nominated for theAcademy Award for Best Foreign Language Film and won theGolden Globe for Best Foreign Language Film, theBAFTA Award for Best Film Not in the English Language, and theGolden Bear at the48th Berlin International Film Festival.[4]
In 2015, the Brazilian Film Critics Association aka Abraccine votedCentral Station the11th greatest Brazilian film of all time, in its list of the 100 best Brazilian films.[5]
Dora is a retired schoolteacher who works atRio de Janeiro's Central Station, writing letters for illiterate customers to earn a living. Embittered by life, she usually shows a lack of patience with customers and sometimes does not mail the letters she writes, putting them in a drawer or even tearing them up instead. One of her customers is the mother of Josué, a poor 9-year-old boy who hopes to meet his unknown father someday. When she is killed in a bus accident just outside the train station, and Josué is left homeless, Dora feels compelled to take him in. She trafficks him to a corrupt couple but later steals him back out of guilt.
Initially reluctant to be responsible for the boy, Dora eventually decides to accompany him on a trip tonortheastern Brazil in search of his father.
Dora tries to leave Josué on the bus, but he follows her, forgetting his backpack containing Dora's money. Penniless, they are picked up by a kind, evangelical truck driver who abandons them when Dora encourages him to drink beer and then grows too friendly. Dora trades her watch for a ride to "Bom Jesus do Norte" (a fictionalized version of Cruzeiro do Nordeste,[6] a district ofSertânia,Pernambuco). They find Josué's father's address in Bom Jesus, but he is gone; the current residents say he won a house in a lottery and moved to the new settlements. With no money, Josué saves them from destitution by suggesting Dora write letters for visitors arriving in Bom Jesus for a massive pilgrimage.
They take the bus to the settlements, but when they locate the address they have for Josué's father, the residents tell them he no longer lives there; they say he has disappeared. Josué tells Dora that he will wait for him, but Dora invites him to live with her. She calls her friend Irene in Rio and asks her to sell her refrigerator, sofa, and television. She says that she will call when she gets settled somewhere. After she hangs up, she learns there are no buses leaving until the next morning.
Isaías, one of Josué's half-brothers, is working on a roof next to the bus stop and learns that they are looking for his father, insisting Dora and Josué come to dinner. They return to his house and meet Moisés, Josué's other half-brother. Later, Isaías explains to Dora that their father Jesus married Ana (who he doesn't know is Josué's mother) after their mother died, and that nine years ago, while pregnant, Ana left him to live in Rio and never returned. Isaías asks Dora to read a letter that his father wrote to Ana when he disappeared, six months ago, in case she returned. In the letter, the boys' father explains that he has gone to Rio to find Ana and the son he never met. He promises to return, asks her to wait for him, and says they can all be together—himself, Ana, Isaías, and Moisés. Dora pauses, looks at Josué, and says, "and Josué, whom I can't wait to meet." Isaías and Josué are sure their father will return, but Moisés does not believe it. It is later implied that the letter was actually written by Ana to Jesus; the brothers, being illiterate, did not realize this, and Dora pretended to read a letter from their father to comfort them.
The next morning, while they sleep, Dora sneaks out to catch the bus to Rio. She first leaves behind the letter from Jesus and the one from Ana - the one Dora carried with her from the Central Station but never mailed, expressing Ana's wish for the family to be reunited. Josué wakes up too late to prevent her departure. Dora writes a letter to Josué on the bus. Both are left with the photos they had taken to remember one another.
Being a co-production between Brazil and France, the film was chosen by theFrench Ministry of Culture to receive resources of Fonds Sud Cinema, for their funding.[7]
Central Station had its world premiere at a regional film festival in Switzerland on 16 January 1998. It was then screened at theSundance Film Festival on 19 January 1998 and at the48th Berlin International Film Festival on 14 February 1998. Shortly after its Sundance premiere,Miramax Films acquired distribution rights to the film in the U.K., Ireland, Australia, New Zealand, Scandinavia, the Netherlands, Central and South America (except Brazil), Africa, Eastern Europe, Greece and the Middle East for $1.2 million. Miramax reportedly bid higher for a worldwide rights deal; this deal would not go through, making way forSony Pictures Classics to acquire U.S. distribution rights for $500,000 prior to the Sundance premiere.[8]The film was released in Brazil on 3 April 1998 in 36 theaters.[3]
The film grossedR$7.7 million (US$4.3 million) from 1.6 million admissions in Brazil, the highest-grossing Brazilian film released during the year.[3][9]
It was the highest-grossing Brazilian film in the United States with a gross of $6.5 million,[3][10] surpassing the $3 million earned by the 1976 filmDona Flor and Her Two Husbands.[11] It was surpassed by the 2002 filmCity of God which grossed $7.5 million.[12]It grossed US$11.7 million in the rest of the world for a worldwide total of US$22,462,500.[3]
The film received critical acclaim.Central Station has an approval rating of 94% onreview aggregator websiteRotten Tomatoes, based on 50 reviews, and an average rating of 7.9/10. The website's critical consensus states: "Director Salles transcends road-movie clichés and crafts a film that is as moving as it is universal".[13]Metacritic assigned the film a weighted average score of 80 out of 100, based on 24 critics, indicating generally favorable reviews.[14]
The film was aNew York Times Critics' Pick: according toJanet Maslin, "Mr. Salles directs simply and watchfully, with an eye that seems to penetrate all the characters"; the film features a "bravura performance by the Brazilian actress Fernanda Montenegro."[15] According toRichard Schickel, the film is "an odyssey of simple problems, simple emotional discoveries, [and] a relationship full of knots that Salles permits to unwind in an unforced, unsentimental fashion. His imagery, like his storytelling, is clear, often unaffectedly lovely, and quietly, powerfully haunting.[16]Entertainment Weekly gave the film agrade of A–, concluding "In outline,Central Station recalls many of the bogusly sticky adult–kid bonding tales that have been the bane of foreign cinema for too long, but Salles, likeDe Sica andRenoir, displays a pure and unpatronizing feel for the poetry of broken lives. His movie is really about that most everyday of miracles: the rebirth of hope."[17]
The film is ranked No. 57 inEmpire magazine's "The 100 Best Films of World Cinema" in 2010.[18]
| Year | Awards | Category | Nominee(s) | Result |
|---|---|---|---|---|
| 1999 | 71st Academy Awards | Best Actress | Fernanda Montenegro | Nominated |
| Best Foreign Language Film | Brazil | Nominated | ||
| 56th Golden Globe Awards | Best Actress in a Motion Picture – Drama | Fernanda Montenegro | Nominated | |
| Best Foreign Language Film | Central Station | Won | ||
| 14th Independent Spirit Awards | Best Foreign Language Film | Central Station | Nominated | |
| 52nd British Academy Film Awards | Best Film Not in the English Language | Central Station | Won | |
| 24th César Awards | Best Foreign Film | Central Station | Nominated | |
| São Paulo Association of Art Critics | Best Film | Central Station | Won | |
| Best Director | Walter Salles | Won | ||
| Best Actress | Fernanda Montenegro | Won | ||
| 1998 | Golden Satellite Awards | Best Foreign Language Film | Central Station | Won |
| Best Actress in a Motion Picture Drama | Fernanda Montenegro | Nominated | ||
| Best Original Screenplay | João Emanuel Carneiro and Marcos Bernstein | Nominated | ||
| 48th Berlin International Film Festival | Golden Bear | Central Station | Won | |
| Silver Bear for Best Actress | Fernanda Montenegro | Won | ||
| National Board of Review | Best Actress | Fernanda Montenegro | Won | |
| Best Foreign Language Film | Central Station | Won | ||
| Los Angeles Film Critics Association | Best Actress | Fernanda Montenegro | Won | |
| New York Film Critics Circle | Best Actress | Fernanda Montenegro | 2nd Place | |
| Havana Film Festival | Best Film | Central Station | Won | |
| Best Actress | Fernanda Montenegro | Won | ||
| Association of Film Critics Spain | Best Foreign Language Film | Central Station | Won | |
| Association of Film Critics in Poland | Best Foreign Language Film | Central Station | Won | |
| National Association of Italian Critic | Best Foreign Language Film | Central Station | Won | |
| Sundance Film Festival | Best Screenplay | João Emanuel Carneiro and Marcos Bernstein | Won | |
| San Sebastián International Film Festival | Audience Award | Central Station | Won | |
| Association of Film Critics of Rio de Janeiro | Film of the Year | Central Station | Won |
| International | |
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| National | |
| Other | |