TheBeat Hotel was a small, run-down hotel of 42 rooms at 9Rue Gît-le-Cœur in theLatin Quarter ofParis, notable chiefly as a residence for members of theBeat poetry movement of the mid-20th century.[1]
It was a "class 13" hotel, meaning bottom line, a place that was required by law to meet only minimum health and safety standards. It never had any proper name – "the Beat Hotel" was a nickname given it byGregory Corso,[contradictory] which stuck.[2][3] The rooms had windows facing the interior stairwell and not much light. Hot water was available Thursdays, Fridays and Saturdays. The hotel offered the opportunity for a bath – in the only bathtub, situated on the ground floor – provided the guest reserved time beforehand and paid the surcharge for hot water. Curtains and bedspreads were changed and washed every spring. The linen was (in principle) changed every month.
The Beat Hotel was managed by a married couple, Monsieur and Madame Rachou, from 1933. After the death of Monsieur Rachou in a traffic accident in 1957, Madame was the sole manager until the early months of 1963, when the hotel was closed. Besides letting rooms, the establishment had a small bistro on the ground floor. Due to early experiences with working at an inn frequented byClaude Monet andCamille Pissarro, Madame Rachou would encourage artists and writers to stay at the hotel and even at times permit them to pay the rent with paintings or manuscripts. One unusual thing that appealed to a clientele of bohemian artists was the permission to paint and decorate the rooms rented in whichever way they wanted.
The hotel gained fame through the extended "family" ofbeat writers and artists who stayed there from the late 1950s to the early 1960s in a ferment of creativity.
Gregory Corso was introduced to the hotel by painter and residentGuy Harloff in 1957.[4] In September of that year, Corso would be joined byAllen Ginsberg andPeter Orlovsky.William S. Burroughs,Derek Raymond, andHarold Norse, as well asSinclair Beiles would follow. It was here that Burroughs completed the text ofNaked Lunch[5] and began his lifelong collaboration withBrion Gysin. It was also whereIan Sommerville became Burroughs' "systems advisor" and lover. Gysin introduced Burroughs to thecut-up technique and with Sommerville they experimented with a "dream machine" and audio tape cut-ups. HereNorse wrote a novelBeat Hotel using cut-up techniques.[6] Ginsberg wrote a part of his moving and mature poemKaddish at the hotel, and Corso wrote themushroom cloud-shaped poemBomb.
There is now a small hotel, the four-star Relais du Vieux Paris, at that address. It displays photographs of several Beat personalities and describes itself as "The Beat Hotel".[7]
In July 2009, as part of a major William Burroughs symposium NakedLunch@50, a special tribute was held outside 9 Rue Gît-le-Coeur, withJean-Jacques Lebel unveiling aplaque commemorative, now permanently hammered to the outside wall next to the main entrance, honoring the Beat Hotel's seven most famous occupants: B. Gysin, H. Norse, G. Corso, A. Ginsberg, P. Orlovsky, I. Sommerville, W. Burroughs.
48°51′13.85″N2°20′33.91″E / 48.8538472°N 2.3427528°E /48.8538472; 2.3427528
