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Ballinderry Brooch

From Wikipedia, the free encyclopedia
Irish penannular brooch

Ballinderry Brooch
MaterialCopper-alloy, tin,enamel,millefiori
Sizehead (diameter): 8.6cm, pin (length) 18.3cm
Period/culturelate 6th or early 7th century
PlaceBallinderry lake,County Offaly
Present locationNational Museum of Ireland,Kildare Street, Dublin
IdentificationNMI E6:422

TheBallinderry Brooch is an Irishpenannular brooch dated to the late 6th or early 7th centuries. It was found in the 1930s, along with a number of similar objects, underneath a timber floor of the lateBronze Age BallinderryCrannóg No.2, on Ballinderry lake,County Offaly.[1] Made from copper-alloy, tin andenamel, and decorated withmillefiori patterns, it is relatively small, with a maximum ring diameter of 8.6 cm, while its pin is 18.3 cm long.[2]

The brooch is on permanent display in theNational Museum of Ireland Treasury room. It is considered one of the most important and elaborately formed and decorated of the surviving penannular brooches. Although locally produced, it may have connections toAnglo-Saxon metalworkers as it closely resembles designs from a fragment of a hanging-bowl frame dated as pre-625 (probably 600 AD), from theSutton Hoo hoard.[3]

Discovery

[edit]

It is thought to pre-date early medieval refurbishments of the Crannóg (a type ofBronze Age river dwelling), and it is likely that at some point it was "pushed down between the timbers to hide it" from attackers or raiders.[4] Much of the archaeology records from the 1930s excavation are poor or incomplete, and so it is not possible to date it from the layer in which it was found, nor to estimate the reasons or conditions of its original depositing. In addition, the site was ransacked for artefacts in the mid-19th century and suffered considerable damage.[4]

A number of similarly styled mountings and fragments from smaller brooches have been found in the Ballinderry area.[2]

Description

[edit]
Detail of the zoomorphic terminals with sunken fields of red enamel and millefiori

The terminals are shaped as stylized animal heads, whose mouths (or snouts) face each other to form the opening gap for the pin, with small protuberances at these points indicating their ears. Both the terminals and the ring contain panels of redenamel and inlaidmillefiori platelets with full and semi-circle patterns arranged in cross shapes.[5][6] Theconcaved reverse of the terminals containhexafoil designs lined with series of dots.[7]

The arms of the ring are lined with thin series of lines, herringbone andhatchings which resemble tight strips of wire bindings. A pair of copper-alloy coils are banded loosely around the ring and may have functioned as additional fastening devices for cloth; each has a sharp and a blunt ending.[6]

The reverse of the head containssoldered plates decorated with further engravedmarigold designs.[2] The reverse-side marigolds have led to the brooch's comparison tothe marigold stone inCarndonagh,County Donegal, which also contains "the pattern of a geometrical stem rising towards a marigold flower".[7][8]

References

[edit]
  1. ^Newman (2002), p. 111
  2. ^abcRyan (1989), p. 41
  3. ^Bruce-Mitford, et al (2015), p. 440
  4. ^abNewman (2002), p. 107
  5. ^Bruce-Mitford, et al (2015), p. 25
  6. ^abNewman (2002), p. 106
  7. ^abNewman (2005), p. 180
  8. ^"O'Toole, Fintan. "A history of Ireland in 100 objects".The Irish Times, 9 July 2011. Retrieved 22 November 2021

Sources

[edit]
  • Bruce-Mitford, Rupert; Scott, Leo; Raven, Sheila. "A Corpus of Late Celtic Hanging-bowls with an Account of the Bowls Found in Scandinavia". Oxford: Oxford University Press, 2015.ISBN 978-0-1981-3410-7
  • Newman, Conor. "Ballinderry Crannóg No. 2, Co. Offaly: Pre-Crannóg Early Medieval Horizon".The Journal of Irish Archaeology, volume 11, 2002.JSTOR 30001660
  • Newman, Conor.Iconographical analysis of the marigold Stone, Carndonagh, Inishowen, Co. Donegal. In:Moss, Rachel (ed.), "Making and meaning in Insular Art: 5th International Conference on Insular Art, 2005
  • O'Neill Hencken, Hugh. "Ballinderry Crannog no. 2".Proceedings of the Royal Irish Academy, January 1, 1942. ASIN: B0007J79B2
  • Ryan, Michael. In: Youngs, Susan (ed.),"The Work of Angels": Masterpieces of Celtic Metalwork, 6th—9th centuries AD. London:British Museum Press, 1989.ISBN 0-7141-0554-6
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