You can helpexpand this article with text translated fromthe corresponding article in Portuguese. (May 2016)Click [show] for important translation instructions.
Machine translation, likeDeepL orGoogle Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
Youmust providecopyright attribution in theedit summary accompanying your translation by providing aninterlanguage link to the source of your translation. A model attribution edit summary isContent in this edit is translated from the existing Portuguese Wikipedia article at [[:pt:Câmara Cascudo]]; see its history for attribution.
You may also add the template{{Translated|pt|Câmara Cascudo}} to thetalk page.
He was born inNatal,Northeast Brazil. He lived his entire life in Natal and dedicated himself to the study of Brazilian culture and he was a professor at theFederal University of Rio Grande do Norte. He was also interested in music and was a co-founder of the Natal Instituto de Música in 1933.[1] The institute of anthropology there now bears his name.
As a researcher into the manifestations of the Brazilian cultures, he left behind an extensive body of work. Câmara Cascudo wrote 31 books on Brazilian folklore, over 8000 pages. He has done the most extensive work on Brazilian folklore so far, with notable quality, and he has received recognition for it.
Alma patrícia (1921 his first work),
Traditional Tales of Brazil (1946).
Dictionary of Brazilian Folklore (1952).
Made in Africa, pesquísas e notas, 1965, and later editions[2]
His studies of the period of the Dutch invasions of Brazil led to the publication of hisGeography of Dutch Brazil.
His memoirs,Time and I (1971) were edited posthumously.
