| Casino | |
|---|---|
.png) Theatrical release poster | |
| Directed by | Martin Scorsese |
| Screenplay by |
|
| Based on | Casino: Love and Honor in Las Vegas by Nicholas Pileggi |
| Produced by | Barbara De Fina |
| Starring | |
| Cinematography | Robert Richardson |
| Edited by | Thelma Schoonmaker |
Production companies | |
| Distributed by | Universal Pictures |
Release dates |
|
Running time | 178 minutes |
| Countries | United States France[1][3] |
| Language | English |
| Budget | $40–50 million[4] |
| Box office | $116.1 million[5] |
Casino is a 1995epiccrime film directed byMartin Scorsese, adapted by Scorsese andNicholas Pileggi from the latter'snonfiction bookCasino: Love and Honor in Las Vegas.[6] It starsRobert De Niro,Sharon Stone,Joe Pesci,Don Rickles,Kevin Pollak,Frank Vincent andJames Woods. The film was the eighthcollaboration between director Scorsese and De Niro.
Casino follows Sam "Ace" Rothstein (De Niro), aJewish-American gambling experthandicapper who is asked by theChicago Outfit to oversee the day-to-day casino and hotel operations at theTangiers Casino inLas Vegas. Other significant characters include Nicky Santoro (Pesci), a "made man" and childhood friend of Ace, and Ginger McKenna (Stone), a streetwise chip hustler whom Ace marries, and with whom he has a daughter. The film details Ace's operation of thecasino, the difficulties he confronts in his job, the Mafia's involvement with the casino, and the gradual breakdown of his relationships and standing, as Las Vegas changes over the years.
The primary characters are based on real people: Ace is inspired by the life ofFrank Rosenthal, also known as "Lefty", who ran theStardust,Fremont,Marina, andHacienda casinos in Las Vegas for the Chicago Outfit from 1968 until 1981. Nicky and Ginger are based on mob enforcerAnthony Spilotro and former dancer and socialiteGeri McGee, respectively.Casino was released on November 22, 1995, byUniversal Pictures, to a mostly positive critical reception, and was a worldwide box office success. Stone's performance was singled out for acclaim, earning her aGolden Globe Award for Best Actress in a Motion Picture – Drama and a nomination for theAcademy Award for Best Actress.
In 1973, sportshandicapper andMafia associate Sam "Ace" Rothstein is sent by theChicago Outfit to Las Vegas to run the Tangiers Casino, with frontman Philip Green. He soon doubles the casino's profits, with the extra unaccounted-for cash skimmed directly from the casino count room and delivered to the Midwest Mafia bosses.
Chicago boss Remo Gaggi sends Ace's childhood friend and mob enforcer Nicky Santoro to protect Ace, the cash skim, and casino. Nicky recruits his younger brother Dominick and childhood friend Frankie Marino to gather an experienced crew specializing inshakedowns and jewelry burglaries. Nicky's criminal activities in Las Vegas start drawing too much media and police attention, so he is eventually listed in theBlack Book, banning him from every casino in Nevada.
Ace meets and falls in love with beautifulcon artist, showgirl, and former prostitute Ginger McKenna. They have a daughter, Amy, and marry. He entrusts Ginger with $2 million in cash and $1 million in jewelry. Still, their marriage is soon thrown into turmoil due to Ginger's relationship with her longtime boyfriend,hustler andpimp Lester Diamond. Ace has Nicky's crew beat Lester when they catch him accepting $25,000 from her.
In 1976, Ace fires slot manager Don Ward for incompetence. Ward is brother-in-law toClark County Commission chairman Pat Webb, who cannot convince Ace to re-hire him. Webb gets Ace's gaming license denied, jeopardizing the latter's position. Ace proceeds to insult the board and local politicians, creating a spectacle for the news cameras which brings a lot of attention to the casino and his associations with the mob and Nicky.
Since Ace is disallowed from legally running the casino, he begins hosting a local television talk show inside the casino, irritating Nicky and the bosses back home for bringing more unneeded attention. Ace blames Nicky's reckless lawbreaking for the ongoing pressure from the police and state government, which leads to an argument between them in the desert. Ace's attempts to get Nicky to leave Las Vegas only further strain their friendship.
When the Midwest bosses discover people on the inside are stealing from their skim, they install incompetentKansas Cityunderboss Artie Piscano to oversee the operation. Disobeying orders, he keeps detailed written records of the operation. Additionally, anFBI bug placed in Artie's grocery store records him talking in detail about the skim, prompting a full investigation into the Tangiers Casino.
In 1980, Ginger kidnaps Amy to flee toEurope with her and Lester. Ace convinces Ginger to return with Amy, then overhears phoning a hit on him. Enraged, he kicks her out of their home but relents and forgives her. Ginger confides in Nicky about the situation, and they start an affair. Ace soon finds out, as do private investigators. Nicky ends things with Ginger once she asks him to kill Ace and threatens to go to the FBI. She leaves Ace, with all of her money and jewelry.
In 1982, the FBI discovers Artie's records, closes the Tangiers, and Green agrees to cooperate. They approach Ace for help, showing him photos of Nicky and Ginger together, but he turns them down. The Chicago bosses are arrested, get ready for trial, and arrange hits on anyone who might testify against them.
In 1983, Ginger, whose personal fortune was squandered by lowlife associates, dies of ahot dose inLos Angeles. That same year, Ace narrowly survives acar bomb, suspecting Nicky to be the man responsible for it as the attempt was not professional enough for the bosses to have ordered it. Before Ace can take revenge, the bosses order Nicky and Dominick killed in 1986. They are ambushed by their own crew, brutally beaten with baseball bats and buried alive in a shallow grave in a remoteIllinois cornfield.
With the Mafia now out of the casino industry, nearly all the old casinos are purchased by big corporations and demolished, and new casinos are built with money fromjunk bonds. Ace laments the new impersonal, corporate-run resorts of Las Vegas. Because of his status as a reliable and high earner for the outfit, Ace is allowed to live; he moves toSan Diego and returns to sports handicapping.
Casino is based on New York crime reporterNicholas Pileggi's bookCasino: Love and Honor in Las Vegas. The research forCasino began when Pileggi read a 1980 report from theLas Vegas Sun about a domestic argument betweenFrank "Lefty" Rosenthal, a casino figure, and his wifeGeri McGee, a former topless dancer.[7] This gave him an idea to focus on a new book about the true story of mob infringement in Las Vegas during the 1970s, when filming ofGoodfellas (whose screenplay he co-wrote with Scorsese) was coming to an end.[8] The fictional Tangiers resort reflected the story of theStardust Resort and Casino, which had been bought byArgent Corporation in 1974 using loans from theTeamsters Central States Pension Fund. Argent was owned by Allen Glick, but the casino was believed to be controlled by various organized crime families from the Midwest. Over the next six years, Argent Corporation siphoned off between $7 and $15 million using rigged scales. This skimming operation, when uncovered by the FBI, was the largest ever exposed.[9] A number of organized crime figures were convicted as a result of the skimming.[10]
Nicholas Pileggi contacted Martin Scorsese about taking the lead of the project, which became known asCasino.[7] Scorsese expressed interest, calling this an "idea of success, no limits."[11] Pileggi was keen to release the book and then concentrate on a film adaptation, but Scorsese encouraged him to "reverse the order."[12]
Scorsese and Pileggi collaborated on the script for five months, towards the end of 1994.[8] Real-life characters were reshaped, such as Frank "Lefty" Rosenthal, Geri McGee,Anthony Spilotro, Spilotro's brotherMichael, Spilotro's right-hand manFrank Cullotta, and mob bossJoseph Aiuppa. Some characters were combined, and parts of the story were set in Kansas City instead of Chicago. A problem emerged when they were forced to refer to Chicago as "back home" and use the words "adapted from a true story" instead of "based on a true story."[11] Real life mobster turned witnessFrank Cullotta inspired the character Frank Marino (played by Frank Vincent),[13] served as atechnical advisor for the film,[14] and also played an on-screen role as a hitman.[15][16] In interviews, Cullotta expressed his initial displeasure at his character Frank Marino participating in the murder of the Santoro brothers, but Scorsese persuaded him to accept it on the basis that Nicky could only be lured to his death by a trusted friend.[citation needed]
They also decided to simplify the script, so that the character of Sam "Ace" Rothstein worked only at the Tangiers Casino, in order to show a glimpse of the trials involved in operating a Mafia-run casino hotel without overwhelming the audience.[11] According to Scorsese, the initial opening sequence was to feature the main character, Sam Rothstein, fighting with his estranged wife Ginger on the lawn of their house. The scene was too detailed, so they changed the sequence to show the explosion of Sam's car and him flying into the air before hovering over the flames in slow motion—like asoul about to go straight down tohell.[11]
Filming happened at night in theRiviera casino in Las Vegas, with the nearby defunctLandmark Hotel as the entrance, to replicate the fictional Tangiers. According toBarbara De Fina, the film's producer, there was no reason to construct a set if they could simply film around an actual casino.[11] The opening scene, with Sam's car exploding, was shot three times; the third take was used for the film.[11] During the table arguing scene, De Niro called Stone a "good actress".[17]Saul Bass designed thetitle sequence, which was his last work.[18] The total cost for the titles was $11,316, not including the fees for the Basses. Bass justified the cost to De Fina by noting that creating a continuous explosion from a second shot of an explosion demanded a lot of experimentation, as did getting the flight path of the body exactly right.[19] When first submitted to theMPAA, the film received anNC-17 rating due to its depictions of violence. Several edits were made in order to reduce the rating to R.[20]
The film was shot in the common topSuper 35 format as it allowed the picture to be reformatted for television broadcast. Scorsese said, "I wish I could just shoot straightanamorphic, but the lenses we had in this situation were actually much more diversified. To a certain extent, shooting a film this way can make certain technical aspects more difficult, but to me, anything is better thanpanning and scanning on TV. We can re-frame just about every shot we did on this picture for video."[21] Cinematographer Robert Richardson, on the other hand, was not impressed with the quality of the release prints, and did not touch the format again untilKill Bill: Volume 1, at which point thedigital intermediate process was available.
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [22] |
During a five-dayThanksgiving holiday weekend,Casino opened in fifth place at the box office, grossing $14.5 million.[23] The film grossed $43 million domestically and $73 million internationally, for a total of $116 million worldwide,[24] against a $40–50 million production budget.[4]
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Upon its release,Casino received mostly positive reviews from critics, although their praise was more muted than it had been for the thematically similarGoodfellas, released only five years earlier, with some reviewers criticizing Scorsese for retreading familiar territory.[25] Onreview aggregatorRotten Tomatoes, the film has an approval rating of 78% based on 74 reviews, with an average rating of 7.1/10. The site's critical consensus reads, "Impressive ambition and bravura performances from an outstanding cast helpCasino pay off in spite of a familiar narrative that may strike some viewers as a safe bet for director Martin Scorsese."[26] OnMetacritic, the film has a weighted average score of 73 out of 100, based on 17 critics, indicating "generally favorable" reviews.[27] Audiences surveyed byCinemaScore gave the film a grade "B−" on scale of A+ to F.[28]
Roger Ebert of theChicago Sun-Times gave the film four stars, stating, "Martin Scorsese's fascinating new filmCasino knows a lot about the Mafia's relationship with Las Vegas. LikeThe Godfather it makes us feel like eavesdroppers in a secret place." He added, "Unlike his other Mafia movies (Mean Streets andGoodfellas), Scorsese'sCasino is as concerned with history as with plot and character."[29]Janet Maslin ofThe New York Times noted that the film's journalistic approach resulted in "no conveniently sharp focus, a plot built like a centipede and characters with lives too messy to form conventional dramatic arcs." Nevertheless, she praised Sharon Stone, writing that she "will be nobody's idea of Hollywood fluff after this spectacular, emblematic performance."[30]
Todd McCarthy ofVariety felt the film "possesses a stylistic boldness and verisimilitude that is virtually matchless". He praised De Niro's performance as "outstanding" and felt Stone was "simply a revelation here". However, he noted Pesci "holds up his end of the picture perfectly well, but Nicky is basically the same character he won an Oscar for inGoodfellas, but with a shade less of an edge."[31]Peter Travers ofRolling Stone wrote the film "is not the equal ofMean Streets orGoodFellas, the more instinctive pieces in the crime trilogy that the flawedCasino completes (Coppola'sGodfather Part III fell off far more precipitously). It is, however, just as unmistakably the work of a virtuoso—bold, brutally funny and ferociously alive."[32]
Kenneth Turan of theLos Angeles Times noted the film is a return to Scorsese's earlier gangster films, but felt he made "too few emotional connections to persuade us to see things the way he does. So instead of being operatic and cathartic, this film ends up exhausting and claustrophobic." He praised the principal actors, most particularly highlighting Stone for displaying "star quality and a feral intensity that is the equal of what the boys are putting down."[33] Philip Thomas ofEmpire magazine praised the film while highlighting its similarities toGoodfellas. He gave the film five stars commenting "It may not be Scorsese's greatest work, but this guy feeling a little off-colour is still far, far better than most people on fighting-fit form. It only gets more impressive as time goes on."[34]
Gene Siskel of theChicago Tribune gave the film two and a half stars out of four, writingCasino is a "sometime-dazzling, often-disappointing film from the great Martin Scorsese, who too often seems like he's replaying his greatest hits with this picture, and not to the best effect ... DeNiro's relationship with Cathy Moriarty inRaging Bull was better and the flash-temper role by Pesci is a carbon copy of his work inGoodfellas.Casino is hardly a bad film, but it breaks no new ground for Scorsese."[35]Desson Howe ofThe Washington Post wrote the film is "not great" and that clearly "Scorsese and Pileggi are trying to disinter the success ofGoodFellas, their last collaboration. But they only come up withRaging B.S."[36]
The film's critical profile has increased in years after its release, with critics Tom Charity and Natasha Vargas-Cooper expressing that they retrospectively feelCasino is a more accomplished and artistically mature work than the thematically similarGoodfellas.[25][37]
| Association | Category | Recipient | Result |
|---|---|---|---|
| 20/20 Awards | Best Film Editing | Thelma Schoonmaker | Won |
| Academy Awards | Best Actress | Sharon Stone | Nominated |
| American Cinema Editors Awards | Best Edited Feature Film | Thelma Schoonmaker | Nominated |
| Awards Circuit Community Awards | Best Cast Ensemble | Nominated | |
| Cahiers du Cinéma | Best Film | Martin Scorsese | 3rd Place |
| Chicago Film Critics Association Awards | Best Director | Nominated | |
| Best Actress | Sharon Stone | Nominated | |
| Dallas–Fort Worth Film Critics Association Awards | Best Actress | Nominated | |
| Golden Globe Awards | Best Actress in a Motion Picture – Drama | Won | |
| Best Director – Motion Picture | Martin Scorsese | Nominated | |
| MTV Movie Awards | Best Female Performance | Sharon Stone | Nominated |
| Best Villain | Joe Pesci | Nominated | |
| Nastro d'Argento | Best Foreign Director | Martin Scorsese | Nominated |
| Best Production Design | Dante Ferretti | Won | |
| Best Male Dubbing | Gigi Proietti(for dubbingRobert De Niro in the Italian version) | Won | |
| International | |
|---|---|
| National | |
| Other | |
