| Becket | |
|---|---|
Original film poster by Sanford Kossin | |
| Directed by | Peter Glenville |
| Written by | Edward Anhalt |
| Based on | Becket byJean Anouilh |
| Produced by | Hal B. Wallis |
| Starring | |
| Cinematography | Geoffrey Unsworth |
| Edited by | Anne V. Coates |
| Music by | Laurence Rosenthal |
Production company | Hal Wallis Productions |
| Distributed by | Paramount Pictures |
Release date |
|
Running time | 148 minutes |
| Country | United Kingdom[1] |
| Language | English |
| Budget | $3 million |
| Box office | $9.1 million[2] |
Becket is a 1964 Britishhistorical drama film about the historic, tumultuous relationship betweenHenry II of England and his friend-turned-bishopThomas Becket. It is a dramaticfilm adaptation of the 1959 playBecket or the Honour of God byJean Anouilh made by Hal Wallis Productions and released byParamount Pictures.[3] It was directed byPeter Glenville and produced byHal B. Wallis with Joseph H. Hazen as executive producer. The screenplay was written byEdward Anhalt based on Anouilh's play. The music score was byLaurence Rosenthal, the cinematography byGeoffrey Unsworth and the editing byAnne V. Coates.
The film starsRichard Burton asThomas Becket andPeter O'Toole asKing Henry II, withJohn Gielgud asKing Louis VII,Donald Wolfit asGilbert Foliot,Paolo Stoppa asPope Alexander III,Martita Hunt asEmpress Matilda,Pamela Brown asQueen Eleanor,Siân Phillips,Felix Aylmer,Gino Cervi,David Weston andWilfrid Lawson.
Restored prints ofBecket were re-released in 30 cinemas in the US in early 2007, following an extensive restoration from the film'sYCM separation protection masters.[4] The film was released on DVD byMPI Home Video in May 2007[5] and on Blu-ray Disc in November 2008. The new film prints carry aDolby Digital soundtrack, although the soundtrack of the original film, which originally opened as aroadshow theatrical release, was also in stereo.
Becket won theAcademy Award for Best Adapted Screenplay, and was nominated for eleven other awards, including for Best Picture, Best Director, Best Supporting Actor, and twice for Best Actor.
Thomas Becket is an advisor and companion of the carousingKing Henry II. Henry appoints Becket asLord Chancellor to have a close confidant in this position whom he can completely control. Henry is less interested in his royal duties than drunken forays in the royal hunting grounds and pursuing peasant women. He becomes increasingly dependent on Becket, aSaxon commoner, who arranges these debaucheries when he is not busy running Henry's court. This foments great resentment on the part of Henry'sNorman noblemen, who distrust and envy this Saxon upstart, as well as Henry's wifeQueen Eleanor and Henry's motherEmpress Matilda, who see Becket as an unnatural and unseemly influence upon the King.
Henry finds himself in continuous conflict with the elderly Archbishop of Canterbury, who opposes the taxation of Church property to support Henry's military campaigns in France. During one of his campaigns in coastal France, he receives news that the archbishop has died. In a burst of inspiration, Henry exercises his prerogative to pick the next Archbishop, and informs an astonished Becket that he is the royal choice.
Shortly thereafter, Becket sides with the Church, throwing Henry into a fury. One of the main bones of contention is Thomas'excommunication of Lord Gilbert, one of Henry's most loyal stalwarts, for seizing and ordering the killing of a priest who had been accused of sexual indiscretions with a young girl, before the priest can even be handed over for ecclesiastical trial. Gilbert then refused to acknowledge his transgressions and seek absolution.
The King has a dramatic secret meeting with the Bishop of London in his cathedral. He lays out his plan to remove Becket through scandal and innuendo, which the envious Bishop of London quickly agrees to. These attempts fall flat when Becket, in full ecclesiastic garb, confronts his accusers and announces that as Archbishop he will petition the Pope for an ecclesiastical trial, causing Henry to laugh and bitterly note the irony of having his friend turn into his enemy.
Becket escapes to France where he encounters the conniving yet sympatheticKing Louis. King Louis sees in Becket a means by which he can further his favourite pastime, tormenting the English. Louis provides refuge for Becket at the Abbey of Saint Martin while the English send emissaries to retrieve Becket.
Becket then travels to theVatican, where he begs thePope to allow him to renounce his position and retire to a monastery as an ordinary priest. The Pope reminds Becket that he has an obligation as a matter of principle to return to England and take a stand against civil interference in Church matters. Becket yields to this decision and asks Louis to arrange a meeting with Henry on the beaches at Normandy. Henry asks Becket whether or not he loved him and Becket replied that he loved Henry to the best of his ability. A shaky truce is declared and Becket is allowed to return to England.
Henry then rapidly sinks into drunken fixation over Becket and his perceived betrayal. The barons worsen his mood by pointing out that Becket has become a folk hero among the vanquished Saxons, who are ever restive and resentful of their Norman conquerors. During a drunken rage, Henry asks "Will no one rid me of this meddlesome priest?" His faithful barons hear this and proceed quickly toCanterbury, where they put Thomas and his Saxon deputy, Brother John, to the sword. A badly shaken Henry then undergoes a penance by whipping at the hands of Saxon monks.
Henry, fresh from his whipping, informs the barons that the ones who killed Becket will be found and justly punished. He then publicly proclaims to the crowd outside the church his arrangement for Thomas Becket to becanonised as a saint.
The film was made atShepperton Studios, England, and on location atAlnwick Castle,Bamburgh Castle and Bamburgh Beach inNorthumberland.[citation needed]
Peter O'Toole went on to play King Henry II once more inThe Lion in Winter (1968).
Siân Phillips, who plays Gwendolen, was Peter O'Toole's wife at the time of filming.[6]
This sectiondoes notcite anysources. Please helpimprove this section byadding citations to reliable sources. Unsourced material may be challenged andremoved.(May 2016) (Learn how and when to remove this message) |
Most of the historical inaccuracies in the film are from the play, as Anouilh was writing drama rather than a history, and he took dramatic licence.
The major inaccuracy is the depiction of Becket as a Saxon who has risen to a perceived Norman social standing, when in fact the historical Thomas Becket was a Norman[7] (while Henry was anAngevin). Anouilh did this because he had based the play on a 19th-century account that described Becket as a Saxon. He had been informed of this error before his play was produced, but decided against correcting it because it would undermine a key point of conflict, and because "history might eventually rediscover that Becket was a Saxon, after all."
Becket is depicted as Henry's loyal "drinking pal", who assists him with illicit romantic entanglements and drunken hunting exercises, but who becomes saintly and responsible after his appointment as Archbishop. Passing mention is made in the film of theConstitutions of Clarendon (simply as the "Sixteen Articles"); the struggle between Becket and Henry is boiled down to their conflict over Lord Gilbert's murder of the captive priest. In no way is Becket depicted as a man who desired special legal privileges (defrocking rather than prison) for his clergy, as some believe.
Henry's mother,Empress Matilda, died in 1167, three years before the treaty of Fréteval allowed Becket to return in England. Henry appears to not have any respect for his mother and treats her as something of an annoyance, a rather drastic departure from what is generally held as historical fact. Empress Matilda was Henry's sole parent for much of his childhood, and she was instrumental in shaping Henry into the fierce warrior and skilled administrator he was. Far from seeing his mother as a burden, Henry seems to have adored Matilda and relied heavily on her advice and guidance until her death. Finally, at one point in the movie, Matilda complains that her gender was a major limiting factor in her life when in fact when she was an active military leader against Stephen of Blois during The Anarchy.
Henry's wife,Eleanor of Aquitaine, was in fact beautiful, and highly educated. She was known to have an amicable marriage with Henry despite his mistresses and frequent absences. She is shown publicly rebuking Henry in a scene near the end of the film, when in fact Eleanor, whatever private reservations she may have had, is not known to have ever behaved in such a manner in public. During the same scene, she says she will go to her father to complain of Henry's treatment of her; however, her fatherWilliam X, Duke of Aquitaine had died decades before, when Eleanor was just 15 years old.
Also, the film only shows four sons of Henry and Eleanor. In actuality, Henry and Eleanor hadeight children, five sons and three daughters. While the eldest son, William, had died before the events of the film, the three daughters are neglected.
The film grossed $9,164,370 at the box office,[2] earning $3 million in rentals.[8]
On review aggregatorRotten Tomatoes, 76% of 29 critics gave the film a positive review, with an average rating of 7.2/10.[9]
Becket and its spiritual sequelThe Lion in Winter were both nominated for Best Picture in their respective years 1964 and 1968. Both lost in years which were considered by many to bemusical film showdowns, where two high-profile musical films were in contention to win Best Picture:Mary Poppins and winnerMy Fair Lady againstBecket in 1964,Funny Girl and winnerOliver! againstThe Lion in Winter in 1968.
Julia Roberts said that this movie was a "turning point" for her and inspired her to become a serious actor. Roberts' High School teacher showed it to her class, and she was "overwhelmed" by it.[19]
TheAcademy Film Archive preservedBecket in 2003.[20]
{{cite web}}:Missing or empty|title= (help)