Bags & Trane | ||||
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Studio album by | ||||
Released | Mid July 1961[1] | |||
Recorded | January 15, 1959 | |||
Studio | Atlantic Studios,New York City | |||
Genre | Jazz,hard bop | |||
Length | 36:51original LP 56:33CD reissue | |||
Label | Atlantic Records SD 1368 | |||
Producer | Nesuhi Ertegün | |||
Milt Jackson chronology | ||||
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John Coltrane chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
DownBeat | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz Recordings | ![]() ![]() ![]() ![]() |
Bags & Trane is an album credited tojazz musiciansMilt Jackson andJohn Coltrane, released in 1961 onAtlantic Records, catalogue SD 1368. Taking its title from Jackson and Coltrane's nicknames, it is the only collaborative record by the two, although only Jackson contributed original compositions. In actuality, the album belongs in Jackson's discography, as he was the session leader and still signed to Atlantic under the auspices of theModern Jazz Quartet, and not in that of Coltrane, who had left the label forImpulse Records at the time of this album's first issue. However, likePrestige Records, as Coltrane's profile grew after he had stopped recording for the label, Atlantic released them with Coltrane's name more prominently displayed.
The contemporaneousDownBeat reviewer blamed the rhythm section for Jackson and Coltrane not gelling, and concluded: "the general impression is one of a session that could have been better, though it is still above the just-good mark".[3]
Side one
No. | Title | Writer(s) | Length |
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1. | "Bags & Trane" | Milt Jackson | 7:25 |
2. | "Three Little Words" | Harry Ruby | 7:29 |
3. | "The Night We Called It a Day" | Matt Dennis,Tom Adair | 4:22 |
Side two
No. | Title | Writer(s) | Length |
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4. | "Be-Bop" | Dizzy Gillespie | 8:00 |
5. | "The Late Late Blues" | Milt Jackson | 9:35 |
1988 Atlantic Records CD (with bonus tracks)
2010 and 2012 European releases on Essential Jazz Classics and Efor
Since 2009, when the recordings passed into the public domain in Europe, European record labels have issued editions of the album including additional tracks from the recording sessions and additional tracks not related to the original album recording sessions. The Essential Jazz Classics and Efor labels both released the album appended with two 1957 Prestige Records trio recordings of Coltrane playing blues compositions. While these releases conform with European laws, they are unlicensed and made without access to the original master tapes of the sessions.
Different personnel on bonus tracks (9 & 10):
Recorded at Hackensack, New Jersey, on 16 August 1957.