Bhoopali, also known asBhoop,Bhopali, orBhupali, is aHindustani classicalraga. Bhupālī, is a raag inKalyan Thaat. It is a pentatonic scale (uses 5 notes in ascending and descending scale).^[1] Most of the songs in this raga are based on Bhakti rasa. Since it uses 5 notes, belongs to the "Audav jaati" of ragas.

The same raga inCarnatic music is known asMohanam.

Raga Bhoopali,Raga Yaman, andRaga Bhairav tend to be the three basic ragas of Hindustani music, learned first by its students.^[2]

Karhade (2011) explains that raga Bhopali consists of just 5 notes - सा रे ग प ध (sa, re, ga, pa and dha).^[3]

It does not use Ma (also called Madhyam) and Ni (also called Nishadh).^[3] It is said that the absence of Ni (representative of physical pleasure) and Ma (representative of loving) means this raga is about non-attachment.^[4]

The Introduction consists of two parts –Aaroh आरोह (where the notes are simply recited on an ascending scale) andAvaroha (where the notes are simply recited on a descending order)^[3]

Thereafter, with these same five notes, different combinations are made by the singer, similar to short phrases, also called "chalan".^[3]

The scale ofBhopali uses onlyShuddhswaras.

• Aroha (ascent): Sa Re Ga Pa Dha Sa'
• Avaroha (descent): Sa'! Dha Pa Ga Re Sa

• Vadi

Gandhar – ga

• Samavadi

Dhaivat – Dha

1. S, D1 D1...S, R - - S...D1 S..., D1 - - - P1, S - - - D1 S - - D1 P1, P1 D1, D1 D1 S

^[5]

The Pakad (catchphrase that often helps in identifying a raga) is:

S R G R S D1 S R G

or:

S R G R S D1 S R G P G D P G R S

or:

G R P G G R S R D1 S

or:

G R S D1 S R G R P G D P G R S

or:

G R P G S R D1 S

Some chalans (elaborations of the pakad) are:

1. S R G R S D1 S R G
2. S R G R S D1 P1
3. P1 D1 S R G R G
4. S R P G
5. G R S R G P
6. G P D P D D S’
7. P G P D P D S’ R’ G’ R’ G’
8. G’ R’ S’ D P G R S

Note: Normally written swaras (individual notes) indicate the middle octave. A swara immediately followed by1 indicates themandra saptak (lower octave) and ' indicates thetaar saptak (higher octave).

A few movements in Bhopali are important to note. There is typically a slide when descending between Sa and Dha, as well as between Pa and Ga. These slides parallel each other and can be used to create a symmetry about how the Swaras are developed. Also, many performers will bring out theKalyan flavor of Bhopali by usingabhasi of the notesShuddha Ni andTivra Ma. That is to say, these notes are only vaguely suggested in passing ornaments, not actually sung for long enough for the Swara to become a clear part of the Raga. Some examples would be:

(N₁)D₁ S

P(m)P(m) D P

where the notes in parentheses are connected by slides or sung asmeend.

Thisbandish is bound withTeentaal (16 beats).

1 2 3 4 | 5 6 7 8 | 9 10 11 12 | 13 14 15 16 |

Asthayi:

D S D2 P | G2 R2 S R2 |

G2 _ G2 P | G2 R2 S _ |

S R2 G2 P | R2 G2 P D2 |

G2 P D2 P | G2 R2 S _ |

Antara:

G2 _ G2 G2 |P _ D2 P |

S' _ S' S' |D3 R3 S' _|

G3 G3 R3 S'|R3 R3 S' D3|

S' _ D2 P |G2 R2 S _|

The Asthayi starts with the 9th beat.

Raga Bhoopali belongs to theKalyan Thaat.

Related ragas: Deshkar (a pentatonic raga belonging to the Bilawal Thaat with the same scale as Bhoopali). Shuddha Kalyan is another similar raga.

First part of night. 7-9

Bhakti Rasa (Devotional)

The essence from the raga evokes the ShantiRasa – peaceful and calming.^[5]

The Rasa can also be called Shanta Rasa

Bhoopali is a popular raga used inIndian folk songs, and thus in Hindi and other regional film songs.^[3]

Hindi:

• "Jyoti Kalash Chhalke" (Bhabhi Ki Chudiyan) (1961)
• "Pankh Hote To Udd Aati Re" (Sehra) (1963)
• "Main Jahaan Rahoon" (Namastey London) (2007)
• "Dil Hoom Hoom Kare" (Rudaali) (1993)
• "Sayonara Sayonara" (Love in Tokyo) (1966)
• "Dekha ek khwaab to yeh silsile hue" (Silsila) (1981)^[6]
• "Aayat" (Bajirao Mastani) (2015)
• "Neel Gagan Ki Chaanv men" (Amrapali) (1966)

Marathi:

• "Ghanashyama Sundara" (Amar Bhoopali) (1951)
• "Dehaachi Tijori" (Aamhi Jato Amuchya Gava) (1951)
• "sujana kasā mana corī" (Sangeet Natak)
• "śarayū tīrāvarī ayodhyā" (Geet Ramayan)

Kannada:

• "Malgudi Days Theme Music"
• "Mohana Muraliya Naada Leelege"
• "Olave Jeevana Saakshaatkaara"
• "Bellane Belagayitu"
• "Aashaadha Maasa Bandeetavva"
• "Belliya Raja Baaro Kullara Raja Baa"
• "Uttunga Naadininda Ondu Hudugi (Folk)"
• "Nigi Ningee Ningi Ningee"
• "Hottito Hottitu Kannadada Deepa"
• "Udayavaagali Namma Cheluva Kannada Naadu"
• "Bayaside Ninnanu Bhaavada Melake"
• "Ellaadaru Iru, Entaadaru Iru"
• "Karunaalu Baa Belake"
• "Tungaa Teeradi Ninta Suyativara"
• "Teraa Yeri Ambaradaage"
• "Tunturu Alli Neera Haadu"
• "Sarasada Ee Prati Nimisha"
• "Amara Madhura Prema"
• "Malli Malli Minchulli"
• "Nanna Aase Hannaagi Nanna Baala Kannaade"
• "Innu Hattiraa Hattiraa Baruveya"
• "Radha Madhava Vinoda Haasa"
• "Yaava Janmada Maitri"
• "Kogile O Kogile"
• "Naliyutaa Hrudaya Haadanu Haadide"
• "Kogileye Kshemave"
• "Santasa Araluva Samaya"
• "Doni Sagali Munde Hogali"
• "Mudala Maneya Muttina Neerina"
• "Appaa I Love You Paa"
• "Jenina Holeyo Haalina Maleyo"
• "Naavaaduva Nudiye"
• "Om Karadi Kande"
• "Neela Megha Gaali Beesi"
• "Ee Hasiru Siriyali Manavu Mereyali"
• "Ee Sambhaashane"
• "Baanallu Neene Bhuviyallu Neene"
• "Yogi Manege Bandaa"
• "Mella Mellane Bandane"
• "Jayatu Jaya Viththala"
• "O Pandu Ranga Prabho Viththala"
• "Avatarisu Baa Narayana"
• "Pillangoviya"

• Durga
• Shivaranjani

• SRA on Samay and Ragas
• SRA on Ragas and Thaats
• Rajan Parrikar on Ragas

• Hindustani ragas

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• Short description matches Wikidata
• Articles containing Hindi-language text