 First edition | |
| Author | Samuel R. Delany |
|---|---|
| Cover artist | Jerome Podwill |
| Language | English |
| Genre | Science fiction |
| Publisher | Ace Books |
Publication date | May 17, 1966[1] |
| Publication place | United States |
| Pages | 173 |
Babel-17 is a 1966science fiction novel by American writerSamuel R. Delany in which theSapir–Whorf hypothesis (that language influences thought and perception) plays an important part.[2] It was joint winner of theNebula Award for Best Novel in 1967 (withFlowers for Algernon)[3] and was also nominated for theHugo Award for Best Novel in 1967.[4]
Delany hoped to haveBabel-17 originally published as a single volume with the novellaEmpire Star, but this did not happen until a 2001 reprint.[5]
 | This article'splot summaryneeds to be improved. Please helpdo so. Relevant discussion may be found on thetalk page.(May 2023) (Learn how and when to remove this message) |
Babel-17 is a language that can be used as a weapon by alien invaders during an interstellar war against the Human Alliance. Chinese starship captain, linguist, poet, and telepath Rydra Wong begins to learn the language. After several attacks have been made by the invaders who speak Babel-17, she soon realizes the potential of the language to change one's thought process and provide speakers with certain powers, and she is recruited by her government to discover how the enemy is infiltrating and sabotaging strategic sites. As her understanding of the language increases, she is able to predict where the next attack will be and gathers a team to go to the predicted location of the attack.
Initially Babel-17 is thought to be a code used by enemy agents. Rydra realizes it is a language in and of itself. During their mission, Rydra realizes there is a traitor aboard the ship. After escaping the predicted attack, Rydra and her crew are captured by a pirate ship called a shadow-ship. While on the ship, Rydra meets a man called "The Butcher", a crew-member and ex-convict who does not use the word "I". After teaching The Butcher the word "I," Rydra, The Butcher, and her crew leave the ship during a battle. Rydra and The Butcher, who already unknowingly spoke Babel-17, are rescued but seem incredibly altered. While their bodies are present, their minds seem elsewhere. Their ability to speak Babel-17 has altered their minds and we learn that it was "The Butcher" who was the traitor on board the ship all along. Babel-17 is discovered to be a language that not only helps you understand the enemy, but become the enemy; the Butcher is a human who turns out to have been "adapted" by Babel-17 to work as a saboteur against the Human Alliance. But Wong's linguistic powers are great enough that she succeeds in resisting yet also comprehending Babel-17, and ultimately in defeating the language's alien creators: Wong herself harnesses Babel-17 to reprogram the aliens' saboteurs.
The novel deals with several issues related to the peculiarities of language, how conditions of life shape the formation of words and meaning, and how words themselves can shape the actions of people.
Delany's novel influenced a generation of writers:Native Tongue bySuzette Haden Elgin[citation needed],The Dispossessed byUrsula K. Le Guin[citation needed],Embassytown byChina Miéville, "In Luna Bore Coda" by Joshua Nilles, and, more evidently, the short story "Story of Your Life" byTed Chiang[citation needed]. Language as a weapon was adapted as a plot device inNeal Stephenson'sSnow Crash. It also resembles a few preceding science fiction novels which deal with how languages shape the political and cultural stratum of societies, such asThe Languages of Pao byJack Vance orAnthem byAyn Rand.
In turn, the use of language is similar to Robert Heinlein's novellaGulf, in which superior language leads to superior thinking: both works make use of the "strong" Sapir-Whorf HypothesisLinguistic relativity.
The language portrayed at the center ofBabel-17 contains interesting linguistic features including the absence of a pronoun or any other construction for "I". The heroine finds her perceptions (and even her physical abilities) altered once she has learned Babel-17. Babel-17 also seems to alter the worldview of those who speak it. When Rydra speaks in Babel-17, time slows down because she is able to communicate with much more precision. The language also not only allows one to express ideas much quicker but seems to also change one's worldview.
Delany describes himself as having been "a die-hard believer in the Sapir-Whorf", which was in the air at the time, without his ever having heard the term; eventually, once he read about it, he decided that "it was just incorrect", because "it fails to take into account the whole economy of discourse, which is a linguistic level that accomplishes lots of the soft-edge conceptual contouring around ideas, whether we have available a one- or two-word name for it or only a set of informal many-word descriptions that are not completely fixed", which motivated his later works considering language: "The realization of the flaws in the Sapir-Whorf, in that they caused me to begin considering the more complex linguistic mechanisms of discourse, you might say gave me my lifetime project."[6]
In 2014, the workBabel-17 was told in tandem with a partial biography of Samuel R. Delany's early years in the form of a playThe Motion of Light in Water, based on a 1988autobiography with the same title, produced by Elbow Room, an Australian theatre company directed by Marcel Dorney.[7]
Rush drummer and lyricistNeil Peart noted thatBabel-17 was one of his early literary influences, and was an important part of the crafting of the band's hugely successful2112 album.[8]