Betty Box | |
|---|---|
 Box in 1959 | |
| Born | Betty Evelyn Box (1915-09-25)25 September 1915 |
| Died | 15 January 1999(1999-01-15) (aged 83) Chiltern,Buckinghamshire, England |
| Occupation | Film producer |
| Spouse(s) | Peter Rogers (m. 1948–1999; her death) |
Betty Evelyn Box (25 September 1915 – 15 January 1999) was a prolific Britishfilm producer, usually credited as Betty E. Box.
Born inBeckenham, Kent, England, Betty Box initially planned to be a commercial artist or journalist.[1] She entered the motion picture industry in 1942, joining her brotherSydney and his wife, directorMuriel Box atVerity Films, where she helped produce more than 200 wartimepropaganda shorts.[2] She said:[3]
Sitting around was no good for me, my brother said, and he asked me to work for him. He was running an organisation that made training and recruitment films. I went along as a general dogsbody, and as more men were called up, there were more opportunities for me. We worked from 7 a.m. until 10 or 11 at night. I learnt more in those two years than I would in ten years in peacetime.
Following World War II, she made an easy transition to feature films, beginning withThe Years Between (1946).
When her brother assumed control ofGainsborough Pictures that year, he named her Head of Production at the Poole Street,Hoxton studio, where she produced ten films during the next two years.[4][5] While tight budgets and shooting schedules compromised the quality of some of them, others – such asWhen the Bough Breaks (1947) – proved to be among the most politically interesting films of the period. "Every story I have at the moment has a murder in it", she said in 1947. "It's no wonder I'm being called 'Bloodthirsty Box'."[6] She was also known for the trio of popularHuggetts films, starting withHere Come the Huggetts (1948) and followed byVote for Huggett andThe Huggetts Abroad (1949).[2]
When the Gainsborough studios were closed byRank in 1949, Box moved toPinewood Studios, where she collaborated with directorRalph Thomas on some 30-odd films. They began by making thrillers such asVenetian Bird (1952) but then concentrated on comedy.
The biggest success of their career commercially was the seven-filmDoctor series, beginning withDoctor in the House (1954) and ending withDoctor in Trouble (1970).[7] The comedies contained a wacky irreverence which clearly struck a chord with contemporary audiences and helped to make stars of the youngDirk Bogarde andDonald Sinden.[8][9][10]
Towards the end of her career, Box said the genre she preferred was comedy:
You can assess laughter. I get pleasure out of making a movie, but to listen to people laughing at what we have made – this is great. I'm a natural pessimist. Comedies are difficult. You can make a good adventure story if you have the money, good actors, and a good story (more often than not a best-selling book), and you'll know the film will please. Comedy is more of an instinctive thing.
Betty Box was married toPeter Rogers, producer of theCarry On film series, from 24 December 1948 until her death.[11] It was her second marriage; her first, to a pilot during the war, ended in divorce.
Box and Rogers did not have any children; "We made the choice not to have children", said Box in 1973. "I don't think I would have made a very good mother. You know making a movie is like having a baby – it takes eight weeks to film and nine months toproduce." She was godmother to Donald Sinden's youngest sonMarc Sinden.
Box was appointedOBE in 1958.
She died inChiltern,Buckinghamshire, aged 83 from cancer in 1999.[12]
A posthumous autobiographyLifting the Lid: The Autobiography of Film Producer Betty Box was published in 2000.[13]
Lifting the Lid by Betty Box, published posthumously in 2000,ISBN 978-1-85776-489-5
