Barney Miller
Genre	Sitcom Comedy-drama Police procedural
Created by	Danny Arnold Theodore J. Flicker
Starring	Hal Linden Barbara Barrie Abe Vigoda Max Gail Ron Glass Jack Soo Gregory Sierra James Gregory Steve Landesberg Ron Carey
Theme music composer	Jack Elliott Allyn Ferguson
Composers	Jack Elliott Allyn Ferguson
Country of origin	United States
Original language	English
No. of seasons	8
No. of episodes	170(list of episodes)
Production
Executive producer	Danny Arnold
Camera setup	Videotape;multi-camera
Running time	25 minutes
Production companies	Four D Productions Sony Pictures Television
Original release
Network	ABC
Release	January 23, 1975 (1975-01-23) – May 20, 1982 (1982-05-20)
Related
Fish

Barney Miller is an Americansitcom television series set in aNew York City Police Departmentpolice station on East 6th Street inGreenwich Village (Lower Manhattan). The series was broadcast onABC from January 23, 1975, to May 20, 1982. It was created byDanny Arnold andTheodore J. Flicker. Former character actorNoam Pitlik directed 102 of the 170 episodes. It spawned aspin-off series,Fish, that ran from February 5, 1977, to May 18, 1978, focusing on the characterPhilip K. Fish.

Barney Miller takes place almost entirely within the confines of the detectives' squad room and Captain Barney Miller's adjoining office of New York City's fictional 12th Precinct, located inManhattan'sGreenwich Village.^[1] A typical episode featured the detectives of the 12th bringing in several complainants or suspects to the squad room. Usually, there were two or three separate subplots in a given episode, with different officers dealing with different crimes. Rarely, about once a year, an episode would feature one or more of the detectives outside of the walls of the precinct, either on astakeout or at their homes.

The squad consists of:

Capt. Bernard (Barney) Miller. An affable, personable senior officer who tries to maintain a sense of order while his detectives process a noisy parade of unusual criminals and victims. He reasons with the various complainants to effect a successful conclusion or compromise. Barney is noted around the squad room for his compassion, dedication, and diplomacy, but he does have to cope with the personal problems of his squad. His marriage is troubled; both husband and wife love each other, but Mrs. Miller constantly worries for Barney's safety in dangerous police situations, and agitates for him to leave his job or move somewhere else.

Sgt. Philip K. Fish. The senior member of the squad, the sad-faced Sgt. Fish is a world-weary police veteran who is friendly enough but seldom smiles. He usually makes pointed observations about the strange situations in the squad room. He is constantly telephoned by his lonely wife Bernice, who saddles him with her own problems. Bernice is seldom seen in person; the character is almost always played byFlorence Stanley, and once byDoris Belack.

Sgt. Nick Yemana. Second in seniority, Sgt. Yemana is an even-tempered, good-humored Japanese bachelor. He usually shows only mild surprise at the craziness in the squad room, and makes quietly humorous remarks. He is energy efficient, making only token attempts to handle the mountain of police paperwork, but he does follow through on cases. His hobbies are gambling (he is constantly following horse races) and Japanese cooking, and he makes the worst coffee in town.

Det. Stanley (Wojo) Wojciehowicz. Originally written as the house dumb-bell with a goofy laugh and funny remarks, Wojo becomes an "average man" character who often brings his troubles to the office and turns to Barney as a father figure. Wojo cares about people's problems, and worries about the consequences of governmental inactivity. (This first manifested itself when Wojo discovered there was no plan in place to evacuate New York in case of an emergency.) In these cases, he takes matters into his own hands and summons federal officials, much to Barney's embarrassment. Away from the squad room, Wojo is a ladies' man, whose late nights make him constantly late for work.

Sgt. Ron Harris. Harris is a black bachelor, and early episodes have him using urban street slang. He becomes a literate, intelligent detective who lapses into dialect only under stress. Harris always dresses impeccably and enjoys the finer things in life, with a thirst for more respect and prestige. He moonlights as a writer of fiction, with magazine stories to his credit. His squad-based novel "Blood on the Badge" becomes a success, and his self-centered pursuit of wealth occupies many of his working hours.

Sgt. Chano Amengual. Amengual is a Puerto Rican bachelor and, like Wojo, is sensitive to people's problems. An excellent detective, he is very observant and his unusual methods solve cases. He is bilingual, which is helpful when the need arises, and he is disgusted and frankly embarrassed by the influx of petty criminals who are also Puerto Rican.

Sgt. Arthur Dietrich. When Fish retires, Dietrich replaces him. The bespectacled Dietrich is very low-key and highly intelligent, having trained in both the medical and legal professions, and he has a vast knowledge of specialized topics. He can be counted on to define some esoteric concept quickly and clearly. He is an unusually thorough detective, going to great lengths to follow leads when he thinks he's right, and he uses his wide knowledge to solve baffling cases. Away from the squad room, he is a bachelor who loves jazz and plays a poor clarinet, and he enjoys sports, TV cartoons, andThe Three Stooges.

Officer Carl Levitt. An ambitious, obsequious patrolman who delivers the daily mail. He never fails to remind Barney that he is available for plainclothes detective work, and ultimately the persistent Levitt is allowed to work part-time among the detectives. Levitt occasionally displays surprising skills that help solve cases. Away from the squad room, Levitt also enjoys the Stooges, particularlyShemp Howard.

‡Murdock, Gorman, and Leiber all made guest appearances in other roles in addition to their regularly recurring series roles.

The 12th Precinct had a number of regular complainants, habitués of the holding cell, or other people who often dropped by. Characters seen on three or more episodes included:

The series was born out of an unsoldtelevision pilot,The Life and Times of Captain Barney Miller, that aired on August 22, 1974, as part of anABC summeranthology series,Just for Laughs. Linden and Vigoda were cast in their series roles; no other eventual cast members were present.Abby Dalton played Barney Miller's wife, Liz, whileVal Bisoglio, Rod Perry, and a pre-Hill Street BluesCharles Haid rounded out the cast of the pilot. Guest stars included Mike Moore, Chu Chu Mulave, Henry Beckman, Buddy Lester, Michael Tessier and Anne Wyndham.^{[citation needed]}

The pilot script was later largely reused in the debut episode "Ramon". For this reworked episode, Bisoglio's lines were more or less evenly split between the new characters of Yemana and Chano, while Haid's character of Kazinski became Max Gail's Wojciehowicz. Rod Perry's character, Sgt. Wilson, was replaced by Harris in the reworked episode, although Wilson would reappear one more time in the first-season episode "Experience" before disappearing from the series entirely. Abby Dalton was replaced by Barbara Barrie as Liz, and Henry Beckman's character of Uncle Charlie was dropped entirely. The rest of the guest cast (Moore, Malave, Lester, Tessier, and Wyndham) reprised their roles in the debut episode.^{[citation needed]}

Unlike the remainder of the series, the pilot was shot on film atCBS Studio Center, where the sets of the 12th Precinct and the Miller apartment were originally built.^{[citation needed]} When the show went into regular production in late 1974, it was recorded on videotape. The sets were moved to theABC Television Center in Hollywood, where they remained until production ended in 1982.^{[citation needed]}

The pilot was never broadcast in syndication. It was released in 2011 as part of Shout Factory's complete series set on DVD.

The show's theme music is aninstrumental in ajazz fusion style, written byJack Elliott andAllyn Ferguson. The theme opens with a distinctivebass line performed bystudio musicianChuck Berghofer. The bass line was improvised by Berghofer at the request of producer Dominik Hauser: "Can you do something on the bass? This guy is a cop in New York. Can we just start it out with the bass?"^[7] Several versions of the theme were used during different seasons.^[8]

The theme plays over scenes of the Manhattanskyline, followed by shots of the characters and opening credits. Season 1 opened and closed with a shot ofMidtown Manhattan as seen fromWeehawken, New Jersey. Season 2 onward opened with a shot ofLower Manhattan as seen fromBrooklyn Heights, with a barge being towed in the foreground, and closed with a shot of theMidtown Manhattan skyline as seen fromLong Island City.

The theme song was ranked No. 23 and No. 27, respectively, byComplex andPaste magazines, in their lists of "best TV theme songs".^[9][10]

Production ofBarney Miller deliberately resembled a theatrical stage play; scenes rarely strayed from the precinct station's squad room, with its prominent open-barredholding cell, and Miller's adjoining office. The room was said to be on the second or third floor, depending on the episode. Clutter was plentiful and much of it seemed immobile over the years, including a coat hanging on a clothes rack near Harris' desk. A handful of episodes (fewer than a dozen of 170) were partially or fully set in other locations, including a stakeout location ("Stakeout"), a hospital room ("Hair"), an undercover operation ("Grand Hotel"), a jail (three separate rooms in "Contempt"), a hotel room ("Chinatown"), and the apartments of Barney ("Ramon" and "Graft"), Chano ("The Hero"), Fish ("Fish") and Wojo ("Wojo's Girl"). In "The DNA Story", we finally see the inside of the men's room.Barney Miller tended to obey two of the threeclassical unities of drama: unity of place and unity of time. The third unity, unity of action, was not followed, since each episode had multiple subplots.

Barney Miller was one of the few sitcoms of the period that occasionally mentioned the then-current year or allowed the audience to infer the then-current year.

Barney Miller was notorious for its marathon taping sessions.^[11] Early seasons were recorded before a live studio audience and used alaugh track for sweetening reactions during post-production. Creator and executive producerDanny Arnold would then rewrite and restage entire scenes after the audience departed, actively looking for quieter, subtler moments that would not play well before a crowd; a taping session that began in the afternoon or early evening would then continue into the early morning hours. Max Gail referred to this in the Jack Soo retrospective episode aired on May 17, 1979, remarking that one of the clips shown was a scene that "we finished around 2:30 in the morning." In a 1977blooper, a crew member mentions it being 3:15 a.m. Hal Linden says, "We had extremely long taping sessions, which went on even after the audience left. We soon stopped using a studio audience. I think the longest session we had was till 6:30 in the morning."^[12]

Writer Tom Reeder described working on the show:

Danny Arnold was the creator of the show, and especially in the early years, he was a marvel. When he was "on", he could spin out entire scenes, ad-libbing dialogue—and great jokes—for every character. By the time those scenes got to script form, though, he obsessively rewrote them.

That's true of a lot of showrunners, but Danny couldn't seem to stop himself. Sometime during season 2 (or maybe it was 3) the show was no longer taped in front of an audience, partly because the script was rarely done by show night. When one season began, six pages were in print. Not six scripts—six pages of one script.

This meant that on the day the show was taped, the actors would hang around on the stage, waiting for pages to be sent down. Then—sometimes at 2 a.m.—they would have to learn new scenes. Ron Carey (Officer Levitt) would get his fairly quickly: "Here's your mail, Captain." On the other hand, poor Steve Landesberg (Dietrich) might have to memorize long speeches explaining how nuclear fission works.

In the early years, Danny benefited from the heroic writing efforts ofChris Hayward, who was a veteran writer, and rookiesTony Sheehan andReinhold Weege who, like me, didn't know any better. They were theBarney Miller writing staff. My agent wisely turned down Danny's annual offers of staff jobs, negotiating freelance assignments (so-called "multiple deals") for me instead. Even so, the pace was frantic—on one assignment I was given three hours to write the story outline. On another occasion, a friend came into my office at ABC-Vine Street and said, "Hey, Reeder, want to go get some lunch?" I pointed to the paper in my typewriter and said, "This script is on the stage—thanks anyway."^[13]

Employing a live audience became impractical as lengthy reshoots became commonplace. By Season 4, only a quiet laugh track was used when necessary.

When came time the show ended, it was notcancelled, moreso authorDanny Arnold shopped the writer position around but could find no replacement team.^[14]

WhenBarney Miller premiered in January 1975, actressBarbara Barrie was hired as a regular cast member to play Liz Miller, Barney's wise, faithful, and loving wife. She received second billing in the opening credits after Hal Linden. During that half-season, Barrie appeared in seven episodes out of thirteen. At that time, the premise of the show was to focus on Barney's career as a police captain at the 12th Precinct as well as his home life with his wife and children.

At the start of the 1975–76 season, when it became evident that storylines at the 12th Precinct were taking precedence, Barrie went to producer Danny Arnold and asked to be released from the show. Arnold reluctantly agreed and Barrie appeared in only two episodes that year: "The Social Worker", which was the second episode of the second season, and the holiday installment "Happy New Year". But she continued to receive second billing in the opening credits throughout the second year.

In the third season, Barrie's character as well as Barney's children were occasionally mentioned but never seen. In the spring of 1978, Barrie returned to the series as a guest star reprising her role of Liz Miller in the episode "Quo Vadis". In that episode, Barney gets shot on duty, but survives his attack virtually unharmed. Liz, upset by the incident and unable to withstand the pressures of being a policeman's wife, gives Barney an ultimatum to either give up his police job so they can move to a safer neighborhood or end their marriage. At the end of the episode, Barney and Liz separate.

During the 1978–79 season, Barrie made her final appearance onBarney Miller in the Christmas show "Toys". In that episode, Liz meets Barney at the 12th Precinct on Christmas Eve to discuss celebrating the holidays with their children, leading up to the possibility of a reconciliation. After this episode, Liz is never seen again, but toward the end of the fifth season, Barney happily announces to his staff that he and Liz have ended their separation and that he is moving back to their apartment. Despite Barrie's absence, her character continues to be mentioned throughout the rest of the show's run, and when a dangerous police emergency is announced on radio or television, Liz always calls to check on Barney's safety.

In the first season ofBarney Miller, the character of Fish (played byAbe Vigoda) proved so popular that ABC was considering a spin-off as early as October 1975, and the actor Vigoda tried to emphasize his importance toBarney Miller. Author Richard Meyers reported, "Abe Vigoda had been complaining loudly and often that if it were not for Fish,Barney might be a bust. He wanted more attention, more credit, and more money. [TV Guide] said that he wanted the show changed toFish and Barney, although he would acceptBarney and Fish."^[15] Producer Danny Arnold settled the situation by giving Vigoda his own show, provided that he appeared on at least some of theBarney Miller episodes in the meantime.

Fish premiered on February 5, 1977. It focused on the domestic side of Fish's life as he and his wife Bernice (played byFlorence Stanley) became foster parents to five racially mixed children known as "Persons in Need of Supervision" (PINS). Fish continued to appear sporadically in the second half of Season 3 ofBarney Miller while also starring inFish. During the 1977–78 season, Fish officially retired from the NYPD in Season 4, Episode 2 episode ofBarney Miller.Fish had reasonably good ratings but did not matchBarney Miller's. ABC was going to renew the show for a third season, but, according to cast memberTodd Bridges, Vigoda demanded more money than the producers were willing to pay. As a result, ABC canceledFish in May 1978 without a series finale.

There was talk of Abe Vigoda returning toBarney Miller as a regular cast member. According to Vigoda, producer Danny Arnold approached him: "Danny wined and dined me at the Park Lane Hotel the other day in New York, trying to convince me to come back. He wants me either as a regular or to do some guest shots, as well as aBarney Miller movie to be shot in New York for European distribution. I told him I could not make a commitment at the present time because of other offers."^[16] Arnold told reporters, "We've made an offer to him but we haven't received a definite response." Vigoda held out for more money, Arnold refused, and Vigoda finally walked away from negotiations.^[17]

After the smoke had cleared from Vigoda's departure, syndicated columnist Gary Deeb wrote candidly about the situation: "A major factor in his disappearing act is the fact that it was Detective Fish, not Abe Vigoda, whom millions of viewers had fallen in love with. Vigoda's recent difficulty in locating respectable work has been triggered by his own personality. According to many Hollywood performers, the guy is a royal pain -- and in many cases, it's simply not worth the hassle to hire him. During his three-and-a-half seasons onBarney Miller, Vigoda drove Danny Arnold, the program's creator, up the wall."^[18] In the spring of 1981, Vigoda did make a final appearance as Fish as a guest in the seventh-season episode "Lady and the Bomb", thus giving his character some closure.

AfterFish was canceled, a special one-hour episode ofBarney Miller aired on January 25, 1979. It was created as a pilot episode for another possibleBarney Miller spin-off to star series regular Max Gail. Titled "Wojo's Girl", the first half of the episode was set at the 12th Precinct in which Wojo (played by Gail) decides to have his girlfriend Nancy, a former prostitute (played by Darlene Parks), live with him. The second half of the installment takes place entirely in Wojo's apartment as he and Nancy struggle to adjust to living together. The pilot did not sell, Parks's character of Nancy was never seen again and Gail remained withBarney Miller until the series ended in the spring of 1982.

Shortly after the premiere ofBarney Miller in early 1975, actressLinda Lavin guest starred as Detective Janice Wentworth on the eighth episode "Ms. Cop". Her character in that installment went over very well with audiences and Lavin was brought back as a semi-regular forBarney Miller's second year. During that season, a romance began at the 12th Precinct between Detective Wentworth and Detective (Wojo) Wojciehowicz (played by Max Gail). However, at the same time, Lavin had just completed a television pilot forCBS calledAlice, which was based on theAcademy Award-winning filmAlice Doesn't Live Here Anymore. The pilot quickly sold to CBS and they included it on their schedule for the 1976–1977 season. As a result, Lavin leftBarney Miller at the end of the show's second season.Alice ran for nine years on CBS and immediately established Lavin as a television star. Lavin never returned toBarney Miller although her character of Detective Janice Wentworth was seen briefly as a flashback in the last episode of the series, "Landmark: Part 3".

TheBarney Miller episodes often made references to the uniformed policemen "downstairs" in the station house, particularly desk sergeant Kogan (played by actorMilt Kogan). During the first two seasons Kogan himself would visit the squad room on business. Thereafter the actor was no longer seen but "Kogan" lived on as the desk sergeant downstairs, whom Barney would telephone whenever his detectives needed reinforcements from the policemen on duty. Officer Carl Levitt (played by Ron Carey) was one of these "uniforms".

The captain's life was sometimes complicated by visits from officers in other departments. The most frequent visitor was Inspector Franklin D. Luger (played byJames Gregory). Luger was a battle-scarred veteran of the force whose glory days were the 1940s, when he was a rough-and-ready cop alongside his partners Kleiner, Foster, and Brown. Although his career advanced, his mindset did not. Luger was constantly living in the past, telling and retelling stories of the old days to anyone who would listen, and his clueless and often tactless treatment of current-day felons and detainees was always being salvaged more diplomatically by Barney. Away from the station Luger was equally out of date, living alone in a one-room apartment with a hot plate and an antiqueDuMont television set. Toward the end of the series he sent for a mail-order bride fromthe Philippines.

Barney's constant antagonist was Lieutenant Ben Scanlon (played byGeorge Murdock) of the vice squad. The reptilian Scanlon always popped up whenever he heard of irregular activity at the 12th Precinct, and was determined to cause trouble for the unflappable Barney.

Toward the end of the fourth year,Jack Soo was diagnosed with esophageal cancer and was absent for the last five episodes of the 1977–78 season. To help fill the void during his medical leave, actress Mari Gorman was brought in for three installments as Officer Roslyn Licori. Cast member Ron Carey's role of Officer Carl Levitt was also expanded at this time to compensate for Soo's absence. Soo returned toBarney Miller at the start of the 1978–79 season but his cancer had already metastasized and spread very quickly. As a result, he was only able to complete nine episodes that year. By the time he taped his last appearance, which was the installment "The Vandal" that aired on November 9, 1978, Soo's illness was quite evident from his rapid weight loss. Two months later, he died on January 11, 1979, at the age of 61. The fifth-season finale "Jack Soo: A Retrospective" aired on May 17, 1979, and was a tribute to him. For this installment, the cast ofBarney Miller led by Hal Linden appeared as themselves on the 12th Precinct office set as they fondly shared stories and reminiscences about Soo as an actor. At the end of the episode, the cast raised their coffee cups in loving memory of Jack Soo.

During the seventh season, in an attempt to fill the void left by Jack Soo, a new character was added toBarney Miller: Detective Sergeant Eric Dorsey. The role was filled by young actorPaul Lieber, who had shown promise during the previous season as an inept gunman in "The Architect". Sgt. Dorsey antagonized the squad members immediately by assuming they were all corrupt. Even though he eventually realized that his convictions were not true, the downbeat character was not popular with viewers. As a result, Lieber's tenure on the show lasted only a few weeks with his character of Dorsey reassigned to another precinct.

Marty Morrison (played byJack DeLeon) was an effeminate shoplifter always getting caught and always trying to plead for clemency from Capt. Miller. Both DeLeon and his dialogue always played for laughs, and Marty became the first popular "guest" character in the show (Marty made the most appearances of any recurring character). After several solo appearances Marty was joined by his more serious friend Darryl Driscoll (played by Ray Stewart). These were among the earliest recurring gay characters on American television. Danny Arnold worked closely with the Gay Media Task Force, an activist group that worked onLGBT representation in media, in developing the characters.^[19] Initially both characters were presented in a stereotypically effeminate manner but in later appearances Darryl began dressing and speaking in a more mainstream fashion,^[20] and in the episode "The Child Stealers" Darryl disclosed that he was formerly heterosexual but now divorced. In the same episode Officer Zitelli (played by Dino Natali), the new mailroom clerk who had been keeping his homosexuality secret from everyone except Capt. Miller, was angered by hostile remarks and declared, "I'm gay."

The series took a while to become a hit, but ABC supported it anyway.^[21] Suddenly America noticed the show after the fifth episode, "The Courtesans" withNancy Dussault. Creator/producer/showrunnerDanny Arnold threatened to quit his own show, if networkcensors removed a risqué punchline. (At the end of the episode, Wojo inadvertently insulted the prostitute, who responded bluntly and left the station house. Wojo then timidly asked Barney for the loan of fifty dollars.) The network relented, and the ratings rose sharply. Hal Linden recalls, "Word got out there was an X-rated sitcom, and we went from about 51st place to 21st."^[22]

Danny Arnold had planned to end production ofBarney Miller in May 1981, and his decision came as a shocking surprise to the cast and crew. "I never saw so many white faces in one place in my life," said Arnold's spokesman Bob Garon. "There were tears in everyone's eyes, including Hal [Linden's]."^[23] Garon explained that Arnold could not find a suitable replacement for departing writer-producer Tony Sheehan, and that Arnold didn't want the show repeating storylines. Linden confirms Arnold's position: "In the next-to-last season, we were having script problems. Every year we lost writers because they left to do their own shows."^[24] Arnold, facing "intense pressure from ABC"^[25] to reconsider his decision, finally agreed to continue the series. It ran for one more year before he made good his resolution to end the series. The show was not canceled; the network was reluctant to see the highly rated show leave the air.

Barney Miller retains a devoted following among real-life police officers, who appreciate the show's emphasis on dialog and believably quirky characters, and its low-key portrayal of cops going about their jobs. In a 2005 op-ed for theNew York Times, New York police detective Lucas Miller wrote:

Real cops are not usually fans of cop shows. [...] Many police officers maintain that the most realistic police show in the history of television was the sitcomBarney Miller, [...] The action was mostly off screen, the squad room the only set, and the guys were a motley bunch of character actors who were in no danger of being picked for the N.Y.P.D. pin-up calendar. But they worked hard, made jokes, got hurt and answered to their straight-man commander. For real detectives, most of the action does happen off screen, and we spend a lot of time back in the squad room writing reports about it. Like Barney Miller's squad, we crack jokes at one another, at the cases that come in, and at the crazy suspect locked in the holding cell six feet from the new guy's desk. Life really is more likeBarney Miller thanNYPD Blue, but our jokes aren't nearly as funny.^[26]

Similarly, during his appearance onJon Favreau'sIndependent Film Channel talk showDinner for Five,Dennis Farina, who worked as aChicago police officer before turning to acting, calledBarney Miller the most realistic cop show ever seen on television.^[27]

Barney Miller won aDGA Award from theDirectors Guild of America in 1981. The series won aPrimetime Emmy Award forOutstanding Comedy Series in 1982, after it ended. It received six other nominations in that category, from 1976 to 1981. The series won Primetime Emmy Awards for Outstanding Writing in a Comedy Series in 1980 (in addition to nominations in 1976, 1977 and 1982), Outstanding Directing in a Comedy or Comedy-Variety or Music Series in 1979, and was nominated for a number of others.^[28] It wonGolden Globe Awards forBest Television Comedy or Musical Series in 1976 and 1977 (from a total of seven nominations),^[29] and won aPeabody Award in 1978.^[30] In 2013,TV Guide rankedBarney Miller at No. 46 on its list of the 60 best series of all time.^[31]

Sony Pictures Home Entertainment has released the first three seasons ofBarney Miller on DVD in Region 1. Season 1 was released on January 20, 2004, to slow sales, and Sony decided not to release any more seasons. However, the decision was later reversed and Season 2 was released in 2008 (four years after the release of Season 1), followed by Season 3 in 2009.

Shout! Factory acquired the rights to the series in 2011 and subsequently released a complete series set on October 25, 2011. The 25-disc set features all 168 episodes of the series as well as bonus features and the first season of the Abe Vigoda spin-off,Fish.^[32]

In 2014, Shout! began releasing individual season sets, season 4 was released on January 7, 2014,^[33] season 5 on May 13, 2014.^[34] Season 6 on December 9, 2014.^[35] and Season 7 on April 7, 2015,^[36] followed by the eighth and final season on July 7, 2015.^[37]

Season 1 was released on DVD in Region 4 on December 20, 2006.

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• Barney Miller atIMDb
• The Life and Times of Captain Barney Miller atIMDb
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