Bernadette Peters (néeLazzara; born February 28, 1948[1]) is an American actress and singer. Over a career spanning more than six decades, she has starred in musical theatre, television and film, performed in solo concerts and released recordings. She is a critically acclaimedBroadway performer, having received seven nominations forTony Awards, winning two (plus an honorary award), and nineDrama Desk Award nominations, winning three. Four of the Broadwaycast albums on which she has starred have wonGrammy Awards.
Peters was born on February 28, 1948,[1][4] into an Italian-American family inOzone Park in the New York City borough ofQueens, the youngest of three children.[5] Her mother, Marguerite (née Maltese),[1] started her in show business by putting her on the television showJuvenile Jury at the age of three and a half. Her father, Peter Lazzara, drove a bread delivery truck.[6] Her siblings are casting director Donna DeSeta[7] and Joseph Lazzara.[6] She appeared on the television showsName That Tune and several times onThe Horn and Hardart Children's Hour as a small child.[8]
In January 1958, at age nine, she obtained her ActorsEquity Card in the name Bernadette Peters to avoid ethnic typecasting, with the stage name taken from her father's first name.[9] She made her professional stage debut the same month inThis Is Goggle, a comedy directed byOtto Preminger that closed during out-of-town tryouts before reaching New York.[9] She then appeared onNBC television as Anna Stieman inA Boy Called Ciske, aKraft Mystery Theatre production, in May 1958, and in a vignette entitled "Miracle in the Orphanage", part of "The Christmas Tree", aHallmark Hall of Fame production, in December 1958,[10] with fellow child actorRichard Thomas and veteran actorsJessica Tandy andMargaret Hamilton.[11] She first appeared on the New York stage at age 10 as Tessie in theNew York City Center revival ofThe Most Happy Fella (1959).[12] In her teen years, she attended Quintano's School for Young Professionals, a now-defunct private school.[9]
At age 13, Peters appeared as one of the "Hollywood Blondes" and was an understudy for "Dainty June" in the second national tour ofGypsy.[13] During this tour, Peters first met her long-time accompanist, conductor and arranger Marvin Laird, who was the assistant conductor for the tour. Laird recalled, "I heard her sing an odd phrase or two and thought, 'God that's a big voice out of that little girl'".[14] The next summer, she played Dainty June in summer stock, and in 1962 she recorded her first single. In 1964, she played Liesl inThe Sound of Music and Jenny inRiverwind insummer stock at the Mt. Gretna Playhouse (Pennsylvania), andRiverwind again at theBucks County Playhouse in 1966.[15][16][17] Upon graduation from high school, she started working steadily, appearingOff-Broadway in the musicalsThe Penny Friend (1966) andCurley McDimple (1967)[12] and as a standby onBroadway inThe Girl in the Freudian Slip (1967). She made her Broadway debut inJohnny No-Trump in 1967, and next appeared asGeorge M. Cohan's sister Josie oppositeJoel Grey inGeorge M! (1968), winning theTheatre World Award.[18]
Peters's performance as "Ruby" in the 1968Off-Broadway production ofDames at Sea, a parody of 1930s musicals, brought her critical acclaim and her firstDrama Desk Award.[12] She had appeared in an earlier 1966 version ofDames at Sea at theOff-Off-Broadway performance clubCaffe Cino.[19][20][21] Peters had starring roles in her next Broadway vehicles—Gelsomina in the 1969 musical version of the Italian film of the same name,La Strada (for which she won good reviews but the show closed after one performance) and Hildy in a revival ofOn the Town (1971), for which she received her firstTony Award nomination. She playedMabel Normand inMack and Mabel (1974), receiving another Tony nomination.Clive Barnes wrote: "With the splashyMack & Mabel ... diminutive and contralto Bernadette Peters found herself as a major Broadway star."[22] TheMack and Mabel cast album became popular among musical theatre fans.[12] She moved to Los Angeles in the early 1970s to concentrate on television and film work.[citation needed]
Peters has appeared in more than 40 feature films or television films beginning in 1973, including the 1976Mel Brooks filmSilent Movie for which she was nominated for aGolden Globe Award for Best Supporting Actress – Motion Picture. She co-starred in her own television series,All's Fair, withRichard Crenna in 1976–77. She played a young, liberal photographer, who becomes romantically involved with an older, conservative columnist. Although Peters was praised for her charismatic performance, the show ran for only one season.[23] Peters was nominated for a Golden Globe award as Best TV Actress – Musical/Comedy.[24] Peters starred oppositeSteve Martin inThe Jerk (1979) in a role that he wrote for her, and again inPennies from Heaven (1981), for which she won the Golden Globe Award as Best Motion Picture Actress in a Comedy or Musical.[3][12] InPennies from Heaven, she played Eileen Everson, a schoolteacher turned prostitute. Of her performance inPennies from Heaven, John DiLeo wrote that she "is not only poignant as you'd expect but has a surprising inner strength."[25]Pauline Kael wrote inThe New Yorker: "Peters is mysteriously right in every nuance."[26]
She then created the role of the Witch in Sondheim-Lapine'sInto the Woods (1987). Peters is "considered by many to be the premier interpreter of [Sondheim's] work," according to writer Alex Witchel.[2] Raymond Knapp wrote that Peters "achieved her definitive stardom" inSunday in the Park With George andInto the Woods.[35] Sondheim has said of Peters,"Like very few others, she sings and acts at the same time," he says. "Most performers act and then sing, act and then sing ... Bernadette is flawless as far as I'm concerned. I can't think of anything negative."[36] She won the 1987 "CableACE Award" for her role as Dot in the television version ofSunday in the Park with George.[37] In 1989 she starred in theJames Ivory filmSlaves of New York and in theBuddy Van Horn action comedy filmPink Cadillac (1989) alongsideClint Eastwood.[citation needed]
In 1990 she appeared inWoody Allen'sAlice (1990). The following year she acted as Marie D'Agoult in theJames Lapine directed period drama filmImpromptu (1991). Peters starred alongsideHugh Grant,Judy Davis,Emma Thompson,Mandy Patinkin, andJulian Sands. In 1997 she voiced Sophie in the animated musical filmAnastasia (1997). Peters has also appeared in such television films asThe Last Best Year (1990),Cinderella (1997; receiving a nomination for the "Golden Satellite Award" for her role), and asCirce in the 1997 miniseriesThe Odyssey (2001).[38] Peters voiced Rita the stray cat in the "Rita and Runt" segments of the animated seriesAnimaniacs in the 1990s. Peters, as Rita, sang both original songs written for the show and parodies of Broadway musical numbers.[39]
Peters continued her association with Sondheim by appearing in a 1995 benefit concert ofAnyone Can Whistle, playing the role of Fay Apple. Additionally, she appeared in several concerts featuring Sondheim's work, and performed at his 1993Kennedy Center Honors ceremony.[40]
She next starred in the musical adaptation ofNeil Simon'sThe Goodbye Girl with music byMarvin Hamlisch (1993). Peters won her second Tony for Best Leading Actress in a Musical for her performance asAnnie Oakley in the 1999 Broadway revival ofAnnie Get Your Gun. Among many glowing notices, criticLloyd Rose ofThe Washington Post commented: "[Peters] banishes all thoughts of Ethel Merman about two bars into her first number, 'Doin' What Comes Natur'lly.' Partly this is because Merman's Annie was a hearty, boisterous gal, while Peters' plays an adorable, slightly goofy gamine. ... For anyone who cares about the American musical theatre, the chance to see Peters in this role is reason enough to see the show."[41]Playbill went even further: "Arguably the most talented comedienne in the musical theatre today, Peters manages to extract a laugh from most every line she delivers."[42] Peters has been nominated for the Tony Award seven times, winning twice, and has also received an honorary Tony Award. She has also been nominated for theDrama Desk Award nine times, winning three times, forAnnie Get Your Gun,Song and Dance andDames at Sea.[43][44]
In March 2005, she made a pilot for anABC situation comedy series titledAdopted, co-starring withChristine Baranski, but it was not picked up.[52] In May 2006, she appeared in the filmCome le formiche (Wine and Kisses) withF. Murray Abraham, filmed in Italy, playing a rich American who becomes involved with an Italian family that owns a vineyard. The DVD was released in 2007 in Italy.[53] In 2006, she participated in a reading of the Sondheim-Weidman musicalBounce.[54] In 2007, she participated in a charity reading of the playLove Letters, with actorJohn Dossett.[55] Peters appeared in theLifetime television filmLiving Proof, which was first broadcast on October 18, 2008. She played the role of Barbara, an art teacher with breast cancer, who is initially reluctant to participate in the study for the cancer drugHerceptin. Andrew Gans ofPlaybill wrote, "Peters is able to choose from an expansive emotional palette to color the character, and her performance... is moving, humorous and ultimately spirit-raising".[56]
Peters's television work also includes guest appearances on several television series. She appeared as the sharp-tongued sister ofKaren Walker (Megan Mullally) on the penultimate episode of theNBC seriesWill & Grace, "Whatever Happened to Baby Gin?" (May 2006); as a defense attorney on the NBC series,Law & Order: Special Victims Unit (November 2006); as a judge on the ABC seriesBoston Legal (May 2007); and as an accident victim inGrey's Anatomy (September 2008). Of her role inGrey's Anatomy,TV Guide wrote: "Peters is especially fine as she confronts a life spinning out of control. I'd make her an early contender for a guest-actor Emmy nomination."[57] In January, February and May 2009, she appeared in the ABC seriesUgly Betty in five episodes as Jodie Papadakis, a magazine mogul running the YETI (Young Editors Training Initiative) program that Betty and Marc are in.[58][59][60] Her appearance at theAdelaide Cabaret Festival in June 2009 was filmed and broadcast in Australia later that month.[61][62]
Peters starred in the Broadway revival of Sondheim'sA Little Night Music (2010), succeedingCatherine Zeta-Jones in the role of Desirée Armfeldt.[63][64]The New York Times reviewer wrote of her performance,
[F]or theater lovers there can be no greater current pleasure than to witness Bernadette Peters perform the show's signature number, "Send In the Clowns," with an emotional transparency and musical delicacy that turns this celebrated song into an occasion of transporting artistry. I'm not sure I've ever experienced with such palpable force – or such prominent goose bumps – the sense of being present at an indelible moment in the history of musical theatre.[65]
Peters in 2008
Peters's next stage appearance was in the role of Sally Durant Plummer in theKennedy Center for the Performing Arts production of the Sondheim–Goldman musicalFollies in 2011.[66] One critic wrote: "Peters ... exquisitely captures the character's unfathomable sadness and longing. It's a star turn, for sure, but one that brings attention to itself because of its truthfulness. Not surprisingly, her rendition of 'Losing My Mind' is simply shattering."[67] She reprised the role in the Broadway revival at theMarquis Theatre, later in 2011,[68] and received a nomination for the Drama Desk Award, Outstanding Actress in a Musical.[69] At the66th Tony Awards in 2012, Peters was presented with the honoraryIsabelle Stevenson Award for "making a substantial contribution of volunteered time and effort on behalf of one or more humanitarian, social service or charitable organizations, regardless of whether such organizations relate to the theatre", specifically for her work withBroadway Barks.[70] In making the announcement for this award, the Tony official site noted "With a rich generosity of spirit, Bernadette Peters' devotion to charitable causes is perhaps only outweighed by her much fêted dedication to performing. ... Peters' efforts are held in the highest regard on Broadway and beyond." BC/EFA's Tom Viola said, "Bernadette's boundless compassion and generosity represent the best in all of us."[71]
She starred in a 2012 film titledComing Up Roses, playing a former musical comedy actress with two daughters.[72] Peters first appeared in the NBC seriesSmash in the March 2012 episode "The Workshop", as Leigh Conroy, Ivy's mother, a retired Broadway star, who feels competitive because of her daughter's blossoming career. She visits the workshop and singsEverything's Coming Up Roses (fromGypsy) at the urging of the workshop cast.[73][74] She also appeared in the season 1 finale, "Bombshell" (May 2012), to celebrate Ivy's presumed role as Marilyn,[75] in "The Parents" episode (April 2013),[76] where, as Leigh, she sings an originalMarc Shaiman andScott Wittman song, "Hang the Moon",[77] and in the episodes "Opening Night" (April 2013)[78] and "The Phenomenon" (May 2013).[79] Peters starred in the Sondheim andWynton Marsalis staged concertrevue titledA Bed and a Chair: A New York Love Affair atNew York City Center in 2013. This collaboration betweenEncores! andJazz at Lincoln Center was directed byJohn Doyle, with jazzy arrangements of Sondheim's songs.[80] Peters sang "Broadway Baby", "The Ladies Who Lunch",[81] "Isn't He Something?",[82] "I Remember" and "With So Little to Be Sure Of", among others.[83] Jesse Green, in his review inNew York Magazine'sVulture site, commented: "[W]hat a wrenching (and funny) actress Peters remains, not on top of her voice but through it."[80] Brantley, inThe New York Times wrote: "As a singer and actress, she just can't help being ardent, full-throated and sincere. She also reminds us here of her considerable and original comic gifts."[84]
From 2014 to 2018, Peters played Gloria Windsor, the chairwoman of the orchestra board inMozart in the Jungle, a web video series byAmazon Studios based onBlair Tindall's memoir of the same name.[85] The show was picked up for a second and third season.[86][87] She was a guest star in the 2014Bravo television seriesGirlfriends' Guide to Divorce in the episode "Rule #21: Leave Childishness to Children".[88] Peters played the recurring role of Lenore Rindell, a financial scammer, in theCBS television seriesThe Good Fight, in 2017 and 2018.[89][90] In 2020, she played Ms. Freesia in the seriesKaty Keene.[91] She returned to Broadway in the title role of the 2017 revival ofHello, Dolly! at theShubert Theatre. SucceedingBette Midler, Peters began performances on January 20, 2018.[92]Marilyn Stasio wrote inVariety: "This Dolly's personal style is to twinkle and charm people into getting her way. (Her 'So Long, Dearie' is an irresistible gem.) She also has the acting chops to moisten eyeballs when she entreats her late husband to bless her renouncement of widowhood and rejoin the human race in 'Before the Parade Passes By'."[93] Peters played her final performance as Dolly on July 15, 2018.[94]
Album cover fromBernadette Peters (painting byVargas, 1980)
Peters has recorded six solo albums and several singles.[104] Three of her albums have been nominated for theGrammy Award. Peters's 1980 single "Gee Whiz", remakingCarla Thomas' 1960Memphis soul hit, reached the top forty on the U.S.Billboard pop singles charts.[105] She has recorded most of the Broadway and off-Broadway musicals she has appeared in, and four of these cast albums have won Grammy Awards.[106][107]
Peters's debut album in 1980 (anLP), titledBernadette Peters contained 10 songs, including "If You Were the Only Boy", "Gee Whiz" (a Top 40 hit single), "Heartquake", "Should've Never Let Him Go", "Chico's Girl", "Pearl's a Singer", "Other Lady", "Only Wounded", "I Never Thought I'd Break" and "You'll Never Know". The original cover painting byAlberto Vargas was one of his last works, created at the age of 84.[108] According toThe New York Daily News, Peters "persuaded him to do one last 'Vargas Girls' portrait... She just went to his California retreat, asked him to do one more, he looked at her and said, 'You ARE a Vargas girl!'" She kept the original painting.[109] The original title planned for the album wasDecades.[110]Rolling Stone wrote of her debut album:
Peters debuts on record as a first-rate pop torch singer:Melissa Manchester with soul, Bette Midler on pitch. Her album has already spawned the hit single "Gee Whiz," a laid-back, doo-wop version ... that makes Peters' piping, little-girl voice seem almost like a cutesy novelty. There are also a couple ofBarry Mann andCynthia Weil rock tunes in which she sounds slightly trashy and out of her depth. ThePeter Allen songs on side two are really more her style. In fact, the whole second half ofBernadette Peters is just about perfect, from the star's semi-C&W rendition ofJerry Leiber andMike Stoller's "Pearl's a Singer" to a wistful recap ofHarry Warren and Mark Gordon's romantic "You'll Never Know." But the best cuts are in between. "Other Lady," written byLesley Gore(!) withEllen Weston, tackles an age-old problem with... devastating eloquence... and Peters delivers it with the proper brooding introspection. Allen's compositions, "Only Wounded" (co-written withCarole Bayer Sager) and the torchy "I Never Thought I'd Break" (co-written withDean Pitchford), feature the finest singing on the LP...the unusual absence of airbrushing echo places heavy demands on the chanteuse's sultry soprano. That Bernadette Peters rises to the occasion makes her performance that much more impressive.[111]
Her next solo album,Now Playing (1981), featured songs by Jerry Leiber and Mike Stoller, Carole Bayer Sager andMarvin Hamlisch, and Stephen Sondheim (for example, "Broadway Baby").[112]Bernadette Peters was re-released on CD in 1992 asBernadette, with the 1980 Vargas cover art, and included some of the songs fromNow Playing. In 1996, she was nominated for a Grammy Award for her best-selling album,I'll Be Your Baby Tonight, which includes popular songs byJohn Lennon,Paul McCartney,Lyle Lovett,Hank Williams,Sam Cooke andBilly Joel, as well as Broadway classics byLeonard Bernstein andRodgers and Hammerstein. The live recording of her 1996 Carnegie Hall concert,Sondheim, Etc. – Bernadette Peters Live at Carnegie Hall, also was nominated for a Grammy Award.[citation needed]
Peters's next studio album, in 2002,Bernadette Peters Loves Rodgers and Hammerstein, consisted entirely of Rodgers and Hammerstein songs, including two that she often sings in her concerts, "Some Enchanted Evening" and "There Is Nothin' Like a Dame".[113] This album, which reached position 14 on theBillboard "Top Internet Albums" chart,[114] was her third album in a row nominated for a Grammy Award. It formed the basis of herRadio City Music Hall solo concert debut in June 2002.[115] Her last solo album, titledSondheim Etc., Etc. Live at Carnegie Hall: The Rest of It, was released in 2005. It consists of all of the songs (and patter) from her 1996 Carnegie Hall concert that were not included in the earlier recording.[116] Additionally, Peters has recorded songs on other albums, such as "Dublin Lady" on John Whelan'sFlirting with the Edge (Narada, 1998). On theMandy PatinkinDress Casual 1990 album, Patinkin and Peters recorded the songs from Stephen Sondheim's 1966 television play,Evening Primrose. On the tribute albumBorn to the Breed: A Tribute to Judy Collins Peters sings "Trust Your Heart".[117]
InThe New York Times review of the 1986 Broadway cast recording ofSong and Dance (titledBernadette Peters in Andrew Lloyd Webber's 'Song & Dance'), Stephen Holden opined the recording was:
[A] personal triumph for a singer and actress who is rapidly establishing herself as the first lady of the Broadway musical. Performing material whose music borders on kitsch and whose lyrics and story suggest a verbose soap opera, Miss Peters nevertheless projects an astounding emotional generosity and conviction. Almost singlehandedly she turns the inconsequential erotic misadventures of Emma ... into a touching romantic fable about love and its defenses and the loss of innocence. ... Miss Peters has always oozed a cuddlesomeShirley Temple-like sweetness and vulnerability. This quality, which used to seem more like an adorable child-star affectation than a deep-seated trait, has proved to be an essential ingredient of Miss Peters's personality. A delivery that once seemed coy and cutesy has deepened and ripened into an honesty and compassion that pour out in singing that is childlike but also resilient.[118]
In 2003, Andrew Gans wrote inPlaybill.com of Peters's recording sessions forGypsy: "What is it about her voice that is so moving? Part womanly and part girlish, it is a powerful instrument, not only in volume (though that is impressive) but in the wealth of emotion it is able to convey. ... her voice – that mix of husky, sweet, rounded, vibrato-filled tones – induces a response that spans the emotional scale." Of her "Rose's Turn", Gans wrote: "...her rendition of this song may be the highlight of a career already filled with many highlights: She has taken a song that has been delivered incredibly by others and brought it to a new level."[119] Of her performance on the recording ofFollies (2011), Steven Suskin wrote inPlaybill.com: "This is a fine Sally, the sort of Sally you'd expect to get from an actress like – well, Bernadette Peters. The performance on the CD is compelling; either this is simply the magic of the recording studio or Peters has changed what she does and how she does it."[120]
Peters has been performing her solo concert in the United States and Canada for many years.[121] She made her solo concert debut atCarnegie Hall in New York City in 1996, devoting the second half to the work of Stephen Sondheim.[3][122] She performed a similar concert in London in 1999, which was recorded and released onVHS, and also aired on USpublic television stations. She continues to perform her solo concert at venues around the U.S., such as theAdrienne Arsht Center for the Performing Arts in Miami,[123] and with symphony orchestras such as the Pittsburgh Symphony Orchestra,[124] the Dallas Symphony,[125] and the Los Angeles Philharmonic at Walt Disney Hall.[126]
In a review of her 2002 Radio City Music Hall concert,Stephen Holden ofThe New York Times described Peters as "the peaches-and-cream embodiment of an ageless storybook princess... inside a giant soap bubble floating toward heaven. A belief in the power of the dreams behindRodgers and Hammerstein's songs, if not in their reality, was possible."[127] Peters made her solo concert debut atLincoln Center in New York City in 2006. Holden, reviewing this concert, noted, "Even while swiveling across the stage ofAvery Fisher Hall like a voluptuousBotticelli Venus in Bob Mackie spangles... she radiated a preternatural innocence.... For the eternal child in all of us, she evokes a surrogate childhood playmate".[128] Peters was the headliner at the 2009Adelaide Cabaret Festival inAdelaide, Australia.[62] TheSunday Mail wrote that Peters showed "the verve, vigour and voice of someone half her age."[129]
Peters's concert performances often benefit arts organizations or help them to mark special occasions, such as her performance on an overnight cruise on theSeabourn Odyssey in a benefit for theAdrienne Arsht Center for the Performing Arts in Miami in 2009.[130] She was one of the performers to help celebrate the center's grand opening in 2006.[131] She headlined The Alliance of The Arts Black Tie Anniversary Gala atThousand Oaks Civic Arts Plaza inThousand Oaks, California, on November 21, 2009. She had helped to celebrate the opening of the Arts Plaza with concerts fifteen years earlier.[132][133] In 2015, Peters performed in the concertSinatra: Voice for a Century at Lincoln Center, a fundraiser for the newDavid Geffen Hall in celebration ofFrank Sinatra's 100th birthday. She sang "It Never Entered My Mind". It was hosted bySeth MacFarlane and featured the New York Philharmonic Orchestra,Sting,Billy Porter,Sutton Foster andFantasia Barrino.PBS plans to broadcast it as part of its "Live from Lincoln Center" series in December 2015.[134][135]
Since 2013, she has been touring intermittently with her cabaret act,An Evening with Bernadette Peters, and a concert series, "Bernadette Peters in Concert".[136] In April 2014, she gave concert performances in Australia. The reviewer forThe Sydney Morning Herald wrote: "Perhaps it is a matter of personality as much as voice: a natural warmth and an instinct for never exaggerating the emotional content of a song. Whatever the case, it is easy to see and hear why, for 30 years, Bernadette Peters has probably been musical theatre's finest performer. ... She even breathed new life into 'Send In the Clowns'. ... Rather than make it emotionally swollen (as so many do), Peters contracted it, delicately squeezing out its essence like toothpaste from a near-empty tube."[137] She gave concerts in June 2016 in the UK at theRoyal Festival Hall,Manchester Opera House andEdinburgh Playhouse.[138][139][140] In 2022, she participated inStephen Sondheim's Old Friends, aCameron Mackintosh-produced tribute concert, May 3, 2022, at theSondheim Theatre, London.[141]
Peters sings four songs on the CD accompanying a 2005 children's picture bookDewey Doo-it Helps Owlie Fly Again, the proceeds of which benefit theChristopher Reeve Foundation. Her co-star fromSunday in the Park with George,Mandy Patinkin, also sings on the CD.[142][143]
To supportBroadway Barks, the animal adoption charity that she co-founded with Mary Tyler Moore, Peters has written three children's books, illustrated by Liz Murphy.[144] The first is about a scrappy dog, named after her dog Kramer, and the pleasure of adopting a pet. TitledBroadway Barks, the book is published by Blue Apple Books (2008). Peters wrote the words and music to a lullaby, titled "Kramer's Song", which is included on a CD in the book.[145] The book reached No. 5 onThe New York Times Children's Best Sellers: Picture Books list for the week of June 8, 2008.[146]
Her second children's book is the story of apit bull, named after Peters's dog Stella. The character would rather be a pig ballerina, but she learns to accept herself. TitledStella is a Star, the book includes a CD with an original song written and performed by Peters and was released in April 2010 by Blue Apple Books. According toPublishers Weekly, "Turning the pages to Peters' spirited narration, which is provided in an accompanying CD, makes for a more rewarding reading experience. The story and disc end with a sneakily affecting self-esteem anthem, which, like the familiar tale itself, is buoyed by the author's lovely vocals."[147] Peters introduced the book at a reading and signing where she also sang part of the song, at theLos Angeles Times Festival of Books, Los Angeles, California, on April 24, 2010.[148]
The third book, released in 2015, titledStella and Charlie Friends Forever, is about her rescue dog Charlie joining her household, and how Charlie got along with her older dog, Stella.[85][149]
In 1999, Peters and Mary Tyler Moore co-foundedBroadway Barks, an annual animal adopt-a-thon.[150] Each July, Peters hosts the Broadway Barks event in New York City.[151][152] Peters held a concert, "A Special Concert for Broadway Barks Because Broadway Cares", at theMinskoff Theatre, New York City, on November 9, 2009, as a benefit for both Broadway Barks and Broadway Cares/Equity Fights AIDS. The concert raised an estimated $615,000 for the two charities.[153] Also in support of Broadway Barks, Peters has appeared on the daytime talk showLive With Regis and Kelly.[154][155]
In 2018, Peters received the Brooke Astor Award from theAnimal Medical Center for her lifelong commitment to animal welfare, including the "over 2,000 adoptions" to date at Broadway Barks events.[156] In 2022, Broadway Barks held in its first in-person animal adoption event since theCOVID-19 pandemic began, with many Broadway stars in attendance and many shelter organizations participating.[157] Activists protesting against the Humane Society of New York, one of the shelter organizations represented at the event, briefly interrupted Peters's speech there.[158]
Other
Peters serves on the board of trustees ofBroadway Cares/Equity Fights AIDS[159] and participates in that organization's events, such as the annual Broadway Flea Market and Grand Auction,[160] and the "Gypsy of the Year" competition.[161] She is also a member of the board of directors of Standing Tall, a non-profit educational program offering an innovative program for children with multiple disabilities, based in New York City. Her late husband was the Director and Treasurer of Standing Tall.[162] The 1995 benefit concertAnyone Can Whistle and Peters's "Carnegie Hall" 1996 concert were benefits for theGay Men's Health Crisis.
In 2007, Peters helped the Broadway community celebrate the end of thestagehand strike in a "Broadway's Back" concert at theMarquis Theatre.[163] In 2008, she was one of the participants in a fund-raiser for theWestport Country Playhouse,[164] and in the opening ceremony and dedication of the renovatedTKTS discount ticket booth inTimes Square.[165] That year, she also presented New York City MayorMichael Bloomberg with the Humanitarian Award at the Breast Cancer Research Foundation awards.[166] On March 8, 2009, she helped celebrate the last birthday of SenatorTed Kennedy (singing "There Is Nothin' Like a Dame") in a private concert and ceremony held at the Kennedy Center, hosted byBill Cosby, with many senators, representatives, and PresidentBarack and First LadyMichelle Obama in attendance.[167] On November 19, 2009, she helped to celebrate the opening of TheDavid Rubenstein Atrium atLincoln Center.[168]
On February 8, 2010, Peters was one of the many to honor Angela Lansbury at the annualDrama League of New York benefit, singing "Not While I'm Around".[169][170] In March 2010, Peters helped Stephen Sondheim celebrate his 80th birthday in theRoundabout Theatre Company "Sondheim 80" benefit. She was one of the Honorary Chairs.[171][172] She had been part of the Roundabout Theatre's Sondheim gala for his 75th birthday.[173] In 2012, Peters became a Patron of The Stephen Sondheim Society.[174] She performed at theOlivier Awards ceremony in 2014, singing the song "Losing My Mind". A review inThe Arts Desk read: "The tradition of bringing over a Broadway baby or two ... presumably explained a late appearance by a still-luminous Bernadette Peters, who reached the very high note at the end of 'Losing My Mind' often not attempted by interpreters of that particular Sondheim song."[175][176]
Peters andSteve Martin began a romantic relationship in 1977 that lasted approximately four years.[177][178] By 1981, her popularity led to her appearing on the cover and in a non-nude spread in the December 1981 issue ofPlayboy Magazine, in which she posed in lingerie designed byBob Mackie.[179]
Peters marriedinvestment adviser Michael Wittenberg on July 20, 1996, at theMillbrook, New York, home of long-time friendMary Tyler Moore. Wittenberg died at age 43 on September 26, 2005, in a helicopter crash inMontenegro while on a business trip.[180][181]
In 2012, New Dramatists, an organization that supports beginning playwrights, presented Peters with their Lifetime Achievement Award, stating: "She has brought a new sound into the theatre and continues to do so, in surprising and miraculous ways. By some sleight of magic, her singularity always manages to bring out the best and richest in the work of her composers and writers."[197] In 2013, the Drama League gave Peters itsSpecial Award of Distinguished Achievement in Musical Theatre Award for "her contribution to the musical theatre."[198] Peters was the Centennial Honoree at the Drama League Centennial Gala in 2015. A musical tribute was presented by many of Peters's costars over the years, including the original and current casts ofDames at Sea. The League said that Peters "exemplifies the absolute best of what American musical theatre can be."[199]
She received the 2016 John Willis Award for Lifetime Achievement in the Theatre, presented at theTheatre World Awards on May 23, 2016.[200][201] She was the honoree at theManhattan Theatre Club 2018 Fall Benefit in November 2018.[202] She is the 2019 recipient of thePrince Rainier III Award "for her outstanding artistry and exemplary philanthropic give-back."[203]
^ab"Bernadette Peters Intro". Muppet Central Guides. Retrieved July 22, 2011. Her rendition of the song is included in the albumThe Muppet Show 2 (1978)
Bryer, Jackson R. and Richard Allan Davison.The Art of the American Musical: Conversations with the Creators (2005), Rutgers University Press,ISBN0-8135-3613-8