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Cantu a tenore

From Wikipedia, the free encyclopedia
Folk singing style from Sardinia, Italy
See also:Music of Sardinia
This article includes a list ofgeneral references, butit lacks sufficient correspondinginline citations. Please help toimprove this article byintroducing more precise citations.(November 2021) (Learn how and when to remove this message)
Cantu a tenòre
Canto a tenore inOliena, Sardinia
Stylistic originsSardinian music
Typical instrumentsHuman voice
Local scenes
Sardinia
Canto a tenore, Sardinian pastoral songs
CountryItaly
Reference00165
RegionEurope and North America
Inscription history
Inscription2008 (3rd session)
ListRepresentative

Thecantu a tenòre (Sardinian:su tenòre, su cuncòrdu, su cuntràttu, su cussèrtu, s'agorropamèntu, su cantu a pròa;Italian:canto a tenore) is a style ofpolyphonicfolksinging characteristic of the island ofSardinia (Italy's second largest island), particularly the region ofBarbagia, though some other Sardinian sub-regions bear examples of such tradition.

In 2005,UNESCO proclaimed thecantu a tenore to be an example ofintangible cultural heritage.[1][2]

Etymology

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The wordtenore is not to be confused with the word "tenor" as a simple description of vocal register; it refers to the actual style of folk singing and is distinguished from other similar styles called by different names in different places on the island, such astaja inGallura andconcordu inLogudoro (Sassu 1978).

In theBarbagia region on the island of Sardinia, there are two different styles of polyphonic singing:cuncordu, usually a form of sacred music, sung with regular voices, andtenore, usually a form of profane music, marked by the use ofovertone singing.

Singers from Nuoro (Nùgoro) in 1903.

Technique

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Map of polyphonic folk music in Italy

Cantu a tenore is traditionally practised by groups of four male singers standing in a close circle.[1] Each singer has a distinct role, here listed in descending pitch order—form achorus (another meaning oftenore):

  • 'oche orboche (pronounced /oke/ or /boke/, 'voice') is the solo voice
  • mesu 'oche ormesu boche is the 'half voice'
  • contra is the 'counter'
  • bassu as 'bass'

Thebassu sings the same note sung by the'oche, andcontra afifth above thebassu. The'Oche and themesu 'oche sing in a regular voice, whereas thecontra and thebassu sing with a technique affecting thelarynx.The'oche sings a poetic text in Sardinian, which can be of epic, historic, satirical, amorous or even protest genre. The chorus consists of nonsense syllables (for examplebim-bam-boo).

According to popular tradition,mesu 'oche imitates the sound of wind, while thecontra imitates a sheep bleating and thebassu a cow lowing.

The solo voice starts amonodic vocal line and is then joined by the others as he indicates to them to join in.

The effect is somewhat that of around except that the points where the other singers join in vary and, thus, theharmonies vary from version to version. The execution differs in details between each of the villages where atenore is sung to such an extent that the village can be immediately recognized.

Tradition

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Tenores di Bitti

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Although nowadayscuncordu andcantu a tenore are performed only by men, memories remain of a time when women groups performed as well, following thematriarchal tradition of Sardinia. According to some anthropologists,cantu a tenore was performed back inNuragic times.[citation needed]

Some of the most well known groups who performa tenore areTenores di Bitti, Tenore deOrosei, Tenore diOniferi andTenores diNeoneli.

Notes

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  1. ^ab"Canto a tenore, Sardinian pastoral songs". UNESCO. Retrieved13 June 2017.
  2. ^Omar Bandinu, Il canto a tenore, dai nuraghi all'Unesco, Siti, 16(2,3), 2006Archived November 2, 2013, at theWayback Machine

References

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  • Macchiarella, Ignazio (1990). "La polivocalità di tradizione orale in Italia"."Le tradizioni popolari in Italia; canti e musiche popolari" a cura di Roberto Leydi. Milano: Electa.ISBN 8843532464.
  • Mercurio, Paolo (2001).Dialogo del Canto a Tenore. Solinas, Nuoro.{{cite book}}: CS1 maint: location missing publisher (link)
  • Sassu, P. (1978).La musica sarda. Milano: 3 LPs and booklet, Albatros VPA 8150-52. Cited inMacchiarella (1990).
  • Mercurio, Paolo (2014).Introduzione alla Musica Sarda. Narcissus, Milano.ISBN 9788868850135.{{cite book}}: CS1 maint: location missing publisher (link)

Listening

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See also

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External links

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External videos
Cantu a tenore on Youtube
video iconSardinian Pastoral Songs (Unesco)
Gum-rubber mallets on a balafon.
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