TheCapcom Five are fivevideo games that were unveiled byCapcom in late 2002 and published from March 2003. At a time whenNintendo'sGameCubeconsole had failed to capturemarket share, Capcom announced five new GameCube titles with the apparent goal of boosting hardware sales and demonstratingthird-party developer support. Capcom USA followed up with confirmation that they would beexclusive to the GameCube. The five games wereP.N.03, a futuristicthird-person shooter;Viewtiful Joe, aside-scrollingaction-platformer;Dead Phoenix, ashoot 'em up;Resident Evil 4, asurvival horror third-person shooter; andKiller7, anaction-adventure game withfirst-person shooter elements. Though not directly related to each other, they were all overseen byResident Evil directorShinji Mikami and, exceptKiller7, developed by Capcom's Production Studio 4. Capcom USA later clarified that onlyResident Evil 4 was intended to be exclusive; the initial announcement was due to a miscommunication with their parent company.

Of the five games,Dead Phoenix was canceled and onlyP.N.03 remained a GameCube exclusive.P.N.03 received mixed reviews and was a commercial failure, but is now considered a "cult classic". BothViewtiful Joe andKiller7 sold modestly, the former despite critical acclaim and the latter owing to polarized reviews.Killer7 gained a significantcult following, effectively launching the career of directorSuda51.Resident Evil 4 was the runaway success of the five, though its GameCube sales were undercut by the announcement of aPlayStation 2port to be released later in 2005.Viewtiful Joe also saw a PlayStation 2 version with expanded features, andKiller7 debuted on multiple platforms simultaneously. Since the release of theNintendo 64, Nintendo struggled to attract third-party developers like Capcom to produce games for its systems. Industry analysts see the Capcom Five case, particularly the loss of GameCube exclusivity forResident Evil 4, as a major blow to Nintendo–Capcom relations and is emblematic of Nintendo's failure to attract third-party support during the GameCube era.

During theNintendo Entertainment System (NES) andSuper NES (SNES) eras,Nintendo andCapcom enjoyed a close relationship, withMega Man as one of the NES' most prominent series.^[1] This closeness was partially due to Nintendo'smonopoly of thevideo game console market, which allowed the company to compelthird-party developers to release exclusive content according to Nintendo's schedule.^[2][3]Sega's rivalGenesis system forced Nintendo to relax some of its restrictions on third parties with respect to the SNES. However, relations with third-party developers reached a turning point when Nintendo decided to retain a proprietary cartridge-based format for the Nintendo 64, in the face of Sony's disc-basedPlayStation.^[4] Due to increased manufacturing costs and severely limited cartridge memory capacity, many third parties—Capcom included—moved to the PlayStation to start new series, such asResident Evil.^[1][4] On this new platform, developers could create bigger games while avoiding the restriction of ordering expensive proprietary cartridges through Nintendo, which could lead to under- oroverstocking inventory that might eat into profits.^[4] This third-party abandonment allowed the PlayStation to outsell the Nintendo 64 during that console generation.^[4]

With theGameCube, Nintendo tried to reclaim third-party developers and catch up to Sony'sPlayStation 2 by featuring disc-based media and powerful system hardware.^[4][6] However, within the first year of launch, Nintendo sold only 4.7 million consoles.^[7] In this climate of flagging sales, Capcom held a surprise press conference in Japan in November 2002, announcing five new titles for the GameCube:P.N.03,Viewtiful Joe,Dead Phoenix,Resident Evil 4, andKiller7.^[5] The games would be developed in-house by Capcom's ProductionStudio 4 withResident Evil directorShinji Mikami as supervisor.^[5] The lone exception wasKiller7, to be produced atGrasshopper Manufacture, with Mikami as co-writer alongside directorSuda51. When pressed for comment onconsole exclusivity, a Capcom USA representative confirmed the claim,^[8] generating the perception that Capcom was hoping to boost the GameCube's sales and reputation.^[1] A statement on their website echoed this support for GameCube.^[5] However, Capcom USA soon rescinded their confirmation, blaming it on a miscommunication with the parent company. They clarified that onlyResident Evil 4 would definitely be exclusive.^[9]

P.N.03 is ascience fiction-themedthird-person shooter, released in Japan on March 27, 2003. The game features a dexterous protagonist named Vanessa Z. Schneider who battles an army of maverick robots. The game earned the nameJaguar during development due to Vanessa's fluid motions and agility.^[14] Acting as director, Mikami attempted to differentiate it fromDevil May Cry by adding defensive and evasive maneuvers.^[15] This desire, combined with the limited development time, also led to the replacement of Vanessa's guns with energy bolts.^[16] Upon its release, many reviewers criticized the game's short length and controls, although others praised the game as an old-school high-score arcade shooter that requires mastery and patience through multiple replays. Some contemporary critics were aware of the nicheness ofP.N.03; Daniel Etherington fromBBC Technology News summarized that "[P.N.03] probably will not have mass-market appeal despite its quality" as "a hectic shoot-em-up with a fiddly control system, appearing only on GameCube...but there is the definite possibility of cult appeal".^[17] It received an average score of 63 out of 100 onMetacritic.^[10] Mikami was unsatisfied with the finished product, stating he had hoped to put "a lot more" time into its development.^[18] Despite its commercial failure, reviewers have calledP.N.03 a "cult classic".^[19][20][21]P.N.03 was the only game of the five that remained a GameCube exclusive.^[1]

Viewtiful Joe is a2.5Dside-scrollingaction-platformer, debuted in Japan on June 26, 2003. Thetitle character is a parody oftokusatsu superheroes and is trying to save his girlfriend, who has been trapped in "Movieland" by a group of supervillains known as Jadow. To complete his quest, Joe must use his Viewtiful Effects Powers, which are based on camera tricks and special effects used in films.^[22] These include "Slow", which simulatesbullet time; "Mach Speed", allowing Joe to attack all enemies with his afterimages; and "Zoom In", which triggers a cameraclose-up and unlocks special attacks. Internally, Capcom treated the game as a "staff-focused project" with the goal of increasing the skills of directorHideki Kamiya.^[23] The game achieved a Metacritic score of 93^[11] and won GameCubeGame of the Year awards from numerous publications includingIGN,GMR, andUSA Today.^[24][25][26] The game sold out its initial shipment of 100,000 to achieve a lifetime total of 275,000 units.^[27][28] ProducerAtsushi Inaba considered the game a success, achieving his goals of training staff, keeping a small budget, and selling well.^[23] However, these numbers were lower than Capcom expected, prompting the publisher toportViewtiful Joe to PlayStation 2 in 2004, with expanded features.^[29][30] This version sold 46,000 copies with a slightly lower Metacritic score of 90 owing to the lack ofprogressive scan andframe rate slowdown generated by the porting process.^[28][31]

Dead Phoenix was going to be a3Dshoot 'em up featuring a winged man named Phoenix.^[5][32][33] Based on trailer footage,IGN compared the gameplay toPanzer Dragoon.^[34] Players would take control of a winged man as he flies around shooting massive enemies, with the aid of allies on foot.^[32][35] Capcom's announcement described the setting as a mythicalfloating city, full of monsters and dragons.^[5][32]Game Informer announced that a Japanese release was planned for mid-2003.^[33] The game was believed to be canceled by May 2003, but Capcom stated at a press conference prior to the 2003Electronic Entertainment Expo (E3) that it was still in development.^[36]IGN speculated that the game may have been retooled as a newKid Icarus title, based on Nintendo's trend in the early 2000s of licensing properties to third parties.^[32] It was canceled in August 2003 after failing to appear at E3.^[37][38]

Resident Evil 4, asurvival horror third-person shooter, had its North American premiere on January 11, 2005, and its Japanese release on January 27. Players take on the role ofLeon S. Kennedy, aUnited States Secret Service agent who has been ordered to rescue the daughter of the President of the United States from a cult in ruralSpain. The cult has been using amind-controllingparasite to turn local villagers into violent drones. The game went through numerous changes during its long development—the team created and discarded four prototypes before settling on the final product.^[39] Among these was a version directed by Hideki Kamiya that would be turned into the firstDevil May Cry game.^[40][41] Taking over directorial duties, Mikami made the fifth and final version very different compared to previousResident Evil games, with anover-the-shoulder camera perspective and an increased emphasis on action and combat.^[42]Resident Evil 4 was the only game of the five to remain confirmed as a GameCube exclusive; Mikami claimed that he would "cut his own head off" (a Japanesecolloquialism for quitting his job) if it were to be released on another platform.^[43] However, just two months before the game's January 2005 release, Capcom revealed that a PlayStation 2 port would be published nine months after the GameCube version in response to pressure from users and shareholders.^[44] This surprise announcement undercut the title's GameCube sales, which totaled 1.6 million, compared to the sales of the PlayStation 2 version, which exceeded 2 million.^[45] Mikami apologized to GameCube fans for failing to uphold his promise of console exclusivity.^[43][46] Despite these corporate conflicts, the game received an overwhelmingly positive critical response with Metacritic scores of 96 for both versions.^[12][47] It went on to sweep many Game of the Year awards for 2005 and is consistently listed among the greatest games of all time.^{[48][49][50][51]}

Killer7, released in Japan on June 9, 2005, is anaction-adventure game withfirst-person shooter elements and an unconventional "on rails" control scheme. Unlike other members of the five,Killer7 was developed at Grasshopper Manufacture under the direction of Suda51. Players control the members of an elite group of assassins who are actually physical manifestations of a god-like being named Harman Smith. The game restricts the player's movement to specific branching paths through the environment and combat is only available while stationary in first-person view. This stripped-down control scheme was implemented as adeconstruction of conventional control mechanics.^[52] Gameplay was not finalized until late in development as Suda51 concentrated most resources on story and visual work.^[53] This back-loading of development resulted in several delays, the last of which was due to an artistic desire to release the game on July 7 (7/7) in North America.^[54]Killer7 debuted as a multi-console release, the only one of the five to do so, to polarized reviews. Some reviewers praised the game for its complexnoir plot involving a political conflict between Japan and the US, while others panned it as confusing and incomprehensible.^[13] Similarly, the control scheme had both critics and proponents, the latter comparing it toMyst,Snatcher, and other "old-school"adventure games.^[53] Although it received a lukewarm 74 Metacritic score,Killer7 was honored by manyvideo game publications in their year-end awards.^[13] Common nominations included "Best Story", "Best Artistic Design", and "Most Innovative Design".^[55][56] However, the central theme was a recognition ofKiller7's status as acult game with limited appeal.^[53]IGN named it "Best Game No One Played" and Kristan Reed ofEurogamer called it "a concept game, an arthouse game, a simple game, an often beautiful game, but most certainly never aneveryman's game".^[57][58]

The Capcom Five announcement came at a time when Nintendo had been struggling with its new console, with the apparent goal of supporting the fledgling system. However, each successive game's release reinforced Capcom's view that the GameCube was unprofitable; they ported the games one-by-one to Sony's PlayStation 2.^[29] Ultimately, four games were released and only one remained exclusive to GameCube.^[1] This lone GameCube exclusive wasP.N.03 and notResident Evil 4, as Capcom had repeatedly emphasized in press releases. GameCube owners and Nintendo fans were disappointed by the Capcom Five's failure to improve the GameCube's reputation and sales.^[1] Luke Plunkett ofKotaku noted that despite best intentions, Capcom's five even at their full potential could not have made up for the GameCube's failings in that generation'sconsole wars.^[1] The dramatic reversal of the five is representative of the attitudes of third-party developers toward Nintendo's platform.^[1][59]

Capcom discovered a few business principles through their experience with development and release of the five. The first was to focus on multi-platform releases.^[29] Second, Capcom needed to streamline development. Prior to the five, the company had announced expected losses ofUS$103 million forfiscal year 2002, largely due to poor sales and extended development times, and ultimately posted over US$163 million in losses.^[60]Resident Evil 4 was a case in point, beginning development in 1999 and going through four discarded versions by the time of its 2005 release.^[39][61] The third lesson was to promote existing franchises rather than create new ones;Resident Evil 4 was the only unmitigated commercial success of the five and also the only game based on an existing property. To wit,Viewtiful Joe 2 started development shortly after the release ofViewtiful Joe and was completed just a year later.^[62] However, the brisk schedule meant that the team was not given time to implement all the features they had wanted, including acooperative gameplay mode.^[63]Viewtiful Joe 2 debuted on both GameCube and PlayStation 2 to reach a wider audience and maximize profitability.^[29]

To facilitateViewtiful Joe 2's development, Capcom turned "Team Viewtiful" intoClover Studio, a semi-autonomous production company with a focus on developing newintellectual properties (IPs).^[64] The separation was in part due toResident Evil 4's PlayStation 2 release, which caused significant tensions between Capcom and Mikami, who had touted the game's console exclusivity.^[43][46] However, the studio only produced two new IPs before Capcom closed it in late 2006, following the resignations of Atsushi Inaba, Hideki Kamiya, and Shinji Mikami.^[65] These resignations were part of a series of high-profile departures from Capcom, includingYoshiki Okamoto in 2003 andKeiji Inafune in 2010.^[66] The former Clover developers charged that Capcom's corporate management was reluctant or actively opposed to risky new ideas, a complaint shared by Inafune.^[64][67][68] They would go on to foundPlatinumGames with members of their old studio.^[67] In 2008, they announced the "Platinum Three", referring toMadWorld,Infinite Space, andBayonetta, which would attempt to carry on the Capcom Five's ambitious and creative original spirit.^[69]

Outside of Capcom,Killer7 served as a turning point for Suda51 and his studio, Grasshopper Manufacture, effectively launching his career. With Capcom as publisher,Killer7 was his first game to be released outside Japan. While its sales were not up to Capcom's standards, the game's cult success encouraged the director to remake two of his older Japan-only games,The Silver Case andFlower, Sun, and Rain, for Western release.^[52][70] It also allowed his next major title,No More Heroes, to be released to critical and commercial success.^[71][72][73] The game also cemented Suda51's status as anauteur video game director.^[74] He would later work with Shinji Mikami again onShadows of the Damned.^[75]

Despite the relative failure of the project as a whole, the individual games of the Capcom Five had a lasting impact on game design. After experimenting with action gameplay inP.N.03, Mikami was able to apply his experience toVanquish, which serves as an evolution and refinement of the former's gameplay.^[16] Reviewers have also calledP.N.03's "combat...with stylish dance-inspired movements" and "flashy, energetic, intense" gameplay and character design aspiritual predecessor toBayonetta.^[76] On the other hand, Adam Sorice of Nintendojo suggested that the commercial failure of the game which so prominently featured a female lead character made Capcom reluctant to attempt it again for a number of years.^[77] Beyond its critical success,Resident Evil 4 became one of the most influential games of the decade.^[78] Its "over-the-shoulder" perspective inspired third-person shooters and action games as diverse asGears of War andBatman: Arkham Asylum.^[78] Leon's precision-aiming laser sight has also found its way intoDead Space andGrand Theft Auto, as an alternative to "lock-on" targeting.^[79] On a broader scale,Resident Evil 4 deconstructed the survival horror conventions that the firstResident Evil games established.^[80] Some reviewers accused the game of abandoning the genre's essence by adopting an increased emphasis on action and combat.^[81] FollowingResident Evil 4's lead, many "horror" games in the next few years would shift toward more combat-focused gameplay, includingSilent Hill: Homecoming andAlone in the Dark.^[81][82]

According toindustry sources, Capcom's reversal on GameCube exclusivity, particularly withResident Evil 4, was a betrayal that soured relations between Capcom and Nintendo for several years.^[83] After this early pulling of Capcom support, the GameCube went on to sell 22 million units, less than the Nintendo 64's 33 million units and only a fraction of the PlayStation 2's 155 million units.^[84][85] ThoughResident Evil 4 was eventually ported to Nintendo'sWii in 2007, it also received ahigh-definitionre-release forPlayStation 3 andXbox 360 in 2011.^[86][87] The 2002 GameCube remake ofResident Evil andResident Evil Zero also received remasters for newer consoles in 2014 and 2016, respectively.^[88][89]Super Smash Bros. Brawl was released in 2008, featuring third party characters likeSolid Snake fromKonami andSonic the Hedgehog fromSega as a selling point.Kotaku reported on a rumor that Nintendo refused to include a character from Capcom as a direct result ofResident Evil 4's multi-platform release.^[83] Years later, Capcom's ownMega Man andRyu appeared as playable characters in the next game in the series,Super Smash Bros. for Nintendo 3DS and Wii U,^[90] with both returning forSuper Smash Bros. Ultimate along with the debut ofKen Masters.^[91]

Ultimately, the GameCube failed to reinvigorate flagging support from third parties, a trend continued from the Nintendo 64 through its successors, the Wii and Wii U.^[59] The Wii had mostly relied on first-party titles to sell systems until 2009 when in-house development could not keep up with demand for new material. This caused sales to drop and prompted a shift toward more aggressive courting of third-party developers.^[92] Despite this, the Wii would go on to become one of the most commercially successful home video game consoles of all time.^[93][94][95] For theWii U andNintendo 3DS, Nintendo attempted to recruit outside developers early on to avoid a repeat of what happened to the Wii and reclaim the third-party support it enjoyed in the NES and SNES eras,^[96] though low Wii U sales^[97] resulted in continued poor third-party support until the launch of theNintendo Switch in 2017.^[98]

• 2000s in video gaming
• Capcom games
• GameCube games

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