Carlo Marochetti | |
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![]() Marochetti by Antoine Claudet | |
Born | Pietro Carlo Giovanni Battista Marochetti (1805-01-14)14 January 1805 Turin, Italy |
Died | 29 December 1867(1867-12-29) (aged 62) Passy, France |
Nationality | Italian / French |
Education | École des Beaux-Arts, Paris |
Known for | Sculpture, Public monuments |
BaronPietro Carlo Giovanni Battista MarochettiRA (14 January 1805 – 29 December 1867) was an Italian-born French sculptor who worked in France, Italy and Britain. He completed many public sculptures, often in a neo-classical style, plus reliefs, memorials and large equestrian monuments in bronze and marble. In 1848, Marochetti settled in England, where he received commissions fromQueen Victoria. Marochetti received great recognition during his lifetime, being made a baron in Italy and was awarded theLegion of Honour by the French government.
Carlo Marochetti was born inTurin, where his father, Vincenzo, a former priest, was a local government official and professor of eloquence at Turin University, but after the family moved to Paris, Carlo was brought up as a French citizen.[1] He studied at theLycée Napoléon and then studied sculpture at theÉcole des Beaux-Arts in Paris where his teachers wereFrançois Joseph Bosio andAntoine-Jean Gros.[2][3][4] At theParis Salon in 1827 he exhibited a marble statue ofA Young Girl playing with a Dog which won a silver medal.[5] Between 1822 and 1830 Marochetti frequently spent long periods in Rome where his mother was resident and where he collaborated withFrançois-Joseph Duret andAntoine Étex and worked briefly at the studio of the Danish sculptorBertel Thorvaldsen.[1][2]
From 1832 to 1848 Marochetti lived in Paris and largely adopted a neo-classical Romantic style of sculpture. He married Camille de Maussion in 1835 and together they had two sons and a daughter.[1] In Paris, Marochetti received two significant commissions. One was for a relief panel of theBattle of Jemappes on theArc de Triomphe and the other for a large marble statue group, theElevation of Mary Magdalene for the altar of theChurch of La Madeleine.[6] He delayed completing the altar group to create a monumental equestrian statue ofEmmanuel Philibert, Duke of Savoy which he donated to the city of Turin.[6][4] The king of Sardinia,Charles Albert rewarded Marochetti for his gift by making him a baron.[6][4] Before being sent to Italy the Philibert statue was displayed in the courtyard of theLouvre Palace during 1838. This effectively established Marochetti's reputation for creating equestrian monuments and led to him being commissioned to create such a statue ofFerdinand, Duke of Orleans, which stood in the courtyard of the Louvre for four years.[6] In 1839 the French government awarded him theLegion of Honour.[5] During 1840 Marochetti was competing to win both the commission for a monument to theDuke of Wellington for the city of Glasgow and for the commission to design the tomb ofNapoleon forLes Invalides in Paris.[1] Although he won the Glasgow commission, Marochetti's proposal for the tomb attracted widespread public criticism in France and was rejected.[1]
When his father died, Marochetti inherited the family château atVaux-sur-Seine outside of Paris and served as mayor of the town there from 1846.[6] After the fall of theJuly Monarchy in 1848, and his subsequent failure to win a seat in the National Assembly, Marochetti followed the French kingLouis-Philippe into exile in the United Kingdom.[2][1]
Marochetti spent the greater part of his time from 1848 until his death, in London.[7] He lived onOnslow Square, and maintained a large studio and his own foundry in the adjacent Sydney Mews.[2][8] In his studio, Marochetti created an equestrian statue, in plaster, ofRichard Coeur de Lion which was displayed at theGreat Exhibition during 1851.[6] A public campaign led to a bronze copy being made which was eventually, in 1860, erected in front of thePalace of Westminster on the orders ofPrince Albert.[6]
From his studio and foundry Marochetti, and his workforce, produced numerous statues, memorials and equestrian monuments plus smaller pieces. He also experimented with the use of new materials and the creation of multi-coloured, or polychromic, sculptures.[4] Between 1853 and 1855 Marochetti created three life-size statues, plus busts and garden ornaments, for theKingston Lacy country mansion in Dorset.[9] His equestrian statues included those of Viscount Combermere in Chester and SirMark Cubbon in Bangalore and for Queen Victoria and Prince Albert in Glasgow.[1] Works featuring mourning angels by Marochetti include the monument inSt. Paul's Cathedral to ViscountsWilliam andFrederick Melbourne, the Crimean War memorial at theHaydarpaşa Cemetery in Istanbul, dating from 1856 to 1858, and hisAngel of the Resurrection for theCawnpore memorial in India from 1862 to 1865.[1][10][4] From 1864 Marochetti collaborated withSir Edwin Landseer on the four bronze lions to be placed at the base ofNelson's Column in Trafalgar Square, and cast them at his Sydney Mews foundry.[8] He experimented in using coloured marble following the work ofJohn Gibson and a coloured statuette of Queen Victoria was exhibited at a London studio but is now lost.[1]
Not all of Marochetti's designs were so successful. His proposed design for the tomb of the Duke of Wellington was rejected.[1] Marochetti's equestrian monument toGeorge Washington for the1853 World Fair in New York was destroyed by fire.[11] In the 1860s he championed a scheme for a set of statues celebrating British engineers to be erected in the churchyard ofSt Margaret's, Westminster. The scheme was rejected but three of the statues, ofIsambard Kingdom Brunel,Robert Stephenson andJoseph Locke were erected separately elsewhere.[1] His monumental statue ofRobert Peel inParliament Square was melted down and the metal used for the smaller model of Peel byMatthew Noble which replaced it.[1][12]
With the support of the exiledLouis-Philippe of France, Marochetti first met Queen Victoria and Prince Albert in 1849 and subsequently received a number of royal commissions.[1][4] Marochetti's first royal commission in England was for a marble portrait bust of Prince Albert in 1849, which was commercially reproduced inParian ware by theMintons company in 1862.[4] That year Queen Victoria commissioned Marochetti to produce a portrait bust of herself as a birthday gift for Prince Albert and that too was reproduced by Mintons for the retail market.[4] Rather than a crown, he depicted her wearing a headpiece of various flowers, including roses and shamrocks, to represent the nations of the United Kingdom.[4]
Marochetti designed Victoria's memorial toPrincess Elizabeth and a bust of Prince Albert atNewport Minster on theIsle of Wight.[13] He also created the marble recumbent effigies for the tomb of Queen Victoria and Prince Albert in the Royal Mausoleum atFrogmore in Windsor Great Park.[4] He was commissioned to make the seated figure of Albert for theAlbert Memorial in Kensington Gardens.[14] However the first version was rejected by the architect of the monument,Sir George Gilbert Scott, and Marochetti died before a satisfactory second version could be completed.[14][15] He was elected an associate of theRoyal Academy 1861 and a full academician in 1866.[2]
Marochetti died, suddenly, atPassy in Paris and was buried at the Vaux-sur-Seine cemetery.[6]
Image | Title / subject | Location and coordinates | Date | Type | Material | Dimensions | Designation | Wikidata | Notes |
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![]() More images | Tommaso grave | Père-Lachaise cemetery, Paris | Sculpture on pillar | Stone | Q112342353 | ||||
![]() More images | Battle of Jemappes | East facade of theArc de Triomphe, Paris | 1834 | Relief panel | Stone | 18m x 3.5m | [1] | ||
![]() More images | Grave ofVincenzo Bellini | Père-Lachaise cemetery, Paris | After 1835 | Obelisk with portrait medallion | Stone | Q112308945 | Architect:Guillaume-Abel Blouet[6][16] | ||
![]() More images | Marochetti tomb | Père-Lachaise cemetery, Paris | 1838 | Pillar with reliefs | Stone | Q112332551 | |||
![]() More images | Statue ofEmmanuel Philibert, Duke of Savoy | Piazza San Carlo,Turin | 1838 | Equestrian statue on pedestal with relief panels | Bronze and stone | Q3663864 | [1][17] |
Image | Title / subject | Location and coordinates | Date | Type | Material | Dimensions | Designation | Wikidata | Notes |
---|---|---|---|---|---|---|---|---|---|
![]() More images | Théophile Corret de la Tour d'Auvergne | Carhaix-Plouguer, Brittany, France | c. 1840 | Statue on pedestal with relief panels | Bronze and stone | Q108628354 | [6][18] | ||
![]() More images | Mary Magdalen Exalted by Angels | La Madeleine, Paris | c.1842 | Sculpture group and altar | Marble | [1][19] | |||
![]() More images | Claude Louis Berthollet | Jardins de I'Europe,Annecy, France | 1843 | Statue on pedestal | Bronze and stone | Q56716583 | [20] | ||
Statue ofArthur Wellesley, 1st Duke of Wellington | Royal Exchange Square, Glasgow | 1844 | Equestrian statue on pedestal with relief panels | Bronze and granite | Category A | Q7981506 | [21] | ||
![]() More images | Ferdinand Philippe, Duke of Orléans | Eu, Seine-Maritime, France | 1845 | Equestrian statue on pedestal with relief panels | Bronze & stone | Q20799860 | [22] | ||
More images | Ferdinand Philippe, Duke of Orléans | Neuilly-sur-Seine, France | 1845 | Equestrian statue on pedestal with relief panels | Bronze & stone | Q96600378 | Monument was originally erected in Algiers, relocated 1980[23] | ||
![]() More images | Pierre Paul Royer-Collard | Vitry-Le-Francois,Marne, France | 1846 | Statue on pedestal | Bronze & stone | [24] |
Image | Title / subject | Location and coordinates | Date | Type | Material | Dimensions | Designation | Wikidata | Notes |
---|---|---|---|---|---|---|---|---|---|
![]() | Memorial toGranville Gower Loch | St Paul's Cathedral, London | 1853 | Relief plaque | Marble | [25] | |||
![]() | Tomb of the Contesse de Lariboisiere | Chapel ofLariboisière Hospital, Paris | 1853 | Statues and sculpture group on pedestal | Marble | [26] | |||
![]() | George Washington | Exhibition of the Industry of All Nations, New York City | 1853 | Equestrian statue | Bronze | Original was destroyed by fire, but a small version was erected atVaux-sur-Seine and later moved toChateau de Cheverny[27] | |||
![]() More images | Queen Victoria | George Square, Glasgow | 1854 | Equestrian statue on pedestal with relief panels | Bronze and granite | Category A | Q17567473 | First equestrian statue of a woman in Britain.[28][29] | |
![]() More images | Arthur Wellesley, 1st Duke of Wellington | Woodhouse Moor, Leeds | 1854, erected 1858 | Statue on pedestal | Bronze and granite | Grade II | Q26656015 | [14][30] | |
![]() | SirJohn Bankes | Kingston Lacy, Dorset | 1853-55 | Bust | Bronze | One of two busts, plus a life-size statue, of Bankes which Marochetti created for Kingston Lacey[9] | |||
![]() | King Charles I | Kingston Lacy, Dorset | 1853-55 | Statue on stand | Bronze | [9] | |||
![]() | Mary Bankes 1598-1661 | Kingston Lacy, Dorset | 1853-55 | Statue on stand | Bronze | [9] | |||
![]() More images | Memorial to ViscountsWilliam andFrederick Melbourne | St. Paul's Cathedral, London | After 1853 | False door flanked by two statues | White & black marble and gilded bronze | [10] | |||
![]() More images | James Oswald | George Square, Glasgow | 1855 | Statue on pedestal | Bronze and granite | Category B | Q17792900 | [31] | |
![]() More images | Statue ofRichard Coeur de Lion | Palace of Westminster, London | 1856 | Equestrian statue on pedestal | Bronze and granite | Grade II | Q7324819 | [14][32][12] | |
![]() More images | Memorial toJohn Cust, 1st Earl Brownlow | Church of St Peter and St Paul,Belton, South Kesteven | 1856 | Effigy on chest tomb | Marble | Grade I | [33][34] | ||
![]() | The Scutari Obelisk, Crimean War memorial | Haydarpaşa Cemetery, Istanbul | 1856-58 | Obelisk with supporting statues on pedestal | Stone | [1][10][35] |
Image | Title / subject | Location and coordinates | Date | Type | Material | Dimensions | Designation | Wikidata | Notes |
---|---|---|---|---|---|---|---|---|---|
![]() More images | Clive of India | The Square,Shrewsbury | c. 1860 | Statue on pedestal | Bronze and granite | Grade II | Q26546539 | [14][36] | |
![]() More images | 9th Queens Royal Lancers memorial | Exeter Cathedral | 1860 | Relief panels | Marble and bronze | Grade I | Q83187729 | [37][38] | |
![]() More images | Cavalry Division Crimean War memorial | St Paul's Cathedral, London | 1860-65 | Tripartite curved relief plaque | Marble | [39] | |||
![]() More images | Major General SirArthur Wellesley Torrens | St Paul's Cathedral, London | 1860-65 | Relief plaque | Marble | [40] | |||
![]() More images | Coldstream GuardsBattle of Inkerman memorial | St Paul's Cathedral, London | 1860-1865 | Deep relief plaque | Stone | [41] | |||
![]() More images | Charles Albert of Sardinia | Piazza Carlo Alberto, Turin | 1861 | Equestrian statue on pedestal with statues at base | Bronze and stone | Q21141719 | [42] | ||
![]() More images | Angel of the Resurrection,Siege of Cawnpore memorial | Cawnpore, India | 1862-65 | Statue with cross on pedestal with surrounding walls | Stone | Architect,Henry Yule.[1][10][43][4][44] | |||
![]() More images | Sidney Herbert, 1st Baron Herbert of Lea | Victoria Park,Salisbury | 1863 | Statue on pedestal | Bronze and stone | Grade II | Q26536005 | [14][45][46] | |
![]() More images | Gioachino Rossini | Conservatorio Statale di Musica "Gioachino Rossini",Pesaro, Italy | 1864 | Seated statue on pedestal | Bronze & stone | Q121093784 | Plaster model in theVictoria and Albert Museum[47][27] | ||
![]() More images | Anthony Panizzi | British Library, London | 1864 | Bust | Carrara marble | 71cm x 50cm | [48][49] | ||
![]() More images | George Cornewall Lewis | St Peter's Square,Hereford | c. 1864 | Statue on pedestal | Bronze and granite | Grade II | Q47472418 | [14][50] | |
![]() | Queen Victoria and Albert, Prince Consort | Royal Mausoleum, Frogmore | 1864-68 | Two recumbent tomb effigies | Marble | Grade I | Marochetti also created the four bronze figures of angels kneeling at each corner of the tomb[4][51][52] | ||
More images | Statue ofViscount Combermere | Grosvenor Road,Chester | 1865 | Equestrian statue on pedestal | Bronze and granite | 7.1m tall | Grade II* | Q15978984 | [14][53] |
![]() | Albert, Prince Consort | Union Terrace, Aberdeen | 1865 | Statue on pedestal | Bronze and granite | Category B | Q17770085 | [54] | |
![]() More images | William Makepeace Thackeray | Poets' Corner,Westminster Abbey, London | 1865 | Bust | Marble | [55] | |||
![]() More images | Albert, Prince Consort | George Square, Glasgow | 1866 | Equestrian statue on pedestal | Bronze and granite | Category A | Q17567468 | [56] | |
![]() | Statue ofArthur Wellesley, 1st Duke of Wellington | The Wellington Monument,Stratfield Saye House, Hampshire | 1866 | Statue on column | Bronze | Grade II | Q26384539 | [14][57][58] | |
![]() | Statue ofMark Cubbon | Cubbon Park,Bangalore | 1866 | Equestrian statue on pedestal | Bronze and stone | Q97183425 | [59][43] | ||
![]() | Joseph Locke | Locke Park,Barnsley | 1866 | Statue on pedestal with balustrade | Bronze, granite and Portland stone | Grade II | Q26443938 | [14][60] | |
More images | Colin Campbell, 1st Baron Clyde | Waterloo Place, London | 1867 | Statue on piller with statues at base | Bronze and red granite | Grade II | Q27083599 | [12][61] | |
![]() More images | Statue ofRobert Stephenson | Euston station, London | Erected 1870 | Statue on pedestal | Bronze and granite | 2.7m tall | Grade II | Q27084501 | [14][12][62] |
![]() More images | Statue ofIsambard Kingdom Brunel | Victoria Embankment, London | c.1877 | Statue on pedestal with surrounding screen | Bronze and Portland stone | 2.5m tall | Grade II | Q20829598 | Pedestal byRichard Norman Shaw.[12][63] |
![]() More images | Jonas Webb | High Street,Babraham, Cambridgeshire | Late 19th century | Statue on pedestal | Bronze and stone | Grade II | Q26616046 | [64] |