Brian K. Vaughan | |
|---|---|
Vaughan at a signing at Midtown Comics in Manhattan | |
| Born | (1976-07-17)July 17, 1976 (age 49) Cleveland, Ohio, U.S. |
| Occupation | Comic book writer, television writer/producer |
| Genre | Science fiction,superhero,space opera/fantasy |
| Notable works | Comics: Y: The Last Man Runaways Ex Machina Pride of Baghdad Saga Paper Girls Television: Lost Under the Dome |
Brian K. Vaughan (/vɔːn/; born July 17, 1976) is an American comic book and television writer, best known for the comic book seriesY: The Last Man,Ex Machina,Runaways,Pride of Baghdad,Saga, andPaper Girls.
Vaughan was a writer, story editor and producer of the television seriesLost during seasons three through five. He was nominated for aWriters Guild of America Award for Best Dramatic Series at theFebruary 2009 ceremony for his work on the fourth season.[1] The writing staff was nominated for the award again at theFebruary 2010 ceremony for their work on the fifth season.[2] He was formerly theshowrunner and executive producer of the TV seriesUnder the Dome.[3]
Wired describes Vaughan's comics work as "quirky, acclaimed stories that don't pander and still pound pulses". His creator-owned comics work is also characterized by "finite, meticulous, years-long story arcs", on which Vaughan comments, "That's storytelling, with a beginning, a middle, and an end. Something like Spider-Man, a book that never has a third act, that seems crazy."[4] In 2007, Erik Malinowski, also ofWired, called Vaughan "the greatest comic book visionary of the last five years", comparing him toFrank Miller,Alan Moore,Paul Pope, andSteve Niles, and praised his addition to the TV seriesLost as redeeming that series' third season.[5]
For his writing, Vaughan has won 14Eisner Awards, 15Harvey Awards, and twoHugo Awards.
Brian K. Vaughan was born July 17, 1976[6][7] inCleveland, Ohio, to Geoffrey and Catherine Vaughan. He grew up inRocky River andWestlake.[8] Before beginning his career in comics, Vaughan worked as an auxiliary police officer, a live-in dog butler, and a psychiatric ward employee.[9]
Vaughan and his older brother are both fans of writerPeter David, and according to Vaughan, their adolescent comics reading was largely defined by a shared love of David's 12-year run onThe Incredible Hulk.[10] Vaughan also citesJoss Whedon as the reason he wanted to become a writer,[11] a decision he made while attendingSt. Ignatius High School, from which he graduated in 1994.[8]
Vaughan attended theNew York University Tisch School of the Arts to study film. While a student there, Vaughan took part inMarvel Comics'sStan-hattan Project, a class for fledgling comic book writers.[8][12]
Vaughan's first credit was forMarvel Comics'Tales from the Age of Apocalypse #2 (December 1996). He would eventually write for some of the highest-profile characters at Marvel, including theX-Men,Spider-Man, andCaptain America. He would also writeBatman andGreen Lantern forDC Comics, andBuffy the Vampire Slayer Season Eight forDark Horse Comics.[8]

From 2002 to 2008, Vaughan, who came to prefer writing his own characters,[13] wrote the creator-owned monthly seriesY: The Last Man, a post-apocalyptic science fiction series about the only man to survive the apparent simultaneous death of every male mammal on Earth. The series was published in sixty issues byVertigo and collected in a series of ten paperback volumes (and later a series of five hardcover "Deluxe" volumes). The series receivedEisner Awards in 2005 and 2008, and numerous other nominations.[14][15] The film rights to the series were acquired byNew Line Cinema.[16] Vaughan wrote his own screenplay for the project,[4] though it was reported in March 2012 that Matthew Federman and Stephen Scaia were in final negotiations to write their own version.[17]
In 2006, Vaughan published the graphic novelPride of Baghdad, which centers on a group of lions who escape from an Iraqi zoo after the start of theIraq War.[4] The book was praised byIGN,[18] who named it the Best Original Graphic Novel of 2006, calling it a "modern classic", lauding it for combining a tale of survival and family with a powerful analogy of war, and praising Vaughan for representing various viewpoints through the different lion characters.[19]
From 2004 to 2010 Vaughan wrote another creator-owned series,Ex Machina, a political thriller that depicts the life of Mitchell Hundred, a former superhero known as the Great Machine who, in the wake of his heroism during theSeptember 11, 2001 attacks, is electedMayor of New York City.[20] The story is set during Hundred's term in office, and interwoven with flashbacks to his past as the Great Machine. Through this, the series explores both the political situations Hundred finds himself in, and the mysteries surrounding his superpowers. New Line Cinema purchased the film rights to the series in July 2005, and commissioned Vaughan to write one of the two commissioned scripts,[21] which he was reported to be working on in 2007.[4] Following the conclusion ofEx Machina in 2010, Vaughan reiterated his previous statement that he would concentrate on creator-owned work, saying, "I realized when I turned in this finalEx Machina script that it would be the first time I wasn't under some kind of deadline at Marvel or DC since 1996. That's a huge chunk of my life to spend with those characters. I love them, and I still read Marvel and DC's superhero books. I just think I'm better when I'm working on my own creations. When there are so many talented creators out there who are better at that stuff than me, I should leave those characters to them. I should do what I'm fortunate enough to be in the position to do, which is to create more new stuff."[22]
Vaughan was a writer, executive story editor and producer for seasons 3 to 5 on theABC TV seriesLost, a job he earned on the basis of his work onY: The Last Man,[4] of whichLost co-creator and executive producerDamon Lindelof was an ardent fan. Lindelof showed that book to seriesshowrunner and executive producerCarlton Cuse. Lindelof relates, "And I told him, 'We need a guy like this on the show, but I don't think he'd ever do it. I don't think he even works in L.A.' And the next thing we knew, he was on the show." He began his stint on the series as executive story editor with the episode "The Man from Tallahassee", which premiered in March 2007. Vaughan continued as story editor on several episodes until he began writing episodes, beginning with the episode "Catch-22", which Vaughan co-wrote withJeff Pinkner, and premiered in April that year.[8] That episode was praised byWired writer Erik Malinowski, who stated that the themes that Vaughan carried over toLost from his comics work, including intricately crafted storylines typified by pathos and hope, as well as pop culture references, redeemed that series' third season.[5]
Vaughan would write a total of 7 episodes, the last of which was the April 2009 episode "Dead Is Dead". He was first credited as a producer with the fourth-season premiere "The Beginning of the End", eventually acting as producer on a total of 29 episodes. He was also a co-producer onLost: Missing Pieces, a spinoff Internet short film series produced during the hiatus between the show's third and fourth seasons.
In November 2011Steven Spielberg selected Vaughan to adapt theStephen King novelUnder the Dome into a television series forShowtime, which is Vaughan's first television work sinceLost.[23] Vaughan was the showrunner and executive producer of the series.[3] He exited the show before the second season premiered in 2014.[24]

On March 14, 2012,Image Comics published the first issue of Vaughan andFiona Staples' epicspace opera/fantasy seriesSaga, which he conceived to be a concept strictly relegated to comics, and not adapted to other media. Although Vaughan was a child when he first conceived of the ideas for the book – which owes its inspiration toStar Wars – it was not until his wife became pregnant with his second child that he began to write the series, which harbors parenthood as an underlying theme.[25][26] The series depicts two aliens from warring races trying to survive with their newborn daughter.[26] The book is Vaughan's first publication for Image Comics,[27] and represents the first time he has employedfirst-person narration in his comics writing.[25] The first issue sold out of its first printing ahead of its March 14 release date, with a second printing ordered for April 11, the same release date for issue #2.[28] The series has received positive reviews[29] fromMTV,[30]Ain't it Cool News,[31]Comic Book Resources,[32]IGN,[33]Publishers Weekly[34] andTime magazine.[3] It has also appeared on theNew York Times Graphic Books Best Seller List,[35] won three 2013Eisner Awards,[36] won aHugo Award and was nominated for sevenHarvey Awards.[37][38]
In March 2013, Vaughan published the first issue ofThe Private Eye with artistMarcos Martín onPanel Syndicate, a pay-what-you-want host for their creative efforts.[39] Panel Syndicate offersDRM-free comics available for purchase/download for whatever price readers wish to pay. Through Panel Syndicate, Vaughan and Martin published 10 issues ofThe Private Eye and released the first issue ofBarrier in late 2015.[40]
At the Image Expo in January 2015, it was announced that Vaughan would release two new books through Image Comics in 2015:Paper Girls withCliff Chiang and Matthew Wilson, andWe Stand On Guard withSteve Skroce.[41]
Vaughan and his wife, a native ofOttawa, Ontario, Canada[42] and playwright, live in Los Angeles.[13] They have two children[26] and a petDachshund named Hamburger that has been repeatedly referenced as Vaughan's aide in selecting letters for theSaga letter column.[43] Hamburger has also appeared in an illustration of Vaughan and Fiona Staples that was included in a 2013Time magazine story onSaga.[3]
| Year | Award | Category | Work | Result | Ref. |
|---|---|---|---|---|---|
| 2005 | Eisner Awards | Best New Series | Ex Machina (withTony Harris, and Tom Feister) | Won | [44] |
| Best Writer | Y: The Last Man,Runaways,Ex Machina | Won | |||
| Best Single Issue or One-Shot | Ex Machina #1: "The Pilot" (withTony Harris, and Tom Feister) | Nominated | |||
| Best Serialized Story | Ex Machina #2-5: "State of Emergency" (withTony Harris, and Tom Feister) | Nominated | |||
| Best Serialized Story | Y: The Last Man #18-20: "Safeword" (withPia Guerra andJosé Marzan Jr.) | Nominated | |||
| Best Continuing Series | Y: The Last Man (withPia Guerra andJosé Marzan Jr.) | Nominated | |||
| 2006 | Eisner Awards | Best Single Issue or One-Shot | Ex Machina #11: "Fortune Favors" (withTony Harris, and Tom Feister) | Nominated | [45][46] |
| Best Serialized Story | Ex Machina #12–14: "Fact v. Fiction" (withTony Harris and Tom Feister) | Nominated | |||
| Best Serialized Story | Y: The Last Man #37–39: "Paper Dolls" (withPia Guerra,Goran Sudžuka, andJosé Marzan Jr.) | Nominated | |||
| Best Continuing Series | Ex Machina (withTony Harris, and Tom Feister) | Nominated | |||
| Best Writer | Ex Machina,Y: The Last Man andRunaways | Nominated | |||
| Harvey Awards | Best Continuing Series or Limited Series | Runaways | Won | [47] | |
| Joe Shuster Awards | Outstanding International Creator | Won | [48] | ||
| 2007 | Harvey Awards | Best Single Issue or Story | Pride of Baghdad (withNiko Henrichon) | Won | [49] |
| Best Writer | Y: The Last Man | Nominated | |||
| Best Graphic Album of Original Work | Pride of Baghdad (withNiko Henrichon) | Nominated | |||
| Joe Shuster Awards | Outstanding International Creator Award | Won | [50] | ||
| Wired Rave Awards | Print: The Storyteller | Won | [51] | ||
| 2008 | Eisner Awards | Best Continuing Series | Y: The Last Man (withPia Guerra andJose Marzan, Jr.) | Won | [52] |
| Best New Series | Buffy the Vampire Slayer Season Eight (withJoss Whedon,Georges Jeanty and Andy Owens) | Won | |||
| Best Writer | Buffy the Vampire Slayer Season Eight,Ex Machina, andY: The Last Man | Nominated | |||
| Harvey Awards | Best Writer | Y: The Last Man | Won | [53] | |
| 2009 | Hugo Awards | Best Graphic Story | Y: The Last Man, Volume 10: Whys and Wherefores | Nominated | [54] |
| Harvey Awards | Best Single Issue or Story | Y: The Last Man #60 (withPia Guerra) | Won | [55] | |
| 2013 | Hugo Award | Best Graphic Story | Saga (withFiona Staples) | Won | [37] |
| Eisner Awards | Best Writer | Won | [56] | ||
| Best New Series | Won | ||||
| Best Continuing Series | Won | ||||
| Harvey Awards | Best Writer | Won | [57] | ||
| Best New Series | Won | ||||
| Best Continuing Series or Limited Series | Won | ||||
| British Fantasy Award | Best Comic/Graphic Novel | Won | [58] | ||
| 2014 | Hugo Awards | Best Graphic Story | Saga (withFiona Staples) | Nominated | [59] |
| Eisner Awards | Best Writer | Won | [60] | ||
| Best Continuing Series | Won | ||||
| Harvey Awards | Best Writer | Won | [61] | ||
| Best Continuing or Limited Series | Won | ||||
| 2015 | Hugo Awards | Best Graphic Story | Saga, Volume 2 (withFiona Staples) | Nominated | [62] |
| Eisner Awards | Best Writer | Saga (withFiona Staples) | Nominated | [63] | |
| Best Continuing Series | Won | ||||
| Best Limited Series | The Private Eye (withMarcos Martin and Muntsa Vicente) | Nominated | |||
| Best Digital Comic/Webcomic | Won | ||||
| Harvey Awards | Best Writer | Saga (withFiona Staples) | Nominated | [64] | |
| Best Continuing or Limited Series | Won | ||||
| Best Online Comics Work | The Private Eye (withMarcos Martin and Muntsa Vicente) | Won | |||
| 2016 | Eisner Awards | Best New Series | Paper Girls (withCliff Chiang) | Won | [65] |
| Harvey Awards | Best New Series | Won | [66] | ||
| Best Writer | Saga (withFiona Staples) | Won | |||
| Best Continuing or Limited Series | Won | ||||
| 2017 | Hugo Awards | Best Graphic Story | Saga, Volume 6 (withFiona Staples) | Nominated | [67] |
| Best Graphic Story | Paper Girls, Volume 1 (withCliff Chiang,Matt Wilson, and Jared Fletcher) | Nominated | |||
| Eisner Awards | Best Writer | Paper Girls,Saga,We Stand On Guard | Won | [68] | |
| Best Continuing Series | Saga (withFiona Staples) | Won | |||
| 2018 | Hugo Awards | Best Graphic Story | Saga, Volume 7 (with Fiona Staples) | Nominated | [69] |
| Best Graphic Story | Paper Girls, Volume 3 (withCliff Chiang,Matt Wilson, and Jared Fletcher) | Nominated | |||
| Eisner Awards | Best Digital Comic | Barrier (withMarcos Martin) | Nominated | [70] | |
| Harvey Award | Digital Book of the Year | Barrier (withMarcos Martin) | Won | [71] | |
| 2019 | Hugo Awards | Best Graphic Story | Saga, Volume 8 (with Fiona Staples) | Nominated | [72] |
| Best Graphic Story | Paper Girls, Volume 4 (withCliff Chiang,Matt Wilson, and Jared Fletcher) | Nominated | |||
| 2020 | Hugo Awards | Best Graphic Story | Paper Girls, Volume 6 (withCliff Chiang,Matt Wilson, and Jared Fletcher) | Nominated | [73] |
| 2023 | Hugo Awards | Best Graphic Story | Saga, Volume 10 (with Fiona Staples) | Nominated | [74] |
| 2024 | Hugo Awards | Best Graphic Story | Saga, Volume 11 (with Fiona Staples) | Won | [75] |
WithPia Guerra, plusPaul Chadwick (#16–17),Goran Parlov (#21–23) andGoran Sudžuka (#32–35, 40–42, 47–48, 53–54), 2002–2008.
| Vol | Title | Contents | Pages | Format | Release | ISBN |
|---|---|---|---|---|---|---|
| Trade Paperbacks | ||||||
| 1 | Unmanned | Y: The Last Man #1–5 | 128 | TPB | Jan 2003 | 978-1563899805 |
| 2 | Cycles | Y: The Last Man #6–10 | 128 | Sep 2003 | 978-1401200763 | |
| 3 | One Small Step | Y: The Last Man #11–17 | 168 | May 2004 | 978-1401236199 | |
| 4 | Safeword | Y: The Last Man #18-23 | 144 | May 2004 | 978-1401202323 | |
| 5 | Ring Of Truth | Y: The Last Man #24-31 | 192 | Aug 2005 | 978-1401204877 | |
| 6 | Girl On Girl | Y: The Last Man #32-36 | 128 | Nov 2005 | 978-1401205010 | |
| 7 | Paper Dolls | Y: The Last Man #37-42 | 144 | May 2006 | 978-1401210090 | |
| 8 | Kimono Dragons | Y: The Last Man #43-48 | 144 | Nov 2006 | 978-1401210106 | |
| 9 | Motherland | Y: The Last Man #49-54 | 144 | May 2007 | 978-1401213510 | |
| 10 | Whys And Wherefores | Y: The Last Man #55-60 | 168 | Jun 2008 | 978-1401218133 | |
| Compact Editions | ||||||
| 1 | Unmanned | Y: The Last Man #1–10 | 248 | Digest | Oct 2025 | 978-1799502890 |
| Compendiums | ||||||
| 1 | Compendium One | Y: The Last Man #1–31 | 728 | TPB | Nov 10, 2020 | 978-1779504531 |
| Nov 2, 2021 | TV tie-in cover: 978-1779516145 | |||||
| 2 | Compendium Two | Y: The Last Man #32–60 | 704 | TPB | Jan 31, 2022 | 978-1779516084 |
| Deluxe Editions | ||||||
| 1 | Book One | Y: The Last Man #1-10 | 256 | HC | Oct 28, 2008 | 978-1401219215 |
| TPB | Sep 16, 2014 | 978-1401251512 | ||||
| 2 | Book Two | Y: The Last Man #11-23 | 320 | HC | May 12, 2009 | 978-1401222352 |
| TPB | Mar 10, 2015 | 978-1401254391 | ||||
| 3 | Book Three | Y: The Last Man #24-36 | 320 | HC | Apr 27, 2010 | 978-1401225780 |
| TPB | Sep 29, 2015 | 978-1401258801 | ||||
| 4 | Book Four | Y: The Last Man #37-48 | 296 | HC | Oct 26, 2010 | 978-1401228880 |
| TPB | Feb 16, 2016 | 978-1401261689 | ||||
| 5 | Book Five | Y: The Last Man #49-60 | 320 | HC | May 3, 2011 | 978-1401230517 |
| TPB | Aug 16, 2016 | 978-1401263720 | ||||
| Absolute Editions | ||||||
| 1 | Volume 1 | Y: The Last Man #1-20 | 512 | Slipcase HC | Jul 7, 2015 | 978-1401254292 |
| 2 | Volume 2 | Y: The Last Man #21-40 | 512 | Sep 20, 2016 | 978-1401264918 | |
| 3 | Volume 3 | Y: The Last Man #41-60 | 544 | Jul 4, 2017 | 978-1401271008 | |
WithTony Harris, 2004-2010.
| Vol | Title | Contents | Pages | Format | Release | ISBN |
|---|---|---|---|---|---|---|
| Trade Paperbacks | ||||||
| 1 | The First Hundred Days | Ex Machina #1–5 | 136 | TPB | 1 Feb 2005 | 978-1401206123 |
| 2 | Tag | Ex Machina #6–10 | 128 | 1 Oct 2005 | 978-1401206260 | |
| 3 | Fact v. Fiction | Ex Machina #11–16 | 144 | 5 Apr 2006 | 978-1401209889 | |
| 4 | March To War | Ex Machina #17–20,Ex Machina Special #1–2 | 144 | 6 Dec 2006 | 978-1401209971 | |
| 5 | Smoke Smoke | Ex Machina #21–25 | 120 | 7 Mar 2007 | 978-1401213220 | |
| 6 | Power Down | Ex Machina #26–29,Inside The Machine Special | 144 | 14 Nov 2007 | 978-1401214982 | |
| 7 | Ex Cathedra | Ex Machina #30-34 | 128 | 21 Oct 2008 | 978-1401218591 | |
| 8 | Dirty Tricks | Ex Machina #35–39,Ex Machina Special #3 | 160 | 15 Dec 2009 | 978-1401225193 | |
| 9 | Ring Out The Old | Ex Machina #40–44,Ex Machina Special #4 | 160 | 18 May 2010 | 978-1401226947 | |
| 10 | Term Limits | Ex Machina #45–50 | 168 | 30 Nov 2010 | 978-1401228361 | |
| Deluxe Editions | ||||||
| 1 | Book One | Ex Machina #1-11 | 272 | HC | 15 Jul 2008 | 978-1401218140 |
| TPB | 21 Jan 2014 | 978-1401244989 | ||||
| 2 | Book Two | Ex Machina #12–20,Ex Machina Special #1–2 | 272 | HC | 8 Dec 2009 | 978-1401226770 |
| TPB | 27 May 2014 | 978-1401246914 | ||||
| 3 | Book Three | Ex Machina #21–29,Ex Machina Special #3,Inside The Machine Special | 272 | HC | 25 May 2010 | 978-1401228002 |
| TPB | 30 Sep 2014 | 978-1401250034 | ||||
| 4 | Book Four | Ex Machina #30–40 | 272 | HC | 23 Nov 2010 | 978-1401228453 |
| TPB | 27 Jan 2015 | 978-1401250027 | ||||
| 5 | Book Five | Ex Machina #41–50,Ex Machina Special #4 | 320 | HC | 19 Apr 2011 | 978-1401229993 |
| TPB | 26 May 2015 | 978-1401254223 | ||||
| Compendiums | ||||||
| 1 | Compendium One | Ex Machina #1-25,Ex Machina Special #1-2 | 664 | TPB | 24 Mar 2020 | 978-1401299897 |
| 2 | Compendium Two | Ex Machina #26-50,Ex Machina Special #3-4 | 704 | 23 Feb 2021 | 978-1779508041 | |
| Omnibus | ||||||
| The Complete Series Omnibus | Ex Machina #1-50,Ex Machina Special #1-4 | 1,440 | HC | 14 Nov 2023 | 978-1779525635 | |
WithFiona Staples, 2012–ongoing
| Title | Contents | Pages | Release | ISBN | |
|---|---|---|---|---|---|
| Trade Paperbacks | |||||
| Saga Vol. 1 | Saga #1–6 | 160 | 10 Oct 2012 | 978-1607066019 | |
| Saga Vol. 2 | Saga #7–12 | 144 | 2 Jul 2013 | 978-1607066927 | |
| Saga Vol. 3 | Saga #13–18 | 144 | 25 Mar 2014 | 978-1607069317 | |
| Saga Vol. 4 | Saga #19–24 | 144 | 17 Dec 2014 | 978-1632150776 | |
| Saga Vol. 5 | Saga #25–30 | 152 | 30 Sep 2015 | 978-1632154385 | |
| Saga Vol. 6 | Saga #31–36 | 152 | 29 Jul 2016 | 978-1632157119 | |
| Saga Vol. 7 | Saga #37–42 | 152 | 29 Mar 2017 | 978-1534300606 | |
| Saga Vol. 8 | Saga #43–48 | 152 | 2 Feb 2018 | 978-1534303492 | |
| Saga Vol. 9 | Saga #49–54 | 152 | 19 Sep 2018 | 978-1534308374 | |
| Saga Vol. 10 | Saga #55–60 | 160 | 11 Oct 2022 | 978-1534323346 | |
| Saga Vol. 11 | Saga #61–66 | 160 | 29 Nov 2023 | 978-1534399136 | |
| Saga Vol. 12 | Saga #67−72 | 160 | 30 Apr 2025 | 978-1534355330 | |
| Digests | |||||
| Saga Vol. 1 | Saga #1–6 | 160 | 23 Oct 2024 | 978-1534370548 | |
| Saga Vol. 2 | Saga #7–12 | 144 | 16 Apr 2025 | 978-1534342545 | |
| Saga Vol. 3 | Saga #13–18 | 144 | 22 Oct 2025 | 978-1534334809 | |
| Deluxe hardcovers | |||||
| Saga Book One | Saga #1–18 | 504 | 19 Nov 2014 | 978-1632150783 | |
| Saga Book Two | Saga #19–36 | 464 | 19 Apr 2017 | 978-1632159038 | |
| Saga Book Three | Saga #37–54 | 504 | 4 Apr 2019 | 978-1534312210 | |
| Saga Book Four | Saga #55–72 | 504 | 28 Apr 2026 | 978-1534332607 | |
| Compendium | |||||
| Saga Compendium One | Saga #1–54 | 1,328 | 27 Aug 2019 | 978-1534313460 | |
WithCliff Chiang, 2015–2019
| Title | Contents | Pages | Release | ISBN | |
|---|---|---|---|---|---|
| Trade Paperbacks | |||||
| Paper Girls Vol. 1 | Paper Girls #1–5 | 144 | 5 Apr 2016 | 978-1632156747 | |
| Paper Girls Vol. 2 | Paper Girls #6–10 | 128 | 6 Dec 2016 | 978-1632158956 | |
| Paper Girls Vol. 3 | Paper Girls #11–15 | 128 | 8 Aug 2017 | 978-1534302235 | |
| Paper Girls Vol. 4 | Paper Girls #16–20 | 128 | 10 Apr 2018 | 978-1534305106 | |
| Paper Girls Vol. 5 | Paper Girls #21–25 | 128 | 11 Dec 2018 | 978-1534308671 | |
| Paper Girls Vol. 6 | Paper Girls #26–30 | 144 | 1 Oct 2019 | 978-1534313248 | |
| Deluxe Hardcovers | |||||
| Paper Girls Book One | Paper Girls #1–10 | 320 | 14 Nov 2017 | 978-1534303348 | |
| Paper Girls Book Two | Paper Girls #11–20 | 288 | 2 Apr 2019 | 978-1534310612 | |
| Paper Girls Book Three | Paper Girls #21–30 | 320 | 17 Nov 2020 | 978-1534316485 | |
| Compendium | |||||
| Paper Girls: The Complete Story | Paper Girls #1–30 | 784 | 2 Nov 2021 | 978-1534319998 | |
| Title | Co-creator | Contents | Format | Pages | Source | Release | ISBN |
|---|---|---|---|---|---|---|---|
| We Stand On Guard | Steve Skroce | We Stand On Guard #1–6 | HC | 168 | Single issues | 10 May 2016 | 978-1632157027 |
| TPB | 160 | 11 Apr 2017 | 978-1534301412 | ||||
| The Private Eye | Marcos Martin | The Private Eye #1–10 | HC | 300 | Panel Syndicate | 2 Dec 2015 | 978-1632155726 |
| TPB | 16 Dec 2025 | 978-1534331648 | |||||
| Barrier | Marcos Martin | Barrier #1-5 | Slipcase HC | 300 | Panel Syndicate | 2 Apr 2019 | 978-1534312616 |
| Spectators | Niko Henrichon | Spectators webcomic | HC | 344 | Substack | 23 Sep 2025 | 978-1534331211 |
| Title | Co-creators | Contents | Format | Pages | Release | ISBN |
|---|---|---|---|---|---|---|
| The Escapists | Jason Shawn Alexander,Steve Rolston | The Escapists #1–6 | HC | 208 | 18 Dec 2007 | 978-1593078317 |
| TPB | 160 | 17 Nov 2009 | 978-1595823618 |
| Preceded by | Swamp Thing writer 2000–2001 | Succeeded by |
| Preceded by n/a | Runaways writer 2003–2007 | Succeeded by |
| Preceded by | Ultimate X-Men writer 2004–2006 | Succeeded by |