| "Blackwater" | |||
|---|---|---|---|
| Game of Thrones episode | |||
 Wildfire explosion during the Battle of Blackwater Bay. The visual effects in the episode received critical acclaim. | |||
| Episodeno. | Season 2 Episode 9 | ||
| Directed by | Neil Marshall | ||
| Written by | George R. R. Martin | ||
| Featured music | Ramin Djawadi | ||
| Cinematography by | Sam McCurdy | ||
| Editing by | Oral Norrie Ottey | ||
| Original air date | May 27, 2012 (2012-05-27) | ||
| Running time | 55 minutes[1] | ||
| Guest appearances | |||
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| Episode chronology | |||
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| Game of Thronesseason 2 | |||
| List of episodes | |||
"Blackwater" is the ninth and penultimate episode of thesecond season ofHBO'smedieval fantasy television seriesGame of Thrones, and the 19th overall. The episode was directed byNeil Marshall, his directorial debut for the series, and written byGeorge R. R. Martin, the author of theA Song of Ice and Fire novels from which the series is adapted. It first aired on May 27, 2012.
The episode centers around the Battle of Blackwater Bay, in which the Lannister army, commanded by acting Hand of the KingTyrion Lannister, defends the city of King's Landing against a naval invasion by the Baratheon army, commanded byStannis Baratheon, who seeks to take theIron Throne for himself. Unlike all previous episodes, "Blackwater" does not feature the storylines of characters outside of King's Landing, making it the first episode of the series to take place entirely in one location. The episodeachieved a viewership of 3.38 million during its initial airing in the United States.
"Blackwater" received acclaim from critics and viewers, with many hailing it as one of the series' best episodes, praising the titular battle and its scale and emotional depth, as well as the acting and visual effects. At the64th Primetime Emmy Awards, the episode won the awards forOutstanding Sound Editing for a Drama Series (One-Hour) andOutstanding Sound Mixing for a Drama Series (One Hour). It wasPeter Dinklage's choice to support his nomination forOutstanding Supporting Actor in a Drama Series. The episode was also the recipient of theHugo Award forBest Dramatic Presentation, Short Form.
Davos leads Stannis's fleet into Blackwater Bay. Grand Maester Pycelle gives Cersei a poison to use should Stannis take the city. Outside the Red Keep, Bronn's carousing is soured by the Hound; their tension is interrupted by bells, indicating Stannis's fleet has been spotted. Varys brings Tyrion a map of the tunnels beneath King's Landing. King Joffrey leads his forces from the Red Keep and orders Sansa to kiss his sword, vowing to use it to kill Stannis. The noble ladies and children shelter at Maegor's Holdfast under Ser Ilyn Payne's watch. Cersei drunkenly mocks Sansa's innocence, warning she will be raped if the city falls.
Stannis's fleet is confronted by a single unmanned ship, which Davos realizes too late is a trap: the ship, rigged with explosive "wildfire", kills scores of Stannis's men, seemingly including Davos and his son Matthos. Stannis orders his surviving army to attack the vulnerable Mud Gate. The defenders are routed; Lancel, injured, retreats to the Holdfast. Having never experienced a real battle, Joffrey is too scared to lead his men in a counterattack, disheartening the soldiers. Set on edge by his childhood fear of fire and disgusted by Joffrey's cowardice, the Hound deserts his post and renounces his allegiance to the Lannisters. Stannis himself storms the battlements as his men employ a battering ram. Cersei nearly learns Shae's true origins, while Sansa realizes Ser Ilyn's orders: to kill her and Cersei if the city falls.
Cersei orders Lancel to bring Joffrey to safety; frightened, Joffrey orders Ser Mandon Moore to take command. Tyrion rouses the defenders and leads them through a tunnel from Varys's map, flanking the Baratheon army from behind. Lancel demands the king return to battle, causing Cersei to assault him and depart with Prince Tommen. Sansa rallies the panicked ladies but is convinced by Shae to flee to her quarters. The Hound, hiding in Sansa's quarters, offers to take her north, but she appears to refuse.
Tyrion's men defeat the surprised Baratheon forces before facing a larger group of Stannis's men. Tyrion is slashed across the face by Ser Mandon, who is killed by Tyrion's squire, Podrick Payne. On the Iron Throne, Cersei tells Tommen a story about "the mother lion and her little cub", referencing House Lannister and Cersei's relationship with her children. As Tyrion falls unconscious, he witnesses a surprise cavalry assault on Stannis’s army, led by Tyrion's father Tywin. Stannis unsuccessfully orders his men to stand their ground as he is dragged to safety. Cersei, about to give Tommen the poison, is startled by Tywin, who declares they have won.
The DVD and Blu-ray box sets ofGame of Thrones's second season contain a 30-minute feature covering the production of the episode.[2]
"Blackwater" is the first episode of the series to take place in one location and does not feature plotlines from characters outside of King's Landing.[3] The episode depicts the series's first large-scale war sequence: the confrontation between the Lannisters and the Baratheons towards which most of the season builds.[4] Showrunners were concerned that adapting the full scale of the battle described inGeorge R. R. Martin'sA Clash of Kings would require a larger budget than the $6 millionHBO approved for the episode.[5] As a cheaper alternative, early proposals suggested the battle take place mostly offscreen, with viewers experiencing it through the eyes of Cersei Lannister and Sansa Stark, receiving occasional updates from the battlefield as they sheltered in Maegor's Holdfast.[6] However, executive producersDavid Benioff andD. B. Weiss were not satisfied with this idea, believing that it was important the battle be shown.[6] Benioff and Weiss eventually convinced HBO to approve a $2 million increase in the episode's budget as well as an extra week of filming in order to stage the battle onscreen. The final product cost about $8 million to produce.[7]
With their still-limited resources, producers decided not to stage the battle precisely as described in the novel but rather to scale it down. Producers decided to set the battle at night to make it easier to hide any production errors and to save money on special effects.[5] Benioff and Weiss resisted pressure to stage the battle exclusively on land, which would avoid the difficulties of filming on water, because they considered the naval confrontation to be essential to the season's principal storyline.[6] Benioff and Weiss opted to craft the battle scenes around characters familiar to the audience to keep the audience engaged while also avoiding expensive wide shots involving manyextras.[5] Benioff namedSaving Private Ryan,Lawrence of Arabia,Spartacus,El Cid, andZulu as influences on the episode's choreography.[8]
The episode was written byGeorge R. R. Martin, the author of theA Song of Ice and Fire novels on which the series is based. For the episode, Martin adapted material from chapters 58 to 63 (Sansa V, Davos III, Tyrion XIII, Sansa VI, Tyrion XIV, and Sansa VII) of his novelA Clash of Kings.[9] Martin said that Benioff and Weiss gave him "the hardest episode of the season" to write, and that he was forced to weigh budget restrictions against the huge scope of the battle he described in the book.[8]
About a week before filming was set to begin, the episode's planned director had to leave the production because of a personal emergency, and a replacement had to be found quickly. Executive producerBernadette Caulfield suggested they hireNeil Marshall for his experience as an action director.[10] Marshall was aware ofGame of Thrones and had unsuccessfully sought a directing role during the first season.[11] Benioff and Weiss eventually settled on Marshall because of his work onCenturion andDog Soldiers, where he created intensive action sequences on a limited budget.[6] Marshall was asked to direct the episode just two days before he was scheduled to appear on set.[10] Marshall avoided watching theBattle of Helm's Deep inThe Lord of the Rings: The Two Towers because it was, according to him, "an obvious comparison"; instead, he studied films such asThe Vikings andKingdom of Heaven.[12]
The indoor scenes were filmed inCroatia.[8] For the battle, Benioff described the sequence's filming as "pretty much a month straight of night shoots" that were "tough on the crew".[13] Marshall said that the battle's filming took place at a quarry nearBelfast,Northern Ireland over the course of "very cold, rainy, muddy nights".[14] Belfast's cold and wet climate was so harsh that weather machines were not needed to simulate the wind and rain, and Benioff insisted that the actors' exhaustion was not faked.[13] For Stannis's fleet, the crew built a full-size battleship in the parking lot of the quarry, modeled after battleships used in the 14th century.[7] It was the only physical ship the crew had for filming.[15]
The episode contained morevisual effects shots than any other episode up to that point.[6] For the wildfire explosion, the special-effects department developed a catapult that fired bags of burningnapalm, but they could not make the fire burn green, and Marshall was unsatisfied with the way it looked.[16] The crew instead decided tocolor correct regular fire green in post-production.[17] The final product was created by visual effects studioPixomondo.[18]
The song sung by the Lannister soldiers before the battle and played over the end credits, "The Rains of Castamere", was adapted from theA Song of Ice and Fire novels by series composerRamin Djawadi. The end credits version was performed by the Americanindie rock bandThe National and sung by their vocalistMatt Berninger.[19] The song also appeared twice in the season two premiere "The North Remembers", in which Tyrion can be heard whistling the melody during a small council meeting, and is later played in the background as Cersei confrontsPetyr Baelish.[20]
According to the novels, the song is about Tywin Lannister's victory over vassals led by House Reyne of Castamere, who had rebelled against House Lannister, about 40 years before the events of the novels. Thestanza of the song that was adapted for the series tells of the vassals' defiance-–"And who are you, the proud lord said / That I must bow so low?"–-and the subsequent obliteration of their houses: "But now the rains weep o'er his hall / With no one there to hear."[21]
On the night of its premiere, the episodeachieved a viewership of 3.38 million for its initial airing at 9:00 pm and an additional 0.83 million viewers for thererun at 11:00 pm. Viewer shares among the 18–49 demographic were 1.6 and 0.4 respectively.[22] This represented a 13 percent decrease in viewership from the previous episode, "The Prince of Winterfell", which set a new series record for viewership figures.James Hibberd ofEntertainment Weekly attributed this to the premiere's coincidence withMemorial Day weekend, which often reduces television viewership by about 20 percent.[23] In the United Kingdom, the episode was seen by 1.035 million viewers, making it the highest-rated broadcast that week.[24]
"Blackwater" received critical acclaim and is generally cited as one of the best episodes of the series. On thereview aggregator websiteRotten Tomatoes, 100% of 26 critics' reviews are positive, with an average rating of 9.5/10. The website's consensus reads: "GoT delivers a thrilling tour de force in 'Blackwater', an epic hour of blockbuster television full of spectacular battle sequences and equally powerful drama."[25] Many reviewers used superlatives: forTime's reviewer, the episode was "possibly the best hour of TV" of the year,[26] forRolling Stone it was "the show's best episode yet",[27] andEntertainment Weekly described it as "arguably the best battle sequence ever produced for television", surpassing those in HBO's World War II seriesBand of Brothers andThe Pacific.[28]
IGN's Matt Fowler gave the episode a perfect 10 out of 10, calling it a masterpiece.[29] Alan Sepinwall, who reviewed the episode forHitFix, called it "an epic battle, and an intimate hour" and continued "but what ultimately made Blackwater so impressive wasn't the scope, but the focus".[30] Ed Cumming's review forThe Daily Telegraph praised the episode as "an emerald inferno, as lethal as it was beautiful to watch".[31]
Commentators praised the battle's emotional impact and epic scale. Although much reduced compared to its description inA Clash of Kings, it still went beyond anything attempted by any other regular series, according toEmily St. James ofThe A.V. Club.[32]Lena Headey's performance as the increasingly cynical, drunk, and desperate Queen Regent Cersei was particularly noted. Sean Collins ofRolling Stone commented that the episode "gave actress Lena Headey her finest hour on the show so far".[27] Writing forThe Guardian, Sarah Hughes described the performances of both Headey and costar Peter Dinklage as "wonderful", going on to say of Headey's Cersei that she "displayed a terrifying strength" and that her final scene with Tommen was "gut-wrenching".[33] The episode also received praise for its unsentimental depiction of warfare as a harrowing and costly enterprise, with Emily St. James interpreting it as a critique of "the sorts of political systems that perpetuate it".[32]
The episode's director, Neil Marshall, called the fan and critical reaction to the episode "overwhelming", adding that he's "never seen anything like it for a TV episode".[34]
| Year | Award | Category | Nominee(s) | Result | Ref. |
|---|---|---|---|---|---|
| 2012 | Primetime Emmy Awards | Outstanding Supporting Actor in a Drama Series | Peter Dinklage asTyrion Lannister | Nominated | [35] |
| Primetime Creative Arts Emmy Awards | Outstanding Sound Editing for a Series | Peter Brown, Kira Roessler, Tim Hands, Paul Aulicino, Stephen P. Robinson, Vanessa Lapato, Brett Voss, James Moriana, Jeffrey Wilhoit, and David Klotz | Won | [36] | |
| Outstanding Sound Mixing for a Drama Series (One Hour) | Matthew Waters, Onnalee Blank, Ronan Hill, and Mervyn Moore | Won | [37] | ||
| British Society of Cinematographers | Best Cinematography in a Television Drama | Sam McCurdy | Nominated | [38] | |
| IGN Awards | Best TV Episode | Won | [39] | ||
| IGN People's Choice Award | Won | ||||
| 2013 | Cinema Audio Society Awards | Outstanding Achievement in Sound Mixing - Television Series – One Hour | Ronan Hill, Onnalee Blank, Mathew Waters, and Brett Voss | Nominated | [40] |
| Hugo Awards | Best Dramatic Presentation, Short Form | Neil Marshall (director) andGeorge R. R. Martin (writer) | Won | [41] |
'Blackwater' was the show's first real battle.
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