InAlaska during the earlyHolocene whenice agemegafauna includingmammoths andsabre toothed cats still roamed Earth, the local humantribes believe all creatures are created through the GreatSpirits, who are said to appear in the form of anaurora. A trio of brothers, Kenai, the youngest; Denahi, the middle; and Sitka, the eldest, return to their tribe for Kenai to receive histotem, necklaces in the shapes of different animals, from Tanana, theshaman of the brothers' tribe. The particular animals they represent symbolize the trait they must achieve to call themselves men. Unlike Sitka, who gained theeagle of guidance, and Denahi, who gained thewolf of wisdom, Kenai receives thebear of love. He objects to his totem, stating that bears are thieves and vicious creatures, and believes his opinion is proven to be a fact when agrizzly bear steals their basket ofsalmon, which Kenai did not hold properly in a hurry to receive his totem. Kenai searches for the basket and finds it devoured.
He sees the bear, provokes it, his brothers find him, and a fight ends on top of a giant glacier. When the bear gets the upper hand, Sitka sacrifices himself to save his brothers by dislodging the glacier, although the bear survives the fall. After Sitka's funeral, a furious Kenai blames the bear for Sitka's death and rejects his totem. He hunts down and chases the bear up onto a rocky cliff, fighting and eventually killing it. The Spirits, represented by Sitka's spirit in the form of abald eagle, arrive and transform Kenai into a bear after the dead bear's body evaporates and joins them. Denahi arrives and falsely believes that Kenai was mauled by the bear from earlier. Kenai falls off the cliff and down some rapids, but survives. Denahi vows to avenge Kenai.
Kenai awakens as he is healed by Tanana and discovers his transformation. Tanana cannot understand Kenai, but advises him to go to the mountain where the lights touch the earth to find Sitka and be turned back into a human, but only when he atones for his actions; she vanishes without explanation. Kenai quickly discovers that he can now understand the wildlife, meeting a pair ofAlaska moose brothers named Rutt and Tuke. He gets caught in a trap but is freed by a talkative bear cub named Koda. After they evade Denahi, who is still unaware that the bear he's pursuing is Kenai, Koda reveals to Kenai that his mother is missing. They make a deal: Kenai will escort Koda to an annualsalmon run, and then the cub will lead Kenai to the mountain nearby. Along the way, the two form a brotherly relationship and are joined by Rutt and Tuke and ride on the backs of awoolly mammoth herd. Kenai and Koda eventually continue their journey on foot. As they go through avolcanic field, Kenai and Koda are still hunted by Denahi.
Kenai and Koda reach the salmon run, where a large number of bears live as a family, including the leader Tug. Kenai accepts his new surroundings and is comfortable living with the other bears. During story time among the bears, Koda tells a story about his mother recently fighting human hunters on a glacier, reminding Kenai of him and his brothers' fight with the bear that led to Sitka's death, making him realize that the bear he killed was Koda's mother. Horrified of what he has done, Kenai runs away in a fit of guilt, but Koda soon follows him. Kenai confesses the truth to Koda, who runs away grief-stricken, and a remorseful Kenai leaves to go to the mountain. Meanwhile, Rutt and Tuke, having had a falling out, reconcile in front of Koda, prompting him to forgive Kenai.
On the mountain, Kenai is cornered by Denahi, but their battle is interrupted by Koda, who steals Denahi's spear. Kenai sacrifices himself to save Koda, prompting Sitka to appear and turn him back into a human, much to Denahi and Koda's surprise. However, upon realizing that Koda needs him because of his own mistake, Kenai asks Sitka to transform him back into a bear with Denahi's blessing. Sitka complies, and Kenai is transformed back into a bear. Koda is reunited briefly with the spirit of his mother before she and Sitka return to the spirit world. In the end, Kenai lives with the rest of the bears and gains his title as a man, through being a bear.
Joaquin Phoenix as Kenai, the younger brother of Sitka and Denahi, who has a hatred of bears. After he callously kills a bear, Kenai is turned into one himself to teach him to see through another's eyes, feel through another's heart, and discover the true meaning of brotherhood. John E. Hurst andByron Howard served as the supervising animators for Kenai in human and bear form respectively.
Jeremy Suarez as Koda, a cheekygrizzly bear cub who helps Kenai on his journey to "where the lights touch the earth." Alex Kupershmidt served as the supervising animator for Koda.
Jason Raize as Denahi, the middle brother. This was Jason Raize's first and only film role before his death in 2004.Harold Gould provides narration from an older Denahi's point of view.Ruben A. Aquino served as the supervising animator for Denahi.
Following the critical and commercial success ofThe Lion King (1994), then-Disney chairman and CEOMichael Eisner urged for more animal-centric animated features. He suggested a North American setting, taking particular inspiration from an originallandscape painting byAlbert Bierstadt that he purchased. For the characters, the hero would be abear, the king of the forest.[4] At the time, the original idea, which was inspired byKing Lear, centered around an old blind bear who traveled the forest with his three daughters.[5] In 1997, veteran animatorAaron Blaise joined the project as director because he "wanted to be attached so that [he] could animate bears",[6] and was soon joined by co-directorRobert Walker.[7] Because Blaise desired a more naturalistic story, Blaise and producer Chuck Williams produced a two-pagetreatment of a father-son story in which the son is transformed into a bear, and in the end, remains a bear.Thomas Schumacher, then-president ofWalt Disney Feature Animation, approved the revised story and proclaimed, "This is the idea of the century."[4]Tab Murphy, who had co-written the screenplays forThe Hunchback of Notre Dame (1996),Tarzan (1999), andAtlantis: The Lost Empire (2001), came on board to write an early draft of the script.[7]
In March 2001,Joaquin Phoenix confirmed he was cast in the film, exclaiming, "Oh, but forget theOscar nomination (forGladiator). The real pinnacle is that I'm playing an animated character in a Disney film. Isn't that the greatest? I play aNative American transformed into a bear. It's calledThe Bears. Don't call me aleading man. I don't care about that. I'm a leading bear. I am content!"[10] After the filmmakers heard his audition tapes forFinding Nemo (2003), Jeremy Suarez was cast as Koda.[4]
As is typical for animation voice acting, Suarez and Phoenix voiced their roles separately, although they both did a recording session together at least two times.[4] Voicing the moose brothers Rutt and Tuke,Dave Thomas andRick Moranis performed simultaneously throughout the recording process.[4]Angayuqaq Oscar Kawagley, an associate professor who taught courses onAlaska Native philosophy at theUniversity of Alaska, Fairbanks, claimed he was never given a script, but was instead given "the dialogue that they had written, which was being told by a Native person". For his role as theInuit Narrator, Kawagley translated the dialogue in written form intoYup'ik and faxed the translation back to the Disney studio. He later recorded his translation at an Anchorage studio while being videotaped for animation reference.[11]
The film is traditionally animated but includes some CG elements such as "a salmon run and a caribou stampede".[12] Layout artist Armand Serrano, speaking about the drawing process on the film, said that "we had to do a life drawing session with live bear cubs and also outdoor drawing and painting sessions atFort Wilderness in Florida three times a week for two months [...]".[citation needed] In 2001,Background supervisorBarry Kooser and his team traveled toJackson Hole, Wyoming and studied with Western landscape painter Scott Christensen, where they learned to: "simplify objects by getting the spatial dimensions to work first and working in the detail later."
According to Ruben Aquino, supervising animator for the character of Denahi, Denahi was originally meant to be Kenai's father; later this was changed to Kenai's brother.[13]Byron Howard, supervising animator for Kenai in bear form, said that earlier in production a bear named Grizz (who resembles Tug in the film and is voiced by the same actor) was supposed to have the role of Kenai's mentor.[14] Art DirectorRobh Ruppel stated that the ending of the film originally showed how Kenai and Denahi get together once a year to play when the northern lights are in the sky.[14]
Following the success of theTarzan soundtrack,Phil Collins was offered the opportunity to compose songs forBrother Bear, as well as let him "co-write the score".[15] However, Collins explained, "Slowly, the bad news started to trickle down that I wouldn't be singing it all. It was a bit of a disappointment, because I [usually] write songs that I sing myself."[16] While Collins composed six songs for the film, he shared vocal performance duties withTina Turner, who sang the opening song;[17] theBlind Boys of Alabama; and theBulgarian Women's Choir, who performed the song, "Transformation". Collins's lyrics for the song were first translated intoIñupiaq. The performance was then arranged by score co-composers Collins andMark Mancina, and vocal arrangerEddie Jobson.[18]
Brother Bear was originally slated for a spring 2004 release, whileHome on the Range was scheduled for an autumn 2003 release.[19][20] However, Disney announced thatBrother Bear would be released in fall 2003 whileHome on the Range was pushed back for a spring 2004 release. Contrary to speculation, news writer Jim Hill stated the release date switch was not becauseHome on the Range was suffering from story rewrites, but to promoteBrother Bear on the Platinum Edition release ofThe Lion King.[21] On July 15, 2003, Disney announced that the release date would be moved up by one weekend from its previously scheduled slot of November 7, 2003. However, instead of opening onHalloween, the film would be released on Saturday, November 1, 2003.[22]
On October 20, 2003,Brother Bear premiered at theNew Amsterdam Theatre, where fellow attendees includedNew York GovernorGeorge Pataki and cast members Michael Clarke Duncan andEstelle Harris. Following the screening of the film, Collins performed the song "No Way Out" before introducing Tina Turner to the stage where she performed the opening song, "Great Spirits".[23]
Brother Bear was released onVHS andDVD on March 30, 2004. The DVD release consisted of two separate discs, which were bothTHX-certified. The first disc contained the widescreen version (1.66:1 aspect ratio) and the second disc featured the original theatrical widescreen version (1.66:1 and 2.35:1 aspect ratio). The DVD also included a documentary on the production of the film, an audio commentary track by Rutt and Tuke with an option for visual mode, an artwork gallery narrated by the artists, three deleted scenes, two games called "Find Your Totem" and "Bone Puzzle", and two music videos with Phil Collins.[24][25] By January 2005, the film had earned $169 million in home video sales and rentals.[26] In April 2004 alone, 5.51 million DVD copies of the film were sold.[27]
The film was released in aBlu-ray special edition combined with its sequel,Brother Bear 2, on March 12, 2013.[28]
Brother Bear received mixed reviews from critics.[29][30] On thereview aggregator websiteRotten Tomatoes, 37% of 131 critics' reviews are positive, with an average rating of 5.5/10. The website's consensus reads: "Brother Bear is gentle and pleasant if unremarkable Disney fare, with so-so animation and generic plotting."[31]Metacritic, which assigns anormalized rating out of 100 from top reviews from mainstream critics, calculated a score of 48 based on 28 reviews, indicating "mixed or average" reviews.[32] Audiences polled byCinemaScore gave the film an average grade of "A" on an A+ to F scale.[33]
On the syndicated television showAt the Movies, film criticsRoger Ebert andRichard Roeper both gave the film positive reviews. In his print review for theChicago Sun-Times, Ebert wrote the film "doesn't have the zowie factor ofThe Lion King orFinding Nemo, but is sweet rather than exciting. Children and their parents are likely to relate on completely different levels, the adults connecting with the transfer of souls from man to beast, while the kids are excited by the adventure stuff."[34]USA Today film criticClaudia Puig gave the film three out of four stars praising the film for its "message of tolerance and respect for nature rings loud and clear. And family audiences are treated to a vibrantly hued movie with appealing characters."[35] Kirk Honeycutt ofThe Hollywood Reporter called the film "a playful movie that celebrates nature and the spirit world with striking imagery and a smooth blend of drama and comedy."[36]
Writing forVariety, Todd McCarthy summarized that "Brother Bear is a very mild animated entry from Disney with a distinctly recycled feel [because] the film's characters and narrative simply fail to engage strong interest, and tale is probably too resolutely serious to enchant small fry in the way the better Disney titles always have."[37]Kenneth Turan, reviewing for theLos Angeles Times, complimented "the richness and fluidity of its visuals" and the "satisfying ending", but derided that "Brother Bear has an appeal that can't be denied. Too often, however, this film's lack of a fresh dramatic approach and not its technique makes it difficult to embrace as much as we'd like to".[38]Stephen Holden ofThe New York Times felt the film was too similar toThe Lion King. He later wrote: "This opulent movie, with gorgeous rainbow animation, is heavy on message but light on humor."[39]
Many critics and audiences also noted the use of the film'saspect ratio as a storytelling device. The film begins at a standard widescreen aspect ratio of 1.75:1 (similar to the 1.85:1 ratio common inU.S. cinema or the 1.78:1 ratio ofHDTV), while Kenai is a human; in addition, the film's art direction and color scheme are grounded in realism. After Kenai transforms into a bear twenty-four minutes into the picture, the film itself transforms as well: to ananamorphic aspect ratio of 2.35:1 and towards brighter, more fanciful colors and slightly morecaricatured art direction.Brother Bear was the first feature sinceThe Horse Whisperer to do a widescreen shift. It was the only animated film to feature this technique, untilThe Simpsons Movie andEnchanted in 2007.
In its limited release,Brother Bear played only in two selected theaters inLos Angeles andNew York City, grossing $291,940 for a per-screen average of $145,970.[40][41] The wide release followed on November 1, 2003, expanding to 3,030 theater venues. The film opened second behindScary Movie 3 grossing $18.5 million at the box office.[42] On its second wide weekend, the film continued its strong showing grossing $18.6 million against new competing films such asElf andThe Matrix Revolutions, collecting $44.1 million in three weeks.[43] The film grossed $85.3 million in the United States and Canada, and $165.1 million in international territories, bringing its worldwide total to $250.4 million.[2]
The song "Welcome" written by Phil Collins was later used as the theme song forWalt Disney's Parade of Dreams during theHappiest Homecoming on Earth, celebrating the 50th anniversary ofDisneyland. For the parade, the song had slightly changed lyrics and was performed by an ensemble.
Disney Television Animation was set to produce a television series titledBrother Bear: The Series forDisney Channel.The Simpsons veteran Pete Michels was to helm the series and was allowed to watch a copy of the film so that he could construct a pilot. The series would have taken place directly after the events of the film and would have seen Kenai and Koda adopt other orphaned animals into their family.Jeremy Suarez,Rick Moranis andDave Thomas were to reprise their respective roles whileWill Friedle would have replaced Joaquin Phoenix as Kenai. While the pilot tested well, it was not picked up as Disney Channel executives felt that adapting the film as a series was "counterproductive" to their goal of trying to reach a tween audience, combined with the fact that the movie performed below expectations.[44]
Adirect-to-videosequel calledBrother Bear 2 was released on August 29, 2006. It focuses on the continued adventures of bear brothers Kenai and Koda. While the first film dealt with Kenai's relationship with Koda, this one focuses more on his bond with a young human of his past, Nita.
^Eller, Claudia; Verrier, Richard (March 19, 2002)."Disney Confirms Animation Cuts".Los Angeles Times.Archived from the original on June 16, 2020. RetrievedJuly 6, 2015.
^Desowitz, Bill (March 30, 2004)."Brother Bear Reborn on DVD".Animation World Magazine.Archived from the original on July 7, 2015. RetrievedJuly 6, 2015.
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