Physical cover; Spotify uses a cover with a green card, Amazon Music uses a blue card, Tidal uses a pink card, and Apple Music and YouTube Music uses the original cover.
The album marks a departure from the lighter and moresoulful aesthetics of Tyler's previous releasesIgor (2019) andFlower Boy (2017) in favor of bold beats and raw rhymes reminiscent of his earlier work, influenced by DJ Drama'sGangsta Grillz mixtape series. Genres on the album spanhip-hop,pop,jazz,soul andreggae.
Call Me If You Get Lost was supported by two singles: "Lumberjack" and "WusYaName", both of which were released alongside music videos. The album received widespread acclaim from critics and has been described as a mix of styles, with hints of nostalgia throughout its production. Some critics compared the album to his previous release,Igor. It was placed in the top ten's of the best albums of 2021 by multiple publications. The album debuted at number one on the USBillboard 200, becoming Tyler, the Creator's second US number-one album. It won the award forBest Rap Album at the2022 Grammy Awards, Tyler's second win. In 2023, Tyler released a deluxe version of the album, titledCall Me If You Get Lost: The Estate Sale.
Initially, when Tyler unveiled the cover art forCall Me If You Get Lost, people thought that he had taken inspiration fromOl' Dirty Bastard's 1995 album,Return to the 36 Chambers: The Dirty Version, when in actuality he had taken inspiration from "...old passport and travel cards from early 1900s".[6]
Tyler worked withDJ Drama onCall Me If You Get Lost, known for his mixtape seriesGangsta Grillz.
NME's Luke Morgan Britton calledCall Me If You Get Lost "an all-encompassing culmination of Tyler's ever-varying sound, showing that growth isn't always linear and that artists can be a multitude of things", further saying that the album cements Tyler's place as a "generational talent, one in fine form and continuing to push the boundaries of his vision and kaleidoscopic sound."[5]The Guardian'sAlexis Petridis called the album's stylistic lurches both "unexpected and hugely impressive, the product of an artist with eclectic tastes and a disinclination to make music that fits in with prevalent trends."[7] Petridis highlightedsynth-pop,soul,reggae andjazz.[7] TheFinancial Times's Ludovic Hunter-Tilney called the album's production "densely layered and quixotic", saying that "Lemonhead" switches from hard-hitting beats and a babble of voices into easy-listeningbossa nova, while "Massa" switches a flute-led jazz routine into stripped-backhip-hop.[8]
In comparison toIgor,The Independent's Roisin O'Connor said "the production here [onCall Me If You Get Lost] is as slick asIgor, though, there's less of a through line.Igor was the devastating pieced-together parts of a broken relationship.Call Me If You Get Lost plays fast and loose with its subjects, relying instead on the music itself to carry listeners through."[9] According toPitchfork's Matthew Ismael Ruiz, Tyler is more "adept than ever at weaving different ideas into one cohesive song, rather than just smushing them together" on the album.[4] Ruiz described Tyler's production as "toying with movement in the mix, bouncing sounds between left and right channels for an immersive headphones experience."[4] WhileCall Me If You Get Lost has a very specific underlying narrative lyrically, Ruiz said that the production styles seem to tell the story of Tyler's whole career up to this point: post-ThundercatR&B, aGravediggazhorrorcore sample, and aSalaam Remi flip comparable to the music ofKendrick Lamar.[4] Ruiz called the album a return to rap following thepop sound ofIgor, though notes that Tyler is also "clearly light years away from the skeletal productions of his first few records."[4] Konstantinos Pappis ofOur Culture Mag described the album's songs as having "cinematic grandeur and meticulous arrangements that have characterized Tyler's recent material".[10] Pappis also noted that the sound is as "wondrously nostalgic" as they were onFlower Boy.[10]
Craig Jenkins ofVulture also regarded the album as a step back into "the cranky, devil-may-care style and attitude of his [Tyler, the Creator's] early days" while also channelling "all the ways he's changed since then".[11] Jenkins highlightedCall Me If You Get Lost as a departure from the "lighter and more soulful aesthetics ofIgor in favor of brash beats and raw rhymes... somewhat after theGangsta Grillz mixtapes of the aughts and early 2010s."[11] Chris Deville ofStereogum found thatCall Me If You Get Lost has influences of hip-hop blockbuster albums, such asThe Marshall Mathers LP (2000) andTha Carter III (2008).[12] Deville also said that "the sheer grandiosity" of the album – "the elaborate cinematic production, the insane cast of guest rappers" – is reminiscent ofKanye West's earlier music.[12] Deville also notes that the samples from various 1990s rappers compare to thegolden age ofboom bap.[12]
Marcus Shorter ofConsequence said of the album that self-awareness dominates its second half.[13] Shorter further notes that romance is a prominent theme in the album's second half: "That journey includes heartbreak, because no Tyler, The Creator album is complete withoutromance."[13] Shorter specifically describes "Wilshire": "He stumbles over words and mumbles parts of a sad story, sounding like someone not fully ready to handle the truth. On an album filled with dope lines from a guy who always says it with his chest, "Wilshire" is a rare moment where we feel him holding back. The ego is tucked into the closet for one song, further blurring the lines between the man, the persona, and the alter-ego."[13]
On June 9, 2021, a promotional billboard for the album's rollout was spotted in Los Angeles,[14] which was followed by more sightings in other major cities around the world.[15] The billboard read "Call Me If You Get Lost" and included the phone number, +1 (855) 444-8888. When called, a recorded message was played of a conversation between Tyler and his mother.[14] That recording is in the album as the track "Momma Talk".[16][17] Soon thereafter, a website was discovered that references the billboard and phone number, appearing to be another aspect of the album's promotion, subsequently the audio played when calling the phone number would change to a snippet of the album track "Rise!".[14] On June 15, Tyler tweeted the phone number which was seen on billboards the week prior, confirming his involvement.[18]
On June 14, 2021, Tyler teased new music in a short video titled "Side Street", featuring himself holding a dog while making out with a woman.[19] There is also a cameo of fellowOdd Future member Taco Bennett closer to the end of the video.[20][21] Tyler directed the video under the moniker of his alter-ego Wolf Haley.[22] On June 16, 2021, Tyler released a song titled "Lumberjack", which was accompanied by a short music video, also directed by Tyler himself as Wolf Haley.[23][24] The song samples the song "2 Cups of Blood" by Gravediggaz.[25]
The following day, June 17, Tyler officially confirmed the album's title asCall Me If You Get Lost and announced a release date for June 25.[26] He also announced the cover art and merchandise through his streetwear brandGolf Wang.[27] On June 22, 2021, Tyler released the album's second single titled "WusYaName" featuring rapperYoungBoy Never Broke Again and singerTy Dolla Sign also accompanied by a self-directed short music video.[28][29] Employing elements from '90s-era R&B, this song samplesH-Town's "Back Seat (Wit No Sheets)" and, unlike "Lumberjack", bears a close resemblance to his recent, more soulful albums.[28][29] On June 23, 2021, Tyler released another teaser for the album in the form of a self-directed comedy sketch titled "Brown Sugar Salmon".[30] The video features Tyler, referred to as "Sir Baudelaire", on a train attempting to order a meal without success.[31][32]
Following the album's release on June 25, 2021, Tyler released a video to accompany the track "Juggernaut". Though it does include the guest verses fromLil Uzi Vert andPharrell Williams, only Tyler himself appears in the video.[33][34] On June 29, 2021, Tyler released a music video for "Corso". In the video, Tyler is performing at a birthday party in the company ofDJ Drama.[35] On July 8, 2021, Tyler released a music video for "Lemonhead". The video does not include the guest verse from42 Dugg.[36]
On August 3, 2021, Tyler announced the Call Me If You Get Lost Tour starting on February 8, 2022, in Phoenix atFootprint Center and concluding on August 3, 2022, in Melbourne atRod Laver Arena. The North American leg with approximately 35 shows was supported byKali Uchis,Vince Staples, andTeezo Touchdown.[37][38]
On March 27, 2023, Tyler revealedCall Me If You Get Lost: The Estate Sale, which would include songs recorded forCall Me If You Get Lost but did not appear on the final album, including the single "Dogtooth", which was released on the day of the announcement, alongside a music video.[39] OnTwitter, Tyler stated that "Call Me If You Get Lost was the first album I made with a lot of songs that didn't make the final cut".[40] On March 29, 2023, another single "Sorry Not Sorry" was released, alongside a music video.[41]The Estate Sale was released on March 31, 2023,[39] along with a music video for the song "Wharf Talk".[42]
Call Me If You Get Lost was met with widespread critical acclaim. AtMetacritic, which assigns anormalized rating out of 100 to reviews from professional publications, the album received anaverage score of 88, based on 20 reviews.[44] Aggregator AnyDecentMusic? gave it 8.4 out of 10, based on their assessment of the critical consensus.[43]
The Independent's Roisin O'Connor gaveCall Me If You Get Lost five out of five stars, and said it feels like "theapotheosis of all Tyler's past works."[9] They also noted the seamless transitions between tracks.[9]Clash praised Tyler's "refusal to be caged in by any set sound or genre" and noted tracks "Sweet / I Thought You Wanted to Dance" and "Wilshire" as standouts.[46] David Smyth of theEvening Standard mentioned the album's varied "global" sound and said, "Tyler's music is as fascinating as ever."[47] Alexis Petridis ofThe Guardian wrote that bursts of "kaleidoscopic synth-pop, soul balladry and jazz sweep you", saying that the album could "take a lot of time to fully unpick, but clearly isn't going to diminish in quality if you do so."[7] Ryan Rosenberger ofThe Line of Best Fit said, "Time will tell exactly where this album lands in Tyler, The Creator's discography, butCall Me If You Get Lost is yet another memorable record from Wolf Haley himself, one that only further cements his status as one of the best artists of his generation".[51] Luke Morgan Britton fromNME enjoyed the album, saying, "The iconoclast confronts cancel culture, his own controversial past and the notion of personal growth on a kaleidoscopic record that reaffirms his greatness".[5]Pitchfork critic Paul A. Thompson said, "It grants him the freedom to play with tone, to write personally or use his gravelly voice as texture, to treat the harshest raps and the most delicate hooks as mad experiments gone wrong".[49] Wesley McLean ofExclaim! said, "Tyler has delivered a project that yet again pushes the boundaries of his music while simultaneously being a culmination of everything that he's done so far. It's yet another impressive outing for an artist whose reign doesn't seem to be stopping any time soon".[48]
Sofie Lindevall ofGigwise summarized: "With his sixth studio albumCall Me If You Get Lost, Tyler turns everything up-side-down again, resulting in one of the most dynamic and interesting entries in his discography so far."[52] A positive review by Craig Jenkins ofVulture concluded with telling the reader to "Look between the many detailed descriptions of Rolls-Royce interiors, beautiful boats, and international travel, beyond the over half-a-dozen mentions of passports," and that they'll find, "A love story".[11]Paste magazine's Matt Mitchell gaveCall Me If You Get Lost an 8.7 out of 10, and said the crowning achievement of the record is "the way it sharply reminds every listener that the early entries in an artist's discography are not parts of their past meant to be forgotten".[53] Reviewing the album forAllMusic, David Crone claimed that, "Tyler's music has always been a patchwork of ever-increasing palettes, andCMIYGL is his most complex to date."[45]Rolling Stone's Jeff Ihaza summarised Tyler's effort as a maturing into "some of the more compelling rap music being made today", callingCall Me If You Get Lost Tyler's best work to date.[50]
Call Me If You Get Lost debuted at number one on the USBillboard 200 chart, earning 169,000album-equivalent units (including 55,000 copies in pure album sales) in its first week.[69] This became Tyler's second US number-one album.[69] The album also accumulated a total of 152.96 million on-demand streams of the album's tracks.[69] It spent two non-consecutive weeks at number one, topping the chart for a second week the following April after the vinyl release. With 49,000 copies sold that week, it holds the largest vinyl sales week for a hip hop album.[70] On February 22, 2022, the album was certifiedgold by theRecording Industry Association of America (RIAA) for combined sales and album-equivalent units of over 500,000 units in the United States.[71] On April 23, 2023, the album was certifiedplatinum for combined sales and album-equivalent units of over one million units in the United States.[71]Call Me If You Get Lost is the first and only album to hit number one on theTop R&B/Hip-Hop Albums chart in three different years. The first time was in July 2021 during the initial release, then in April 2022 following the release of its vinyl LP counterpart, and then in April 2023 due to the release of its deluxeThe Estate Sale edition.[72]
Thirteen of the album's songs reached the USBillboard Hot 100, with "WusYaName" reaching the top 20 of the chart.[73]
All tracks are solely produced byTyler, the Creator other than: "Rise!", produced by Tyler andJamie xx; "Safari", produced by Tyler andJay Versace; and "What a Day", produced byMadlib.[74]
^[a] "Sir Baudelaire" contains excerpts from "Siesta", written and performed byBilly Cobham; and an uncredited sample of "Michael Irvin", performed byWestside Gunn.[76]
^[b] "Corso" contains excerpts from "Oriental Workload", written and performed by James Asher.
"Massa" contains excerpts from "If It's in You to do Wrong", performed byThe Impressions.
^[f] "Manifesto" contains samples from "I'm Gonna Love You Just a Little More Babe", written byBarry White, performed byJimmy Smith.
^[g] "Sweet / I Thought You Wanted to Dance" contains excerpts from "Is Anyone There?", performed byHookfoot; and "Baby My Love", written byFil Callender, performed byThe In Crowd andJah Stitch.
"Safari" contains excerpts from "Farewell My Love", written by Marvin Redding and performed by Ebony Expressions.
^[i] "What a Day" contains excerpts from "A Day in the Park", written and performed byMichał Urbaniak.
^[j] "Heaven to Me" contains excerpts from "Heaven", written by Alexandra Brown, Jessyca Wilson,John Stephens,Kanye West, and Vaughn Stephens, performed byJohn Legend, which itself samples "Heaven Only Knows", written and performed byMonk Higgins.
^[k] "Boyfriend, Girlfriend (2020 Demo)" contains excerpts from "Happy Feeling", written and performed by Cecil Lyde.
^[l] "Sorry Not Sorry" contains excerpts from "He Made You Mine", written by Franchone Shells and Lucille White, performed byBrighter Side of Darkness.
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