"Bye Bye Bye" is a song by Americanboy bandNSYNC from their third studio album,No Strings Attached. It was released on January 17, 2000, as thelead single from the album. The song was written and produced byKristian Lundin and Jake Schulze, with additional writing byAndreas Carlsson. Its lyrics describe the end of a romantic relationship; it was reported to also reference the group's separation from their managerLou Pearlman and their record labelRCA Records.[1] "Bye Bye Bye" is widely considered to be the group'ssignature song.[2]
"Bye Bye Bye" was written and produced byKristian Lundin and Jake Schulze, as part ofCheiron Productions, with additional writing byAndreas Carlsson. Lundin stated that it was "totally production driven" and "created from the kick and the bass up".[6] Carlsson wrote the song's lyrics while he was taking a driver's test in Stockholm, Sweden.[7] The song was intended to be recorded by Englishboy band5ive, but they rejected it as they wanted to become arap band.[8] Carlsson recalled that one of the band members immediately called for his security and left for the airport.[7] The song's chorus was initially written as a rap, where 5ive feared that they would be competing againstEminem.[9] The song was also made as a response record to chart-topping records bygirl groups such asTLC's "No Scrubs" andDestiny's Child's "Bills, Bills, Bills" and "Bug a Boo", which were deemed "male bashing".[10]
Prior to its official release, NSYNC performed "Bye Bye Bye" at theRadio Music Awards on October 28, 1999,[11] at the LIFEbeat AIDS benefit concert in New York on December 1, 1999,[12] and onThe Rosie O'Donnell Show on Christmas Eve in 1999.[11] The song was released on January 17, 2000,[13] although it was not available as a commercial single in order to increase demand for NSYNC's 2000 studio albumNo Strings Attached.Jive Records feared that "Bye Bye Bye" was released too earlyvis-à-vis the album, which caused them to consider releasing a second single in order to sustain interest.[11]
The song opens with astringcrescendo that climbs beforeJustin Timberlake'snasalad-lib of the phrase, "Hey, hey", which leads to the five-partharmony of the song's title. Instrumentation consisted of "buzzy electronics" adding texture to the band's vocals in contrast to thedoo-wop of theBackstreet Boys, as well as hard drums, with asnare andkick drum.[9] Lyrically, "Bye Bye Bye" describes a man's desires to end a romantic relationship with a difficult significant other. Carlsson initially wrote the song after his girlfriend left him for another man, whom she married and had children with.[7] Sheet music for "Bye Bye Bye" shows the key ofG♯ minor with a tempo of 86 beats per minute in4 4 common time. The group members' vocals span from C♯2 to G♯5.[14] It should be noted at mark 2:30 min - 2:37 min the song samples Final Fantasy 7 - The Prelude Theme Song, but never crediting Square for their copywritten IP.
"Bye Bye Bye" was met with generally favorable reviews from music critics.Stephen Thomas Erlewine ofAllMusic described the song as a "piledriving dance number with the catchiest chorus they've ever sang."[15]Robert Christgau commented that it featured "prefab rhythm at its most efficient."[16] In 2015,Billboard's Jason Lipshutz ranked it third on the list "Top 20 Essential Boy Band Songs," describing the song as "an absolute monster of a lead single."[17] Additionally writing for the same magazine in 2018,Billboard staff placed "Bye Bye Bye" at number 12 on "The 100 Greatest Boy Band Songs of All Time", stating that it was one of "the most decisive breakup anthems in pop history" that contained "an iconic dance move to match".[18]Rolling Stone staff ranked it as the sixth-greatest boy band song of all time, writing, "it remains their defining track, a four-minute blast of big hooks, tight harmonies and intriguingly meta subtext."[19] However, another editor from the same magazine listed it as the 17th most annoying song of all time in 2007.[20] In 2013,Complex's Kathy Iandoli ranked it as the best boy band song ever.[21]
"Bye Bye Bye" debuted on theBillboard Hot 100 at number 42, the week of January 29, 2000, reaching the top 10 by the week of March 4. The song remained in the top 10 through May 20, 2000, for 12 weeks. The single peaked at number four in April 2000 for two consecutive weeks. On theMainstream Top 40 chart the song reached number one on March 4, 2000, and stayed at the top of the chart for ten weeks, making it one of the songs with most weeks at number one on that chart.[22] The song topped the charts in Australia and New Zealand, and peaked at number three in the United Kingdom. On the week of March 24, 2014, the song re-entered theNew Zealand Singles Chart at number 14.[23]
The video was directed byWayne Isham, and was released on January 11, 2000. The budget was estimated to be $1 million, which was attributed to the band wanting to be noticed onMTV. The song's dance routine was choreographed byDarrin Henson, who received a phone call from NSYNC's managerJohnny Wright, as he was about to quit the music industry after missing out on aMTV Video Music Award forJordan Knight's "Give It to You". Henson flew toLas Vegas, Nevada in 1999, where the band were performing at the1999Billboard Music Awards, so that he would be able to listen to the track. The band rehearsed at the Alley Kat Studio in Los Angeles over a few days, where Henson stated in a 2020 interview withEntertainment Weekly that he implemented moves that cannot be replicated by other groups such as the "black power fist", which he defined as "stop talking s—" when used in the song's title lyric. Henson won an MTV Video Music Award for Best Choreography at the 2000 MTV Video Music Awards, while NSYNC also won Best Pop Video at the same ceremony.[24]
The group contacted Isham through the phone, before he met them during dance rehearsals for the song.[25] The band were fastened to bungee cords during the music video's shoot to mimickpuppets on strings. Choreography was performed in a bluegimbal room, which Isham pointed out was inspired both byFred Astaire inRoyal Wedding andLionel Richie's "Dancing on the Ceiling" music video (both directed and choreographed byStanley Donen).[24][25] During the speeding train sequence,Chris Kirkpatrick andJoey Fatone performed their own stunts as they jumped from one train carriage to another, as aSteadicam operator needed to be replaced mid-scene, due to being uncomfortable with the risk.JC Chasez andLance Bass were placed in a redDodge Viper RT/10 for thecar chase scene. After Chasez told director Isham that his favorite car chase scene was the Robert De Niro car chase scene inRonin (1998), the stunt driver crew and coordinators fromRonin were hired to coordinate the car chase scenes for the music video. The scene where Bass and Chasez drop into the car was filmed with an18-wheeler carrying a pole, which allowed the two to drop into the car.[24] Both scenes were shot inFillmore, California as the train scenes were filmed on theFillmore and Western Railway, a heritage railway that ceased operations in 2021.[25] Additional filming of the car-chase scenes was done on Piru Canyon Road, the route toLake Piru - which is visible in the background during the car chase.[26]
On the January 24, 2000, episode ofMaking the Video, Timberlake explained his reaction to shooting his scene in the music video, stating that he had the easiest time with the stunts in comparison with the other band members, but wanted to "look good" while running instead of appearing like a "dork".[11][27]
The NSYNC members portraypuppets, in reference to their destiny being controlled by their managerLou Pearlman, during their legal dispute.[28]
The video starts with the puppet master,Kim Smith, manipulating the NSYNC members as they are tied to strings. She cuts Kirkpatrick and Fatone loose first, as they run atop a speeding train and hide among the passengers to elude her. She cuts Timberlake loose next, as he outruns her trained dogs inside a warehouse and escapes into the pouring rain. Chasez and Bass are finally cut loose, as they fall into a redDodge Viper RT/10. When the music pauses, Chasez cleans the disc and reinserts it before continuing. They flee from her, as she pursues them in a silverBMW Z3. They eventually make a sudden U-turn when a truck blocks them, forcing the puppet master to brake more slowly and spend more time performing a U-turn, allowing the two to flee in the opposite direction.
All the scenes are interspersed with shots of the band dancing in a rotating blue gimbal with a fixed camera, creating the illusion that they are on different gravity planes. The video edit of the song also briefly pauses the music when Timberlake lands in the warehouse, when Chasez and Bass land into the car to insert aCD, and the U-turn near the video's end. The final chorus is also extended twice; the first showcases the band inside the box, while the second highlights Chasez and Bass fleeing from the puppet master.
The music video peaked at number one on theTotal Request Live countdown for 25 consecutive days.[29] The video was ranked at number 60 onMuchMusic's 100 Best Videos. In 2018,iHeartRadio's Nicole Mastrogiannis ranked Timberlake's appearance in the video as first on the Iconic Music Moments From the 00s list.[30] The same yearBillboard critics ranked it 21st among the "greatest music videos of the 21st century."[31]
^ Shipments figures based on certification alone. ‡ Sales+streaming figures based on certification alone. † Streaming-only figures based on certification alone.
^"ČNS IFPI" (in Czech). Hitparáda – Digital Top 100 Oficiální. IFPI Czech Republic.Note: Select 35. týden 2024 in the date selector. Retrieved September 3, 2024.
^"ČNS IFPI" (in Slovak). Hitparáda – Singles Digital Top 100 Oficiálna. IFPI Czech Republic.Note: Select 32. týden 2024 in the date selector. Retrieved August 18, 2024.
