| Lists of |
| Compositions by Johann Sebastian Bach |
|---|
Johann Sebastian Bach's vocal music includescantatas,motets,masses, Magnificats,Passions,oratorios,four-part chorales,songs and arias. His instrumental music includesconcertos,suites,sonatas,fugues, and other worksfor organ,harpsichord, lute,violin, viola da gamba, cello, flute, chamber ensemble, andorchestra.
There are over 1,000 known compositions by Bach. Almost all are listed in theBach-Werke-Verzeichnis (BWV), which is the best known and most widely used catalogue of Bach's compositions.
Some of the earlybiographies of Johann Sebastian Bach contain lists of his compositions. For instance,his obituary contains a list of the instrumentalcompositions printed during the composer's lifetime, followed by an approximate list of his unpublished work.[1] Thefirst separately published biography of the composer, byJohann Nikolaus Forkel, follows the same approach: its ninth chapter first lists printed works (addingfour-part chorales which had been published in the second half of the 18th century), followed by a rough overview of the unpublished ones.[2] In the first half of the 19th century more works were published, so the next biographies (Schauer and Hilgenfeldt in 1850) had more elaborate appendices listing printed works, referring to these works by publisher, and the number or page number given to the works in these publications. So, for example, thePrelude and Fugue in E-flat major can be indicated as "C. F. Peters Vol. III No. 1", or any of the variants ("Griepenkerl and Roitzsch Vol. 3 p. 2", "Peters Book 242 p. 2", "P. S. V., Cah. 3 (242), No. 1", etc.)
In the 2nd half of the 19th century theBach-Gesellschaft (BG) published all Bach's works in around 50 volumes, the so-calledBach Gesellschaft Ausgabe (BGA).[3] This offered a unique identification of all Bach's known works, a system that was quickly adopted, for instance, by the biographers:Philipp Spitta used it complementarily to the Peters edition's numbering for the BG volumes that had appeared when he was writinghis Bach-biography in the second half of the 19th century (e.g. "B. G., III., p. 173" for the above-mentioned Prelude in E-flat major), and Terry used it in the third Appendix to his 20th-century translation of Forkel's biography.[4]
Despite this, there was still much confusion. Some authors preferred to list Bach's works according toNovello's editions, orAugener's, orSchirmer's, giving rise to various conversion tables at the end of books on Bach's compositions (e.g.Harvey Grace's in a 1922 book on Bach's organ compositions).
In 1900 the BG published its last volume, and dissolved itself, as its primary goal, publishing all of Bach's known works, was accomplished. The BG was succeeded by theNeue Bachgesellschaft (NBG), with a new set of goals (Bach yearbook, Bach festivals, and a Bach museum). Occasionally however the NBG published newly discovered works, or variants not published in the BGA. For instance the 1740s version ofO Jesu Christ, meins Lebens Licht was published in NBG XVII1 in 1916 (the 1730s version of the same piece, with a different orchestration, had been published in BG 24, pp. 185–192).[4]
In 1950 theBach-Werke-Verzeichnis was published, allocating a unique number to every known composition by Bach.Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following BG for the collation (e.g. BG cantata number = BWV number of the cantata):[5]
For instance, the Prelude and Fugue in E-flat major now becameBWV 552, situated in the range of the works for organ. In contrast to other catalogues such as theKöchel catalogue forMozart's compositions there is no attempt at chronological organization in the BWV numbering, for instanceBWV 992 is an early composition by Bach. Exceptionally BWV numbers are also indicated as Schmieder (S) numbers (e.g. S. 225 =BWV 225).[6]
Another consequence of the ordering principles of the BWV was that it tore known collections apart, for instanceClavier-Übung III was partly in the organ compositions range (BWV 552 and 669–689), with the four duets listed among the keyboard compositions (BWV 802–805).
The Anhang (Anh.), i.e. Appendix, of the BWV listed works that were not suitable for the main catalogue, in three sections:
Within each section of the Anhang the works are sorted by genre, following the same sequence of genres as the main catalogue.
Schmieder published the BWV's second edition in 1990, with some modifications regarding authenticity discriminations, and more works added to the main catalogue and the Anhang. A strict numerical collation was abandoned to insert additions, or when for another reason compositions were regrouped. For example,BWV 11, formerly listed as a Cantata, was moved to the fourth chapter of the main catalogue as an Oratorio. Rather than renumbering a composition, an arrow indicated where the composition was inserted: "BWV 11/249b→" meaning "BWV 11, inserted after BWV 249b" (4th chapter). Similarly,BWV 1083/243a→ meantBWV 1083, inserted after BWV 243a (3rd chapter). Also authenticity discriminations, based on new research, could lead to such repositionings within the catalogue, e.g. "BWV Anh. II 114" became "Anh. II 114/Anh. III 183→ indicating it was now considered a spurious work.[7]
In 1998Alfred Dürr and Yoshitake Kobayashi published a small edition of the catalogue, based on the 1990 second edition. This edition, known as BWV2a, contained a few further updates and collation rearrangements.[8]
New additions (Nachträge) to BWV2/BWV2a included:
A few exceptions to the principle that compositions were not renumbered were when a composition from the Anhang could be recovered or authenticated as Bach's, so that it deserved a place in the main catalogue, in which case it was given a number above 1080. So, for example, BWV Anh. 205 (BWV2) → BWV 1121 (BWV2a, where it is in section 7 as a work for organ).[9]
Other renumberings and additional numbers involved alternative or earlier versions of basically the same composition, which were indicated by adding a lower case letter to the BWV number. Examples:
Some versions were completely removed from the catalogue, e.g. BWV 655b and c.
Slashes indicate movements: e.g.BWV 149/1 indicates the first movement of the Cantata BWV 149. Another example: theAgnus Dei of theMass in B minor can be indicated as BWV 232/22 (22nd movement of the composition), or alternatively as BWV 232IV/4 (BWV 232, fourth movement of Part IV).
Numbers above BWV 1126 were added in the 21st century.
An upper case R added to a BWV number indicates areconstructed version, that is a conjectured earlier version of a known composition. One of such reconstructions, the Concerto for oboe and violin, as published in NBA VII/7 (Supplement) p. 75, based on the double harpsichord concerto BWV 1060, is known asBWV 1060R.
As of mid-2018 theBach digital website started to implement the new numbers of the 3rd edition of the Bach-Werke-Verzeichnis, which has been announced for publication in 2020.[10] For example, the Leipzig version of theChrist lag in Todes Banden cantata used to be BWV 4 in previous versions of the catalogue, and, in BWV3, has becomeBWV 4.2.[11]
In the meantime, theNew Bach Edition (Neue Bach-Ausgabe, abbreviated as NBA) was being published,[12][13] offering a new system to refer to Bach's works, e.g.NBA IV/4: 2, 105, which is Series IV, Volume 4, p. 2 (Prelude) and p. 105 (Fugue), for BWV 552.
Some years after the completion of the NBA in 2007 its publisherBärenreiter joined with theBach Archive again to publish revised editions of some of Bach's scores. These revised editions, aligning with the NBA editions (format, layout), but outside that group of publications, were published under the name Johann Sebastian Bach: New Edition of the Complete Works – Revised Edition (Johann Sebastian Bach: Neue Ausgabe sämtlicher Werke – Revidierte Edition), in short: New Bach Edition – Revised (Neue Bach-Ausgabe – Revidierte Edition), abbreviated as NBArev. Where the original NBA editions were exclusively in German, the volumes of the Revised series have their introductions both in German and English. Its first volume, NBArev 1, was a new edition of theMass in B minor, appearing in 2010.[14]
The Bach Compendium (BC), a catalogue covering Bach's vocal works was published in 1985.[15] Occasionally works that have no BWV number can be identified by their BC number, e.g. BC C 8 for "Der Gerechte kömmt um" an arrangement attributed to Bach on stylistic grounds, however unmentioned in the BWV.[16]
Bachs Notenbibliothek (BNB) is a list of works Bach had at his disposition. Works of other composers which were arranged by Bach or which he (had) copied for performance usually have a BNB number.[17]
TheBerlin State Library (Staatsbibliothek zu Berlin = SBB) holds an important collection of compositionmanuscripts relating to Bach. Some versions of works are best known by their principal manuscript in the SBB, for instanceBWV 525a =SBBSt 345, or according to the abbreviations used at the Bach-digital websiteD-B Mus. ms. BachSt 345.
Apart from indicating his first published keyboard composition as Opus 1, Bach did not useopus numbers. Lists following publication chronologies are for example implied in the first list in Bach's obituary, and BG numbers (within the BGA sequence of publication) – overall lists covering all of Bach's compositions in order of first publication are however not a way Bach's compositions are usually presented.
Listing Bach's works according to their time of composition cannot be done comprehensively: for many works the period in which they were composed is a very wide range. For Bach's larger vocal works (cantatas, Passions,...) research has led to some more or less generally accepted chronologies, covering most of these works: a catalogue in this sense is Philippe (and Gérard) Zwang's list giving a chronological number to the cantatas BWV 1–215 and 248–249.[18] This list was published in 1982 asGuide pratique des cantates de Bach in Paris,ISBN 2-221-00749-2. A revised edition was published in 2005 (ISBN 2747598888).
Various catalogues with works by other composers have intersections with collections of works associated with Bach:[19]
There are over 1500 works that feature in a catalogue of works by Bach, like theBach-Werke-Verzeichnis, or in a collection of works associated with Bach (e.g. in one of theNotebooks for Anna Magdalena Bach). Of these around a thousand are original compositions by Bach, that is: more than a mere copy or transcription of an earlier work by himself or another composer.
| column | content | |
|---|---|---|
| 1 | BWV | Bach-Werke-Verzeichnis (lit. 'Bach-works-catalogue'; BWV) numbers.Anhang (Annex; Anh.) numbers are indicated as follows: |
| 2 | 2a | Section in which the composition appears in BWV2a:
|
| 3 | Date | Date associated with the completion of the listed version of the composition. Exact dates (e.g. for most cantatas) usually indicate the assumed date of first (public) performance. When the date is followed by an abbreviation in brackets (e.g. JSB for Johann Sebastian Bach) it indicates the date of that person's involvement with the composition as composer, scribe or publisher. |
| 4 | Name | Name of the composition: if the composition is known by a Germanincipit, that German name is preceded by the composition type (e.g. cantata, chorale prelude, motet, ...) |
| 5 | Key | Key of the composition |
| 6 | Scoring | Seescoring table below for the abbreviations used in this column |
| 7 | BG | Bach Gesellschaft-Ausgabe (BG edition; BGA): numbers before the colon indicate the volume in that edition. After the colon an Arabic numeral indicates the page number where the score of the composition begins, while a Roman numeral indicates a description of the composition in theVorwort (Preface) of the volume.[3] |
| 8 | NBE | New Bach Edition (German:Neue Bach-Ausgabe, NBA): Roman numerals for the series, followed by a slash, and the volume number in Arabic numerals. A page number, after a colon, refers to the "Score" part of the volume. Without such page number, the composition is only described in the "Critical Commentary" part of the volume. The volumes group Bach's compositions by genre:[13]
|
| 9 | Additional info | may include:
Provenance of standard texts and tunes, such asLutheran hymns andtheir chorale melodies, Latin liturgical texts (e.g.Magnificat) and common tunes (e.g.Folia), are not usually indicated in this column. For an overview of such resources used by Bach, see individual composition articles, and overviews in, e.g.,Chorale cantata (Bach)#Bach's chorale cantatas,List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections andList of organ compositions by Johann Sebastian Bach#Chorale Preludes. |
| 10 | BD | Bach Digital Work page |
| Colour | Meaning |
|---|---|
| green | extant or clearly documented partial or complete manuscript (copy) by Bach and/or first edition under Bach's supervision |
| yellow | extant or clearly documented manuscript (copy) or print edition, in whole or in part, by close relative, i.e. brother (J. Christoph), wife (A. M.), son (W. F. /C. P. E. /J. C. F. /J. Christian) or son-in-law (Altnickol) |
| orange-brown | extant or clearly documented manuscript (copy) by close friend and/orpupil (Kellner, Krebs, Kirnberger,Walther, ...), or distant family member |
| BWV (original ranges in parentheses) |
|---|
| 1. Cantatas (1–224) •2. Motets (225–231) •3. Masses, Mass movements, Magnificat (232–243) •4. Passions, Oratorios (244–249) •5. Four-part chorales (250–438) •6. Songs, Arias and Quodlibet (439–524) •7. Works for organ (525–771) •8. Keyboard compositions (772–994) •9. Lute compositions (995–1000) •10. Chamber music (1001–1040) •11. Works for orchestra (1041–1071) •12. Canons (1072–1078) •13.Musical Offering,The Art of Fugue (1079–1080) •Later additions (1081–...) •Reconstructions |
| BWV Anhang (Appendix) |
| I: Lost/fragmentary (1–23) •II: Doubtful (24–155) •III: Spurious (156–189) •N: Nachträge (New additions, 190–213) |
| Not in BWV (BWV deest) |
| Sorted byBC,BGA,BNB,NBA, etc. |
| BWV | 2a | Date | Name | Key | Scoring | BG | NBE | Additional info | BD |
|---|---|---|---|---|---|---|---|---|---|
| 1. | Cantatas (see also:List of Bach cantatas,Church cantata (Bach) andList of secular cantatas by Johann Sebastian Bach) | Up ↑ | |||||||
| 1 | 1. | 1725-03-25 | CantataWie schön leuchtet der Morgenstern (Annunciation) | F maj. | stbSATB 2Hn 2Odc 2Vl Str Bc | 1: 1 | I/28.2: 3 | afterZ 8359; text afterNicolai | 00001 |
| 2 | 1. | 1724-06-18 | CantataAch Gott, vom Himmel sieh darein (Trinity II) | G min. | atbSATB 4Tbn 2Ob Str Bc | 1: 53 | I/16: 81 | afterZ 4431; text afterLuther | 00002 |
| 2/6 | chorale setting "Ach Gott, vom Himmel sieh darein" (s. 6) | G Dor. | SATB | 1: 72 | III/2.1: 25 III/2.2: 156 | afterZ 4431; text byLuther | 11189 | ||
| 3 | 1. | 1725-01-14 | CantataAch Gott, wie manches Herzeleid (Epiphany II) | A maj. | satbSATB Hn Tbn 2Oba Str Bc | 1: 73 | I/5: 189 | afterZ 533a; text afterMoller | 00003 |
| 3/6 | chorale setting "Ach Gott, wie manches Herzeleid" (s. 18) | SATB | 1: 94 | III/2.1: 26 III/2.2: 90 | afterZ 533a; text byMoller | 11191 | |||
| 4.2 | 1. | 1724-04-09 | CantataChrist lag in Todes Banden (Easter) | E min. | satbSATB Cnt 3Tbn Str Bc | 1: 95 | I/9: 1 | afterBWV 4.1; text byLuther | 00004 |
| 4/8 | chorale setting "Christ lag in Todes Banden" (s. 7) | E min. D min. | SATB | 1: 124 | III/2.2: 104 | afterZ 7012a; text byLuther | 11295 | ||
| 4.1 | 1. | 1707-04-24 | CantataChrist lag in Todes Banden (Easter; early version, lost) | satbSATB 2Vl 2Va Bc | I/9 | afterZ 7012a; →BWV 4.2; text byLuther | 00005 | ||
| 5 | 1. | 1724-10-15 | CantataWo soll ich fliehen hin (Trinity XIX) | G min. | satbSATB Tdt 2Ob Str Bc | 1: 125 | I/24: 133 | afterZ 2164; text afterHeermann | 00006 |
| 5/7 | chorale setting "Wo soll ich fliehen hin" (s. 11) | SATB | 1: 150 | III/2.1: 66 III/2.2: 180 | afterZ 2164; text byHeermann | 11232 | |||
| chorale setting "Auf meinen lieben Gott" | afterZ 2164 | ||||||||
| 6 | 1. | 1725-04-02 | CantataBleib bei uns, denn es will Abend werden (Easter 2) | C min. | satbSATB 2Ob Odc Str Vc Bc | 1: 151 | I/10: 43 | afterZ 439 (/3: →BWV 649),Z 350a (/6); text afterLk 24:29 (/1), byMelanchthon &Selnecker (/3),Luther (/6) | 00007 |
| 6/6 | chorale setting "Erhalt uns, Herr, bei deinem Wort" (s. 2) | G min. | SATB | 1: 176 | III/2.2: 40 | afterZ 350a; text byLuther | 11338 | ||
| 7 | 1. | 1724-06-24 | CantataChrist unser Herr zum Jordan kam (24 June: feast of John the Baptist) | E min. | atbSATB 2Oba 2Vl Str Bc | 1: 177 | I/29: 25 | afterZ 7246; text afterLuther | 00008 |
| 8.1 | 1. | 1724-09-24 | CantataLiebster Gott, wenn werd ich sterben? (Trinity XVI; 1st version) | E maj. | satbSATB Hn Fl 2Oba Str Bc | 1: 211 | I/23: 105 | afterZ 6634; byVetter, D. (/6); text afterNeumann; →BWV 8.2 | 00009 |
| 8.2 | 1. | 1747-09-17 | CantataLiebster Gott, wenn werd ich sterben? (Trinity XVI; 2nd version) | D maj. | satbSATB Fl 2Oba Tai 2Vl Str Bc | I/23: 163 | afterBWV 8.1 | 00010 | |
| 9 | 1. | 1734-08-01 | CantataEs ist das Heil uns kommen her (Trinity VI) | E maj. | satbSATB Fl Oba Str Bc | 1: 243 | I/17.2: 83 | afterZ 4430; text afterSperatus | 00011 |
| 9/7 | chorale setting "Es ist das Heil uns kommen her" (s. 12) | SATB | 1: 274 | III/2.1: 52 III/2.2: 172 | afterZ 4430; text bySperatus | 11213 | |||
| 10 | 1. | 1724-07-02 | CantataMeine Seel erhebt den Herren a.k.a.German Magnificat (Visitation) | G min. | satbSATB Tr 2Ob Str Bc | 1: 275 | I/28.2: 131 | afterMagnificat peregrini toni; text afterMagnificat; →BWV 648 | 00012 |
| 10/7 | chorale setting "Meine Seel erhebt den Herren" (doxology, ss. 10–11) | SATB | 1: 303 | III/2.1: 82 III/2.2: 205 | afterMagnificat peregrini toni; text:German Magnificat | 11248 | |||
| 12 | 1. | 1714-04-22 | CantataWeinen, Klagen, Sorgen, Zagen (Jubilate; two versions) | F Dor. | atbSATB Tr Ob 2Vl 2Va Bas Bc | 2: 59 | I/11.2: 1 | afterZ 5629 (/7: →BWV 69.1/6); text byFranck, S.?; text afterActs 14:22 (/3); text byRodigast (/7); /2 →BWV 232/14 | 00014 |
| 1724-04-30 | G min. | ||||||||
| 13 | 1. | 1726-01-20 | CantataMeine Seufzer, meine Tränen (Epiphany II) | D min. | satbSATB 2Fl Odc Str Bc | 2: 79 | I/5: 229 | afterZ 6543 (/3),Z 2293b (/6); text byLehms,Heermann (/3),Fleming (/6) | 00015 |
| 13/6 | chorale setting "In allen meinen Taten" (s. 9) | B♭ maj. | SATB | 2: 98 | III/2.2: 58 | afterZ 2293b; text byFleming | 11347 | ||
| chorale setting "Nun ruhen alle Wälder" | G maj. | III/2.2: 216 | |||||||
| 14 | 1. | 1735-01-30 | CantataWär Gott nicht mit uns diese Zeit (Epiphany IV) | G min. | stbSATB Hn 2Ob Str Bc | 2: 99 | I/6: 139 | afterZ 4434; text afterLuther | 00016 |
| 14/5 | chorale setting "Wär Gott nicht mit uns diese Zeit" (s. 3) | SATB | 2: 132 | III/2.1: 88 III/2.2: 103 | afterZ 4434; text byLuther | 11250 | |||
| 16 | 1. | 1726-01-01 | CantataHerr Gott, dich loben wir (New Year/Circumcision) | A min. | atbSATB Hn 2Ob Odc Str Bc | 2: 173 | I/4: 103 | afterZ 8652 (/1),5267 (/6; →BWV 419); text byLehms,Luther (/1),Eber (/6) | 00018 |
| 1731-01-01 | atbSATB Hn 2Ob Va Str Bc | ||||||||
| 16/6 | 1726-01-01 | chorale setting "Helft mir Gotts Güte preisen" (s. 6) | SATB | 2: 198 | III/2.2: 56 | afterZ 5267; text byEber | 11324 | ||
| 17 | 1. | 1726-09-22 | CantataWer Dank opfert, der preiset mich (Trinity XIV) | A maj. | satbSATB 2Ob Str Bc | 2: 199 | I/21: 147 | afterZ 8244 (/7); text:Meiningen, afterPs 50:23 (/1; →BWV 236/6),Lk 17:15–16 (/4), byGramann (/7) | 00019 |
| 17/7 | chorale setting "Nun lob, mein Seel, den Herren" (s. 3) | SATB | 2: 225 | III/2.2: 4 | afterZ 8244; text byGramann | 11330 | |||
| 18.2 | 1. | 1724-02-13 | CantataGleichwie der Regen und Schnee vom Himmel fällt (Sexagesima) | A min. | stbSATB 2Fl Bas 4Va Vc Bc | 2: 227 (ing) | I/7: 107 | afterBWV 18.1; text byNeumeister, afterIs 55:10–11 (/2),Luther (/3), bySpengler (/5) | 00020 |
| 18/5 | chorale setting "Durch Adams Fall ist ganz verderbt" (s. 8) | SATB | 2: 252 (ing) | III/2.2: 71 | afterZ 7549; text bySpengler | 11301 | |||
| 1. | 1715-02-24 | chorale setting "Ich ruf zu dir, Herr Jesu Christ" | G min. | III/2.2: 56 | afterZ 7549; text byAgricola | ||||
| 18.1 | CantataGleichwie der Regen und Schnee vom Himmel fällt (Sexagesima) | stbSATB Bas 4Va Vc Bc | I/7: 81 | afterZ 7549 (/5); text byNeumeister, afterIs 55:10–11 (/2),Luther (/3), bySpengler (/5); →BWV 18.2 | 00021 | ||||
| 19 | 1. | 1726-09-29 | CantataEs erhub sich ein Streit (Michaelmas) | C maj. | stbSATB 3Tr Tmp 2Ob 2Oba Tai Str Bc | 2: 253 | I/30: 55 | afterZ 6543 (/7); text afterPicander | 00022 |
| 19/7 | chorale setting "Freu dich sehr, o meine Seele" (s. 9) | SATB | 2: 288 | III/2.1: 62 III/2.2: 177 | afterZ 6543 | 11227 | |||
| chorale setting "Weg, mein Herz, mit den Gedanken" | afterZ 6543; text byGerhardt | ||||||||
| 20 | 1. | 1724-06-11 | CantataO Ewigkeit, du Donnerwort (Trinity I) | F maj. | atbSATB Tdt Tmp 3Ob Str Bc | 2: 291 | I/15: 133 | afterZ 5820; text afterRist | 00023 |
| 20/7 20/11 | chorale setting "O Ewigkeit, du Donnerwort" (ss. 11, 16) | SATB | 2: 317, 327 | III/2.2: 17 | afterZ 5820; text byRist | 11332 | |||
| 21.1 | 1. | before Dec. 1713 | CantataIch hatte viel Bekümmernis (1st version:in ogni tempore; 1714-06-17: Trinity III) | C min. | satbSATB 3Tr Tmp Ob Str Bc | I/16: 109 | afterZ 2778 (/9); text byFranck, S.?; text afterPs 94:19 (/2),42:12 (/6),116:7 (/9),Rv 5:12–13 (/11), byNeumark (/9); →BWV 21.2 | 00024 | |
| 21.2 | 1. | c. autumn 1720 | CantataIch hatte viel Bekümmernis (2nd version:in ogni tempore) | D min. | satbSATB 3Tr Tmp Ob Str Bas Bc | I/16 | afterBWV 21.1 (same text); →BWV 21.3 | 00025 | |
| 21.3 | 1. | 1723-06-13 | CantataIch hatte viel Bekümmernis (3rd version: Trinity III) | C min. | satbSATB 3Tr Tmp 4Tne Ob Str Bas Bc | 51: 1 | I/16 | afterBWV 21.2 (same text) | 00026 |
| 22 | 1. | 1723-02-07 | CantataJesus nahm zu sich die Zwölfe (Estomihi) | satbSATB Ob Str Bc | 51: 65 | I/8: 1 | afterZ 4297a (/5); text afterLuke 18:31, 34 (/1), byCruciger (/5) | 00027 | |
| 23.1 | 1. | 1723 | CantataDu wahrer Gott und Davids Sohn (1st version, 3 movements: Estomihi) | C min. | satbSATB 2Ob Str Bc | 51: 93 | I/8: 33 | →BWV 23.2, .3 | 00028 |
| 23.2 | 1. | 1723-02-07 | CantataDu wahrer Gott und Davids Sohn (2nd version, 4 movements: Estomihi) | B min. | satbSATB Cnt 3Tbn 2Oba Str Bc | I/8: 69 | afterBWV 23.1,Z 58 (/4); text byLuther afterAgnus Dei (/4); →BWV 23.3,245.2/40 | 00029 | |
| 23.3 | 1. | 1728–1731 | CantataDu wahrer Gott und Davids Sohn (3rd version, 4 movements: Estomihi) | C min. | satbSATB 2Ob Str Bc | 51: 93 | I/8: 33 | afterBWV 23.1, .2; text byLuther afterAgnus Dei (/4) | 00030 |
| 24 | 1. | 1723-06-20 | CantataEin ungefärbt Gemüte (Trinity IV) | F maj. | satbSATB Tr 2Ob 2Oba Str Bc | 51: 125 | I/17.1: 47 | afterZ 5148 (/6); text byNeumeister,Heermann (/6), afterMt 7:12 (/3) | 00031 |
| 24/6 | chorale setting "O Gott, du frommer Gott" (s. 1) | SATB | 51: 150 | III/2.2: 195 | afterZ 5148; text byHeermann | 11333 | |||
| chorale setting "Was frag ich nach der Welt" | afterZ 5148; text byKindermann | ||||||||
| 25 | 1. | 1723-08-29 | CantataEs ist nichts Gesundes an meinem Leibe (Trinity XIV) | E min. | stbSATB Cnt 3Tbn 3Fl 2Ob Str Bc | 51: 153 | I/21: 79 | afterZ 6543 (/6); text afterRambach,Ps 38:4 (/1), byHeermann (/6) | 00032 |
| 25/6 | chorale setting "Treuer Gott, ich muss dir klagen" (s. 12) | C maj. | SATB | 51: 188 | III/2.1: 15 III/2.2: 150 | afterZ 6543; text byHeermann | 11177 | ||
| chorale setting "Weg, mein Herz, mit den Gedenken" | afterZ 6543; text byGerhardt | ||||||||
| chorale setting "Freu dich sehr, o meine Seele" | III/2.2: 168 | afterZ 6543 | |||||||
| 26 | 1. | 1724-11-19 | CantataAch wie flüchtig, ach wie nichtig (Trinity XXIV) | A min. | satbSATB Hn Fl 3Ob Str Bc | 51: 189 | I/27: 29 | afterZ 1887b; text afterFranck, M. | 00033 |
| 26/6 | chorale setting "Ach wie flüchtig, ach wie nichtig" (s. 8) | SATB | 51: 216 | III/2.2: 28 | afterZ 1887b; text byFranck, M. | 11289 | |||
| 27 | 1. | 1726-10-06 | CantataWer weiß, wie nahe mir mein Ende? (Trinity XVI) | C min. | satbSSATB Hn 2Ob Odc Str Org Bc | 51: 217 | I/23: 221 | afterZ 2778 (/1); byRosenmüller (/6 =BWV Anh. 170); text byE. J. of Schwarzburg-Rudolstadt (/1),Albinus (/6), afterNeumeister (/3) | 00034 |
| 28 | 1. | 1725-12-30 | CantataGottlob! nun geht das Jahr zu Ende (Christmas I) | A min. | satbSATB Cnt 3Tbn 2Ob Tai Str Bc | 51: 245 | I/3.2: 75 | afterZ 8244 (/2),5267 (/6); text byNeumeister,Gramann (/2),Eber (/6), afterJer 32:41 (/3); →BWV 28/2a,Anh. 160/2 | 00035 |
| 28/6 | chorale setting "Helft mir Gotts Güte preisen" (s. 12) | SATB | 51: 272 | III/2.1: 13 III/2.2: 49 | afterZ 5267; text byEber | 11175 | |||
| chorale setting "Zeuch ein zu deinen Toren" | III/2.2: 15 | afterZ 5267; text byGerhardt | |||||||
| 28/2a | 1. | 1725? | MotetSei Lob und Preis mit Ehren | C maj. | SATB | 39: 167 | III/3: 15 | afterBWV 28/2; ↔Anh. 160/2; wasBWV 231 | 00036 |
| 29 | 1. | 1731-08-27 | CantataWir danken dir, Gott, wir danken dir (council election) | D maj. | satbSATB 3Tr Tmp 2Ob Str Org Bc | 51: 273 | I/32.2: 1 | afterBWV 120.2/4 (/1),Z 8244 (/8); text afterPs 75:2 (/2; →BWV 232/7, /23), byGramann (/8) | 00037 |
| 29/8 | chorale setting "Nun lob, mein Seel, den Herren" (s. 5) | SATB | 51: 316 | III/2.2: 65 | afterZ 8244; text byGramann | 11331 | |||
| 30.2 | 1. | 1738-06-24 | CantataFreue dich, erlöste Schar (24 June: feast of John the Baptist) | D maj. | satbSATB 2Fl 2Ob ObaVl Str Bc | 51: 321 | I/29: 59 | afterBWV 30.1,Z 6543 (/6); text byPicander?,Olearius, J. (/6) | 00038 |
| 30.2/6 | chorale setting "Tröstet, tröstet, meine Lieben" (s. 3) | A maj. | SATB | 51: 360 | III/2.2: 42 | afterZ 6543; text byOlearius, J. | 11318 | ||
| chorale setting "Freu dich sehr, o meine Seele" | G maj. | afterZ 6543 | |||||||
| 30.1 | 1. | 1737-09-28 | Secular cantataAngenehmes Wiederau (forHennicke [de] atWiederau [de] manor) | D maj. | satbSATB 3Tr Tmp 2Fl 2Ob Oba Str Bc | 51: 399 34: 325 | I/39: 51 | text byPicander; →BWV 30.2,195.2/6, /8 | 00039 |
| 31.2 | 1. | 1724-04-09 | CantataDer Himmel lacht! Die Erde jubilieret (Leipzig version: Easter) | C maj. | stbSSATB 3Tr Tmp Ob 2Oba Bas 2Vl 2Va Bc | 7: 1 | I/9: 41 | afterBWV 31.1 (same text) | 00040 |
| 31/9 | chorale setting "Wenn mein Stündlein vorhanden ist" (s. 5) | SATB | 7: 50 | III/2.1: 56 | afterZ 4482a; text byHerman | 11221 | |||
| 31.1 | 1. | 1715-04-21 | CantataDer Himmel lacht! Die Erde jubilieret (Weimar version: Easter) | C maj. | stbSSATB 3Tr Tmp 3Ob Tai Bas 2Vl 2Va Bc | I/9 rev 2: 37 | afterZ 4482a (/9); text byFranck, S,Herman (/9); →BWV 31.2 | 00041 | |
| 32 | 1. | 1726-01-13 | CantataLiebster Jesu, mein Verlangen (Epiphany I) | E min. | sbSATB Ob Str Bc | 7: 53 | I/5: 143 | afterZ 6543 (/6); text byLehms,Gerhardt (/6) | 00042 |
| 32/6 | chorale setting "Weg, mein Herz, mit den Gedenken" (s. 12) | G maj. | SATB | 7: 80 | III/2.2: 18 | afterZ 6543; text byGerhardt | 11317 | ||
| chorale setting "Freu dich sehr, o meine Seele" | afterZ 6543 | ||||||||
| 33 | 1. | 1724-09-03 | CantataAllein zu dir, Herr Jesu Christ (Trinity XIII) | A min. | atbSATB 2Ob Str Bc | 7: 81 | I/21: 23 | afterZ 7292b; text afterHubert | 00043 |
| 33/6 | chorale setting "Allein zu dir, Herr Jesu Christ" (s. 4) | SATB | 7: 114 | III/2.1: 58 III/2.2: 10 | afterZ 7292b; text byHubert | 11223 | |||
| 34.1 | 1. | 1727-06-01 | CantataO ewiges Feuer, o Ursprung der Liebe (Pentecost) | D maj. | atbSATB 3Tr Tmp 2Fl 2Ob Str Bc | 7: 115 | I/13: 129 | text afterPs 128:6 (/5); →BWV 34.2 | 00044 |
| 34.2 | 1. | after 1727 | CantataO ewiges Feuer, o Ursprung der Liebe (wedding; incomplete) | D maj. | satbSATB Vl Va Bc | 41: 117 | I/33: 27 | afterBWV 34.1; text afterPs 128:4–6 (/3–/4),Nm 6:24–26 (/7) | 00045 |
| 35 | 1. | 1726-09-08 | CantataGeist und Seele wird verwirret (Trinity XII) | D min. | a 2Ob Tai Str Org Bc | 7: 171 | I/20: 215 | text byLehms; →BWV 1059 | 00046 |
| 36.4 | 1. | c. 1726–1730 | CantataSchwingt freudig euch empor (Advent I; early version) | D maj. | stbSATB Oba Str Bc | 7: 395 | I/1: 17 | afterBWV 36.1,Z 8359 (/5); text byPicander?, byNicolai (/5); →BWV 36.5 | 00048 |
| 36.4/5 | chorale setting "Wie schön leuchtet der Morgenstern" (s. 7) | SATB | 7: 399 | III/2.1: 28 | afterZ 8359; text byNicolai | 11193 | |||
| 36.5 | 1. | 1731-12-02 | CantataSchwingt freudig euch empor (Advent I) | D maj. | satbSATB 2Oba Str Bc | 7: 221 | I/1: 41 | afterBWV 36.4,Z 1174 (/2, /6, /8),Z 8359 (/4); text byPicander?, byLuther (/2, /6, /8),Nicolai (/4) | 00047 |
| 36.5/4 | chorale setting "Wie schön leuchtet der Morgenstern" (s. 6) | SATB | 7: 243 | III/2.2: 48, 109, 180 | afterZ 8359; text byNicolai | 11346 | |||
| 36.5/8 | chorale setting "Nun komm, der Heiden Heiland" (s. 8) | B min. | SATB | 7: 258 | III/2.2: 18 | afterZ 1174; text byLuther | 11329 | ||
| 36.2 | 1. | 1726-11-30 or 1725-11-30 | Secular cantataSteigt freudig in die Luft (birthday of Charlotte Friederike Wilhelmine of Anhalt-Köthen; music lost) | stbSATB Oba Va Str Bc (?) | I/35 | text byPicander; afterBWV 36.1/1, /3, /5, /7, /9 | 00049 | ||
| 36.3 | 1. | 1735-07-27 | Secular cantataDie Freude reget sich (birthday ofRivinius, J. F. [de]?) | D maj. | satSATB Fl Oba Str Bc | 34: 39 | I/38: 255 | afterBWV 36.1/1, /3, /5, /7, /8 | 00050 |
| 36.1 | 1. | April–May 1725 | Secular cantataSchwingt freudig euch empor (birthday ofMencke, J. B. [de]?) | D maj. | stbSATB Oba Str Va Bc | 34: 39 | I/39: 1 | →BWV 36.2–.4 | 00051 |
| 37 | 1. | 1724-05-18 | CantataWer da gläubet und getauft wird (Ascension) | A maj. | satbSATB 2Oba Str Bc | 7: 259 | I/12: 79 | afterZ 8359 (/3),5354 (/6); text afterMk 16: 16, byNicolai (/3),Kolross (/6) | 00052 |
| 37/6 | chorale setting "Ich dank dir, lieber Herre" (s. 4) | SATB | 7: 282 | III/2.2: 197 | afterZ 5354; text byKolross | 11304 | |||
| 38 | 1. | 1724-10-29 | CantataAus tiefer Not schrei ich zu dir (Trinity XXI) | E min. | satbSATB 2Ob 4Tbn Str Bc | 7: 283 | I/25: 217 | afterZ 4437; text afterLuther | 00053 |
| 38/6 | chorale setting "Aus tiefer Not schrei ich zu dir" (s. 5) | SATB | 7: 300 | III/2.1: 67 III/2.2: 8 | afterZ 4437; text byLuther | 11233 | |||
| 39 | 1. | 1726-06-23 | CantataBrich dem Hungrigen dein Brot (Trinity I) | G min. | sabSATB 2Fl 2Ob Str Bc | 7: 336 | I/15 179 | afterZ 6543 (/7); text:Meiningen, afterIs 58:7–8 (/1),Hb 13:16 (/4), byDenicke (/7) | 00054 |
| 39/7 | chorale setting "Kommt, lasst euch den Herren lehren" (s. 6) | B♭ maj. | SATB | 7: 348 | III/2.1: 81 III/2.2: 37 | afterZ 6543; text byDenicke | 11247 | ||
| chorale setting "Freu dich sehr, o meine Seele" | afterZ 6543 | ||||||||
| 40 | 1. | 1723-12-26 | CantataDarzu ist erschienen der Sohn Gottes (Christmas 2) | F maj. | atbSATB 2Hn 2Ob Str Bc | 7: 349 | I/3.1: 3 | afterZ 2072 (/3), 4870 (/6), 7880a (/8); text after1Jh 3:8 (/1; →BWV 233/6), byFüger (/3),Gerhardt (/6),Keymann (/8) | 00055 |
| 40/3 | chorale setting "Wir Christenleut" (s. 3) | G min. | SATB | 7: 377 | III/2.2: 186 | afterZ 2072; text byFüger | 11315 | ||
| 40/6 | chorale setting "Schwing dich auf zu deinem Gott" (s. 2) | D min. | SATB | 7: 387 | III/2.2: 82 | afterZ 4870; text byGerhardt | 11343 | ||
| 40/8 | chorale setting "Freuet euch, ihr Christen alle" (s. 4) | F min. | SATB | 7: 394 | III/2.2: 6 | afterZ 7880a; text byKeymann | 11339 | ||
| 41 | 1. | 1725-01-01 | CantataJesu, nun sei gepreiset (New Year) | C maj. | satbSATB 3Tr Tmp 3Ob Str Vc Bc | 10: 1 | I/4: 37 | afterZ 8477a; text afterHermann; /6 →BWV 171/6 | 00056 |
| 41/6 | chorale setting "Jesu, nun sei gepreiset" (s. 3) | SATB | 10: 58 | III/2.1: 90 III/2.2: 8 | afterZ 8477a; text byHermann | 11253 | |||
| 42 | 1. | 1725-04-08 | CantataAm Abend aber desselbigen Sabbats (Quasimodogeniti) | D maj. | satbSATB 2Ob Bas Str Bc | 10: 63 | I/11.1: 61 | afterZ 1945b (/7); text afterJh 20:19 (/2), byFabricius (/4),Luther afterDa pacem Domine &Walter after1Tm 2:2 (/7) | 00057 |
| 42/7 | chorale setting "Verleih uns Frieden gnädiglich" (ss. 1–2) | F♯ min. | SATB | 10: 91 | III/2.1: 21 III/2.2: 51, 154 | afterZ 1945b; text byLuther afterDa pacem Domine &Walter after1Tm 2:2 | 11186 | ||
| 43 | 1. | 1726-05-30 | CantataGott fähret auf mit Jauchzen (Ascension) | C maj. | satbSATB 3Tr Tmp 2Ob Str Bc | 10: 93 | I/12: 133 | afterZ 5741b (/11: byPeter [de]); text:Meiningen, afterPs 47:6–7 (/1),Mk 16:19 (/4), byRist (/11) | 00058 |
| 44 | 1. | 1724-05-21 | CantataSie werden euch in den Bann tun (Exaudi) | G min. | satbSATB 2Ob Str Bc | 10: 127 | I/12: 165 | afterZ 533a (/4),2293b (/7); text afterJh 16:2 (/1–2), byMoller (/4),Fleming (/7) | 00059 |
| 44/7 | chorale setting "In allen meinen Taten" (s. 7) | B♭ maj. | SATB | 10: 150 | III/2.1: 75 III/2.2: 203 | afterZ 2293b; text byFleming | 11242 | ||
| chorale setting "Nun ruhen alle Wälder" | afterZ 2293b; text byGerhardt | ||||||||
| 45 | 1. | 1726-08-11 | CantataEs ist dir gesagt, Mensch, was gut ist (Trinity VIII) | E maj. | atbSATB 2Fl Ob Oba Str Bc | 10: 151 | I/18: 197 | afterZ 5206b–c (/7); text:Meiningen, afterMh 6:8 (/1),Mt 7:22–23 (/4), byHeermann (/7) | 00060 |
| 45/7 | chorale setting "O Gott, du frommer Gott" (s. 7) | SATB | 10: 186 | III/2.2: 47 | afterZ 5206b–c; text byHeermann | 11297 | |||
| 46 | 1. | 1723-08-01 | CantataSchauet doch und sehet, ob irgend ein Schmerz sei (Trinity X) | D min. | atbSATB Tdt Hn 2Fl 2Odc Str Bc | 10: 187 | I/19: 109 | afterZ 5105a (/6); text afterLm 1:12 (/1), byMeyfart (/6) | 00061 |
| 46/6 | chorale setting "O großer Gott von Macht" (s. 9) | G min. | SATB | 10: 236 | III/2.2: 45 | afterZ 5105a; text byMeyfart | 11341 | ||
| 47 | 1. | 1726-10-13 | CantataWer sich selbst erhöhet, der soll erniedriget werden (Trinity XVII) | G min. | sbSATB 2Ob Str Org Bc | 10: 239 | I/23: 319 | afterZ 1689a (/5); text byHelbig, afterLk 14:11 (/1) | 00062 |
| 47/5 | chorale setting "Warum betrübst du dich, mein Herz" (s. 11) | SATB | 10: 274 | III/2.2: 52 | afterZ 1689a | 11336 | |||
| 48 | 1. | 1723-10-03 | CantataIch elender Mensch, wer wird mich erlösen (Trinity XIX) | G min. | atSATB Tr 2Ob Str Bc | 10: 275 | I/24: 105 | afterZ 2051 (/3),4486 (/7); text afterRm 7:24, byRutilius [de] (/3) | 00063 |
| 48/3 | chorale setting "Ach Gott und Herr" (s. 4) | B♭ maj. | SATB | 10: 288 | III/2.1: 30 III/2.2: 166 | afterZ 2051; text byRutilius [de] | 11197 | ||
| 48/7 | chorale setting "Herr Jesu Christ, ich schrei zu dir" (s. 12) | G min. | SATB | 10: 298 | III/2.1: 33 III/2.2: 158 | afterZ 4486 | 11320 | ||
| chorale setting "Herr Jesu Christ, du höchstes Gut" | afterZ 4486; text byRingwaldt | ||||||||
| 49 | 1. | 1726-11-03 | CantataIch geh und suche mit Verlangen (Trinity XX) | G min. | sb Oba Str Vl Org Bc | 10: 299 | I/25: 107 | afterZ 8359; text byBirkmann,Nicolai & afterJer 31:3,Rv 3:20 (/6); /1 →BWV 1053/3 | 00064 |
| 50 | 1. | CantataNun ist das Heil und die Kraft (single movement; arrangement or fragment of a cantata for Michaelmas?) | D maj. | 2SATB 3Tr Tmp 3Ob Str Bc | 10: 341 | I/30: 141 | text afterRv 12:10; in SBBP 136 | 00065 | |
| 51 | 1. | 1730-09-17 | CantataJauchzet Gott in allen Landen (Trinity XV) | C maj. | s (2)Tr (Tmp) Str Bc | 122: 1 | I/22: 77 | afterZ 8244 (/4); text afterPs 128:2 &26:2 (/2), byGramann (/4) | 00066 |
| 52 | 1. | 1726-11-24 | CantataFalsche Welt, dir trau ich nicht (Trinity XXIII) | F maj. | sSATB 2Hn 3Ob Bas Str Bc | 122: 25 | I/26: 131 | afterBWV 1046a/1 (/1),Z 2461 (/6); text byBirkmann,Reusner (/6) | 00067 |
| 54 | 1. | 1714–1717? | CantataWiderstehe doch der Sünde (Oculi) | E♭ maj. | a 2Vl 2Va Bc | 122: 59 | I/18: 3 | text byLehms; →BWV 247/53? | 00069 |
| 55 | 1. | 1726-11-17 | CantataIch armer Mensch, ich Sündenknecht (Trinity XXII) | G min. | tSATB Fl Oba Str Bc | 122: 73 | I/26: 55 | afterZ 6551 (/5); text byBirkmann,Rist (/5) | 00070 |
| 55/5 | chorale setting "Werde munter, mein Gemüte" (s. 6) | B♭ maj. | SATB | 122: 86 | III/2.2: 53 | afterZ 6551; text byRist | 11319 | ||
| 56 | 1. | 1726-10-27 | CantataIch will den Kreuzstab gerne tragen (Trinity XIX) | G min. | bSATB 2Ob Tai Str Vc Bc | 122: 87 | I/24: 173 | afterZ 6773 (/5); text byBirkmann,Franck, J. (/5) | 00071 |
| 56/5 | chorale setting "Du, o schönes Weltgebäude" (s. 6) | C Dor. | SATB | 122: 104 | III/2.2: 48 | afterZ 6773; text byFranck, J. | 11300 | ||
| 57 | 1. | 1725-12-26 | CantataSelig ist der Mann (Christmas 2) | G min. | sbSATB 2Ob Tai Str Bc | 122: 105 | I/3.1: 83 | afterZ 1912a–c (/8); text byLehms,Fritsch (/8), afterJm 1:12 (/1) | 00072 |
| 57/8 | chorale setting "Hast du denn, Jesu, dein Angesicht gänzlich verborgen" (s. 6) | B♭ maj. | SATB | 122: 132 | III/2.2: 50 | afterZ 1912a–c; text byFritsch | 11323 | ||
| 58.2 | 1. | 1733-01-04 or 1734-01-03 | CantataAch Gott, wie manches Herzeleid (New Year I) | C maj. | sb 2Ob Tai Vl Str Bc | 122: 133 | I/4: 217 | afterBWV 58.1; text byBirkmann,Moller (/1),Behm (/5) | 00073 |
| 58.1 | 1. | 1727-01-05 | CantataAch Gott, wie manches Herzeleid (New Year I; early version) | C maj. | sb Vl Str Bc | I/4: 241 | afterZ 533a (/1, /5); text byBirkmann,Moller (/1),Behm (/5); →BWV 58.2 | 00074 | |
| 59 | 1. | 1724-05-28 | CantataWer mich liebet, der wird mein Wort halten (Pentecost) | C maj. | sbSATB 2Tr Tmp Str Bc | 122: 151 | I/13: 65 | afterZ 7445a (/3); text byNeumeister,Luther (/3), afterJh 14:23 (/1); →BWV 74/1–/2,175/7 | 00075 |
| 60 | 1. | 1723-11-07 | CantataO Ewigkeit, du Donnerwort (Trinity XXIV) | D maj. | atbSATB Hn 2Oba Str Bc | 122: 169 | I/27: 1 | afterZ 5820 (/1),7173 (/5); text byRist (/1),Burmeister (/5), afterRv 14:13 (/4) | 00076 |
| 60/5 | chorale setting "Es ist genug, so nimm" (s. 5) | A maj. | SATB | 122: 190 | III/2.1: 37 III/2.2: 127 | afterZ 7173; text byBurmeister | 11203 | ||
| 61 | 1. | 1714-12-02 | CantataNun komm, der Heiden Heiland (Advent I – first setting) | A min. | stbSATB Fag 2Vl 2Va Bc | 16: 1 | I/1: 1 | afterZ 1174 (/1),8359 (/6); text byNeumeister,Luther (/1),Nicolai (/6), afterRv 3:20 (/4) | 00077 |
| 62 | 1. | 1724-12-03 | CantataNun komm, der Heiden Heiland (Advent I – second setting) | B min. | satbSATB Hn 2Ob Str Bc | 16: 19 | I/1: 75 | afterZ 1174; text afterLuther | 00078 |
| 62/6 | chorale setting "Nun komm, der Heiden Heiland" (s. 8) | SATB | 16: 50 | III/2.1: 68 | afterZ 1174; text byLuther | 11234 | |||
| A min. | III/2.2: 97 | ||||||||
| 63 | 1. | 1714-12-25 1723-12-25 | CantataChristen, ätzet diesen Tag (Christmas; two versions) | C maj. | satbSATB 4Tr Tmp 3Ob Bas Str Bc | 16: 51 | I/2: 1 | text byHeineccius? | 00079 |
| 64 | 1. | 1723-12-27 | CantataSehet, welch eine Liebe hat uns der Vater erzeiget (Christmas 3) | E min. | sabSATB Cnt 3Tbn Oba Str Bc | 16: 111, 371 | I/3.1: 113 | afterZ 1947 (/2),5206b–c (/4),8032 (/8); text afterKnauer [scores],1Jh 3:1 (/1), byLuther (/2),Kindermann (/4),Franck, J. (/8) | 00080 |
| 64/2 | chorale setting "Gelobet seist du, Jesu Christ" (s. 7) | G maj. | SATB | 16: 371 | III/2.1: 16 III/2.2: 92 | afterZ 1947; text byLuther | 11179 | ||
| 64/4 | chorale setting "Was frag ich nach der Welt" (s. 1) | D maj. | SATB | 16: 372 | III/2.1: 16 III/2.2: 151 | afterZ 5206b–c; text byKindermann | 11180 | ||
| 64/8 | chorale setting "Jesu, meine Freude" (s. 5) | E min. | SATB | 16: 132 | III/2.1: 15 III/2.2: 80 | afterZ 8032; text byFranck, J. | 11178 | ||
| 65 | 1. | 1724-01-06 | CantataSie werden aus Saba alle kommen (Epiphany) | C maj. | tbSATB 2Hn 2Fl 2Odc Str Bc | 16: 133 | I/5: 1 | afterZ 192b (/2),7568 (/7); text afterIs 60:6 (/1), bySpangenberg (/2),Gerhardt (/7) | 00081 |
| 65/2 | chorale setting "Ein Kind geboren zu Bethlehem" (s. 4) | A min. | SATB | 16: 152 | III/2.2: 9 | afterZ 192b; text bySpangenberg | 11342 | ||
| chorale setting "Puer natus in Bethlehem" | afterZ 192b | ||||||||
| 65/7 | chorale setting "Ich hab in Gottes Herz und Sinn" (s. 10) | A min. | SATB | 16: 166 | III/2.2: 24 | afterZ 7568; text byGerhardt | 11337 | ||
| chorale setting "Was mein Gott will, das gscheh allzeit" | afterZ 7568; text byAlbert of Prussia | ||||||||
| 66.2 | 1. | 1724-04-10 | CantataErfreut euch, ihr Herzen (Easter 2) | D maj. | atbSATB Tr 2Ob Str Bc | 16: 167 | I/10: 1 | afterBWV 66.1/8, /1–/4,Z 8584/3 | 00082 |
| 66.2/6 | chorale setting "Alleluja", s. 3 from "Christ ist erstanden" | F♯ min. | SATB | 16: 214 | III/2.1: 57 | afterZ 8584/3 | 11222 | ||
| 66.1 | 1. | 1718-12-10 | Secular cantataDer Himmel dacht auf Anhalts Ruhm und Glück (birthday ofLeopold of Anhalt-Köthen) | atbSATB 2Ob Bas Str Bc (?) | I/35 | text byHunold; →BWV 66.2/1–/5 | 00083 | ||
| 67 | 1. | 1724-04-16 | CantataHalt im Gedächtnis Jesum Christ (Quasimodogeniti) | A maj. | atbSATB Hn Fl 2Oba Str Bc | 16: 215 | I/11.1: 1 | afterZ 1743 (/4),4373 (/7); text after2Ti 2:8 (/1),Jh 20:19 (/6; →BWV 234/2), byHerman (/4),Ebert (/7) | 00084 |
| 67/7 | chorale setting "Du Friedefürst, Herr Jesu Christ" (s. 1) | SATB | 16: 246 | III/2.1: 10 III/2.2: 25 | afterZ 4373; text byEbert | 11174 | |||
| 68 | 1. | 1725-05-21 | CantataAlso hat Gott die Welt geliebt (Pentecost 2) | D min. | sbSATB Hn Cnt 3Tbn 2Ob Tai Str Vc Bc | 16: 247 | I/14: 31 | afterZ 5920 (/1),BWV 208/13 (/2) and /7 (/4); text byZiegler, C. M.,Liscow (/1), afterJh 3:18 (/5) | 00085 |
| 69.2 | 1. | 1748-08-26 | CantataLobe den Herrn, meine Seele (council election) | D maj. | satbSATB 3Tr Tmp 3Ob Oba Bas Str Bc | 16: 281 | I/32.2: 111 | afterBWV 69.1/1, /3, /5,Z 7247 (/6); text afterKnauer [scores],Ps 103:2 (/1), byLuther (/6) | 00086 |
| 69.2/6 | chorale setting "Es woll uns Gott genädig sein" (s. 3) | SATB | 16: 325 | III/2.2: 192 | afterZ 7247; text byLuther | 11303 | |||
| 69.1 | 1. | 1723-08-15 | CantataLobe den Herrn, meine Seele (Trinity XII) | D maj. | satbSATB 3Tr Tmp Fl 3Ob Oba Odc Bas Str Bc | 16: 373 | I/20: 117 | afterBWV 12/7 (/6); text afterKnauer [scores],Ps 103:2 (/1), byRodigast (/6); →BWV 69.2/1, /3, /5 | 00087 |
| 69.1/6 | chorale setting "Was Gott tut, das ist wohlgetan" (s. 6) | G maj. | SATB | 16: 379 | III/2.1: 55 III/2.2: 174 | afterBWV 12/7; text byRodigast | 11219 | ||
| 70.2 | 1. | 1723-11-21 | CantataWachet! Betet! Betet! Wachet! (Trinity XXVI) | C maj. | satbSATB Tr Ob Str Vc Bc | 16: 327 | I/27: 107 | afterBWV 70.1,Z 6543 (/7); text byFranck, S,Keymann (/11) | 00088 |
| 70.2/11 | 1716-12-06 | chorale setting "Meinen Jesum laß ich nicht, weil" (s. 5) | C maj. | SATB | 16: 368 | III/2.2: 200 | =BWV 70.1/6 | 11308 | |
| 70.1 | 1. | CantataWachet! Betet! Betet! Wachet! (Advent II) | satbSATB Tr Ob Str Vc Bc | 16: 327 | I/1 | afterZ 3449 (/6); text byFranck, S,Keymann (/6); →BWV 70.2/1, /3, /5, /8, /10, /11 | 00089 | ||
| 71 | 1. | 1708-02-04 | CantataGott ist mein König (council election) | D maj. | satbSATB 3Tr Tmp 2Fl Vc 2Ob Bas Str Vne Org | 18: 1 | I/32.1: 3 | afterZ 5148 (/2); text byEilmar?,Heermann & after2Sm 19:35 & 37 (/2),Ps 74:12 (/1), 16–17 (/4), 19 (/6),Dt 33:25 &Gn 21:22b (/3) | 00090 |
| 72 | 1. | 1726-01-27 | CantataAlles nur nach Gottes Willen (Epiphany III) | A min. | sabSATB 2Ob Str Bc | 18: 55 | I/6: 59 | afterZ 7568 (/6); text byFranck, S,Albert of Prussia (/6); /1 →BWV 235/2 | 00091 |
| 73 | 1. | 1724-01-23 | CantataHerr, wie du willt, so schicks mit mir (Epiphany III) | G min. | stbSATB Hn 2Ob Str Bc | 18: 85 | I/6: 3 | afterZ 4441a (/1),5264b (/5); text byBienemann [de] (/1),Helmbold (/5) | 00092 |
| 73/5 | chorale setting "Von Gott will ich nicht lassen" (s. 9) | C min. A min. | SATB | 18: 104 | III/2.2: 107 | afterZ 5264b; text byHelmbold | 11310 | ||
| 74 | 1. | 1725-05-20 | CantataWer mich liebet, der wird mein Wort halten (Pentecost) | C maj. | satbSATB 3Tr Tmp 2Ob Odc Str Bc | 18: 105 | I/13: 83 | afterBWV 59/1 & /4 (/1–/2),Z 2496 (/8); text byZiegler, C. M.,Gerhardt (/8), afterJh 14:23 (/1), 28 (/4),Rm 8:1 (/6) | 00093 |
| 74/8 | chorale setting "Gott Vater, sende deinen Geist" (s. 2) | A min. | SATB | 18: 146 | III/2.1: 78 III/2.2: 212 | afterZ 2496; text byGerhardt | 11245 | ||
| chorale setting "Kommt her zu mir, spricht Gottes Sohn" | afterZ 2496; text byGrünwald | ||||||||
| 75 | 1. | 1723-05-30 | CantataDie Elenden sollen essen (Trinity I) | E min. | satbSATB Tr 2Ob Oba Bas Str Bc | 18: 147 | I/15: 85 | afterZ 5629 (/7=/14: →BWV 100/6); text afterPs 22:27 (/1), byRodigast (/7, /14) | 00094 |
| 76 | 1. | 1723-06-06 | CantataDie Himmel erzählen die Ehre Gottes (Trinity II) | C maj. | satbSATB Tr 2Ob Oba Str Vdg Bc | 18: 189 | I/16: 1 | afterZ 7247 (/7=/14); text afterPs 12:2 & 4 (/1), byLuther (/7, /14); /8 ↔BWV 528/1 | 00095 |
| 77 | 1. | 1723-08-22 | CantataDu sollt Gott, deinen Herren, lieben (Trinity XIII) | C maj. | satbSATB Tdt 2Ob Str Bc | 18: 233 | I/21: 1 | afterZ 4431 (/6); text afterKnauer,Lk 10:27 (/1), byDenicke? (/6) | 00096 |
| 77/6 | chorale setting "Wenn einer alle Ding verstünd" (s. 8)? | G min. | SATB | 18: 254 | III/2.1: 14 III/2.2: 150 | afterZ 4431; text byDenicke | 11176 | ||
| chorale setting "Ach Gott, vom Himmel sieh darein" | afterZ 4431; text byLuther | ||||||||
| 78 | 1. | 1724-09-10 | CantataJesu, der du meine Seele (Trinity XIV) | G min. | satbSATB Hn Fl 2Ob Str Vne Bc | 18: 255 | I/21: 115 | afterZ 6804; text afterRist | 00097 |
| 78/7 | chorale setting "Jesu, der du meine Seele" (s. 12) | SATB | 18: 286 | III/2.1: 60 III/2.2: 150 | afterZ 6804; text byRist | 11225 | |||
| 79 | 1. | 1725-10-31 | CantataGott der Herr ist Sonn und Schild (Reformation Day; two versions: Fl associated with 2ndc.1730) | G maj. | sabSATB 2Hn Tmp (2Fl) 2Ob Str Bc | 18: 287 | I/31: 1 | afterZ 5142 (/3),159 (/6); text afterPs 84:12 (/1), byRinkart (/3),Helmbold (/6); →BWV 236/2, /4,234/5 | 00098 |
| 80.3 | 1. | c. 1735? | CantataEin feste Burg ist unser Gott (Reformation Day; 2nd Leipzig v.; Tr & Tmp in BGA likelyW. F. Bach's addition) | D maj. | satbSATB 3Ob 2Oba Odc Str Bc | 18: 317 | I/31: 71 | afterBWV 80.2 (same text) | 00099 |
| 80.1 | 1. | 1715-03-24 | CantataAlles, was von Gott geboren (Oculi; music lost) | satb(?)SATB Ob Str Bc | I/8.2: V | afterZ 7377 (/1, /6)?; text byFranck, S,Luther (/6); →BWV 80.2 | 00100 | ||
| 80.2 | 1. | c. 1729–1731 | CantataEin feste Burg ist unser Gott (Reformation Day; 1st Leipzig version) | D maj. | sbSATB Ob Str Bc | 18: 351 | I/31: 65 | afterZ 7377,BWV 80.1 (/2–/4, /6–/7); text byFranck, S,Luther (/1, /2, /5, /8); →BWV 80.3 | 00101 |
| 80/8 | chorale setting "Ein feste Burg ist unser Gott" (s. 4) | SATB | 18: 378 | III/2.1: 29 III/2.2: 162 | afterZ 7377; text byLuther | 11195 | |||
| 81 | 1. | 1724-01-30 | CantataJesus schläft, was soll ich hoffen? (Epiphany IV) | E min. | atbSATB 2Fl 2Oba Str Bc | 201: 1 | I/6: 111 | afterZ 8032 (/7); text afterPs 10:1 (/2),Mt 8:26 (/4), byFranck, J. (/7) | 00102 |
| 81/7 | chorale setting "Jesu, meine Freude" (s. 2) | SATB | 201: 24 | III/2.2: 188 | afterZ 8032; text byFranck, J. | 11305 | |||
| 82.1 | 1. | 1727-02-02 | CantataIch habe genug (Purification; 1st version) | C min. | b Ob Str Bc | 201: 25 | I/28.1: 77 | text byBirkmann; →BWV 82.2–.4 | 00103 |
| 82.2 | 1. | 1731-02-02 | CantataIch habe genug (Purification; 2nd version) | E min. | s Fl Str Bc | I/28.1: 155 | afterBWV 82.1 (same text); →82.3–.4 | 00104 | |
| 82.2/2–/3 | 1. | c.1731 (AMB) | Notebook A. M. Bach (1725) No. 34 Recitative "Ich habe genug"; Aria "Schlummert ein, ihr matten Augen" | E min. | s Bc | 432: 46 | V/4:122 | afterBWV 82.2; text byBirkmann | 00104 |
| 82.2/3 | 1. | c.1731 (AMB) | Notebook A. M. Bach (1725) No. 38 Aria "Schlummert ein, ihr matten Augen" (incomplete) | E min. | s Bc | 432: 49 | V/4:122 | afterBWV 82.2; text byBirkmann | 00104 |
| 82.3 | 1. | c.1735 | CantataIch habe genug (Purification; 3rd version) | C min. | b or mezzo Ob Str Bc | I/28.1: 109 | afterBWV 82.1–.2 (same text); →82.4 | 00105 | |
| 82.4 | 1. | 1746–1748 | CantataIch habe genug (Purification; 4th version) | C min. | b (or mezzo) Ob Odc Str Bc | I/28.1: 109 | afterBWV 82.1–.3 (same text) | 00106 | |
| 83 | 1. | 1724-02-02 | CantataErfreute Zeit im neuen Bunde (Purification) | F maj. | atbSATB 2Hn 2Ob Vl Str Bc | 201: 51 | I/28.1: 3 | afterZ 3986 (/5); text afterLk 2:29–31 (/2),Hb 4:16 (/3), byLuther (/5) | 00107 |
| 83/5 | chorale setting "Mit Fried und Freud ich fahr dahin" (s. 4) | D min. | SATB | 201: 76 | III/2.2: 188 | afterZ 3986; text byLuther | 11309 | ||
| 84 | 1. | 1727-02-09 | CantataIch bin vergnügt mit meinem Glücke (Septuagesimae) | E min. | sSATB Ob Str Bc | 201: 77 | I/7: 21 | afterZ 2778 (/5); text afterPicander, byE. J. of Schwarzburg-Rudolstadt (/5) | 00108 |
| 84/5 | chorale setting "Wer weiß, wie nahe mir mein Ende" (s. 12) | B min. | SATB | 201: 98 | III/2.1: 27 III/2.2: 63 | afterZ 2778; text byE. J. of Schwarzburg-Rudolstadt | 11192 | ||
| chorale setting "Wer nur den lieben Gott lässt walten" | afterZ 2778; text byNeumark | ||||||||
| 85 | 1. | 1725-04-15 | CantataIch bin ein guter Hirt (Misericordias Domini) | C min. | satbSATB 2Ob Str Vc Bc | 201: 99 | I/11.1: 157 | afterZ 4457 (/3),2542 (/6); text afterJh 10:12 (/1), byBecker (/3),Homburg [de] (/6) | 00109 |
| 85/6 | chorale setting "Ist Gott mein Schild und Helfersmann" (s. 4) | SATB | 201: 118 | III/2.1: 74 III/2.2: 69 | afterZ 2542; text byHomburg [de] | 11240 | |||
| 86 | 1. | 1724-05-14 | CantataWahrlich, wahrlich, ich sage euch (Rogate) | E maj. | satbSATB 2Oba Str Bc | 201: 119 | I/12: 45 | afterZ 2496c (/3),4430 (/6); text afterJh 16:23 (/1), byGrünwald (/3),Speratus (/6) | 00110 |
| 86/6 | chorale setting "Es ist das Heil uns kommen her" (s. 11) | SATB | 201: 134 | III/2.2: 3 | afterZ 4430; text bySperatus | 11322 | |||
| 87 | 1. | 1725-05-06 | CantataBisher habt ihr nichts gebeten in meinem Namen (Rogate) | D min. | atbSATB 2Ob 2Odc Str Bc | 201: 135 | I/12: 61 | afterZ 8032 (/7); text afterZiegler, C. M.,Jh 16:24 (/1), byMüller, H. (/7) | 00111 |
| 87/7 | chorale setting "Selig ist die Seele" (s. 9) | SATB | 201: 152 | III/2.1: 73 III/2.2: 54 | afterZ 8032; text byMüller, H. | 11239 | |||
| chorale setting "Jesu, meine Freude" | afterZ 8032; text byFranck, J. | ||||||||
| 88 | 1. | 1726-07-21 | CantataSiehe, ich will viel Fischer aussenden (Trinity V) | D maj. | satbSATB 2Hn 2Oba Tai Str Bc | 201: 153 | I/17.2: 33 | afterZ 2778 (/7); text:Meiningen, afterJer 16:16 (/1),Lk 5:10 (/4), byNeumark (/7) | 00112 |
| 88/7 | chorale setting "Wer nur den lieben Gott lässt walten" (s. 7) | B min. | SATB | 201: 178 | III/2.2: 58 | afterZ 2778; text byNeumark | 11312 | ||
| 89 | 1. | 1723-10-24 | CantataWas soll ich aus dir machen, Ephraim? (Trinity XXII) | C min. | sabSATB Hn 2Ob Str Bc | 201: 179 | I/26: 1 | afterZ 2164 (/6); text afterHs 11:8 (/1), byHeermann (/6) | 00113 |
| 89/6 | chorale setting "Wo soll ich fliehen hin" (s. 7) | G min. | SATB | 201: 194 | III/2.2: 167 | afterZ 2164; text byHeermann | 11292 | ||
| 90 | 1. | 1723-11-14 | CantataEs reißet euch ein schrecklich Ende (Trinity XXV) | D min. | atbSATB (Tr) Str Bc | 201: 195 | I/27: 59 | afterZ 2561 (/5); text byMoller (/5) | 00114 |
| 90/5 | chorale setting "Nimm von uns, Herr, du treuer Gott" (s. 7) | SATB | 201: 214 | III/2.1: 33 III/2.2: 158 | afterZ 2561; text byMoller | 11199 | |||
| chorale setting "Vater unser im Himmelreich" | afterZ 2561; text byLuther | ||||||||
| 91.2 | 1. | 1746–1747 | CantataGelobet seist du, Jesu Christ (Christmas; later version) | G maj. | satbSATB 2Hn Tmp 3Ob Str Bc | 22: 1 | I/2: 131 | afterBWV 91.1 (same text) | 00115 |
| 91.1 | 1. | 1724-12-25 | CantataGelobet seist du, Jesu Christ (Christmas; early version) | G maj. | satbSATB 2Hn Tmp 3Ob Str Bc | 22: 1, 333 | I/2: 164 | afterZ 1947; text afterLuther; →BWV 91.2 | 00116 |
| 91/6 | chorale setting "Gelobet seist du, Jesu Christ" (s. 7) | SATB | III/2.1: 89 III/2.2: 30 | afterZ 1947; text byLuther | 11252 | ||||
| 92 | 1. | 1725-01-28 | CantataIch hab in Gottes Herz und Sinn (Septuagesimae) | B min. | satbSATB 2Oba Str Bc | 22: 33 | I/7: 41 | afterZ 7568; text afterGerhardt | 00117 |
| 93 | 1. | 1724-07-09 | CantataWer nur den lieben Gott läßt walten (Trinity V) | C min. | satbSATB 2Ob Str Bc | 22: 69 | I/17.2: 3 | afterZ 2778; text afterNeumark; /4 →BWV 647 | 00118 |
| 94 | 1. | 1724-08-06 | CantataWas frag ich nach der Welt (Trinity IX) | D maj. | satbSATB Fl 2Ob 2Oba Str Bc | 22: 95 | I/19: 43 | afterZ 5206b–c; text afterKindermann | 00119 |
| 94/8 | chorale setting "Was frag ich nach der Welt" (s. 8) | SATB | 22: 127 | III/2.1: 53 III/2.2: 173 | afterZ 5206b–c; text byKindermann | 11215 | |||
| 95 | 1. | 1723-09-12 | CantataChristus, der ist mein Leben (Trinity XVI) | G maj. | stbSATB Hn or Cnt 2Ob 2Oba Str Bc | 22: 129 | I/23: 65 | afterZ 132 &3986 (/1: →BWV 282),5404a (/3),4482 (/7); text bySimon Graf [de] &Luther (/1),Herberger (/3),Herman (/7) | 00120 |
| 95/7 | chorale setting "Wenn mein Stündlein vorhanden ist" (s. 4) | SATB | 22: 153 | III/2.1: 64 | afterZ 4482; text byHerman | 11229 | |||
| 96 | 1. | 1724-10-08 | CantataHerr Christ, der einge Gottessohn (Trinity XVIII) | F maj. | satbSATB Hn or Tbn Fl/Fl or Vl 2Ob Str Bc | 22: 155 | I/24: 1 | afterZ 4297a; text afterCruciger | 00121 |
| 96/6 | chorale setting "Herr Christ, der einge Gottessohn" (s. 5) | SATB | 22: 184 | III/2.1: 66 III/2.2: 179 | afterZ 4297a; text byCruciger | 11231 | |||
| 97 | 1. | 1734-07-25? after 1735 | CantataIn allen meinen Taten (two versions; Trinity V?) | B♭ maj. | satbSATB 2Ob Str Bc | 22: 185, 336 | I/34: 197 | afterZ 2293b; text byFleming; /9 →BWV 392 | 00122 |
| 97/9 | chorale setting "In allen meinen Taten" (s. 9) | SATB | 22: 230 | III/2.1: 49 | afterZ 2293b; text byFleming; →BWV 392 | 11210 | |||
| chorale setting "Nun ruhen alle Wälder" | afterZ 2293b; text byGerhardt; →BWV 392 | ||||||||
| 98 | 1. | 1726-11-10 | CantataWas Gott tut, das ist wohlgetan (Trinity XXI) | B♭ maj. | satbSATB 2Ob Str Bc | 22: 231 | I/25: 241 | afterZ 5629 (/1); text byBirkmann,Rodigast (/1) | 00123 |
| 99 | 1. | 1724-09-17 | CantataWas Gott tut, das ist wohlgetan (Trinity XV) | G maj. | satbSATB Hn Fl Oba Str Bc | 22: 251 | I/22: 41 | afterZ 5629; text afterRodigast; /1 →BWV 100/1 | 00124 |
| 100 | 1. | 1734–1735 | CantataWas Gott tut, das ist wohlgetan | G maj. | satbSATB 2Hn Tmp Fl Oba Str Bc | 22: 277 | I/34: 239 | afterZ 5629,BWV 99/1 (/1),75/7 (/6); text byRodigast | 00125 |
| 100/6 | chorale setting "Was Gott tut, das ist wohlgetan" (s. 6) | SATB | 22: 323 | III/2.1: 72 | after75/7=/14; text byRodigast | 11238 | |||
| 101 | 1. | 1724-08-13 | CantataNimm von uns, Herr, du treuer Gott (Trinity X) | D min. | satbSATB 2Hn Tmp Fl Oba Str Bc | 23: 1 | I/19: 173 | afterZ 2561; text afterMoller | 00126 |
| 101/7 | chorale setting "Nimm von uns, Herr, du treuer Gott" (s. 7) | SATB | 23: 32 | III/2.1: 54 III/2.2: 174 | afterZ 2561; text byMoller | 11216 | |||
| 102 | 1. | 1726-08-25 | CantataHerr, deine Augen sehen nach dem Glauben (Trinity X) | G min. | atbSATB Fl Vl 2Ob Str Bc | 23: 33 | I/19: 229 | afterZ 2561 (/7); text:Meiningen, afterJer 5:3 (/1: →BWV 235/1),Rm 2:4–5 (/4), byHeermann (/7); /3 & /5 →BWV 233/4 & /5 | 00127 |
| 102/7 | chorale setting "So wahr ich lebe, spricht dein Gott" (ss. 6–7) | C min. | SATB | 23: 66 | III/2.2: 62 | afterZ 2561; text byHeermann | 11334 | ||
| chorale setting "Vater unser im Himmelreich" | afterZ 2561; text byLuther | ||||||||
| 103 | 1. | 1725-04-22 1731-04-15 | CantataIhr werdet weinen und heulen (Jubilate, 2 versions) | B min. | atSATB Tr Fl Fl (or) Vl 2Oba Str Bc | 23: 67 | I/11.2: 25 | afterZ 7568 (/6); text byZiegler, C. M.,Gerhardt (/6) | 00128 |
| 103/6 | chorale setting "Barmherzger Vater, höchster Gott" (s. 9) | SATB | 23: 94 | III/2.1: 72 III/2.2: 68 | afterZ 7568; text byGerhardt | 11237 | |||
| chorale setting "Ich hab in Gottes Herz und Sinn" | |||||||||
| chorale setting "Was mein Gott will, das gscheh allzeit" | afterZ 7568; text byAlbert of Prussia | ||||||||
| 104 | 1. | 1724-04-23 | CantataDu Hirte Israel, höre (Misericordias) | G maj. | tbSATB 2Ob 2Oba Tai Str Bc | 23: 95 | I/11.1: 113 | afterZ 4457 (/6); text afterPs 80:2 (/1), byBecker (/6) | 00129 |
| 104/6 | chorale setting "Der Herr ist mein getreuer Hirt" (s. 1) | A maj. | SATB | 23: 116 | III/2.2: 189 | afterZ 4457; text byBecker | 11283 | ||
| chorale setting "Allein Gott in der Höh sei Ehr" | afterZ 4457; text byDecius | ||||||||
| G maj. | III/2.2: 71 | 11290 | |||||||
| 105 | 1. | 1723-07-25 | CantataHerr, gehe nicht ins Gericht mit deinem Knecht (Trinity IX) | G min. | satbSATB Hn 2Ob Str Bc | 23: 117 | I/19: 1 | afterZ 6804 (/6); text afterPs 143:2 (/1), byRist (/6) | 00130 |
| 105/6 | chorale setting "Jesu, der du meine Seele" (s. 11) | SATB | 23: 146 | III/2.1: 52 | afterZ 6804; text byRist | 11214 | |||
| 106 | 1. | 1708-09-16? | CantataGottes Zeit ist die allerbeste Zeit (funeral; akaActus tragicus) | E♭ maj. | satbSATB 2Fl 2Vdg Bc | 23: 147 | I/34: 1 | afterZ 1680 (/2d),3986 (/3b),2461 (/4); text afterOlearius, J.,Acts 17:28 &Ps 90:12 &Is 38:1 &JS 14:18 &Rv 22:20 (/2),Ps 31:6 &Lk 23:43 & byLuther (/3),Reusner (/4) | 00131 |
| 107 | 1. | 1724-07-23 | CantataWas willst du dich betrüben (Trinity VII) | B min. | stbSATB Hn 2Fl 2Oba Str Bc | 23: 179 | I/18: 55 | afterZ 5264b; text byHeermann | 00132 |
| 108 | 1. | 1725-04-29 | CantataEs ist euch gut, daß ich hingehe (Cantate) | A maj. | atbSATB 2Oba Str Bc | 23: 203 | I/12: 17 | afterZ 2496 (/6); text byZiegler, C. M.,Gerhardt (/6), afterJh 16:7 (/1), 13 (/4) | 00133 |
| 108/6 | chorale setting "Gott Vater, sende deinen Geist" (s. 10) | B min. | SATB | 23: 230 | III/2.1: 69 III/2.2: 26 | afterZ 2496; text byGerhardt | 11235 | ||
| chorale setting "Kommt her zu mir, spricht Gottes Sohn" | afterZ 2496; text byGrünwald | ||||||||
| 109 | 1. | 1723-10-17 | CantataIch glaube, lieber Herr, hilf meinem Unglauben (Trinity XXI; 2 versions) | D min. | atSATB (Hn) 2Ob Str Bc | 23: 231 | I/25: 157 | afterZ 7549 (/6); text afterMk 9:24 (/1), bySpengler (/6) | 00134 |
| 110 | 1. | 1725-12-25 | CantataUnser Mund sei voll Lachens (Christmas) | D maj. | satbSATB 3Tr Tmp 2Fl 3Ob Oba Odc Bas Str Bc | 23: 263 | I/2: 71 | afterZ 2072 (/7); text byLehms,Füger (/7), afterPs 126:2–3 (/1),Jer 10:6 (/3),Lk 2:14 (/5) | 00135 |
| 110/7 | chorale setting "Wir Christenleut" (s. 5) | B min. | SATB | 23: 324 | III/2.2: 32 | afterZ 2072; text byFüger | 11316 | ||
| 111 | 1. | 1725-01-25 | CantataWas mein Gott will, das g'scheh allzeit (Epiphany III) | A min. | satbSATB 2Ob Str Bc | 24: 1 | I/6: 27 | afterZ 7568; text afterAlbert of Prussia | 00136 |
| 112 | 1. | 1731-04-08 | CantataDer Herr ist mein getreuer Hirt (Misericordias) | G maj. | satbSATB 2Hn 2Oba Str Bc | 24: 29 | I/11.1: 179 | afterZ 4457; text byMeuslin afterPs. 23 | 00137 |
| 112/5 | chorale setting "Der Herr ist mein getreuer Hirt" (s. 5) | SATB | 24: 48 | III/2.1: 71 III/2.2: 183, 202 | 11236 | ||||
| chorale setting "Allein Gott in der Höh sei Ehr" | afterZ 4457; text byDecius | ||||||||
| 113 | 1. | 1724-08-20 | CantataHerr Jesu Christ, du höchstes Gut (Trinity XI) | B min. | satbSATB Fl 2Oba Str Bc | 24: 49 | I/20: 79 | afterZ 4486; text afterRingwaldt | 00138 |
| 113/8 | chorale setting "Herr Jesu Christ, du höchstes Gut" (s. 8) | SATB | 24: 80 | III/2.1: 54 III/2.2: 175 | afterZ 4486; text byRingwaldt | 11217 | |||
| 114 | 1. | 1724-10-01 | CantataAch, lieben Christen, seid getrost (Trinity XVII) | G min. | satbSATB Hn Fl 2Ob Str Bc | 24: 81 | I/23: 287 | afterZ 4441a; text afterGigas | 00139 |
| 114/7 | chorale setting "Ach, lieben Christen, seid getrost" (s. 6) | SATB | 24: 108 | III/2.1: 65 III/2.2: 179 | afterZ 4441a; text byGigas | 11230 | |||
| 115 | 1. | 1724-11-05 | CantataMache dich, mein Geist, bereit (Trinity XXII) | G maj. | satbSATB Hn Fl Oba Str Vc Bc | 24: 109 | I/26: 21 | afterZ 6274a; text afterFreystein | 00140 |
| 115/6 | chorale setting "Mache dich, mein Geist, bereit" (s. 10) | SATB | 24: 132 | III/2.1: 25 III/2.2: 23 | afterZ 6274a; text byFreystein | 11190 | |||
| chorale setting "Straf mich nicht in deinem Zorn" | afterZ 6274a; text byAlbinus | ||||||||
| 116 | 1. | 1724-11-26 | CantataDu Friedefürst, Herr Jesu Christ (Trinity XXV) | A maj. | satbSATB Hn 2Oba Str Bc | 24: 133 | I/27: 79 | afterZ 4373; text afterEbert | 00141 |
| 117 | 1. | 1728–1731 | CantataSei Lob und Ehr dem höchsten Gut | G maj. | atbSATB 2Fl 2Ob 2Oba Str Bc | 24: 159 | I/34: 151 | afterZ 4430; text bySchütz, J. J. | 00142 |
| 117/4 117/9 | chorale setting "Sei Lob und Ehr dem höchsten Gut" (ss. 4, 9) | SATB | 24: 159 | III/2.1: 71 III/2.2: 203 | 11172 | ||||
| chorale setting "Sei Lob und Ehr dem höchsten Gut" | III/2.1: 9 III/2.2: 147 | 11173 | |||||||
| 119 | 1. | 1723-08-30 | CantataPreise, Jerusalem, den Herrn (council election) | C maj. | satbSATB 4Tr Tmp 2Fl 3Ob 2Odc Str Bc | 24: 193 | I/32.1: 129 | afterZ 8652 (/9); text afterPs 147:12–14 (/1), byLuther (/9) | 00144 |
| 120.1 | 1. | 1729 or earlier | CantataGott, man lobet dich in der Stille (council election) | A maj. | satbSATB 3Tr 2Ob 2ObaVl Str Bc | 24: 247 | I/32.2: 53 | afterZ 8652 (/6); text afterPs 65:2 (/1), byLuther (/6); ↔BWV 120.2/6 (/1 → .3/1), /1 (/2 → .3/2), /3 (/4 ↔1019a/3 → .3/4) | 00145 |
| 120.2 | 1. | 1729? | CantataHerr Gott, Beherrscher aller Dinge (wedding; incomplete) | D maj. | satbSATB 3Tr Tmp 2Ob 2Oba Str Org Bc | 41: 149 | I/33: 75 | afterBWV 1006/1 (/4 →29/1),137/5 (/8); text afterJS 50:24 (/2), byLuther (/5),Neander (/8); ↔BWV 120.1/2 (/1 → .3/2), /4 (/3 ↔1019a/3 → .3/4), /1 (/6 → .3/1) | 00146 |
| 120.3 | 1. | 1730-06-26 | CantataGott, man lobet dich in der Stille (200th anniversary of theAugsb. Confess.; music lost, partially reconstructable) | saSATB 3Tr Tmp 2Oba Vl Str Bc ? | I/34 I/32.2 | afterBWV 120.1/1 (=.2/6), /2 (=.2/1 →232II/9), /4 (=.2/3 ↔1019a/3); text byPicander | 00147 | ||
| 121 | 1. | 1724-12-26 | CantataChristum wir sollen loben schon (Christmas 2) | E min. | satbSATB Cnt 3Tbn Oba Str Bc | 26: 1 | I/3.1: 57 | afterZ 297c, text afterLuther | 00148 |
| 121/6 | chorale setting "Christum wir sollen loben schon" (s. 8) | SATB | 26: 20 | III/2.2: 31 | afterZ 297c, text byLuther | 11284 | |||
| 122 | 1. | 1724-12-31 | CantataDas neugeborne Kindelein (Christmas I) | G min. | satbSATB 3Fl 2Ob Tai Str Bc | 26: 21 | I/3.2: 53 | afterZ 491; text afterSchneegaß | 00149 |
| 122/6 | chorale setting "Das neugeborne Kindelein" (s. 5) | SATB | 26: 40 | III/2.1: 43 III/2.2: 30, 101 | afterZ 491; text bySchneegaß | 11207 | |||
| 123 | 1. | 1725-01-06 | CantataLiebster Immanuel, Herzog der Frommen (Epiphany) | B min. | atbSATB 2Fl 2Oba Str Bc | 26: 41 | I/5: 47 | afterZ 4932c; text afterFritsch | 00150 |
| 123/6 | chorale setting "Liebster Immanuel, Herzog der Frommen" (s. 6) | SATB | 26: 60 | III/2.2: 108 | afterZ 4932c; text byFritsch | 11340 | |||
| 124 | 1. | 1725-01-07 | CantataMeinen Jesum laß ich nicht (Epiphany I) | E maj. | satbSATB Hn Oba Str Bc | 26: 61 | I/5: 115 | afterZ 3449; text afterKeymann | 00151 |
| 125 | 1. | 1725-02-02 | CantataMit Fried und Freud ich fahr dahin (Purification) | E min. | atbSATB Hn Fl Ob Oba Str Bc | 26: 83 | I/28.1: 31 | afterZ 3986; text afterLuther | 00152 |
| 126 | 1. | 1725-02-04 | CantataErhalt uns, Herr, bei deinem Wort (Sexagesimae) | A min. | atbSATB Tr 2Ob Str Bc | 26: 111 | I/7: 155 | afterZ 350a,1945b (/6); text afterLuther,Jonas,Walter | 00153 |
| 126/6 | chorale setting "Verleih uns Frieden gnädiglich" (ss. 1–2) | SATB | 26: 131 | III/2.2: 126 (ing) | afterZ 1945b; text byLuther,Walter | 11335 | |||
| 127 | 1. | 1725-02-11 | CantataHerr Jesu Christ, wahr' Mensch und Gott (Estomihi) | F maj. | stbSATB Tr 2Fl 2Ob Str Bc | 26: 133 | I/8: 107 | afterZ 2570; text afterEber; /1 →BWV 127/1 (variant) | 00154 |
| 127/5 | chorale setting "Herr Jesu Christ, wahr' Mensch und Gott" (s. 8) | SATB | 26: 160 | III/2.1: 46 III/2.2: 169 | afterZ 2570; text byEber | 11209 | |||
| 127/1 (var.) | 1. | c.1750 | Chorus "Herr Jesu Christ, wahr' Mensch und Gott" (Passion oratorio movement) | E♭ maj. | SATB 2Fl 2Ob Str Bc | I/41: 95 | afterBWV 127/1; →BC D 10 | 00155 | |
| 128 | 1. | 1725-05-10 | CantataAuf Christi Himmelfahrt allein (Ascension) | G maj. | atbSATB Tr 2Hn 2Ob 2Oba Odc Str Bc | 26: 163 | I/12: 101 | afterZ 4457 (/1),5206b (/5); text byZiegler, C. M.,Sonnemann [de;fr;nl] (/1),Avenarius [scores] (/5) | 00156 |
| 129 | 1. | 1727-06-08 | CantataGelobet sei der Herr, mein Gott (Trinity) | D maj. | sabSATB 3Tr Tmp Fl 2Ob Oba Str Bc | 26: 185 | I/15: 37 | afterZ 5206b; text byOlearius, J. | 00157 |
| 129/5 | chorale setting "Gelobet sei der Herr, mein Gott" (s. 5) | SATB | 26: 224 | III/2.1: 80 | 11246 | ||||
| chorale setting "O Gott, du frommer Gott" | afterZ 5206b; text byHeermann | ||||||||
| 130.1 | 1. | 1724-09-29 | CantataHerr Gott, dich loben alle wir (Michaelmas; 1st version) | C maj. | satbSATB 3Tr Tmp Fl 3Ob Str Bc | 26: 231 | I/30: 1 | afterZ 368; text afterEber; →BWV 130.2 | 00158 |
| 130/6 | chorale setting "Herr Gott, dich loben alle wir" (s. 11) | SATB | 26: 268 | III/2.1: 61 III/2.2: 218 | afterZ 368; text byEber | 11226 | |||
| 130.2 | 1. | 1732–1735 | CantataHerr Gott, dich loben alle wir (Michaelmas; 2nd version) | C maj. | satbSATB 3Tr Tmp Fl 3Ob Str Bc | I/30: 48 | afterBWV 130.1 (same text) | 00159 | |
| 131 | 1. | 1707 | CantataAus der Tiefen rufe ich, Herr, zu dir | G min. | satbSATB Ob Bas Str Bc | 28: 1 | I/34: 67 | afterZ 4486 (/2, /4); text afterPs. 130, byRingwaldt (/2, /4); →BWV 131a | 00160 |
| 132 | 1. | 1715-12-22 | CantataBereitet die Wege, bereitet die Bahn (Advent IV) | A maj. | satbSATB Ob Bas Str Vc Bc | 28: 33 | I/1: 99 rev 2: 97 | text byFranck, S.,Cruciger (/6) | 00162 |
| 133 | 1. | 1724-12-27 | CantataIch freue mich in dir (Christmas 3) | A maj. | satbSATB Cnt 2Oba Str Bc | 28: 51 | I/3.1: 135 | ↔Z 5187; text afterZiegler, C. | 00163 |
| 133/6 | chorale setting "Ich freue mich in dir" (s. 4) | D maj. | SATB | 28: 80 | III/2.1: 44 III/2.2: 34 | ↔Z 5187; text byZiegler, C. | 11208 | ||
| 134.3 | 1. | 1731-03-27 1735-04-12 | CantataEin Herz, das seinen Jesum lebend weiß (Easter 3; later version) | B♭ maj. | atSATB 2Ob Str Bc | 28: 81 | I/10: 69 | afterBWV 134.2 | 00164 |
| 134.2 | 1. | 1724-04-11 | CantataEin Herz, das seinen Jesum lebend weiß (Easter 3; early version) | B♭ maj. | atSATB 2Ob Str Bc | 28: 81, 287 | I/10: 106 | afterBWV 134.1; →BWV 134.3 | 00165 |
| 134.1 | 1. | 1719-01-01 | Secular cantataDie Zeit, die Tag und Jahre macht (congratulation for New Year) | B♭ maj. | atSATB 2Ob Str Bc | 29: 209 | I/35: 49 | text byHunold; →BWV 134.2 | 00166 |
| 135 | 1. | 1724-06-25 | CantataAch Herr, mich armen Sünder (Trinity III) | E min. | atbSATB Cnt Tbn 2Ob Str Bc | 28: 119 | I/16: 197 | afterZ 5385a; text afterSchneegaß | 00167 |
| 136 | 1. | 1723-07-18 | CantataErforsche mich, Gott, und erfahre mein Herz (Trinity VIII) | A min. | atbSATB Hn 2Ob 2Oba Str Bc | 28: 137 | I/18: 129 | afterZ 2164 (/6); text afterPs 139:23 (/1: →BWV 234/6), byHeermann (/6) | 00168 |
| 136/6 | chorale setting "Wo soll ich fliehen hin" (s. 9) | B min. | SATB | 28: 164 | III/2.2: 191 | afterZ 2164; text byHeermann | 11293 | ||
| 137 | 1. | 1725-08-19 | CantataLobe den Herren, den mächtigen König der Ehren (Trinity XII) | C maj. | satbSATB 3Tr Tmp 2Ob Str Bc | 28: 165 | I/20: 171 | afterZ 1912a–c; text byNeander; /2 →BWV 650; /5 →120.2/8 | 00169 |
| 137/5 | chorale setting "Lobe den Herren, den mächtigen König der Ehren" (s. 5) | SATB | 28: 196 | III/2.1: 56 | afterZ 1912a–c; text byNeander; →BWV 120.2/8 | 11220 | |||
| chorale setting "Hast du denn, Jesu, dein Angesicht gänzlich verborgen" | afterZ 1912a–c; text byFritsch | ||||||||
| 138 | 1. | 1723-09-05 | CantataWarum betrübst du dich, mein Herz (Trinity XV) | B min. | satbSATB 2Oba Str Bc | 28: 197 | I/22: 19 | afterZ 1689a; /4 →BWV 236/3 | 00170 |
| 139 | 1. | 1724-11-12 | CantataWohl dem, der sich auf seinen Gott (Trinity XXIII) | E maj. | satbSATB 2Oba Str Bc | 28: 223 | I/26: 97 | afterZ 2383; text afterRube [fr] | 00171 |
| 140 | 1. | 1731-11-25 | CantataWachet auf, ruft uns die Stimme (Trinity XXVII) | E♭ maj. | stbSATB Hn 2Ob Tai Vl Str Bc | 28: 249 | I/27: 149 | afterZ 8405a, text afterNicolai; /4 →BWV 645 | 00172 |
| 140/7 | chorale setting "Wachet auf, ruft uns die Stimme" (s. 3) | SATB | 28: 284 | III/2.1: 19 III/2.2: 101 | afterZ 8405a, text byNicolai | 11183 | |||
| 143 | 1. | c. 1709–1711? | CantataLobe den Herrn, meine Seele (New Year) | B♭ maj. | stbSATB 3Hn Tmp Bas Str Bc | 30: 43 | I/4: 165 rev 2: 3 | afterZ 4373; text afterPs 146, byEbert (/2, /7) | 00175 |
| C maj. | stbSATB 3Tr Tmp Bas Str Bc | rev 2: 119 | |||||||
| 144 | 1. | 1724-02-06 | CantataNimm, was dein ist, und gehe hin (Septuagesima) | B min. | satSATB 2Ob Oba Str Bc | 30: 75 | I/7: 1 | afterZ 5629 (/3),7568 (/6); text afterMt 20:14 (/1), byRodigast (/3),Albert of Prussia (/6) | 00176 |
| 144/3 | chorale setting "Was Gott tut, das ist wohlgetan" (s. 1) | G maj. | SATB | 30: 87 | III/2.1: 34 III/2.2: 36 | afterZ 5629; text byRodigast | 11204 | ||
| 144/6 | chorale setting "Was mein Gott will, das g'scheh allzeit" (s. 1) | B min. | 30: 92 | III/2.1: 35 III/2.2: 157 | afterZ 7568; text byAlbert of Prussia | 11205 | |||
| 145/1–5 | 1. | 1729-04-19 | CantataIch lebe, mein Herze, zu deinem Ergötzen (Easter 3) | D maj. | stbSATB Tr Fl 2Ob Str Bc | 30: 104 | I/10: 111 | byBach, C. P. E.?; afterZ 1743 (/5); text byPicander,Herman (/5) | 00177 |
| 145/5 | chorale setting "Erschienen ist der herrlich Tag" (s. 14) | F♯ min. | SATB | 30: 122 | III/2.2: 214 | byBach, C. P. E.?; afterZ 1743; text byHerman | 11321 | ||
| chorale setting "Erschienen ist der herrlich Tag" | E min. | III/2.2: 12 | |||||||
| 145/a | 1. | chorale setting "Auf, mein Herz, des Herren Tag" (s. 1) | D maj. | SATB (or) Org | 30: 93 | III/2.2: 195 | byBach, C. P. E.; afterZ 3432b; text byNeumann | 10584 | |
| chorale setting "Jesus, meine Zuversicht" | byBach, C. P. E.; afterZ 3432b; text byL. H. of Brandenb. | 09019 | |||||||
| 146 | 1. | 1726-05-12 or 1727-05-04 | CantataWir müssen durch viel Trübsal (Jubilate) | D min. | satbSATB Fl 2Ob 2Oba Tai StrOrg Bc | 30: 123 | I/11.2: 65 | afterZ 6551 (/8); text afterActs 14:22 (/2); /1 & /2 ↔BWV 1052/1 & /2 | 00179 |
| 147.2 | 1. | 1723-07-02 | CantataHerz und Mund und Tat und Leben (Visitation) | D maj. | satbSATB Tr 2Ob Oba 2Odc Str Bc | 30: 191 | I/28: 63 | afterBWV 147.1/1–5 (/1, /3, /7, /5, /9),Z 6551 (/6, /10); text byFranck, S. (/1, /3, /7, /5, /9),Janus (/6, /10) | 00180 |
| 147.1 | 1. | 1716-12-20 | CantataHerz und Mund und Tat und Leben (Advent IV) | D maj. | satbSATB Tr Ob Str Bc | I/1 | text byFranck, S.,Kolross (/6); /1–/5 →BWV 147.2/1, /3, /7, /5, /9 | 00181 | |
| 148 | 1. | 1723-09-19 | CantataBringet dem Herrn Ehre seines Namens (Trinity XVII) | D maj. | atSATB Tr 2Oba Odc Str Bc | 30: 235 | I/23: 253 | afterZ 2164 (/6); text afterPicander | 00182 |
| 148/6 | chorale setting "Wo soll ich fliehen hin" | F♯ min. F min. | SATB | 30: 260 | III/2.2: 16 | afterZ 2164; text byHeermann | 11291 | ||
| 149 | 1. | 1729-09-29 | CantataMan singet mit Freuden vom Sieg (Michaelmas) | D maj. | satbSATB 3Tr Tmp 3Ob Bas Str Vne Bc | 30: 261 | I/30: 97 | afterBWV 208/15 (/1),Z 8326 (/7); text byPicander,Schalling (/7) | 00183 |
| 149/1a | 1. | Fall 1729 | Cantata opening: "Concerto" (incomplete; abandoned alternative start ofBWV 149?) | D maj. | SATB 3Tr Tmp 2Ob Str Bc | I/40 I/30 | in SBBP 175; was BWV Anh. 198 | 01509 | |
| 150 | 1. | 1707-07-10 | CantataNach dir, Herr, verlanget mich (Trinity III) | B min. | satbSATB Bas 2Vl Bc | 30: 301 | I/41: 3 | text afterPs 25 (/2, /4, /6) | 00184 |
| 151 | 1. | 1725-12-27 | CantataSüßer Trost, mein Jesus kömmt (Christmas 3) | G maj. | satbSATB Fl Vl Oba Str Bc | 32: 1 | I/3.1: 169 | afterZ 198 (/5); text byLehms,Herman (/5) | 00185 |
| 151/5 | chorale setting "Lobt Gott, ihr Christen allzugleich" (s. 8) | SATB | 32: 16 | III/2.2: 30 | afterZ 198; text byHerman | 11307 | |||
| 152 | 1. | 1714-12-30 | CantataTritt auf die Glaubensbahn (Christmas I) | E min. | sb Fl Ob Va Vdg Bc | 32: 17 | I/3.2: 3 | text byFranck, S.; /1 ↔BWV 536/2, →536a/2 | 00186 |
| 153 | 1. | 1724-01-02 | CantataSchau, lieber Gott, wie meine Feind (Christmas II) | A min. | atbSATB Str Bc | 32: 41 | I/4: 199 | afterZ 4431 (/1),5385a (/5),533a (/9); text byDenicke (/1),Gerhardt (/5),Moller (/9), afterIs 14:10 (/3) | 00187 |
| 153/1 | chorale setting "Schau, lieber Gott, wie meine Feind" (s. 1) | A min. | SATB | 32: 43 | III/2.2: 3 | afterZ 4431; text byDenicke | 11288 | ||
| chorale setting "Ach Gott, vom Himmel sieh darein" | afterZ 4431; text byMartin Luther | ||||||||
| 153/5 | chorale setting "Befiehl du deine Wege" (s. 5) | A min. | SATB | 32: 46 | III/2.2: 14 | afterZ 5385a; text byGerhardt | 11326 | ||
| chorale setting "Herzlich tut mich verlangen" | afterZ 5385a; text byKnoll | ||||||||
| 153/9 | chorale setting "Ach Gott, wie manches Herzeleid" (ss. 16–18) | C maj. | SATB | 32: 58 | III/2.2: 128 | afterZ 533a; text byMoller | 11282 | ||
| 154 | 1. | 1724-01-09 | CantataMein liebster Jesus ist verloren (Epiphany I) | B min. | atbSATB 2Oba Str Hc Bc | 32: 59 | I/5: 89 | afterZ 6551 (/3),3449 (/8); text byJanus (/3),Keymann (/8), afterLk 2:49; /3 →BWV 359 | 00188 |
| 154/3 | chorale setting "Jesu, meiner Seelen Wonne" (s. 2) | A maj. | SATB | 32: 65 | III/2.1: 87 III/2.2: 137 | afterZ 6551; text byJanus; →BWV 359 | 11249 | ||
| chorale setting "Werde munter, mein Gemüte" | afterZ 6551; text byRist | ||||||||
| 154/8 | chorale setting "Meinen Jesum lass ich nicht, weil" (s. 6) | D maj. | SATB | 32: 82 | III/2.1: 88 III/2.2: 88 | afterZ 3449; text byKeymann | 11251 | ||
| 155 | 1. | 1716-01-19 1724-01-16 | CantataMein Gott, wie lang, ach lange? (Epiphany II) | D min. | satbSATB Bas Str Bc | 32: 83 | I/5: 173 | afterZ 4430 (/5); text byFranck, S.,Speratus (/5) | 00189 |
| 155/5 | chorale setting "Es ist das Heil uns kommen her" (s. 12) | F maj. | SATB | 32: 96 | III/2.2: 194 | afterZ 4430; text bySperatus | 11302 | ||
| 156 | 1. | 1727-01-26 or 1729-01-23 | CantataIch steh mit einem Fuß im Grabe (Epiphany III) | F maj. | satbSATB Ob Str Bc | 32: 97 | I/6: 91 | afterZ 2383 (/2),4438 (/6); text byPicander,Schein (/2),Bienemann [de] (/6); /1 ↔BWV 1056/2 | 00190 |
| 156/6 | chorale setting "Herr, wie du willt, so schicks mit mir" (s. 1) | C maj. | SATB | 32: 114 | III/2.2: 185 | afterZ 4438; text byBienemann [de] | 11294 | ||
| 157.2 | 1. | after 1727-02-06 | CantataIch lasse dich nicht, du segnest mich denn (funeral; later: Purification) | B min. | tbSATB Fl Ob Oba Va 2Vl Bc | 32: 115 | I/34: 41 | afterZ 3449 (/5),BWV 157.1 (same text) | 00191 |
| 157.1 | 1. | 1727-02-06 | CantataIch lasse dich nicht, du segnest mich denn (funeral) | tbSATB Fl Oba Va Bc | I/34 | text byPicander,Keymann (/5), afterGen 32:27 (/1); →BWV 157.2 | 11366 | ||
| 158 | 1. | c. 1725–1735 | CantataDer Friede sei mit dir (Purification; later: Easter 3) | D maj. | sbSATB Ob Vl Bc | 32: 141 | I/10: 129 | afterZ 6531 (/2),7012a (/4); text byAlbinus (/2),Luther (/4; ↔BWV 279) | 00192 |
| 158/4 | chorale setting "Christ lag in Todes Banden" (s. 5) | E min. | SATB | 32: 154 | III/2.1: 24 III/2.2: 155 | afterZ 7012a; text byLuther; ↔BWV 279 | 11187 | ||
| 159 | 1. | 1729-02-27 | CantataSehet, wir gehn hinauf gen Jerusalem (Estomihi) | C min. | satbSATB Ob Str Bc | 32: 155 | I/8: 153 | afterZ 5385a (/2),6288a–b (/5); text byPicander,Gerhardt (/2),Stockmann (/5), afterLk 18:31 (/1),Jh 19:30 (/4) | 00193 |
| 159/5 | chorale setting "Jesu Leiden, Pein und Tod" (s. 33) | E♭ maj. | SATB | 32: 168 | III/2.1: 41 III/2.2: 33 | after6288a–b; text byStockmann | 11206 | ||
| 161 | 1. | 1716-09-27 | CantataKomm, du süße Todesstunde (Trinity XVI; 1st version) | C maj. | atSATB 2Fl Str Org Bc | 33: 1 | I/23: 1, 33 | afterZ 5385a; text byFranck, S.,Knoll; →BWV 161, v2 | 00195 |
| 161/6 | chorale setting "Herzlich tut mich verlangen" (s. 4) | A min. | SATB | 33: 27 | III/2.1: 29 III/2.2: 160 | afterZ 5385a; text byKnoll | 11194 | ||
| chorale setting "Befiehl du deine Wege" | afterZ 5385a; text byGerhardt | ||||||||
| 161, v2 | 1. | 1723–1750? | CantataKomm, du süße Todesstunde (Trinity XVI; 2nd version) | C maj. | satSATB 2Fl Str Bc | I/23: 33 | afterBWV 161; text byFranck, S.,Knoll | 00196 | |
| 162.1 | 1. | 1716-10-25 | CantataAch! ich sehe, itzt, da ich zur Hochzeit gehe (Trinity XX) | A min. | satbSATB Str Bc | I/25: 1 | afterZ 6783 (/6); text byFranck, S.,Rosenmüller (/6); →BWV 162.2 | 00197 | |
| 162.2 | 1. | 1723-10-10 | CantataAch! ich sehe, itzt, da ich zur Hochzeit gehe (Trinity XX) | B min. | satbSATB Hn Str Bc | 33: 29 (ina) | I/25: 23 | afterBWV 162.1 (same text) | 11367 |
| 163 | 1. | 1715-11-24 | CantataNur jedem das Seine (Trinity XXIII) | B min. | satbSATB Str 2Vc Bc | 33: 47 | I/26: 77 | afterZ 3449 (/5),2177 (/6); text byFranck, S.,Heermann (/6) | 00198 |
| 164 | 1. | 1725-08-26 | CantataIhr, die ihr euch von Christo nennet (Trinity XIII) | G min. | satbSATB 2Fl 2Ob Str Bc | 33: 65 | I/21: 57 | afterZ 4297a (/6); text byFranck, S.,Cruciger (/6) | 00199 |
| 164/6 | chorale setting "Herr Christ, der einge Gottes Sohn" (s. 5) | B♭ maj. | SATB | 33: 88 | III/2.1: 59 III/2.2: 57 | afterZ 4297a; text byCruciger | 11224 | ||
| 165 | 1. | 1715-06-16 1724-06-04 | CantataO heilges Geist- und Wasserbad (Trinity) | G maj. | satbSATB Fag Str Bc | 33: 89 | I/15: 1 | afterZ 159 (/6); text byFranck, S.,Helmbold (/6) | 00200 |
| 166 | 1. | 1724-05-07 | CantataWo gehest du hin? (Cantate) | B♭ maj. | satbSATB Ob Str Bc | 33: 105 | I/12: 1 | afterZ 4486 (/3),2778 (/6); text byFranck, S.,Ringwaldt (/3),E. J. of Schwarzburg-Rudolstadt (/6), afterJh 16:5 (/1); /2 →BWV 584 | 00201 |
| 166/6 | chorale setting "Wer weiß, wie nahe mir mein Ende" (s. 1) | G min. | SATB | 33: 122 | III/2.2: 116 | after2778; text byE. J. of Schwarzburg-Rudolstadt | 11311 | ||
| 167 | 1. | 1723-06-24 | CantataIhr Menschen, rühmet Gottes Liebe (24 June: feast of John the Baptist) | G maj. | satbSATB Tr Ob Odc Str Bc | 33: 123 | I/29: 1 | afterZ 8244 (/5); text byGramann (/5) | 00202 |
| 168 | 1. | 1725-07-29 | CantataTue Rechnung! Donnerwort (Trinity IX) | B min. | satbSATB 2Oba Str Bc | 33: 147 | I/19: 87 | afterZ 4486 (/6); text byFranck, S.,Ringwaldt (/6) | 00203 |
| 168/6 | chorale setting "Herr Jesu Christ, du höchstes Gut" (s. 8) | SATB | 33: 166 | III/2.2: 52 | afterZ 4486; text byRingwaldt | 11198 | |||
| 169 | 1. | 1726-10-20 | CantataGott soll allein mein Herze haben (Trinity XVIII) | D maj. | aSATB 2Oba Tai Str Org Bc | 33: 167 | I/24: 59 | afterZ 2029a (/7); text byBirkmann,Luther (/7); /1 & /5 ↔BWV 1053/1 & /2 | 00204 |
| 169/7 | chorale setting "Nun bitten wir den Heiligen Geist" (s. 3) | A maj. | SATB | 33: 192 | III/2.1: 30 III/2.2: 54 | afterZ 2029a; text byLuther | 11196 | ||
| 170 | 1. | 1726-07-28 | CantataVergnügte Ruh, beliebte Seelenlust (Trinity VI) | D maj. | a Oba Fl Str Org Bc | 33: 193 | I/17.2: 61 | text byLehms | 00205 |
| 171 | 1. | 1729-01-01 | CantataGott, wie dein Name, so ist auch dein Ruhm (New Year) | D maj. | satbSATB 3Tr Tmp 2Ob Str Bc | 35: 1 | I/4: 131 | afterBWV 205 (/4),41/6 (/6); text byPicander,Hermann (/6) | 00206 |
| 171/6 | chorale setting "Jesu, nun sei gepreiset" (s. 2) | SATB | 35: 32 | afterBWV 41/6; text byHermann | 11253 | ||||
| 172.1 | 1. | 1714-05-20 | CantataErschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 1st version = Weimar version; incomplete) | C maj. | (SATB) 3Tr Tmp (Fl? Ob 2)Vl 2Va Vc Bas (Bc) | I/13 | afterZ 8359 (/6); text byFranck, S.?,Nicolai (/6), afterJh 14:23 (/2); →BWV 172.2 | 00207 | |
| 172/6 | chorale setting "Wie schön leuchtet der Morgenstern" (s. 4) | F maj. | SATB | 35: 69 | III/2.2: 187 | afterZ 8359; text byNicolai | 11314 | ||
| 172.2 | 1. | 1724-05-28 | CantataErschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 2nd version = 1st Leipzig version) | D maj. | satbSATB 3Tr Tmp Fl Ob Oba Bas 2Vl 2Va Vc Bc | I/13: 1 | afterBWV 172.1 (same text); →BWV 172.3 | 00208 | |
| 172.3 | 1. | 1731-05-13 | CantataErschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 3rd version = 2nd Leipzig version) | C maj. | satbSATB 3Tr Tmp Ob Bas 2Vl 2Va Vc Org Bc | 35: 35 | I/13: 33 | afterBWV 172.2 (same text) | 00209 |
| 173.2 | 1. | 1727-06-02 1731-05-14 | CantataErhöhtes Fleisch und Blut (Pentecost 2) | D maj. | satbSATB 2Fl Str Bc | 35: 71 | I/14: 1 | afterBWV 173.1 | 00210 |
| 173.1 | 1. | 1722-12-10 | Secular cantataDurchlauchtster Leopold (birthday ofLeopold of Anhalt-Köthen) | D maj. | satbSATB 2Fl Str Bc | 34: 1 | I/35: 95 | →BWV 173.2 (/1–/5, /8),175/4 (/7) | 00211 |
| 174 | 1. | 1729-06-06 | CantataIch liebe den Höchsten von ganzem Gemüte (Pentecost 2) | G maj. | atbSATB 2Cdc 2Ob Tai 3Vl 3Va 3Vc Str Bc | 35: 103 | I/14: 63 | afterBWV 1048/1 (/1),Z 8326 (/5); text byPicander,Schalling (/5) | 00212 |
| 174/5 | chorale setting "Herzlich lieb hab ich dich, o Herr" (s. 1) | D maj. | SATB | 35: 157 | III/2.1: 78 III/2.2: 32 | afterZ 8326; text bySchalling | 11244 | ||
| 175 | 1. | 1725-05-22 | CantataEr rufet seinen Schafen mit Namen (Pentecost 3) | G maj. | atbSATB 2Tr 3Fl Str Vc Bc | 35: 159 | I/14: 147 | afterBWV 173.1/7 (/4),BWV 59/3 (/7); text byZiegler, C. M.,Rist (/7), afterJh 10:3 & 6 (/1 & /5) | 00213 |
| 175/7 | chorale setting "O Gottes Geist, mein Trost und Rat" (s. 9) | SATB | 35: 177 | III/2.1: 76 | afterZ 7445a; text byRist | 11243 | |||
| chorale setting "Komm, Heiliger Geist, Herre Gott" | afterZ 7445a; text byLuther | ||||||||
| 176 | 1. | 1725-05-27 | CantataEs ist ein trotzig und verzagt Ding (Trinity) | C min. | sabSATB 2Ob Odc Str Bc | 35: 179 | I/15: 17 | afterZ 7246 (/6); text byZiegler, C. M.,Gerhardt (/6), afterJer 17:9 (/1) | 00214 |
| 176/6 | chorale setting "Was alle Weisheit in der Welt" (s. 8) | SATB | 35: 198 | III/2.2: 67 | afterZ 7246; text byGerhardt | 11296 | |||
| chorale setting "Christ unser Herr zum Jordan kam" | afterZ 7246; text byLuther | ||||||||
| 177 | 1. | 1732-07-06 | CantataIch ruf zu dir, Herr Jesu Christ (Trinity IV) | G min. | satSATB 2Ob Odc Bas Vl Str Bc | 35: 199 | I/17.1: 77 | afterZ 7400; text byAgricola, J. | 00215 |
| 177/5 | chorale setting "Ich ruf zu dir, Herr Jesu Christ" (s. 5) | G min. E min | SATB | 35: 234 | III/2.1: 50 III/2.2: 40 | 11211 | |||
| 178 | 1. | 1724-07-30 | CantataWo Gott der Herr nicht bei uns hält (Trinity VIII) | A min. | atbSATB Hn 2Ob 2Oba Str Bc | 35: 235 | I/18: 159 | afterZ 4441a; text afterJonas | 00216 |
| 179 | 1. | 1723-08-08 | CantataSiehe zu, daß deine Gottesfurcht nicht Heuchelei sei (Trinity XI) | G min. | stbSATB 2Ob 2Odc Str Bc | 35: 273 | I/20: 55 | afterZ 2778 (/6); text afterJS 1:34 (/1), byTietze [wikisource:de] (/6); /1 & /3 →BWV 236/1 & /5; /5 →234/4 | 00217 |
| 179/6 | chorale setting "Ich armer Mensch, ich armer Sünder" (s. 1) | A min. | SATB | 35: 292 | III/2.1: 55 III/2.2: 196 | afterZ 2778; text byTietze [wikisource:de] | 11218 | ||
| chorale setting "Wer nur den lieben Gott lässt walten | afterZ 2778; text byNeumark | ||||||||
| 180 | 1. | 1724-10-22 | CantataSchmücke dich, o liebe Seele (Trinity XX) | F maj. | satbSATB 2Fl Fl Ob Odc Str Vc Bc | 35: 293 | I/25: 41 | afterZ 6923; text afterFranck, J. | 00218 |
| 180/7 | chorale setting "Schmücke dich, o liebe Seele" (s. 9) | F maj. E♭ maj. | SATB | 35: 322 | III/2.1: 24 III/2.2: 15 | afterZ 6923; text byFranck, J. | 11188 | ||
| 181 | 1. | 1724-02-13 | CantataLeichtgesinnte Flattergeister (Sexagesima) | E min. | satbSATB Tr Fl Ob Str Bc | 37: 1 | I/7: 133 | 00219 | |
| 182 | 1. | 1714-03-25 | CantataHimmelskönig, sei willkommen (Palm Sunday) | B♭ maj. | atbSATB Fl (Ob 2)Vl 2Va Bc | I/8.2: 1 | after6288a–b (/7); text byFranck, S.?,Stockmann (/7), afterPs 40:8–9 (/3) | 00220 | |
| 1724-03-25 1728-03-21 | G maj. | 37: 21 | I/8.2: 43 | ||||||
| 183 | 1. | 1725-05-13 | CantataSie werden euch in den Bann tun (Exaudi) | A min. | satbSATB 2Oba 2Odc Str Vc Bc | 37: 59 | I/12: 187 | afterZ 5267 (/5); text byZiegler, C. M.,Gerhardt (/5), afterJh 16:2 (/1) | 00221 |
| 183/5 | chorale setting "Zeuch ein zu deinen Toren" (s. 5) | SATB | 37: 74 | III/2.2: 70 | afterZ 5267; text byGerhardt | 11325 | |||
| chorale setting "Helft mir Gotts Güte preisen" | afterZ 5267; text byEber | ||||||||
| 184.2 | 1. | 1724-05-30 1727-06-03 1731-05-15 | CantataErwünschtes Freudenlicht (Pentecost 3) | G maj. | satSATB 2Fl Str Bc | 37: 75 | I/14: 119 | afterBWV 184.1/1–/4 & /6,Z 5690 (/5); text byWildenfels (/5) | 00222 |
| 184.2/5 | chorale setting "O Herre Gott, dein göttlich Wort" (s. 8) | D maj. G maj. | SATB | 37: 95 | III/2.1: 17 III/2.2: 10 | afterZ 5690; text byWildenfels | 11181 | ||
| 184.1 | 1. | 1721-01-01 | Secular cantata (incomplete) | G maj. | sb 2Fl Vl Str Bc (?) | I/35 | →BWV 184.2/1–/4, /6 | 00223 | |
| 185.1 | 1. | 1715-07-14 | CantataBarmherziges Herze der ewigen Liebe (Trinity IV) | F♯ min. | satbSATB Ob Str Bc | 37: 101 | I/17.1: 1 | afterZ 7400 (/6); text byFranck, S.,Agricola, J. (/6); →BWV 185.2 | 00224 |
| 185/6 | chorale setting "Ich ruf zu dir, Herr Jesu Christ" (s. 1) | SATB | 37: 118 | III/2.1: 50 | afterZ 7400; text byAgricola, J. | 11212 | |||
| 185.2 | 1. | 1723-06-20 | CantataBarmherziges Herze der ewigen Liebe (Trinity IV) | G min. | satbSATB Tr Ob Str Bc | 37: 101 | I/17.1: 1 | afterBWV 185.1 (same text) | 11368 |
| 186.2 | 1. | 1723-07-11 | CantataÄrgre dich, o Seele, nicht (Trinity VII) | G min. | satbSATB 2Ob Tai Bas Str Bc | 37: 119 | I/18: 15 | afterBWV 186.1/1–/5 (/1, /3, /5, /8, /10),Z 4430 (/6, /11); text byFranck, S. (/1, /3, /5, /8, /10),Speratus (/6, /11) | 00225 |
| 186.1 | 1. | 1716-12-13 | CantataÄrgre dich, o Seele, nicht (Advent III; incomplete) | stbSATB 2Ob Odc Tai Bas Str Bc | I/1 | text byFranck, S.,Helmbold (/6); →BWV 186.2/1, /3, /5, /8, /10 | 00226 | ||
| 187 | 1. | 1726-08-04 | CantataEs wartet alles auf dich (Trinity VII) | G min. | sabSATB 2Ob Str Bc | 37: 155 | I/18: 91 | afterZ 4816e (/7); text:Meiningen, afterPs 104:27–28 (/1),Mt 6:31–32 (/4), byVogel [scores] (/7); /1, /3, /4, /5 →BWV 235/6, /4, /3, /5 | 00227 |
| 187/7 | chorale setting "Singen wir aus Herzensgrund" (ss. 4, 6) | SATB | 37: 191 | III/2.2: 61 | afterZ 4816e; text byVogel [scores] | 11344 | |||
| 188 | 1. | 1728-10-17 | CantataIch habe meine Zuversicht (Trinity XXI) | D min. | satbSATB 2Ob Tai Str Org Bc | 37: 193 | I/25: 265 | afterZ 2164 (/6); text byPicander; /1 ↔BWV 1052/3 | 00228 |
| 190.1 | 1. | 1724-01-01 | CantataSinget dem Herrn ein neues Lied (New Year; incomplete) | D maj. | atbSATB 3Tr Tmp 3Ob Oba Bas Str Bc | 37: 227 | I/4: 1 | afterZ 8652 (/1–/2),8477a (/7); text byLuther (/1–/2),Hermann (/7); →BWV 190.2/1, /2, /3, /5 | 00230 |
| 190/7 | chorale setting "Jesu, nun sei gepreiset" (s. 2) | SATB | 37: 257 | III/2.2: 189 | after8477a; text byHermann (/7) | 11306 | |||
| 190.2 | 1. | 1730-06-25 | CantataSinget dem Herrn ein neues Lied (200th anniversary of theAugsb. Confess.; incomplete) | atbSATB 3Tr Tmp 3Ob Str Bc (?) | I/34 | afterBWV 190/1, /2, /3, /5; text byPicander,Luther (/1–/2, /7) | 00231 | ||
| 191 | 1. | 1743–1746 | CantataGloria in excelsis Deo (Christmas) | D maj. | stSSATB 3Tr Tmp 2Fl 2Ob Str Bc | 41: 1 | I/2: 171 | afterBWV 232/4, /5, /8, /12; text:Lk 2:14,doxology | 00232 |
| 192 | 1. | autumn 1730? | CantataNun danket alle Gott (incomplete) | G maj. | sbSATB 2Fl 2Ob Str Bc | 41: 65 | I/34: 107 | afterZ 5142; text byRinkart | 00233 |
| 193.2 | 1. | 1727-08-25 | CantataIhr Tore zu Zion (council election; incomplete) | D maj. | saSA(TB) 2Ob Str (Bc) | 41: 91 | I/32.1: 201 | afterBWV 193.1/1, /7, /9 | 00234 |
| 193.1 | 1. | 1727-08-03 | Secular cantataIhr Häuser des Himmels, ihr scheinenden Lichter (name day ofFriedrich August II; incomplete) | saSA(TB) 2Ob Str (Bc) | I/36 | text byPicander; →BWV 193.2/1, /3, /5 | 00235 | ||
| 194.3 | 1. | 1724-06-04 1731-05-20 | CantataHöchsterwünschtes Freudenfest (Trinity; 1st Leipzig version) | B♭ maj. | stbSATB 3Ob Bas Str Bc | 29: 99 | I/31: 145 | afterBWV 194.2 (same text); →BWV 194.4 | 00236 |
| 194.4 | 1. | 1726-06-16 | CantataNun lasst uns Gott, dem Herren? (Trinity; 2nd Leipzig version) | B♭ maj. | stbSATB 3Ob Bas Str Bc | 29: 99 | I/31: 145, 235 | afterBWV 194.3/12, /2, /3, /4, /5, /7, /10 | 00237 |
| 194.2 | 1. | 1723-11-02 | CantataHöchsterwünschtes Freudenfest (Störmthal version: consecration of church and organ) | B♭ maj. | sabSATB 3Ob Bas Str Bc | 29: 99 | I/31: 123 | afterBWV 194.1/1, /3, /5, /7, /9,Z 6543 (/6),159 (/12); text byHeermann (/6),Gerhardt (/12); →BWV 194.3 | 00238 |
| 194.2/6 | chorale setting "Treuer Gott, ich muß dir klagen" (ss. 6–7) | B♭ maj. G maj. | SATB | 29: 124 | III/2.1: 20 III/2.2: 35, 152 | afterZ 6543; text byHeermann | 11184 | ||
| chorale setting "Jesu, deine tiefen Wunden" | afterZ 6543; text byHeermann | ||||||||
| chorale setting "Freu dich sehr, o meine Seele" | afterZ 6543 | ||||||||
| 194.2/12 | chorale setting "Wach auf, mein Herz, und singe" (ss. 9–10) | B♭ maj. | SATB | 29: 138 | III/2.1: 20 III/2.2: 52, 152 | afterZ 159; text byGerhardt | 11185 | ||
| chorale setting "Nun lasst uns Gott dem Herren" | afterZ 159; text byHelmbold | ||||||||
| 194.1 | 1. | 1717–1723? | Secular cantata model for church cantata versions of BWV 194 (incomplete) | B♭ maj. | 3Ob Str &? | I/35 | →BWV 194.2/1, /3, /5, /8, /10 | 00239 | |
| 195.3 | 1. | c.1748–1749 | CantataDem Gerechten muß das Licht (wedding; last version) | D maj. | satbSATB 3Tr Tmp 2Hn 2Fl 2Ob 2Oba Str Bc | 131: 1 | I/33: 171 | afterBWV 195.2,Z 198 (/6); text afterPs 97:11–12 (/1), byGerhardt (/6) | 00242 |
| 195.1 | 1. | 1727–1731 | CantataDem Gerechten muß das Licht (wedding; 1st version, lost) | SATB 3Tr Tmp 2Fl 2Ob Str Bc | I/33 | →BWV 195.2 | 00240 | ||
| 195.2 | 1. | c. 1742 | CantataDem Gerechten muß das Licht (wedding; 2nd version, incomplete) | SATB &? | I/33 | afterBWV 195.1,30.1/5, /1 (/6, /8); text afterPs 97:11–12 (/1); →BWV 195.3 | 00241 | ||
| 196 | 1. | 1708-06-05? | CantataDer Herr denket an uns (wedding) | C maj. | stbSATB Str Bc | 131: 71 | I/33: 1 | text afterPs. 115: 12–15 | 00243 |
| 197.2 | 1. | 1736–1737 | CantataGott ist unsre Zuversicht (wedding) | D maj. | sabSATB 3Tr Tmp 2Ob 2Oba Bas Str Bc | 131: 95 | I/33: 117 | afterZ 2029a (/5),2778 (/10),BWV 197.1/4, /6 (/6, /8); text byLuther (/5) | 00244 |
| 197.2/5 | chorale setting "Nun bitten wir den Heiligen Geist" (s. 3) | A maj. | SATB | 131: 128 | III/2.2: 46 | afterZ 2029a; text byLuther | 11328 | ||
| 197.2/10 | chorale setting "Wer nur den lieben Gott lässt walten" | B min. | SATB | 131: 144 | III/2.2: 37 | afterZ 2778; text byNeumark | 11313 | ||
| 197.1 | 1. | 1728-12-25 | CantataEhre sei Gott in der Höhe (Christmas; incomplete) | D maj. | abSATB 2Fl Oba Bas Str Vc Bc | 41: 109 | I/2: 63 | afterZ 5206b–c (/7); text byPicander,Ziegler, C. (/7; ↔BWV 398), afterLk 2:14 (/1); /4 & /6 →BWV 197.2/6, /8 | 00245 |
| 197.1/7 | chorale setting "Ich freue mich in dir" (s. 4) | SATB | 41: 114 | III/2.2: 182 | afterZ 5206b–c; text byZiegler, C.; ↔BWV 398 | 11298 | |||
| chorale setting "O Gott, du frommer Gott" | afterZ 5206b–c; text byHeermann; ↔BWV 398 | ||||||||
| 198 | 1. | 1727-10-17 | Secular cantataLaß, Fürstin, laß noch einen Strahl a.k.a.Trauer-Ode (funeral ceremony forChristiane Eberhardine) | B min. | satbSATB 2Fl 2Ob 2Oba Str 2Vdg 2Lu Bc | 133: 1 44: 54 | I/38: 179 | text byGottsched, J. C.; ↔BWV 244a,247 | 00246 |
| 199.2 | 1. | 1720–1721 | CantataMein Herze schwimmt im Blut (Trinity XI; Köthen version; incomplete) | D min. | s Ob Str Vdg Bc | 41: 202 | I/20: 48 | afterBWV 199.1 (same text); →199.3 | 00247 |
| 199.3 | 1. | 1723-08-08 | CantataMein Herze schwimmt im Blut (Trinity XI; Leipzig version) | D min. | s Ob Str Vc Bc | I/20: 23 | afterBWV 199.2 (same text) | 00248 | |
| 199.1 | 1. | 1714-08-12 | CantataMein Herze schwimmt im Blut (Trinity XI; Weimar version) | C min. | s Ob Str Bc | NBG 132 | I/20: 1 | text byLehms,Heermann (/6); →BWV 199.2 | 00249 |
| 200 | 1. | 1742–1743 (JSB) | AriaBekennen will ich seinen Namen | E maj. | a (2Vl) Bc | I/28.1: 189 | afterStölzel; text afterLk 2:29–32 | 00250 | |
| 201 | 1. | autumn 1729 | Secular cantataGeschwinde, ihr wirbelnden Winde a.k.a.Der Streit zwischen Phoebus und Pan (dramma per musica) | D maj. | sattbb 3Tr Tmp 2Fl 2Ob Oba Str Bc | 112: 1 44: 85 | I/40: 117 | text byPicander; /7 →BWV 212/20 | 00251 |
| 202 | 1. | c.1718? | Secular cantataWeichet nur, betrübte Schatten (wedding) | G maj. | s Ob Str Bc | 112: 73 | I/40: 1 | in D-LEbPeters Ms. R 8 | 00252 |
| 203 | 1. | c.1720? | Secular cantataAmore traditore | A min. | b Hc | 112: 91 | I/41: 31 | 00253 | |
| 204 | 1. | 1726–1727 | Secular cantataIch bin in mir vergnügt a.k.a.Von der Vergnügsamkeit | B♭ maj. | s Fl 2Ob Str Bc | 112: 103 | I/40: 79 | text afterHunold | 00254 |
| 205.1 | 1. | 1725-08-03 | Secular cantataZerreißet, zersprenget, zertrümmert die Gruft a.k.a.Der zufriedengestellte Aeolus (dramma per musica forAugust Friedrich Müller) | D maj. | satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc | 112: 137 44: 39 | I/38: 1 | text byPicander; →BWV 205.2/1–/7, /9–/11, /13, /15,171/4,216/7 | 00255 |
| 205.2 | 1. | 1734-02-19 | Secular cantataBlast Lärmen, ihr Feinde (dramma per musica; music lost but largely reconstructable; coronation ofAugustus III) | satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc | I/37 | afterBWV 205.1/1–/7, /9–/11, /13, /15; text byPicander? | 00256 | ||
| 206.1 | 1. | 1736-10-07 (1734?) | Secular cantataSchleicht, spielende Wellen (dramma per musica; 1st version: birthday ofAugustus III) | D maj. | satbSATB 3Tr Tmp 3Fl 2Oba Str Bc | 202: 1 | I/36: 157 | →BWV 206.2 | 00257 |
| 206.2 | 1. | 1740-08-03 | Secular cantataSchleicht, spielende Wellen (dramma per musica; 2nd version: name day ofAugustus III) | D maj. | satbSATB 3Tr Tmp 3Fl 2Ob 2Oba Str Bc | I/36: 157 | afterBWV 206.1 | 00258 | |
| 207.1 | 1. | 1726-12-11 | Secular cantataVereinigte Zwietracht der wechselnden Saiten (dramma per musica; appointment of professor Gottlieb Kortte) | D maj. | satbSATB 3Tr Tmp 2Fl 2Oba Tai Str Bc | 202: 71 | I/38: 97 | afterBWV 1046/3 (/1); →BWV 207.2/1, /3, /5, /7–/9 | 00259 |
| 207.2 | 1. | 1735-08-03 | Secular cantataAuf, schmetternde Töne der muntern Trompeten (dramma per musica; name day ofAugustus III) | D maj. | satbSATB 3Tr Tmp 2Fl 2Oba Tai Str Bc | 202: 139 34: 345 | I/37: 1 | afterBWV 207.1/1, /3, /5, /7–/9 | 00260 |
| 208.1 | 1. | 1713-02-23 | Secular cantataWas mir behagt, ist nur die muntre Jagd a.k.a.Hunting Cantata (1st version: birthday ofChristian of Saxe-Weissenfels) | F maj. | sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne) | 29: 1 | I/35: 1 | text byFranck, S.; →BWV 208.2,1040,68/4, /2,149/1 | 00261 |
| 1040 | 1. | 1713-02-23 | Trio (a.k.a. (Canonic) Trio Sonata; postlude to theHunting Cantata?) | F maj. | Vl Ob Bc | 29: 230 | I/35: 1 | afterBWV 208.1/13; =BWV 208.1/13a | 01222 |
| 208.2 | 1. | c.1715 | Secular cantataWas mir behagt, ist nur die muntre Jagd a.k.a.Hunting Cantata (2nd version: forErnst August I of Saxe-Weimar) | F maj. | sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne) | 29: 1 | I/35: 1 | afterBWV 208.1 (near-identical text); →BWV 208.3 | 00262 |
| 208.3 | 1. | 1742-08-03 | Secular cantataWas mir behagt, ist nur die muntre Jagd (3rd version: name day ofAugustus III) | F maj. | sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne)? | I/37 | afterBWV 208.2; text afterFranck, S. | 00263 | |
| 209 | 1. | 1747? | Secular cantataNon sa che sia dolore (farewell of Lorenz Albrecht Beck?) | B min. | s Fl Str Bc | 29: 43 | I/41: 43 | text afterMetastasio | 00264 |
| 210.2 | 1. | 1741-09-19 | Secular cantataO holder Tag, erwünschte Zeit (wedding) | A maj. | s Fl Oba Str Hc Vne | 29: 67 | I/40: 35 | afterBWV 210.1/1–/2, /4, /8, /10 | 00265 |
| 210.1 | 1. | 1729-01-12 | Secular cantataO angenehme Melodei (incomplete; homage toChristian of Saxe-Weissenfels) | A maj. | s (Fl Oba Str Bc)? | 29: 245 | I/39: 141 | →BWV 210.2/1–/2, /4, /8, /10 | 00266 |
| 211 | 1. | c.1734 | Secular cantataSchweigt stille, plaudert nicht a.k.a.Coffee Cantata | G maj. | stb Fl Str Hc Bc | 29: 139 44: 86 | I/40: 193 | text byPicander | 00267 |
| 212 | 1. | 1742-08-30 | Secular cantataMer hahn en neue Oberkeet a.k.a.Peasant Cantata (Cantate burlesque; homage to Carl Heinrich von Dieskau) | G maj. | sb Hn Fl Str Bc | 29: 173 44: 132 | I/39: 151 | afterBWV 1157/9 (/14),201/7 (/20); text byPicander | 00268 |
| 213 | 1. | 1733-09-05 | Secular cantataLaßt uns sorgen, laßt uns wachen a.k.a.Hercules auf dem Scheidewege (dramma per musica; birthday ofFrederick Christian of Saxony) | F maj. | satbSATB 2Hn 2Ob Oba 2Vl 2Va Bc | 34: 119 | I/36: 1 | text byPicander; /1, /3, /5, /7, /9, /11 →BWV 248/36, /19, /39, /41, /4, /29 | 00269 |
| 214 | 1. | 1733-12-08 | Secular cantataTönet, ihr Pauken! Erschallet, Trompeten! (birthday of queenMaria Josepha) | D maj. | satbSATB 3Tr Tmp 2Fl 2Ob Oba Str Vne Bc | 34: 175 | I/36: 89 | text byPicander; /1, /5, /7, /9 →BWV 248/1, /15, /8, /24 | 00270 |
| 215 | 1. | 1734-10-05 | Secular cantataPreise dein Glücke, gesegnetes Sachsen (anniversary of the election ofAugustus III as king of Poland) | D maj. | stb2SATB 3Tr Tmp 2Fl 2Ob Oba Str Va Bc | 34: 243 | I/37: 85 | afterBWV 1157/1 (/1)?; text byClauder [fr]; /7 →BWV 248/47 | 00271 |
| 216.1 | 1. | 1728-02-05 | Secular cantataVergnügte Pleißenstadt (wedding; incomplete) | C maj. | sa &? | I/40: 21 | afterBWV 204/8 (/3),205.1/13 (/7); text byPicander; →BWV 216.2/1, /3, /5, /7 | 00272 | |
| 216.2 | 1. | 1728–1731 | Secular cantataErwählte Pleißenstadt a.k.a.Apollo et Mercurius (incomplete) | at &? | I/39 | afterBWV 216.1/1, /3, /5, /7; text byMeißner [scores] afterPicander | 00273 | ||
| 2. | Motets (see also:List of motets by Johann Sebastian Bach) | Up ↑ | |||||||
| 225 | 2. | 1726–1727 New Year? | MotetSinget dem Herrn ein neues Lied | B♭ maj. | 2SATB (+colla parte instr.?) | 39: 3 | III/1: 1 | afterZ 8244 (/2); text afterPs. 149: 1–3 (/1), byGramann afterPs. 103 (/2), afterPs. 150: 2, 6 (/3)[20] | 00282 |
| 226 | 2. | 1729-10-20 | MotetDer Geist hilft unser Schwachheit auf (funeral ofErnesti, J. H.) | B♭ maj. | 2SATB Str Vc 2Ob Tai Bas | 39: 39,143 | III/1: 37 | afterZ 7445a (/2); text afterRom. 8: 26–27 (/1), byLuther (/2)[20] | 00283 |
| 226/2 | chorale setting "Komm, Heiliger Geist, Herre Gott" (s. 3) | B♭ maj. G maj. | SATB | 39: 57 | III/2.1: 18 III/2.2: 38 | afterZ 7445a; text byLuther | 11182 | ||
| 227 | 2. | c. 1723–1735 | MotetJesu, meine Freude | E min. | SSATB (+colla parte instr.?) | 39: 59 | III/1: 75 | afterZ 8032 (oddmvts); text byFranck, J. (odd mvts), afterRom. 8: 1–2, 9–11 (even mvts)[20] | 00284 |
| 227/1 227/11 | chorale setting "Jesu, meine Freude" (ss. 1, 6) | SATB | 39: 61 | III/2.1: 27 III/2.2: 156 | afterZ 8032; text byFranck, J. | 11200 | |||
| 227/3 | chorale setting "Jesu, meine Freude" (s. 2) | SATB | 39: 66 | III/2.1: 28 | afterZ 8032; text byFranck, J. | 11201 | |||
| 227/7 | chorale setting "Jesu, meine Freude" (s. 4) | SATB | 39: 75 | III/2.1: 22 III/2.2: 168 | afterZ 8032; text byFranck, J. | 11202 | |||
| 228 | 2. | c. 1715 | MotetFürchte dich nicht | A maj. | 2SATB (+colla parte instr.?) | 39: 85 | III/1: 105 | afterZ 6461 (/2); text afterIs. 41: 10 (/1), 43: 1 (/2), byGerhardt (/2)[20] | 00285 |
| 229 | 2. | before 1731–1732 | MotetKomm, Jesu, komm | G min. | 2SATB (+colla parte instr.) | 39: 107 | III/1: 125 | text byThymich[20] | 00286 |
| 230 | 2. | 1723–1739? | MotetLobet den Herrn, alle Heiden | C maj. | SATB Bc (+colla parte instr.?) | 39: 127 | III/1: 147 | text afterPs. 117[20] | 00287 |
| 231 | seeBWV 28/2a | 00288 | |||||||
| 118.1 | 2. | 1736–1737 | MotetO Jesu Christ, meins Lebens Licht (funeral) | B♭ maj. | SATB 2Hn Cnt 3Tbn | 24: 185 | III/1: 163 | text byBehm; →BWV 118.2[20] | 00143 |
| 118.2 | 2. | 1746–1747 | MotetO Jesu Christ, meins Lebens Licht (funeral) | B♭ maj. | SATB 2Ob Tai Bas 2Hn Str Bc | NBG 171 | III/1: 171 | text byBehm; afterBWV 118.1[20] | 11121 |
| 3. | Masses, Mass movements, Magnificat (see also:List of Masses, Mass movements and Magnificats by Johann Sebastian Bach) | Up ↑ | |||||||
| 232 | 3. | Aug. 1748 – Oct. 1749 (compilation, completion) | Mass a.k.a.Hohe Messe,Mass in B minor | B min. | ssatbSSAATB 3Tr Tmp Hn 2Fl 3Ob 2Oba 2Bas Vl Str Bc | 6 | II/1 rev 1 | afterBWV 232I e. v.,II e. v.,III e. v.,171/1,12/2,120/2,Anh. 11/1,Anh. 196/3; text afterOrdinarium Missae | 00289 |
| 232I e. v. | 3. | 1733-07-27 | Kyrie–Gloria Mass for the Dresden court (Mass in B Minor, Part I: Missa; early version) | B min. | ssatbSSATB 3Tr Tmp Hn 2Fl 2Oba 2Bas Vl Str Bc | II/1a | afterBWV 29/1,46/1; text fromOrdinarium Missae; →BWV 191,232I | 00290 | |
| 233 | 3. | 1738–1739? | Kyrie–Gloria Mass | F maj. | sabSATB 2Hn 2Ob Bas Str Bc | 8: 1 | II/2: 197 | afterBWV 233a,102/3, /5,40/1; text fromOrdinarium Missae | 00291 |
| 233a | 3. | 1708-04-06? | Kyrie "Christe, du Lamm Gottes" | F maj. | SSATB Bc | 41: 187 | II/2: 285 | text afterOrdinarium Missae; →BWV 233/1 | 00292 |
| 234 | 3. | c.1738 | Kyrie–Gloria Mass | A maj. | sabSATB 2Fl Str Bc | 8: 51 | II/2: 1 | afterBWV 67/6,138/5,179/5,79/2; text fromOrdinarium Missae | 00293 |
| 235 | 3. | 1738–1739? | Kyrie–Gloria Mass | G min. | atbSATB 2Ob Str Bc | 8: 99 | II/2: 127 | afterBWV 102/1,72/1,187/4, /3, /5, /1; text fromOrdinarium Missae | 00294 |
| 236 | 3. | 1738–1739? | Kyrie–Gloria Mass | G maj. | satbSATB 2Ob Str Bc | 8: 155 | II/2: 61 | afterBWV 179/1, /3,79/1, /5,138/5,17/1; text fromOrdinarium Missae | 00295 |
| 1081 | 3. | c.1747 – Aug. 1748 | Credo intonation for Mass No. 5 in F major ofG. B. Bassani'sAcroama Missale | F maj. | SATB Bc | II/2 | →BNB I/B/48; text fromCredo | 01267 | |
| 237 | 3. | 1723-06-24? | Sanctus | C maj. | SATB 3Tr Tmp 2Ob Str Bc | 111: 67 | II/2: 311 | text fromSanctus | 00296 |
| 238 | 3. | 1723-12-25 1736–1737 | Sanctus | D maj. | SATB Cnt Str Bc | 111: 79 | II/2: 325 | text fromSanctus | 00297 |
| 240 | 3. | 1742 (JSB) | Sanctus | G maj. | SATB 2Ob Str Bc | 111: 93 | II/9: 3 | text fromSanctus | 00299 |
| 241 | 3. | Jul. 1747 – Aug. 1748 (JSB) | Sanctus ofMissa superba | D maj. | 2SATB 2Oba 2Vl 3Va Bas Vc Vne Bc | 41: 177 | II/9: 45 | afterKerll; text fromSanctus | 00300 |
| 242 | 3. | 1727–1732 (JSB) | Christe eleison for aKyrie-Gloria Mass in C minor byF. Durante | G min. | SA Bc | 41: 197 | II/2: 295 | text fromKyrie; →BWV Anh. 26/2 | 00301 |
| 243.2 | 3. | 1733-07-02? 1732–1735 | Magnificat (2nd version: Visitation?) | D maj. | ssatbSSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bas Vc Vne Bc | 111: 1 | II/3: 65 | afterBWV 243.1 (same text) | 00302 |
| 243.1 | 3. | 1723-07-02 1723-12-25 | Magnificat (1st version:Visitation, and with 4 laudes added: Christmas) | E♭ maj. | ssatbSSATB 3Tr Tmp 2Fl 2Ob Str Bc | 111: 103 | II/3: 1 | afterMagnificat peregrini toni (/10); text:Magnificat; →BWV 243.2 | 00303 |
| 1082 | 3. | 1740–1742 (JSB) | Suscepit Israel from aMagnificat byA. Caldara | E min. | SATB 2Vl Bc | II/9: 59 | afterCaldara (BNB I/C/1); text fromMagnificat | 01268 | |
| 1083 | 3. | 1745–1747 (JSB) | CantataTilge, Höchster, meine Sünden | sa 2Vl Str Vne Vc Bc | I/41: 169 | afterPergolesi (Stabat Mater); text afterPs. 51 | 01269 | ||
| 4. | Passions, Oratorios (see also:List of Passions and Oratorios by Johann Sebastian Bach) | Up ↑ | |||||||
| 244.2 | 4. | 1736-03-30 1742 1743–1746 | PassionSt Matthew Passion (later versions; Good Friday) | E min. | 2satb2SATB 2Fl 4Fl 4Ob 4Oba 2Odc 2Str 2Vdg 2Bc | 4 44: 58 | II/5 | afterBWV 244.1,245.2 (/29); text byPicander,Decius (/1),Heermann (/3, /19, /46),Gerhardt (/10, /15, /17, /37, /44, /54, /62),Albert of Prussia (/25),Heyden (/29),Reusner (/32),Rist (/40), afterMt 26–27,Sng 6:1 (/30) | 00304 |
| 244a | seeBWV 1143 | 00305 | |||||||
| 244.1 | 4. | 1727-04-11 | PassionSt Matthew Passion (early version; Good Friday) | E min. | satb2SATB 4Fl 4Ob 4Oba 2Odc 2Str Lu Bc | II/5a II/5b | afterZ 4361a (/1),983 (/3, /19, /46),2293b (/10, /37),5385a (/15, /17, /44, /54, /62),7568 (/25),3449 (/29),2461c (/32),6551 (/40); text byPicander,Heermann (/3, /19, /46),Gerhardt (/10, /15, /17, /37, /44, /54, /62),Albert of Prussia (/25),Keymann (/29),Reusner (/32),Rist (/40), afterMt 26–27,Sng 6:1 (/30); ↔BWV 198,1143; →BWV 244.2 | 00306 | |
| 244/3 | chorale setting "Herzliebster Jesu" (s. 1) | B min. | SATB | 4: 23 | III/2.2: 43 | afterZ 983; text byHeermann | 11349 | ||
| 244/10 | chorale setting "O Welt, sieh hier dein Leben" (s. 5) | A♭ maj. | SATB | 4: 42 | III/2.2: 66 | afterZ 2293b; text byGerhardt | 11351 | ||
| chorale setting "Nun ruhen alle Wälder" | |||||||||
| 244/15 | chorale setting "O Haupt voll Blut und Wunden" (s. 5) | E maj. D maj. | SATB | 4: 51 | III/2.2: 55 | afterZ 5385a; text byGerhardt | 11358 | ||
| 244/17 | chorale setting "O Haupt voll Blut und Wunden" (s. 6; in BWV 244.1: s. 7?) | E♭ maj. D maj. | 4: 53 | ||||||
| 244/25 | chorale setting "Was mein Gott will, das gscheh allzeit" (s. 1) | B min. | SATB | 4: 83 | III/2.2: 64 | afterZ 7568; text byAlbert of Prussia | 11353 | ||
| 244/32 | chorale setting "In dich hab ich gehoffet, Herr" (s. 5) | B♭ maj. | SATB | 4: 151 | III/2.2: 66 | afterZ 2461c; text byReusner | 11354 | ||
| 244/37 | chorale setting "O Welt, sieh hier dein Leben" (s. 3) | F maj. | SATB | 4: 164 | III/2.2: 29 | afterZ 2293b; text byGerhardt | 11352 | ||
| chorale setting "In allen meinen Taten" | afterZ 2293b; text byFleming | ||||||||
| 244/40 | chorale setting "Werde munter, mein Gemüte" (s. 6) | A maj. | SATB | 4: 173 | III/2.1: 95 III/2.2: 68 | afterZ 6551; text byRist | 11254 | ||
| chorale setting "Jesu, meiner Seelen Wonne" | afterZ 6551; text byJanus | ||||||||
| 244/44 | chorale setting "Befiehl du deine Wege" (s. 1) | D maj. | SATB | 4: 186 | III/2.2: 49 | afterZ 5385a; text byGerhardt | 11355 | ||
| chorale setting "O Haupt voll Blut und Wunden" | |||||||||
| 244/46 | chorale setting "Herzliebster Jesu" (s. 4) | B min. | SATB | 4: 192 | III/2.2: 59 | afterZ 983; text byHeermann | 11350 | ||
| 244/54 | chorale setting "O Haupt voll Blut und Wunden" (ss. 1–2) | F maj. | SATB | 4: 214 | III/2.2: 41 | afterZ 5385a; text byGerhardt | 11356 | ||
| 244/62 | chorale setting "O Haupt voll Blut und Wunden" (s. 9) | A min. B min. | SATB | 4: 248 | III/2.2: 50 | 11357 | |||
| 245.1 | 4. | 1724-04-07 | PassionSt John Passion (1st version; Good Friday) | G min. | satbSATB (2Fl?) 2Ob 2Odc Str 2Va Vdg Lu Bc | 121 44: 26 | II/4: 40 | afterZ 983 (/3, /17),2561 (/5),2293b (/11),6288a–b (/14, /28, /32),6283b (/15, /37),2383 (/22),5404a (/26),8326 (/40); text afterJh 18–19,Mt 26:75 (/12),Mk 15:38 (/33), byHeermann (/3, /17),Luther (/5),Brockes (/7, /19, /20, /24, /32, /34, /35, /39),Gerhardt (/11),Weise (/13),Stockmann (/14, /28, /32),Weiße (/15, /37),Postel (/19, /22, /30),Herberger (/26),Schalling (/40); →BWV 245.2–5 | 00307 |
| 245.1/3 | chorale setting "Herzliebster Jesu" (s. 7) | G min. | SATB | III/2.1: 93 | afterZ 983; text byHeermann | 11255 | |||
| 245/3 | c. 1740 | 121: 17 | III/2.2: 33 | ||||||
| 245.1/5 | 1724-04-07 | chorale setting "Vater unser im Himmelreich" (s. 4) | D min. | SATB | III/2.1: 94 III/2.2: 27 | afterZ 2561; text byLuther afterMt 6:9–13; ↔BWV 416 | 11256 | ||
| 245/5 | c. 1740 | 121: 18 | afterZ 2561; text byLuther afterMt 6:9–13 | ||||||
| 245/11 | 1724-04-07 | chorale setting "O Welt, sieh hier dein Leben" (ss. 3–4) | A maj. | SATB | 121: 31 | III/2.1: 94 III/2.2: 35 | afterZ 2293b; text byGerhardt; →BWV 395 | 11257 | |
| chorale setting "Nun ruhen alle Wälder" | |||||||||
| 245/14 | chorale setting "Jesu Leiden, Pein und Tod" (s. 10) | A maj. | SATB | 121: 39 | III/2.2: 46 | afterZ 6288a–b; text byStockmann | 11273 | ||
| 245/15 | chorale setting "Christus, der uns selig macht" (s. 1) | A min. | SATB | 121: 43 | III/2.2: 44 | afterZ 6283b; text byWeiße after "Patris sapientia" | 11274 | ||
| 245/17 | chorale setting "Herzliebster Jesu" (ss. 8–9) | A min. | SATB | 121: 52 | III/2.1: 95 III/2.2: 62 | afterZ 983; text byHeermann | 11258 | ||
| 245/22 | chorale setting "Durch dein Gefängnis Gottes Sohn" | E maj. | SATB | 121: 74 | III/2.2: 181 | afterZ 2383; text byPostel | 11275 | ||
| chorale setting "Machs mit mir, Gott, nach deiner Güt" | afterZ 2383; text bySchein | ||||||||
| 245/26 | chorale setting "Valet will ich dir geben" (s. 3) | E♭ maj. | SATB | 121: 95 | III/2.1: 96 III/2.2: 60 | afterZ 5404a; text byHerberger | 11259 | ||
| 245/28 | chorale setting "Jesu Leiden, Pein und Tod" (s. 20) | A maj. | SATB | 121: 103 | III/2.2: 59 | afterZ 6288a–b; text byStockmann | 11276 | ||
| 245/37 | chorale setting "Christus, der uns selig macht" (s. 8) | B♭ min. | SATB | 121: 121 | III/2.2: 63 | afterZ 6283b; text byWeiße after "Patris sapientia" | 11277 | ||
| 245/40 | chorale setting "Herzlich lieb hab ich dich, o Herr" (s. 3) | E♭ maj. | SATB | 121: 131 | III/2.2: 60 | afterZ 8326; text bySchalling | 11278 | ||
| 245.2 | 4. | 1725-03-30 | PassionSt John Passion (2nd version; Good Friday) | E♭ maj. | satbSATB 2Fl 2Ob 2Odc Str Vdg Bc | 121 | II/4: 167 | afterZ 8303 (/1),BWV 245.1,23/4 (/40); text byHeyden (/1),Heermann (/3, /17),Luther (/5, /40),Brockes (/7, /24, /32, /34, /35, /39),Gerhardt (/11),Birkmann (a, b, c)Stockmann (a, /14, /28, /32),Weiße (/15, /37),Postel (/22, /30),Herberger (/26), afterJh 18–19,Mt 26:75 (/12),Mt 27:51 (/33); →BWV 245.3; /1 →BWV 244.2/29, | 00308 |
| 245.3 | 4. | 1730-04-07 | PassionSt John Passion (3rd version; Good Friday) | satbSATB 2Fl 2Ob Str Vdg Org Bc | 121 44: 26 | II/4: 206 | afterBWV 245.1–.2; text afterJh 18–19, byHeermann (/3, /17),Luther (/5),Brockes (/7, /19, /20, /24, /32, /39),Gerhardt (/11),Stockmann (/14, /28, /32),Weiße (/15, /37),Postel (/19, /22, /30),Herberger (/26); →BWV 245.4–5 | 00309 | |
| 245.4 | 4. | 1739 | PassionSt John Passion (incomplete revision) | satbSATB Fl 2Ob Str Bc | 121 44: 26 | II/4 | afterBWV 245.1–.3; text byHeyden (/1),Heermann (/3),Luther (/5), afterJh 18; →BWV 245.5 | 11076 | |
| 245.5 | 4. | 1749-04-04 | PassionSt John Passion (4th version; Good Friday) | satbSATB 2Fl 2Ob 2Oba Odc Bas Str Vdg Hc Bc | 121 44: 26 | II/4 | afterBWV 245.1–4; text afterJh 18–19,Mt 26:75 (/12),Mt 27:51 (/33), byHeermann (/3, /17),Luther (/5),Brockes (/7, /19, /24, /32, /34, /35, /39),Gerhardt (/11),Weise (/13),Stockmann (/14, /28, /32),Weiße (/15, /37),Postel (/19, /22, /30),Herberger (/26),Schalling (/40) | 00310 | |
| 246/40a | 4. | 1743–1745 (JSB) | ChoraleAus der Tiefen rufe ich, No. 40 ofSt Luke Passion | t Str Bc (?) | II/9: 65 | afterBWV 246/40 | 00312 | ||
| 247 | 4. | 1731-03-23 1744-04-03 | PassionSt Mark Passion (Good Friday; music lost but in part reconstructable) | satbSATB 2Fl 2Ob 2Oba 2Vl 2Va (2Vdg 2Lu) Org Bc (?) | II/5 | text byPicander,Jonas,Reusner,Gerhardt,Rist,Kritzelmann [de],Schein,Stockmann,Franck, J.,Homburg [de],Luther,Spee; afterBWV 198/1, /5, /3, /8, /10 (or244a/7),54/1,248/28?, /45,7/2? | 00313 | ||
| 1088 | 4. | c.1750? | AriosoSo heb ich denn mein Auge sehnlich auf, No. 20 in Passion OratorioWer ist der, so von Edom kömmt (Good Friday) | b 2Bas Bc (?) | I/41: 125 | 01274 | |||
| 248 | 4. | 1734-12-25 – 1735-01-06 | OratorioChristmas Oratorio (Christmastide) | D maj. | satbSATB 3Tr 2Hn Tmp 2Fl 2Ob 2Oba 2Odc Str Bc | 51 44: 125 | II/6 | afterBWV 214 (/1, /8, /15, /24),213 (/4, /19, /29, /36, /39, /41),215 (/47),248VIa (/54, /56–/57, /61–/64),Z 5385a (/5, /64),1947 (/7, /28),346 (/9, /17, /23),5741b (/12),6462 (/33),2072 (/35),2461c (/46),3614b (/53),4429a (/59); text byPicander?,Gerhardt (/5, /17, /23, /33, /59),Luther (/7, /9, /28),Rist (/12, /38, /40, /42),Runge [s:de] (/35),Weissel (/46),Franck, J. (/53),Werner (/64), afterLk 2:1–21,Mt 2:1–12 | 00314 |
| 248I | 4. | 1734-12-25 | CantataJauchzet, frohlocket, auf, preiset die Tage (Christmas Oratorio, Part I; Christmas) | D maj. | satbSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bc | 51: 2 44: 125 | II/6: 1 | afterBWV 214/1 & /7 (/1 & /8),213/9 (/4),Z 5385a (/5),1947 (/7),346 (/9); text byPicander?,Gerhardt (/5),Luther (/7, /9), afterLk 2:1, 3–7 | 11385 |
| 248/5 | chorale setting "Wie soll ich dich empfangen" (s. 1) | A min. | SATB | 51: 36 | III/2.2: 199 | afterZ 5385a; text byGerhardt | 11279 | ||
| chorale setting "O Haupt voll Blut und Wunden" | |||||||||
| 248/9 | chorale setting "Vom Himmel hoch da komm ich her" (s. 13) | D maj. | SATB | 51: 47 | III/2.2: 26 | afterZ 346; text byLuther | 11280 | ||
| 248II | 4. | 1734-12-26 | CantataUnd es waren Hirten in derselben Gegend (Christmas Oratorio, Part II; Christmas 2) | G maj. | satbSATB 2Fl 2Oba 2Odc Str Bc | 51: 50 44: 126 | II/6: 55 | afterZ 5741b (/3),346 (/8, /14),BWV 214/5 (/6),213/3 (/10); text byPicander?,Rist (/3),Gerhardt (/8, /14), afterLk 2: 8–14 | 11386 |
| 248/12 | chorale setting "Ermuntre dich, mein schwacher Geist" (s. 9) | G maj. | SATB | 51: 59 | III/2.1: 83, 92 III/2.2: 7, 207 | afterZ 5741b; text byRist | 11260 | ||
| chorale setting "Du Lebensfürst, Herr Jesu Christ" | |||||||||
| 248/17 | chorale setting "Schaut, schaut, was ist für Wunder dar" (s. 8) | C maj. | SATB | 51: 66 | III/2.1: 84 | afterZ 346; text byGerhardt | 11261 | ||
| chorale setting "Vom Himmel hoch da komm ich her" | afterZ 346; text byLuther | ||||||||
| 248/23 | chorale setting "Wir singen dir, Immanuel" (s. 2) | G maj. | SATB | 51: 90 | III/2.2: 198 | afterZ 346; text byGerhardt | 11281 | ||
| chorale setting "Vom Himmel hoch da komm ich her" | afterZ 346; text byLuther | ||||||||
| 248III | 4. | 1734-12-27 | CantataHerrscher des Himmels, erhöre das Lallen (Christmas Oratorio, Part III; Christmas 3) | D maj. | satbSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bc | 51: 94 | II/6: 107 | afterBWV 214/9 (/1=/13),213/11 (/6),Z 1947 (/5),6462 (/10),2072 (/12); text byPicander?,Luther (/5),Gerhardt (/10),Runge [s:de] (/12), afterLk 2: 15–20 | 11387 |
| 248/28 | chorale setting "Gelobet seist du, Jesu Christ" (s. 7) | D maj. | SATB | 51: 110 | III/2.1: 85 | afterZ 1947; text byLuther | 11262 | ||
| 248/33 | chorale setting "Fröhlich soll mein Herze springen" (s. 15) | G maj. | SATB | 51: 124 | III/2.1: 86 III/2.2: 81 | afterZ 6462; text byGerhardt | 11264 | ||
| chorale setting "Warum sollt ich mich denn grämen" | |||||||||
| 248/35 | chorale setting "Laßt Furcht und Pein" (s. 4) | F♯ min. | SATB | 51: 126 | III/2.1: 86 III/2.2: 206 | afterZ 2072; text byRunge [s:de] | 11263 | ||
| chorale setting "Wir Christenleut" | afterZ 2072; text byFüger | ||||||||
| 248IV | 4. | 1735-01-01 | CantataFallt mit Danken, fallt mit Loben (Christmas Oratorio, Part IV; New Year) | F maj. | satbSATB 2Hn 2Ob Str Bc | 51: 128 | II/6: 143 | afterBWV 213/1, /5, /7 (/1, /4, /6); text byPicander?,Rist (/3, /5, /7), afterLk 2: 21 | 11388 |
| 248/42 | chorale setting "Hilf, Herr Jesu, laß gelingen" (s. 15) | SATB | 51: 166 | III/2.1: 99 III/2.2: 211 | text byRist | 11266 | |||
| chorale setting "Jesu, meiner Seelen Wonne" | text byJanus | ||||||||
| 248V | 4. | 1735-01-02 | CantataEhre sei dir, Gott, gesungen (Christmas Oratorio, Part V; New Year I) | A maj. | satbSATB 2Oba Str Bc | 51: 172 | II/6: 199 | afterBWV 247/39b (/3),215/7 (/5),Z 2461c (/4),3614b (/11); text byPicander?,Weissel (/4),Franck, J. (/11), afterMt 2:1–6 | 11389 |
| 248/46 | chorale setting "Nun, liebe Seel, nun ist es Zeit" (s. 5) | SATB | 51: 190 | III/2.1: 87 III/2.2: 43 | afterZ 2461c; text byWeissel | 11265 | |||
| chorale setting "In dich hab ich gehoffet, Herr" | afterZ 2461c; text byReusner | ||||||||
| 248/53 | chorale setting "Ihr Gestirn, ihr hohlen Lüfte" (s. 9) | SATB | 51: 208 | III/2.1: 100 III/2.2: 21 | afterZ 3614b; text byFranck, J. | 11267 | |||
| chorale setting "Gott des Himmels und der Erden" | afterZ 3614b; text byAlbert | ||||||||
| 248VI | 4. | 1735-01-06 | CantataHerr, wenn die stolzen Feinde schnauben (Christmas Oratorio, Part VI; Epiphany) | D maj. | satbSATB 3Tr Tmp 2Ob 2Oba Str Bc | 51: 210 | II/6: 243 | afterBWV 248VIa (/1, /3, /4, /8–/11),Z 4429a (/6),5385a (/11); text byPicander?,Gerhardt (/6),Werner (/11), afterMt 2:7–12 | 11390 |
| 248/59 | chorale setting "Ich steh an deiner Krippen hier" (s. 1) | G maj. | SATB | 51: 245 | III/2.1: 84 III/2.2: 208 | after4429a; text byGerhardt | 11268 | ||
| chorale setting "Es ist gewisslich an der Zeit" | after4429a; text byRingwaldt | ||||||||
| 248/64 | chorale setting "Ihr Christen auserkoren" (s. 4) | D maj. | SATB | 51: 256 | III/2.1: 85 | after5385a; text byWerner | 11269 | ||
| chorale setting "Ach Herr, mich armen Sünder" | after5385a; text bySchneegaß | ||||||||
| 248VIa | 4. | 1734 or earlier | Cantata model for BWV 248VI | D maj. | satbSATB 3Tr Tmp 2Ob 2Oba Str Bc | II/6 | afterBWV Anh. 10/1; →248/54, /56–/57, /61–/64 | 00315 | |
| 249.5 | 4. | 1743–1746 1749-04-06 1750-03-26 | OratorioKommt, eilet und laufet (Easter Oratorio; Easter) | satbSATB 3Tr Tmp Fl 2Fl 2Ob Oba Str Bc | 213 | II/7: 1 | afterBWV 249.4; text byPicander? | 00316 | |
| 249.4 | 4. | c. 1738 | OratorioKommt, eilet und laufet (Easter Oratorio, middle version; Easter) | satbSATB 3Tr Tmp Fl 2Fl 2Ob Oba Str Bc | II/7 | afterBWV 249.3; text byPicander?; →BWV 249.5 | 11392 | ||
| 249.3 | 4. | 1725-04-01 c.1738 | CantataKommt, fliehet und eilet (Easter Oratorio, early versions: first version as cantata; Easter) | satbSATB 3Tr Tmp Fl 2Fl 2Ob Oba Vl Str Bc | II/7: 97 | afterBWV 249.1; text byPicander?; →BWV 249.4 | 00317 | ||
| 249.1 | 4. | 1725-02-23 | Secular cantataEntfliehet, verschwindet, entweichet, ihr Sorgen, a.k.a.Shepherd Cantata (birthday ofChristian of Saxe-Weissenfels; music lost but in part reconstructable) | satbSATB 3Tr Tmp Fl 2Fl 2Ob Str Bc | I/35 | text byPicander; →BWV 249.3/1–/3, /5, /7, /9, /11;249.2 | 00318 | ||
| 249.2 | 4. | 1726-08-25 | Secular cantataVerjaget, zerstreuet, zerrüttet, ihr Sterne a.k.a.Die Feier des Genius (dramma per musica; birthday ofJoachim Friedrich von Flemming [de]; music lost but in part reconstructable) | I/39 | afterBWV 249.1/1–/3, /5, /7, /9, /11; text byPicander | 00319 | |||
| 11 | 4. | 1738-05-15 | OratorioLobet Gott in seinen Reichen (Ascension Oratorio; Ascension) | D maj. | satbSATB 3Tr Tmp 2Fl 2Ob Str Bc | 2: 1 | II/8: 1 | afterZ 5741b (/6),5264b (/9); text byPicander?,Rist (/6),Sacer (/9), afterLk 24:50ff.,Acts 1:9–12,Mk 16:19 | 00013 |
| 11/6 | chorale setting "Nun lieget alles unter dir" (= "Du Lebensfürst, Herr Jesu Christ", s. 4) | SATB | 2: 32 | III/2.2: 198 | afterZ 5741b; text byRist | 11299 | |||
| 5. | Four-part chorales (see also:List of chorale harmonisations by Johann Sebastian Bach) | Up ↑ | |||||||
| 250 | 5. | 1734–1738 | chorale setting "Was Gott tut, das ist wohlgetan" (Three wedding chorales No. 1) | SATB 2Hn Ob Oba Str Bc | 131: 147 | III/2.1: 3 | text byRodigast | 00320 | |
| 251 | 5. | 1734–1738 | chorale setting "Sei Lob und Ehr dem höchsten Gut" (Three wedding chorales No. 2) | SATB 2Hn Ob Oba Str Bc | 131: 148 | III/2.1: 4 | text bySchütz, J. J. | 00321 | |
| 252 | 5. | 1734–1738 | chorale setting "Nun danket alle Gott" (Three wedding chorales No. 3) | SATB 2Hn Ob Oba Str Bc | 131: 149 | III/2.1: 5 | text byRinkart | 00322 | |
| 253 | 5. | 1750 or earlier | chorale setting "Ach bleib bei uns, Herr Jesu Christ" | A maj. | SATB | 39: 177 | III/2.2: 101 | afterZ 439; text byCalvisius; ↔BWV 414 | 00323 |
| 254 | 5. | 1750 or earlier | chorale setting "Ach Gott, erhör mein Seufzen" | D Dor. | SATB | 39: 177 | III/2.2: 105 | afterZ 1831a; text bySchechs [wikisource:de] | 00324 |
| 255 | 5. | 1750 or earlier | chorale setting "Ach Gott und Herr" | C maj. | SATB | 39: 178 | III/2.2: 24 | afterZ 4441a; text byRutilius [de] | 00325 |
| 256 | 5. | 1750 or earlier | chorale setting "Ach lieben Christen, seid getrost" | A min. | SATB | 39: 178 | III/2.2: 19 | afterZ 4441a; text byGigas | 00326 |
| 259 | 5. | 1750 or earlier | chorale setting "Ach, was soll ich Sünder machen" | E min. | SATB | 39: 179 | III/2.2: 23 | afterZ 3573b; text byFlittner [de] | 00329 |
| 260 | 5. | c. 1735 or earlier | chorale setting "Allein Gott in der Höh sei Ehr" | G maj. | SATB | 39: 180 | III/2.1: 9 III/2.2: 147 | afterZ 4457; text byDecius afterGloria | 00330 |
| 261 | 5. | 1750 or earlier | chorale setting "Allein zu dir, Herr Jesu Christ" | B min. | SATB | 39: 180 | III/2.2: 206 | afterZ 7292b; text byHubert | 00331 |
| 262 | 5. | 1750 or earlier | chorale setting "Alle Menschen müssen sterben" | D maj. | SATB | 39: 181 | III/2.2: 88 | afterPachelbel; text byAlbinus,Rosenmüller | 00332 |
| 263 | 5. | 1750 or earlier | chorale setting "Alles ist an Gottes Segen" | G maj. | SATB | 39: 181 | III/2.2: 72 | afterZ 3842f | 00333 |
| 264 | 5. | 1750 or earlier | chorale setting "Als der gütige Gott" | G maj. | SATB | 39: 182 | III/2.2: 91 | afterZ 1646; text byWeiße | 00334 |
| 265 | 5. | 1750 or earlier | chorale setting "Als Jesus Christus in der Nacht" | D Dor. | SATB | 39: 182 | III/2.2: 102 | afterZ 258; text byHeermann | 00335 |
| 266 | 5. | 1750 or earlier | chorale setting "Als vierzig Tag nach Ostern warn" | E min. | SATB | 39: 182 | III/2.2: 120 | afterZ 1743; text byHerman | 00336 |
| 267 | 5. | c. 1735 or earlier | chorale setting "An Wasserflüssen Babylon" | G maj. | SATB | 39: 183 | III/2.2: 4 | afterZ 7663; text byDachstein | 00337 |
| A♭ Maj. | III/2.1: 98 | ||||||||
| chorale setting "Ein Lämmlein geht und trägt | G maj. | 39: 183 | afterZ 7663; text byGerhardt | ||||||
| A♭ Maj. | III/2.2: 180 | ||||||||
| 268 | 5. | 1750 or earlier | chorale setting "Auf, auf, mein Herz" | G maj. | SATB | 39: 184 | III/2.2: 70 | afterZ 824; text byBirken | 00338 |
| 269 | 5. | 1750 or earlier | chorale setting "Aus meines Herzens Grunde" | G maj. | SATB | 39: 184 | III/2.2: 2 | afterZ 5269; text byNiege [de] | 00339 |
| 270 | 5. | c. 1735 or earlier | chorale setting "Befiehl du deine Wege" | B min. | SATB | 39: 185 | III/2.1: 47 III/2.2: 170 | afterZ 5385a; text byGerhardt | 00340 |
| 271 | 5. | c. 1735 or earlier | chorale setting "Befiehl du deine Wege" | B min. | SATB | 39: 185 | III/2.1: 97 III/2.2: 210 | afterZ 5385a; text byGerhardt | 00341 |
| 272 | 5. | 1730–1761 | chorale setting "Befiehl du deine Wege" | D min. | SATB | 39: 186 | III/2.2: 196 | byBach, C. P. E.?; afterZ 5393; text byGerhardt | 00342 |
| 273 | 5. | 1750 or earlier | chorale setting "Christ, der du bist der helle Tag" | G min. | SATB | 39: 186 | III/2.2: 136 | afterZ 384; text byAlberus | 00343 |
| 274 | 5. | 1750 or earlier | chorale setting "Christe, der du bist Tag und Licht" | G min. | SATB | 39: 187 | III/2.2: 145 | afterZ 343; text byMusculus after "Christe qui lux es" | 00344 |
| 275 | 5. | 1750 or earlier | chorale setting "Christe, du Beistand" | D Dor. | SATB | 39: 187 | III/2.2: 122 | afterZ 993; text byLöwenstern | 00345 |
| 276 | 5. | 1750 or earlier | chorale setting "Christ ist erstanden" | D Dor. | SATB | 39: 188 | III/2.2: 110 | afterZ 8584; text: "Christ ist erstanden" | 00346 |
| 277 | 5. | 1750 or earlier | chorale setting "Christ lag in Todesbanden" | D Dor. | SATB | 39: 189 | III/2.2: 11 | afterZ 7012a; text byLuther | 00347 |
| 278 | 5. | c. 1735 or earlier | chorale setting "Christ lag in Todesbanden" | E min. | SATB | 39: 190 | III/2.1: 92 III/2.2: 212 | afterZ 7012a; text byLuther | 00348 |
| 279 | 5. | c. 1725–1735 | chorale setting "Christ lag in Todesbanden" | E min. | SATB | 32: 154 | III/2.1: 24 III/2.2: 155 | afterZ 7012a; text byLuther; ↔BWV 158/4 | 00349 |
| 280 | 5. | 1750 or earlier | chorale setting "Christ unser Herr zum Jordan kam" | D Dor. | SATB | 39: 190 | III/2.2: 36 | afterZ 7246; text byLuther | 00350 |
| 281 | 5. | 1750 or earlier | chorale setting "Christus, der ist mein Leben" | F maj. | SATB | 39: 191 | III/2.2: 6 | afterZ 132,Neu Leipziger GB, p 942[21] | 00351 |
| 282 | 5. | 1750 or earlier | chorale setting "Christus, der ist mein Leben" | G maj. | SATB | 39: 191 | III/2.2: 184 | afterBWV 95/1 | 00352 |
| 283 | 5. | 1750 or earlier | chorale setting "Christus, der uns selig macht" | A min. | SATB | 39: 192 | III/2.2: 112 | afterZ 6283a; text byWeiße after "Patris sapientia" | 00353 |
| 284 | 5. | 1750 or earlier | chorale setting "Christus ist erstanden, hat überwunden" | C maj. | SATB | 39: 192 | III/2.2: 113 | afterZ 6240b; text byWeiße | 00354 |
| 285 | 5. | 1750 or earlier | chorale setting "Da der Herr Christ zu Tische saß" | C min. | SATB | 39: 193 | III/2.2: 110 | afterZ 2503; text byHerman | 00355 |
| 286 | 5. | 1750 or earlier | chorale setting "Danket dem Herrn, denn er ist" | A min. | SATB | 39: 193 | III/2.2: 134 | afterZ 12; text byHorn [de] | 00356 |
| 287 | 5. | 1750 or earlier | chorale setting "Dank sei Gott in der Höhe" | F maj. | SATB | 39: 194 | III/2.2: 182 | afterZ 5391; text byMühlmann [de] | 00357 |
| 288 | 5. | c. 1735 or earlier | chorale setting "Das alte Jahr vergangen ist" | D Dor. | SATB | 39: 194 | III/2.1: 11 III/2.2: 93 | afterZ 381; text bySteuerlein [de] | 00358 |
| 289 | 5. | 1750 or earlier | chorale setting "Das alte Jahr vergangen ist" | E min. | SATB | 39: 194 | III/2.2: 183 | afterZ 381; text bySteuerlein [de] | 00359 |
| 290 | 5. | 1750 or earlier | chorale setting "Das walt Gott Vater und Gott Sohn" | F maj. | SATB | 39: 195 | III/2.2: 132 | afterZ 673; text byBehm | 00360 |
| 291 | 5. | 1750 or earlier | chorale setting "Das walt mein Gott" | D min. | SATB | 39: 195 | III/2.2: 42 | afterZ 4217; text byFörtsch [wikisource:de]? | 00361 |
| 292 | 5. | 1750 or earlier | chorale setting "Den Vater dort oben" | C maj. | SATB | 39: 196 | III/2.2: 141 | afterZ 4795; text byWeiße | 00362 |
| 293 | 5. | 1750 or earlier | chorale setting "Der du bist drei in Einigkeit" | D Dor. | SATB | 39: 196 | III/2.2: 89 | afterZ 335e; text byLuther after "O lux beata Trinitas" | 00363 |
| 294 | 5. | 1750 or earlier | chorale setting "Der Tag, der ist so freudenreich" | G maj. | SATB | 39: 197 | III/2.2: 90 | afterZ 7870; text after "Dies est laetitiae" | 00364 |
| 295 | 5. | 1750 or earlier | chorale setting "Des Heilgen Geistes reiche Gnad" | D min. | SATB | 39: 197 | III/2.2: 120 | afterZ 370b; text byGesius after "Spiritus Sancti gratia" | 00365 |
| 296 | 5. | 1750 or earlier | chorale setting "Die Nacht ist kommen" | G Mix. | SATB | 39: 198 | III/2.2: 136 | afterZ 5001; text byHerbert [de] | 00366 |
| 297 | 5. | 1750 or earlier | chorale setting "Die Sonn hat sich mit ihrem Glanz gewendet" | D Dor. | SATB | 39: 198 | III/2.2: 137 | afterZ 923; text byStegmann [de]; ↔BWV 447 | 00367 |
| 298 | 5. | 1750 or earlier | chorale setting "Dies sind die heilgen zehn Gebot" | C maj. | SATB | 39: 198 | III/2.2: 72 | afterZ 1951; text byLuther | 00368 |
| 299 [2] | 5. | 1725–1735 | chorale setting "Dir, dir, Jehova, will ich singen" | B♭ maj. | SATB | 39: 199 | III/2.1: 11 III/2.2: 121 | ↔Z 3068; text byCrasselius; →BWV 452 | 00369 |
| 299 [1] | Notebook A. M. Bach (1725) No. 39: chorale setting "Dir, dir, Jehova, will ich singen" | S(AT)B (V Bc) | 432: 50 | V/4: 126 | 11543 | ||||
| 300 | 5. | 1750 or earlier | chorale setting "Du großer Schmerzensmann" | E min. | SATB | 39: 199 | III/2.2: 94 | afterZ 5159a; text byThebesius [de] | 00370 |
| 301 | 5. | 1750 or earlier | chorale setting "Du, o schönes Weltgebäude" | D min. | SATB | 39: 200 | III/2.2: 80 | afterZ 6773; text byFranck, J. | 00371 |
| 302 | 5. | c. 1735 or earlier | chorale setting "Ein feste Burg ist unser Gott" | D maj. | SATB | 39: 200 | III/2.1: 48 III/2.2: 14 | afterZ 7377; text byLuther afterPs. 46 | 00372 |
| 303 | 5. | c. 1735 or earlier | chorale setting "Ein feste Burg ist unser Gott" | D maj. | SATB | 39: 201 | III/2.1: 10 III/2.2: 148 | afterZ 7377; text byLuther afterPs. 46 | 00373 |
| 304 | 5. | c. 1735 or earlier | chorale setting "Eins ist not, ach Herr, dies Eine" | D maj. | SATB | 39: 201 | III/2.1: 36 III/2.2: 166 | afterZ 7127; text bySchröder | 00374 |
| 305 | 5. | 1750 or earlier | chorale setting "Erbarm dich mein, o Herre Gott" | A min. | SATB | 39: 202 | III/2.2: 20 | afterZ 5851; text byHegenwald afterPs. 51 | 00375 |
| 306 | 5. | 1750 or earlier | chorale setting "Erstanden ist der heilig Christ" | F maj. | SATB | 39: 202 | III/2.2: 100 | afterZ 288; text after "Surrexit Christus hodie" | 00376 |
| 307 | 5. | c. 1735 or earlier | chorale setting "Es ist gewisslich an der Zeit" | B♭ maj. | SATB | 39: 203 | III/2.1: 22 III/2.2: 155 | afterZ 4429a; text byRingwaldt | 00377 |
| 308 | 5. | 1750 or earlier | chorale setting "Es spricht der Unweisen Mund wohl" | B♭ maj. | SATB | 39: 204 | III/2.2: 17 | afterZ 4436; text byLuther afterPs. 14 | 00378 |
| 309 | 5. | 1750 or earlier | chorale setting "Es stehn vor Gottes Throne" | G Dor. | SATB | 39: 204 | III/2.2: 95 | afterZ 4298; text byHelmbold | 00379 |
| 310 | 5. | 1750 or earlier | chorale setting "Es wird schier der letzte Tag herkommen" | E min. | SATB | 39: 205 | III/2.2: 140 | afterZ 1423; text byWeiße | 00380 |
| 311 | 5. | 1750 or earlier | chorale setting "Es woll uns Gott gnädig sein" | B min. | SATB | 39: 205 | III/2.2: 12 | afterZ 7247; text byLuther afterPs. 67 | 00381 |
| 312 | 5. | c. 1735 or earlier | chorale setting "Es woll uns Gott gnädig sein" | A min. | SATB | 39: 206 | III/2.1: 70 III/2.2: 202 | afterZ 7247; text byLuther afterPs. 67 | 00382 |
| 327 | 5. | 1750 or earlier | chorale setting "Vor deinen Thron tret ich hiermit" | D maj. | SATB | 39: 213 | III/2.2: 193 | afterZ 368; text byHodenberg? | 00397 |
| 313 | 5. | 1750 or earlier | chorale setting "Für Freuden lasst uns springen" | G min. | SATB | 39: 206 | III/2.2: 93 | afterZ 2339; text byPeltsch [fr] | 00383 |
| 314 | 5. | c. 1735 or earlier | chorale setting "Gelobt seist du, Jesu Christ" | D maj. | SATB | 39: 207 | III/2.1: 48 III/2.2: 171 | afterZ 1947; text byLuther | 00384 |
| 315 | 5. | c. 1735 or earlier | chorale setting "Gib dich zufrieden und sei stille" | E min. | SATB | 39: 207 | III/2.1: 38 III/2.2: 161 | afterBWV 511; text byGerhardt; ↔BWV 512,Z 7417a | 00385 |
| 316 | 5. | 1750 or earlier | chorale setting "Gott, der du selber bist das Licht" | G min. | SATB | 39: 208 | III/2.2: 133 | afterZ 5814; text byRist | 00386 |
| 317 | 5. | 1750 or earlier | chorale setting "Gott der Vater wohn uns bei" | D maj. | SATB | 39: 208 | III/2.2: 78 | afterZ 8507; text byLuther | 00387 |
| 318 | 5. | 1750 or earlier | chorale setting "Gottes Sohn ist kommen" | G maj. | SATB | 39: 209 | III/2.2: 13 | afterZ 3294; text byHorn [de] | 00388 |
| F maj. | III/2.2: 214 | ||||||||
| 319 | 5. | 1750 or earlier | chorale setting "Gott hat das Evangelium" | E min. | SATB | 39: 209 | III/2.2: 102 | afterZ 1788; text byAlberus | 00389 |
| 320 | 5. | 1750 or earlier | chorale setting "Gott lebet noch" | F maj. | SATB | 39: 210 | III/2.2: 138 | afterZ 7951; text byZihn [de]; ↔BWV 461 | 00390 |
| 321 | 5. | 1750 or earlier | chorale setting "Gottlob, es geht nunmehr zum Ende" | B♭ maj. | SATB | 39: 210 | III/2.2: 108 | afterZ 2853; → Z 2855; text byLuther | 00391 |
| 322 | 5. | 1750 or earlier | chorale setting "Gott sei gelobet und gebenedeiet" | C maj. | SATB | 39: 211 | III/2.2: 39 | afterZ 8078; text byLuther | 00392 |
| 323 | 5. | 1750 or earlier | chorale setting "Gott sei uns gnädig und barmherzig" | F♯ min. | SATB | 39: 212 | III/2.2: 186 | afterGerman Magnificat; text afterPs. 67 | 00393 |
| 325 | 5. | 1750 or earlier | chorale setting "Heilig, heilig, heilig" | F maj. | SATB | 39: 212 | III/2.2: 138 | afterZ 8633a; text afterSanctus; ↔Z 8634 | 00395 |
| chorale setting "Sanctus, Sanctus Dominus Deus" | afterZ 8633a; text:Sanctus; ↔Z 8634 | ||||||||
| 326 | 5. | 1750 or earlier | chorale setting "Herr Gott, dich loben alle wir" | B♭ maj. | SATB | 39: 213 | III/2.2: 96 | afterZ 368; text byEber | 00396 |
| 328 | 5. | 1750 or earlier | chorale setting "Herr Gott, dich loben wir" | A min. | SATB | 39: 214 | III/2.2: 117 | afterZ 8652; text byLuther afterTe Deum | 00398 |
| 329 | 5. | 1750 or earlier | chorale setting "Herr, ich denk an jene Zeit" | B♭ maj. | SATB | 39: 216 | III/2.2: 123 | afterZ 4840; text byMylius [de] | 00399 |
| 330 | 5. | 1750 or earlier | chorale setting "Herr, ich habe missgehandelt" | A min. | SATB | 39: 216 | III/2.2: 21 | afterZ 3695; text byFranck, J. | 00400 |
| 331 | 5. | c. 1735 or earlier | chorale setting "Herr, ich habe missgehandelt" | A min. | SATB | 39: 217 | III/2.1: 47 III/2.2: 171 | afterZ 3695; text byFranck, J. | 00401 |
| 332 | 5. | 1750 or earlier | chorale setting "Herr Jesu Christ, dich zu uns wend" | G maj. | SATB | 39: 217 | III/2.2: 79 | afterZ 624; text byWilliam of Saxe-Weimar | 00402 |
| 333 | 5. | 1750 or earlier | chorale setting "Herr Jesu Christ, du hast bereit'" | G min. | SATB | 39: 218 | III/2.2: 133 | afterZ 4711; text byKinner [de] | 00403 |
| 334 | 5. | c. 1735 or earlier | chorale setting "Herr Jesu Christ, ich schrei zu dir" | G min. | SATB | III/2.1: 43 | afterZ 4486 | 00404 | |
| chorale setting "Herr Jesu Christ, du höchstes Gut" | 39: 218 | III/2.2: 41 | afterZ 4486; text byRingwaldt | ||||||
| 335 | 5. | c. 1735 or earlier | chorale setting "Herr Jesu Christ, meins Lebens Licht" | E min. | SATB | 39: 218 | III/2.1: 60 III/2.2: 175 | afterZ 423; text byBehm | 00405 |
| chorale setting "O Jesu, du mein Bräutigam" | III/2.2: 139 | afterZ 423; text byHermann | |||||||
| 336 | 5. | 1750 or earlier | chorale setting "Herr Jesu Christ, wahr' Mensch und Gott" | A maj. | SATB | 39: 219 | III/2.2: 106 | afterZ 423; text byEber | 00406 |
| 337 | 5. | 1750 or earlier | chorale setting "Herr, nun lass in Friede" | A min. | SATB | 39: 219 | III/2.2: 107 | afterZ 3302; text byBehme [de] | 00407 |
| 338 | 5. | 1750 or earlier | chorale setting "Herr, straf mich nicht in deinem Zorn, das bitt" | A min. | SATB | 39: 220 | III/2.2: 131 | afterZ 4606a; text afterPs. 6[22] | 00408 |
| 339 | 5. | 1750 or earlier | chorale setting "Wer in dem Schutz des Höchsten ist" | A maj. | SATB | 39: 220 | III/2.2: 84 | afterZ 4438; text byHeyden | 00409 |
| chorale setting "Herr, wie du willt, so schicks mit mir" | afterZ 4438; text byBienemann [de] | ||||||||
| 340 | 5. | c. 1735 or earlier | chorale setting "Herzlich lieb hab ich dich, o Herr" | C maj. | SATB | 39: 221 | III/2.1: 42 III/2.2: 164 | afterZ 8326; text bySchalling | 00410 |
| 341 | 5. | 1750 or earlier | chorale setting "Heut ist, o Mensch, ein großer Trauertag" | G Dor. | SATB | 39: 221 | III/2.2: 96 | afterZ 8569/A; text byLöwenstern | 00411 |
| 342 | 5. | 1750 or earlier | chorale setting "Heut triumphieret Gottes Sohn" | A min. | SATB | 39: 222 | III/2.2: 44 | afterZ 2585; text byStolzhagen [de] | 00412 |
| 343 | 5. | 1750 or earlier | chorale setting "Hilf, Gott, dass mirs gelinge" | G Dor. | SATB | 39: 222 | III/2.2: 112 | afterZ 4329f; text byMüller, H.[23] | 00413 |
| 344 | 5. | 1750 or earlier | chorale setting "Hilf, Herr Jesu, lass gelingen" | G Dor. | SATB | 39: 223 | III/2.2: 89 | afterZ 3687a; text byRist | 00414 |
| 345 | 5. | c. 1735 or earlier | chorale setting "Ich bin ja, Herr, in deiner Macht" | G min. | SATB | 39: 223 | III/2.1: 13 III/2.2: 148 | ↔Z 5878a; text byDach | 00415 |
| 346 | 5. | 1750 or earlier | chorale setting "Ich dank dir, Gott, für deine Wohltat" | C maj. | SATB | 39: 224 | III/2.2: 132 | afterZ 8090; text byFreder [de] | 00416 |
| 347 | 5. | 1750 or earlier | chorale setting "Ich dank dir, lieber Herre" | A maj. | SATB | 39: 224 | III/2.2: 2 | afterZ 5354a–b; text byKolross | 00417 |
| 348 | 5. | c. 1735 or earlier | chorale setting "Ich dank dir, lieber Herre" | B♭ maj. | SATB | 39: 225 | III/2.1: 39 III/2.2: 162 | afterZ 5354a–b; text byKolross | 00418 |
| 349 | 5. | 1750 or earlier | chorale setting "Ich dank dir schon durch deinen Sohn" | F maj. | SATB | 39: 225 | III/2.2: 106 | afterZ 247b; text byBurchart [de] | 00419 |
| 350 | 5. | 1750 or earlier | chorale setting "Ich danke dir, Herr Gott, in deinem Throne" | G min. | SATB | 39: 226 | III/2.2: 135 | afterZ 3199; text byFabricius [de] | 00420 |
| 351 | 5. | 1750 or earlier | chorale setting "Ich hab mein Sach Gott heimgestellt" | G Dor. | SATB | 39: 226 | III/2.2: 13 | afterZ 1679; text byLeon [de] | 00421 |
| 366 | 5. | 1750 or earlier | chorale setting "Ihr Gestirn, ihr hohlen Lüfte" | D min. | SATB | 39: 236 | III/2.2: 92 | afterZ 3703; text byFranck, J. | 00436 |
| 367 | 5. | 1750 or earlier | chorale setting "In allen meinen Taten" | C maj. | SATB | 39: 236 | III/2.2: 81 | afterZ 2276; text byFleming[24] | 00437 |
| 368 | 5. | 1750 or earlier | chorale setting "In dulci jubilo" | F maj. | SATB | 39: 236 | III/2.2: 83 | afterZ 4947 | 00438 |
| 352 | 5. | 1750 or earlier | chorale setting "Jesu, der du meine Seele" | A min. | SATB | 39: 227 | III/2.2: 22 | afterZ 6804; text byRist | 00422 |
| 353 | 5. | c. 1735 or earlier | chorale setting "Jesu, der du meine Seele" | G min. | SATB | 39: 228 | III/2.1: 26 III/2.2: 160 | afterZ 6804; text byRist | 00423 |
| 354 | 5. | c. 1735 or earlier | chorale setting "Jesu, der du meine Seele" | B♭ Dor. | SATB | 39: 228 | III/2.1: 99 III/2.2: 211 | afterZ 6804; text byRist | 00424 |
| 355 | 5. | 1750 or earlier | chorale setting "Jesu, der du selbsten wohl" | A maj. | SATB | 39: 229 | III/2.2: 97 | afterZ 6335; text byBapzien [de] | 00425 |
| 356 | 5. | 1750 or earlier | chorale setting "Jesu, du mein liebstes Leben" | G min. | SATB | 39: 230 | III/2.2: 144 | afterZ 7891; text byRist | 00426 |
| 357 | 5. | 1750 or earlier | chorale setting "Jesu, Jesu, du bist mein" | C Dor. | SATB | 39: 230 | III/2.2: 144 | ↔BWV 470,Z 6446 | 00427 |
| 358 | 5. | c. 1735 or earlier | chorale setting "Jesu, meine Freude" | D min. | SATB | 39: 231 | III/2.1: 80 III/2.2: 204 | afterZ 8032; text byFranck, J. | 00428 |
| 360 | 5. | c. 1735 or earlier | chorale setting "Jesu, meiner Seelen Wonne" | B♭ maj. | SATB | 39: 232 | III/2.1: 73 III/2.2: 201 | afterZ 6551a; text byJanus | 00430 |
| 359 | 5. | 1750 or earlier | chorale setting "Jesu, meiner Seelen Wonne" | A maj. | SATB | 39: 232 | III/2.2: 209 | afterBWV 154/3; text byJanus | 00429 |
| 361 | 5. | c. 1735 or earlier | chorale setting "Jesu, meines Herzens Freud" | B♭ maj. | SATB | 39: 233 | III/2.1: 34 III/2.2: 157 | afterZ 4797–4798; text byFlittner [de] | 00431 |
| 362 | 5. | c. 1735 or earlier | chorale setting "Jesu, nun sei gepreiset" | B♭ maj. | SATB | 39: 234 | III/2.1: 12 III/2.2: 149 | afterZ 8477a; text byHermann | 00432 |
| 364 | 5. | 1750 or earlier | chorale setting "Jesus Christus, unser Heiland, der den Tod überwand" | G Dor. | SATB | 39: 235 | III/2.2: 99 | afterZ 1978; text byLuther | 00434 |
| 363 | 5. | 1750 or earlier | chorale setting "Jesus Christus, unser Heiland, der von uns den Gottes Zorn wandt" | E min. | SATB | 39: 234 | III/2.2: 19 | afterZ 1576; text byLuther | 00433 |
| 365 | 5. | 1750 or earlier | chorale setting "Jesus, meine Zuversicht" | C maj. | SATB | 39: 235 | III/2.2: 100 | afterZ 3432b; text byLouise Henriette of N | 00435 |
| 369 | 5. | 1750 or earlier | chorale setting "Keinen hat Gott verlassen" | E min. | SATB | 39: 237 | III/2.2: 73 | afterZ 5395 | 00439 |
| 370 | 5. | 1750 or earlier | chorale setting "Komm, Gott Schöpfer, Heiliger Geist" | C maj. | SATB | 39: 238 | III/2.2: 105 | afterZ 295; text byLuther | 00440 |
| 371 | 5. | 1750 or earlier | chorale setting "Kyrie, Gott Vater in Ewigkeit" | A min. | SATB | 39: 238 | III/2.2: 74 | afterZ 8600c | 00441 |
| 372 | 5. | 1750 or earlier | chorale setting "Lass, o Herr, dein Ohr sich neigen" | G Dor. | SATB | 39: 240 | III/2.2: 128 | afterZ 6863; text byOpitz | 00442 |
| 373 | 5. | 1750 or earlier | chorale setting "Liebster Jesu, wir sind hier" | G maj. | SATB | 39: 240 | III/2.2: 74, 190 | afterZ 3498b; text byClausnitzer | 00443 |
| 374 | 5. | 1750 or earlier | chorale setting "Lobet den Herren, denn er ist sehr" | G Dor. | SATB | 39: 241 | III/2.2: 134 | afterZ 975; text afterPs. 147 | 00444 |
| 375 | 5. | c. 1735 or earlier | chorale setting "Lobt Gott, ihr Christen, allzugleich" | G maj. | SATB | 39: 241 | III/2.1: 45 III/2.2: 164 | afterZ 198; text byHerman | 00445 |
| 376 | 5. | 1750 or earlier | chorale setting "Lobt Gott, ihr Christen allzugleich" | A maj. | SATB | 39: 242 | III/2.2: 197 | afterZ 198; text byHerman | 00446 |
| 377 | 5. | 1750 or earlier | chorale setting "Machs mit mir, Gott, nach deiner Güt" | D maj. | SATB | 39: 242 | III/2.2: 26 | afterZ 2383; text bySchein | 00447 |
| 378 | 5. | 1750 or earlier | chorale setting "Mein Augen schließ ich jetzt" | G maj. | SATB | 39: 243 | III/2.2: 153 | afterZ 1067; text byLöwenstern | 00448 |
| 379 | 5. | 1750 or earlier | chorale setting "Meinen Jesum lass ich nicht, Jesus" | G maj. | SATB | 39: 243 | III/2.2: 87 | afterZ 3448a | 00449 |
| 380 | 5. | c. 1735 or earlier | chorale setting "Meinen Jesum lass ich nicht, weil" | E♭ maj. | SATB | 39: 244 | III/2.1: 62 III/2.2: 178 | afterZ 3449; text byKeymann | 00450 |
| 324 | 5. | 1750 or earlier | chorale setting "Meine Seele erhebet den Herren" | E min. | SATB | 39: 212 | III/2.2: 73 | afterGerman Magnificat; text byLuther afterLk. 1:46–55 | 00394 |
| 381 | 5. | 1750 or earlier | chorale setting "Meines Lebens letzte Zeit" | E min. | SATB | 39: 244 | III/2.2: 199 | afterZ 6380; ↔BWV 488 | 00451 |
| 382 | 5. | c. 1735 or earlier | chorale setting "Mit Fried und Freud ich fahr dahin" | G Dor. | SATB | 39: 245 | III/2.1: 40 III/2.2: 28 | afterZ 3986; text byLuther | 00452 |
| 383 | 5. | 1750 or earlier | chorale setting "Mitten wir im Leben sind" | A min. | SATB | 39: 246 | III/2.2: 124 | afterZ 8502; text byLuther afterMedia vita | 00453 |
| 384 | 5. | 1750 or earlier | chorale setting "Nicht so traurig, nicht so sehr" | C min. | SATB | 39: 247 | III/2.2: 86 | ↔Z 3355; text byGerhardt | 00454 |
| 385 | 5. | c. 1735 or earlier | chorale setting "Nun bitten wir den Heiligen Geist" | A maj. | SATB | 39: 247 | III/2.1: 76 III/2.2: 22 | afterZ 2029a; text byLuther | 00455 |
| 386 | 5. | c. 1735 or earlier | chorale setting "Nun danket alle Gott" | A maj. | SATB | 39: 248 | III/2.1: 101 III/2.2: 20 | afterZ 5142; text byRinkart | 00456 |
| 387 | 5. | 1750 or earlier | chorale setting "Nun freut euch, Gottes Kinder all" | D Dor. | SATB | 39: 248 | III/2.2: 104 | afterZ 364; text byAlberus | 00457 |
| 388 | 5. | 1750 or earlier | chorale setting "Nun freut euch, lieben Christen gmein" | G maj. | SATB | 39: 248 | III/2.2: 103 | afterZ 4427; text byLuther | 00458 |
| 389 | 5. | c. 1735 or earlier | chorale setting "Nun lob, mein Seel, den Herren" | C maj. | SATB | 39: 249 | III/2.1: 32 III/2.2: 159 | afterZ 8244; text byGramann afterPs. 103 | 00459 |
| 390 | 5. | c. 1735 or earlier | chorale setting "Nun lob, mein Seel, den Herren" | C maj. | SATB | 39: 250 | III/2.1: 58 III/2.2: 176 | afterZ 8244; text byGramann afterPs. 103 | 00460 |
| 391 | 5. | 1750 or earlier | chorale setting "Nun preiset alle Gottes Barmherzigkeit" | G maj. | SATB | 39: 250 | III/2.2: 131 | afterZ 4089a; text byLöwenstern | 00461 |
| 392 | 5. | 1734–1750 | chorale setting "Nun ruhen alle Wälder" | B♭ maj. | SATB | 39: 251 | III/2.2: 172 | afterBWV 97/9; text byGerhardt | 00462 |
| 396 | 5. | 1750 or earlier | chorale setting "Nun sich der Tag geendet hat" | A min. | SATB | 39: 252 | III/2.2: 142 | afterZ 212b; text byKrieger | 00466 |
| 397 | 5. | c. 1735 or earlier | chorale setting "O Ewigkeit, du Donnerwort" | F maj. | SATB | 39: 253 | III/2.1: 23 III/2.2: 163 | afterZ 5820; text byJohann Rist; ↔BWV 513 | 00467 |
| 398 | 5. | c. 1728–1729 | chorale setting "O Gott, du frommer Gott" | D maj. | SATB | 39: 254 | III/2.2: 182 | afterZ 5206b; text byHeermann; ↔BWV 197a/7 | 00468 |
| 399 | 5. | 1750 or earlier | chorale setting "O Gott, du frommer Gott" | G maj. | SATB | 39: 254 | III/2.2: 184 | afterZ 5148; text byHeermann | 00469 |
| 400 | 5. | 1750 or earlier | chorale setting "O Herzensangst" | E♭ maj. | SATB | 39: 255 | III/2.2: 99 | ↔Z 1003; text byMüller von Königsberg | 00470 |
| 401 | 5. | 1750 or earlier | chorale setting "O Lamm Gottes, unschuldig" | F maj. | SATB | 39: 255 | III/2.2: 94 | afterZ 4361a; text byDecius afterAgnus Dei | 00471 |
| 402 | 5. | 1750 or earlier | chorale setting "O Mensch, bewein dein Sünde groß" | E♭ maj. | SATB | 39: 256 | III/2.2: 114 | afterZ 8303; text byHeyden | 00472 |
| 403 | 5. | 1750 or earlier | chorale setting "O Mensch, schau Jesum Christum an" | G Dor. | SATB | 39: 257 | III/2.2: 116 | afterZ 3994a–b; text bySpecht; ↔ Z 3994c | 00473 |
| 404 | 5. | 1750 or earlier | chorale setting "O Traurigkeit, o Herzeleid" | A min. | SATB | 39: 257 | III/2.2: 34 | afterZ 1915; text byRist | 00474 |
| F min. | III/2.2: 215 | ||||||||
| 393 | 5. | c. 1735 or earlier | chorale setting "O Welt, sieh hier dein Leben" | A maj. | SATB | 39: 251 | III/2.1: 44 III/2.2: 163 | afterZ 2293b; text byGerhardt | 00463 |
| 394 | 5. | c. 1735 or earlier | chorale setting "O Welt, sieh hier dein Leben" | A maj. | SATB | 39: 252 | III/2.1: 96 III/2.2: 210 | afterZ 2293b; text byGerhardt | 00464 |
| 395 | 5. | 1724–1750 | chorale setting "O Welt, sieh hier dein Leben" | A maj. | SATB | 39: 252 | III/2.2: 208 | afterBWV 245/11; text byGerhardt | 00465 |
| 405 | 5. | 1750 or earlier | chorale setting "O wie selig seid ihr doch, ihr Frommen" | D min. | SATB | 39: 258 | III/2.2: 124 | afterZ 1583; text byDach; ↔BWV 495 | 00475 |
| 406 | 5. | 1750 or earlier | chorale setting "O wie selig seid ihr doch, ihr Frommen" | D min. | SATB | 39: 258 | III/2.2: 129 | afterZ 1581; text byDach | 00476 |
| 407 | 5. | 1750 or earlier | chorale setting "O wir armen Sünder" | D maj. | SATB | 39: 258 | III/2.2: 114 | afterZ 8187c; text byBonnus [de] | 00477 |
| 408 | 5. | 1750 or earlier | chorale setting "Schaut, ihr Sünder" | G Dor. | SATB | 39: 259 | III/2.2: 98 | afterZ 8569/B; text byLöwenstern | 00478 |
| 409 | 5. | 1750 or earlier | chorale setting "Seelenbräutigam" | A maj. | SATB | 39: 260 | III/2.2: 82, 216 | afterZ 3255a–b; text byDrese; ↔BWV 496 | 00479 |
| 410 | 5. | 1750 or earlier | chorale setting "Sei gegrüßet, Jesu gütig" | G min. | SATB | 39: 260 | III/2.2: 98 | afterZ 3889b; text byKeymann; ↔BWV 499 | 00480 |
| 411 | 5. | 1750 or earlier | chorale setting "Singt dem Herrn ein neues Lied" | G maj. | SATB | 39: 260 | III/2.2: 146 | afterZ 6424; text byLöwenstern | 00481 |
| 412 | 5. | 1750 or earlier | chorale setting "So gibst du nun, mein Jesu, gute Nacht" | G Dor. | SATB | 39: 261 | III/2.2: 119 | afterZ 849; text byPfeiffer [de]; ↔BWV 501 | 00482 |
| 413 | 5. | 1750 or earlier | chorale setting "Sollt ich meinem Gott nicht singen" | D min. | SATB | 39: 262 | III/2.2: 130 | afterZ 7886b; text byGerhardt; ↔BWV 481 | 00483 |
| 414 | 5. | 1750 or earlier | chorale setting "Uns ist ein Kindlein heut geborn" | G maj. | SATB | 39: 262 | III/2.2: 86 | afterZ 439; ↔BWV 253 | 00484 |
| 415 | 5. | 1750 or earlier | chorale setting "Valet will ich dir geben" | D maj. | SATB | 39: 263 | III/2.2: 16 | afterZ 5404a; text byHerberger | 00485 |
| 416 | 5. | 1724-04-07 | chorale setting "Vater unser im Himmelreich" | D min. | SATB | 39: 263 | III/2.1: 94 III/2.2: 27 | afterZ 2561; text byLuther afterMt 6:9–13; ↔BWV 245.1/5 | 00486 |
| 417 | 5. | c. 1735 or earlier | chorale setting "Von Gott will ich nicht lassen" | B min. | SATB | 39: 264 | III/2.1: 92 III/2.2: 209 | afterZ 5264b; text byHelmbold | 00487 |
| 418 | 5. | 1750 or earlier | chorale setting "Von Gott will ich nicht lassen" | A min. | SATB | 39: 264 | III/2.2: 192 | afterZ 5264b; text byHelmbold | 00488 |
| 419 | 5. | 1726–1761 (CPE) | chorale setting "Helft mir Gotts Güte preisen" | A min. | SATB | 39: 265 | III/2.2: 64 | byBach, C. P. E.; afterBWV 16/6; text byEber | 00489 |
| chorale setting "Von Gott will ich nicht lassen" | byBach, C. P. E.; afterBWV 16/6; text byHelmbold | ||||||||
| 257 | 5. | c. 1735 or earlier | chorale setting "Wär Gott nicht mit uns diese Zeit" | A min. | SATB | 39: 178 | III/2.1: 46 III/2.2: 170 | afterZ 4441a; text byLuther afterPs. 124 | 00327 |
| 420 | 5. | 1750 or earlier | chorale setting "Warum betrübst du dich, mein Herz" | A min. | SATB | 39: 265 | III/2.2: 84 | afterZ 1689a | 00490 |
| 421 | 5. | c. 1735 or earlier | chorale setting "Warum betrübst du dich, mein Herz" | A min. | SATB | 39: 266 | III/2.1: 65 III/2.2: 178 | afterZ 1689a; ↔BWV 1164/2 | 00491 |
| 422 | 5. | c. 1735 or earlier | chorale setting "Warum sollt ich mich denn grämen" | G Mix. | SATB | 39: 266 | III/2.1: 82 III/2.2: 204 | afterZ 6461; → Z 6462; text byGerhardt | 00492 |
| 423 | 5. | 1750 or earlier | chorale setting "Was betrübst du dich, mein Herze" | G Dor. | SATB | 39: 267 | III/2.2: 140 | ↔Z 6830; text byHerrmann [wikisource:de] | 00493 |
| 424 | 5. | 1750 or earlier | chorale setting "Was bist du doch, o Seele, so betrübet" | A min. | SATB | 39: 267 | III/2.2: 108 | afterZ 1837; text bySchultt, R. F. [scores]; ↔BWV 506 | 00494 |
| 425 | 5. | 1750 or earlier | chorale setting "Was willst du dich, o meine Seele, kränken" | A min. | SATB | 39: 268 | III/2.2: 142 | afterZ 7844; text byWerder [de] | 00495 |
| 426 | 5. | 1750 or earlier | chorale setting "Weltlich Ehr und zeitlich Gut" | C maj. | SATB | 39: 269 | III/2.2: 122 | afterZ 4972; text byWeiße | 00496 |
| 427 | 5. | 1750 or earlier | chorale setting "Wenn ich in Angst und Not" | E♭ maj. | SATB | 39: 269 | III/2.2: 85 | afterZ 4233; text byLöwenstern | 00497 |
| 428 | 5. | 1750 or earlier | chorale setting "Wenn mein Stündlein verhanden ist" | G maj. | SATB | 39: 270 | III/2.2: 187 | afterZ 4482a; text byHerman | 00498 |
| 429 | 5. | c. 1735 or earlier | chorale setting "Wenn mein Stündlein verhanden ist" | A maj. | SATB | 39: 270 | III/2.1: 91 III/2.2: 29 | afterZ 4482a; text byHerman | 00499 |
| 430 | 5. | c. 1735 or earlier | chorale setting "Wenn mein Stündlein verhanden ist" | A maj. | SATB | 39: 271 | III/2.1: 68 III/2.2: 201 | afterZ 4482a; text byHerman | 00500 |
| 431 | 5. | 1750 or earlier | chorale setting "Wenn wir in höchsten Nöten sein" | F maj. | SATB | 39: 272 | III/2.2: 38 | afterZ 394; text byEber | 00501 |
| 432 | 5. | 1750 or earlier | chorale setting "Wenn wir in höchsten Nöten sein" | G maj. | SATB | 39: 272 | III/2.2: 146 | afterZ 394; text byEber | 00502 |
| 433 | 5. | 1750 or earlier | chorale setting "Wer Gott vertraut, hat wohl gebaut" | G maj. | SATB | 39: 273 | III/2.2: 78 | afterZ 8207; text byMagdeburg [de][24] | 00503 |
| 434 | 5. | c. 1735 or earlier | chorale setting "Wer weiß, wie nahe mir mein Ende" | A min. | SATB | 39: 273 | III/2.1: 38 | afterZ 2778; text byEmilie Juliane of B-M | 00504 |
| chorale setting "Wer nur den lieben Gott lässt walten" | III/2.2: 85 | afterZ 2778; text byNeumark | |||||||
| 435 | 5. | 1750 or earlier | chorale setting "Wie bist du, Seele, in mir so gar betrübt" | E min. | SATB | 39: 274 | III/2.2: 143 | afterZ 4092; text byZeutschner [choralwiki] | 00505 |
| 436 | 5. | c. 1735 or earlier | chorale setting "Wie schön leuchtet der Morgenstern" | E maj. | SATB | 39: 274 | III/2.1: 45 III/2.2: 165 | afterZ 8359; text byNicolai | 00506 |
| 437 | 5. | 1750 or earlier | chorale setting "Wir glauben all an einen Gott" | D Dor. | SATB | 39: 275 | III/2.2: 76 | afterZ 7971; text byLuther afterCreed | 00507 |
| 258 | 5. | 1750 or earlier | chorale setting "Wo Gott der Herr nicht bei uns hält" | B min. | SATB | 39: 179 | III/2.2: 194 | afterZ 4441a; text byJonas | 00328 |
| 438 | 5. | 1750 or earlier | chorale setting "Wo Gott zum Haus nicht gibt sein Gunst" | F maj. | SATB | 39: 276 | III/2.2: 90 | afterZ 305; text byKolross | 00508 |
| 500a | 5. | 1726-04-19 | chorale setting "So gehst du nun, mein Jesu, hin" (in Bach's Leipzig versions ofSt Mark Passion attributed to Keiser) | SATB Str Bc | II/9: 75 | text byNachtenhöfer [de]; ↔BWV 500 | 00571 | ||
| 1084 | 5. | 1726-04-19 | chorale setting "O hilf Christe, Gottes Sohn" (in Bach's Leipzig versions ofSt Mark Passion attributed to Keiser) | SATB Str Bc | II/9: 76 | text byWeiße; afterBC D 5a/14 | 01270 | ||
| 1089 | 5. | chorale setting "Da Jesus an dem Kreuze stund" | SATB | III/2.2: 216 | text byLilius [de] | 01275 | |||
| 1122 | 5. | c. 1735 or earlier | chorale setting "Denket doch, ihr Menschenkinder" | F maj. | SATB | III/2.1: 31 III/2.2: 217 | text byHübner?[25] | 01720 | |
| 1123 | 5. | c. 1735 or earlier | chorale setting "Wo Gott zum Haus gibt nicht sein Gunst" | G maj. | SATB | III/2.1: 40 | afterZ 305; text byKolross[25] | 01721 | |
| 1124 | 5. | c. 1735 or earlier | chorale setting "Ich ruf zu dir, Herr Jesu Christ" | E min. | SATB | III/2.1: 51 | afterZ 7400; text byAgricola, J.[25] | 01722 | |
| 1125 | 5. | c. 1735 or earlier | chorale setting "O Gott, du frommer Gott" | D maj. | SATB | III/2.1: 79 | afterZ 5206b; text byHeermann[25] | 01723 | |
| 1126 | 5. | chorale setting "Lobet Gott, unsern Herren" | SATB | III/2.2: 218 | 01724 | ||||
| 6. | Songs, Arias and Quodlibet (see also:List of songs and arias of Johann Sebastian Bach) | Up ↑ | |||||||
| 439 | 6. | 1735–1736 or earlier | song "Ach, dass nicht die letzte Stunde" (Schemelli #831; tune #56) | V Bc | 39: 279 | III/2.1: 210 | ↔Z 6721; text byNeumeister | 00509 | |
| 440 | 6. | 1735–1736 or earlier | song "Auf, auf! die rechte Zeit ist hier" (Schemelli #171; tune #11) | V Bc | 39: 279 | III/2.1: 123 | ↔Z 705; text byOpitz | 00510 | |
| 441 | 6. | c. 1735 or earlier | chorale setting "Auf, auf, mein Herz, mit Freuden" | F maj. | SATB | III/2.1: 67 | afterZ 5243; text byGerhardt | 00511 | |
| 1735–1736 or earlier | song "Auf, auf, mein Herz, mit Freuden" (Schemelli #320; tune #27) | V Bc | 39: 279 | III/2.1: 152 | |||||
| 442 | 6. | 1735–1736 or earlier | song "Beglückter Stand getreuer Seelen" (Schemelli #570; tune #39) | V Bc | 39: 280 | III/2.1: 176 | afterZ 5970; text byBonin [de] | 00512 | |
| 443 | 6. | 1735–1736 or earlier | song "Beschränkt, ihr Weisen dieser Welt" (Schemelli #689; tune #47) | V Bc | 39: 280 | III/2.1: 192 | ↔Z 7765; text byWegleiter [wikisource:de] | 00513 | |
| 444 | 6. | 1735–1736 or earlier | song "Brich entzwei, mein armes Herze" (Schemelli #303; tune #24) | V Bc | 39: 280 | III/2.1: 146 | afterZ 7110–7111a; → Z 7111b; text byTrommer [scores] | 00514 | |
| 445 | 6. | 1735–1736 or earlier | song "Brunnquell aller Güter" (Schemelli #335; tune #29) | V Bc | 39: 281 | III/2.1: 156 | afterZ 6252b; text byFranck, J. | 00515 | |
| 446 | 6. | 1735–1736 or earlier | song "Der lieben Sonnen Licht und Pracht" (Schemelli #39; tune #2) | V Bc | 39: 281 | III/2.1: 106 | afterZ 5659; text byScriver | 00516 | |
| 447 | 6. | 1735–1736 or earlier | song "Der Tag ist hin, die Sonne gehet nieder" (Schemelli #40; tune #3) | V Bc | 39: 281 | III/2.1: 108 | afterZ 923; ↔BWV 297; text byRube [fr] | 00517 | |
| 448 | 6. | 1735–1736 or earlier | song "Der Tag mit seinem Lichte" (Schemelli #43; tune #4) | V Bc | 39: 282 | III/2.1: 110 | afterZ 7512b; text byGerhardt | 00518 | |
| 449 | 6. | 1735–1736 or earlier | song "Dich bet ich an, mein höchster Gott" (Schemelli #396; tune #31) | V Bc | 39: 282 | III/2.1: 160 | ↔Z 2437; text byOlearius, J. G. [de][26] | 00519 | |
| 450 | 6. | 1735–1736 or earlier | song "Die bittre Leidenszeit beginnet abermal" (Schemelli #258; tune #17) | V Bc | 39: 282 | III/2.1: 134 | afterZ 7429; text byElmenhorst [de] | 00520 | |
| 451 | 6. | 1735–1736 or earlier | song "Die güldne Sonne" (Schemelli #13; tune #1) | V Bc | 39: 283 | III/2.1: 104 | afterZ 8015; text byGerhardt | 00521 | |
| 452 | 6. | 1735–1736 or earlier | song "Dir, dir, Jehova, will ich singen" (Schemelli #397; tune #32) | V Bc | 39: 284 | III/2.1: 162 | afterBWV 299; →Z 3068; text byCrasselius | 00522 | |
| 453 | 6. | 1735–1736 or earlier | song "Eins ist not! ach Herr, dies Eine" (Schemelli #112; tune #7) | V Bc | 39: 284 | III/2.1: 116 | ↔Z 7129; text bySchröder [scores] | 00523 | |
| 454 | 6. | 1735–1736 or earlier | song "Ermuntre dich, mein schwacher Geist" (Schemelli #187; tune #12) | V Bc | 39: 284 | III/2.1: 124 | afterZ 5741; text byRist | 00524 | |
| 455 | 6. | 1735–1736 or earlier | song "Erwürgtes Lamm, das die verwahrten Siegel" (Schemelli #580; tune #43) | V Bc | 39: 285 | III/2.1: 184 | afterZ 3138; text byBonin [de] | 00525 | |
| 456 | 6. | 1735–1736 or earlier | song "Es glänzet der Christen inwendiges Leben" (Schemelli #572; tune #40) | V Bc | 39: 285 | III/2.1: 178 | afterZ 6969; text byRichter | 00526 | |
| 457 | 6. | 1735–1736 or earlier | song "Es ist nun aus mit meinem Leben" (Schemelli #847; tune #57) | V Bc | 39: 286 | III/2.1: 212 | afterZ 6969; text byOmeis [de] | 00527 | |
| 458 | 6. | 1735–1736 or earlier | song "Es ist vollbracht! Vergiss ja nicht dies Wort" (Schemelli #306; tune #25) | V Bc | 39: 286 | III/2.1: 148 | afterZ 2692; text bySchmidt [scores] | 00528 | |
| 459 | 6. | 1735–1736 or earlier | song "Es kostet viel, ein Christ zu sein" (Schemelli #522; tune #38) | V Bc | 39: 286 | III/2.1: 174 | afterZ 2727; text byRichter | 00529 | |
| 460 | 6. | 1735–1736 or earlier | song "Gib dich zufrieden und sei stille" (Schemelli #647; tune #45) | V Bc | 39: 288 | III/2.1: 188 | afterZ 7415; text byGerhardt | 00530 | |
| 461 | 6. | 1735–1736 or earlier | song "Gott lebet noch" (Schemelli #488; tune #37) | V Bc | 39: 288 | III/2.1: 172 | afterZ 7951; ↔BWV 320; text byZihn [de] | 00531 | |
| 462 | 6. | 1735–1736 or earlier | song "Gott wie groß ist deine Güte" (Schemelli #360; tune #30) | V Bc | 39: 289 | III/2.1: 158 | text bySchemelli; →Z 7937 | 00532 | |
| 463 | 6. | 1735–1736 or earlier | song "Herr, nicht schicke deine Rache" (Schemelli #78; tune #5) | V Bc | 39: 289 | III/2.1: 112 | afterZ 6863; text byOpitz | 00533 | |
| 464 | 6. | 1735–1736 or earlier | song "Ich bin ja, Herr, in deiner Macht" (Schemelli #861; tune #58) | V Bc | 39: 290 | III/2.1: 214 | afterZ 5869a; text byDach | 00534 | |
| 465 | 6. | 1735–1736 or earlier | song "Ich freue mich in dir" (Schemelli #194; tune #13) | V Bc | 39: 290 | III/2.1: 126 | afterZ 5138; text byZiegler, C. | 00535 | |
| 466 | 6. | 1735–1736 or earlier | song "Ich halte treulich still" (Schemelli #657; tune #46) | V Bc | 39: 290 | III/2.1: 190 | text byTill [scores]; →Z 5082 | 00536 | |
| 467 | 6. | 1735–1736 or earlier | song "Ich lass dich nicht" (Schemelli #734; tune #51) | V Bc | 39: 291 | III/2.1: 200 | afterZ 7455; text byDeßler [de] | 00537 | |
| 468 | 6. | 1735–1736 or earlier | song "Ich liebe Jesum alle Stund" (Schemelli #737; tune #52) | V Bc | 39: 291 | III/2.1: 202 | afterZ 4731; → Z 4732 | 00538 | |
| 469 | 6. | 1735–1736 or earlier | song "Ich steh an deiner Krippen hier" (Schemelli #195; tune #14) | V Bc | 39: 292 | III/2.1: 128 | ↔Z 4663; text byGerhardt | 00539 | |
| 476 | 6. | 1735–1736 or earlier | song "Ihr Gestirn, ihr hohlen Lüfte" (Schemelli #197; tune #15) | V Bc | 39: 294 | III/2.1: 130 | afterZ 3703; text byFranck, J. | 00546 | |
| 471 | 6. | 1735–1736 or earlier | song "Jesu, deine Liebeswunden" (Schemelli #139; tune #10) | V Bc | 39: 292 | III/2.1: 122 | text byWegleit. [wikisource:de]?; →Z 1302 | 00541 | |
| 470 | 6. | 1735–1736 or earlier | song "Jesu, Jesu, du bist mein" (Schemelli #741; tune #53) | V Bc | 39: 292 | III/2.1: 204 | ↔BWV 357; →Z 6446 | 00540 | |
| 472 | 6. | 1735–1736 or earlier | song "Jesu, meines Glaubens Zier" (Schemelli #119; tune #8) | V Bc | 39: 293 | III/2.1: 118 | afterZ 6453; text bySacer | 00542 | |
| 473 | 6. | 1735–1736 or earlier | song "Jesu, meines Herzens Freud" (Schemelli #696; tune #48) | V Bc | 39: 293 | III/2.1: 194 | afterZ 4797–4798; text byFlittner [de] | 00543 | |
| 474 | 6. | 1735–1736 or earlier | song "Jesus ist das schönste Licht" (Schemelli #463; tune #33) | V Bc | 39: 293 | III/2.1: 164 | afterZ 6412; text byRichter | 00544 | |
| 475 | 6. | 1735–1736 or earlier | song "Jesus, unser Trost und Leben" (Schemelli #333; tune #28) | V Bc | 39: 294 | III/2.1: 154 | afterZ 4918; text byHomburg [de] | 00545 | |
| 477 | 6. | 1735–1736 or earlier | song "Kein Stündlein geht dahin" (Schemelli #869; tune #60) | V Bc | 39: 294 | III/2.1: 218 | after4243b; text byFranck, M.? | 00547 | |
| 478 | 6. | 1735–1736 or earlier | song "Komm, süßer Tod" (Schemelli #868; tune #59) | V Bc | 39: 295 | III/2.1: 216 | →Z 4400 | 00548 | |
| 479 | 6. | 1735–1736 or earlier | song "Kommt, Seelen, dieser Tag" (Schemelli #936; tune #67) | V Bc | 39: 295 | III/2.1: 232 | →Z 5185; text byLöscher | 00549 | |
| 480 | 6. | 1735–1736 or earlier | song "Kommt wieder aus der finstern Gruft" (Schemelli #938; tune #68) | V Bc | 39: 296 | III/2.1: 234 | →Z 4709; text byLöscher | 00550 | |
| 481 | 6. | 1735–1736 or earlier | song "Lasset uns mit Jesu ziehen" (Schemelli #281; tune #18) | V Bc | 39: 296 | III/2.1: 136 | afterZ 7886b; ↔BWV 413; text byBirken | 00551 | |
| 482 | 6. | 1735–1736 or earlier | song "Liebes Herz, bedenke doch" (Schemelli #467; tune #34) | V Bc | 39: 297 | III/2.1: 166 | afterZ 6434; text byKoitsch [de] | 00552 | |
| 483 | 6. | 1735–1736 or earlier | song "Liebster Gott, wann werd ich sterben" (Schemelli #873; tune #61) | E♭ maj. | V Bc | 39: 297 | III/2.1: 220 | afterZ 6634; text byNeumann | 00553 |
| 484 | 6. | 1735–1736 or earlier | song "Liebster Herr Jesu, wo bleibst du so lange" (Schemelli #874; tune #62) | V Bc | 39: 298 | III/2.1: 222 | ↔Z 3969; text byWeselowius [scores] | 00554 | |
| 485 | 6. | 1735–1736 or earlier | song "Liebster Immanuel, Herzog der Frommen" (Schemelli #761; tune #54) | V Bc | 39: 298 | III/2.1: 206 | afterZ 4932c; text byFritsch | 00555 | |
| 488 | 6. | 1735–1736 or earlier | song "Meines Lebens letzte Zeit" (Schemelli #881; tune #63) | V Bc | 39: 299 | III/2.1: 224 | afterZ 6380; ↔BWV 381 | 00558 | |
| 486 | 6. | 1735–1736 or earlier | song "Mein Jesu, dem die Seraphinen" (Schemelli #121; tune #9) | V Bc | 39: 298 | III/2.1: 120 | afterZ 5988; text byDeßler [de] | 00556 | |
| 487 | 6. | 1735–1736 or earlier | song "Mein Jesu! was vor Seelenweh" (Schemelli #283; tune #19) | V Bc | 39: 299 | III/2.1: 138 | text bySchemelli?; →Z 8383 | 00557 | |
| 489 | 6. | 1735–1736 or earlier | song "Nicht so traurig, nicht so sehr" (Schemelli #574; tune #41) | V Bc | 39: 300 | III/2.1: 180 | afterZ 3342; text byGerhardt? | 00559 | |
| 490 | 6. | 1735–1736 or earlier | song "Nur mein Jesus ist mein Leben" (Schemelli #700; tune #49) | V Bc | 39: 300 | III/2.1: 196 | afterZ 8404c | 00560 | |
| 491 | 6. | 1735–1736 or earlier | song "O du Liebe meiner Liebe" (Schemelli #284; tune #20) | V Bc | 39: 300 | III/2.1: 140 | afterZ 6693; text bySenitz [Wikidata][27] | 00561 | |
| 492 | 6. | 1735–1736 or earlier | song "O finstre Nacht, wenn wirst du doch vergehen" (Schemelli #891; tune #64) | V Bc | 39: 301 | III/2.1: 226 | ↔Z 6171; text byBreithaupt [scores] | 00562 | |
| 493 | 6. | 1735–1736 or earlier | song "O Jesulein süß, o Jesulein mild" (Schemelli #203; tune #16) | V Bc | 39: 302 | III/2.1: 132 | afterZ 2016a; text byThilo [de] | 00563 | |
| 494 | 6. | 1735–1736 or earlier | song "O liebe Seele, zieh die Sinnen" (Schemelli #575; tune #42) | V Bc | 39: 302 | III/2.1: 182 | →Z 7787 | 00564 | |
| 495 | 6. | 1735–1736 or earlier | song "O wie selig seid ihr doch, ihr Frommen" (Schemelli #894; tune #65) | V Bc | 39: 302 | III/2.1: 228 | afterZ 1583; ↔BWV 405; text byDach | 00565 | |
| 496 | 6. | 1735–1736 or earlier | song "Seelenbräutigam" (Schemelli #472; tune #35) | V Bc | 39: 303 | III/2.1: 168 | afterZ 3255a–b; ↔BWV 409; text byDrese | 00566 | |
| 497 | 6. | 1735–1736 or earlier | song "Seelenweide" (Schemelli #710; tune #50) | V Bc | 39: 303 | III/2.1: 198 | afterZ 1286; text byDrese | 00567 | |
| 499 | 6. | 1735–1736 or earlier | song "Sei gegrüßet, Jesu gütig" (Schemelli #293; tune #22) | V Bc | 39: 304 | III/2.1: 143 | afterZ 3889b; ↔BWV 410; text byKeymann | 00569 | |
| 498 | 6. | 1735–1736 or earlier | song "Selig, wer an Jesum denkt" (Schemelli #292; tune #21) | V Bc | 39: 304 | III/2.1: 142 | →Z 4846 | 00568 | |
| 500 | 6. | 1735–1736 or earlier | song "So gehst du nun, mein Jesu hin" (Schemelli #296; tune #23) | V Bc | 39: 304 | III/2.1: 144 | afterZ 7631b; ↔BWV 500a; text byNachtenhöfer [de] | 00570 | |
| 501 | 6. | 1735–1736 or earlier | song "So gibst du nun, mein Jesu, gute Nacht" (Schemelli #315; tune #26) | V Bc | 39: 304 | III/2.1: 150 | afterZ 849; ↔BWV 412; text byPfeiffer [de] | 00572 | |
| 502 | 6. | 1735–1736 or earlier | song "So wünsch ich mir zu guter Letzt" (Schemelli #901; tune #66) | V Bc | 39: 305 | III/2.1: 230 | ↔Z 5892; text byRist | 00573 | |
| 503 | 6. | 1735–1736 or earlier | song "Steh ich bei meinem Gott" (Schemelli #945; tune #69) | V Bc | 39: 305 | III/2.1: 236 | afterZ 5207; text byHerrnschmidt [de] | 00574 | |
| 504 | 6. | 1735–1736 or earlier | song "Vergiss mein nicht, dass ich dein nicht vergesse" (Schemelli #475; tune #36) | V Bc | 39: 306 | III/2.1: 170 | afterZ 4779; text byArnold | 00575 | |
| 505 | 6. | 1735–1736 or earlier | song "Vergiss mein nicht, ..., Mein allerliebster Gott" (Schemelli #627; tune #44) | V Bc | 39: 306 | III/2.1: 186 | text byArnold; →Z 4233 | 00576 | |
| 506 | 6. | 1735–1736 or earlier | song "Was bist du doch, o Seele, so betrübt" (Schemelli #779; tune #55) | A min. | V Bc | 39: 307 | III/2.1: 208 | afterZ 1837; ↔BWV 424; text bySchultt, R. F. [scores] | 00577 |
| 507 | 6. | 1735–1736 or earlier | song "Wo ist mein Schäflein, das ich liebe" (Schemelli #108; tune #6) | V Bc | 39: 308 | III/2.1: 114 | afterZ 5958a; text bySchultt, J. P. [scores] | 00578 | |
| 508 | 6. | 1718-11-16 (GHS) after 1733–1734 (AMB) | Notebook A. M. Bach (1725) No. 25: aria "Bist du bei mir" | E♭ maj. | V Bc | 432: 36 39: 309 | V/4: 102 | afterStölzel (Diomedes) | 00579 |
| 509 | 6. | 1725–1733 (AMB) | Notebook A. M. Bach (1725) No. 41: aria "Gedenke doch, mein Geist, zurücke" | V Bc | 432: 52 39: 310 | V/4: 128 | 00580 | ||
| 510 | 6. | 1725–1733 | Notebook A. M. Bach (1725) No. 12: song "Gib dich zufrieden und sei stille" | F maj. | V Bc | 432: 30 39: 311 | V/4: 91 | 00581 | |
| 511 | 6. | 1725–1733 | Notebook A. M. Bach (1725) No. 13a: song "Gib dich zufrieden und sei stille" | G min. | V Bc | 432: 31 39: 287 | V/4: 91 | text byGerhardt; →BWV 512 | 00582 |
| 512 | 6. | 1725–1733 | Notebook A. M. Bach (1725) No. 13b: song "Gib dich zufrieden und sei stille" | E min. | V Bc | 432: 31 39: 287 | V/4: 91 | afterBWV 511; ↔BWV 315,Z 7417a; text byGerhardt | 00583 |
| 513 | 6. | 1725–1733 (AMB) | Notebook A. M. Bach (1725) No. 42: song "O Ewigkeit, du Donnerwort" | V Bc | 432: 52 39: 301 | V/4: 129 | ↔BWV 397; text byRist | 00584 | |
| 514 | 6. | 1725–1733 (AMB) | Notebook A. M. Bach (1725) No. 35: song "Schaffs mit mir, Gott" | V Bc | 432: 48 39: 303 | V/4: 125 | text bySchmolck | 00585 | |
| 515 | 6. | after 1733–1734 | Notebook A. M. Bach (1725) No. 20a: aria "So oft ich meine Tobackspfeife" | D min. | V Bc | 432: 34 | V/4: 98 | byBach, G. H.?; →BWV 515a | 00586 |
| 515a | 6. | after 1733–1734 | Notebook A. M. Bach (1725) No. 20b: aria "So oft ich meine Tobackspfeife" | G min. | V Bc | 432: 34 39: 309 | V/4: 98 | afterBWV 515 | 00587 |
| 516 | 6. | after 1733–1734 (AMB) | Notebook A. M. Bach (1725) No. 33: aria "Warum betrübst du dich" | V Bc | 432: 46 39: 307 | V/4: 121 | 00588 | ||
| 517 | 6. | after 1733–1734 (AMB) | Notebook A. M. Bach (1725) No. 40: song "Wie wohl ist mir, o Freund der Seelen" | V Bc | 432: 51 39: 307 | V/4: 128 | text byDeßler [de] | 00589 | |
| 518 | 6. | after 1725 | Notebook A. M. Bach (1725) No. 37: aria "Willst du dein Herz mir schenken" a.k.a. "Aria di G(i)ovannini" | V Bc | 432: 49 39: 311 | V/4: 126 | 00590 | ||
| 519 | 6. | c.1736? | Five Hymns fromSBB BachP 802 No. 1: "Hier lieg ich nun, o Vater aller Gnaden" | V Bc | byKrebs, J. L.?; inSpitta III,pp. 401–403 | 00591 | |||
| 520 | 6. | c.1736? | Five Hymns fromSBB BachP 802 No. 2: "Das walt mein Gott, Gott Vater, Sohn und heilger Geist" | V Bc | byKrebs, J. L.?; inSpitta III,pp. 401–403 | 00592 | |||
| 521 | 6. | c.1736? | Five Hymns fromSBB BachP 802 No. 3: "Gott, mein Herz dir Dank zusendet" | V | III/3 | byKrebs, J. L.?; inSpitta III,pp. 401–403 | 00593 | ||
| 522 | 6. | c.1736? | Five Hymns fromSBB BachP 802 No. 4: "Meine Seele, lass es gehen, wie es in der Welt jetzt geht" | V | byKrebs, J. L.?; inSpitta III,pp. 401–403 | 00594 | |||
| 523 | 6. | c.1736? | Five Hymns fromSBB BachP 802 No. 5: "Ich gnüge mich an meinem Stande" | V | byKrebs, J. L.?; inSpitta III,pp. 401–403 | 00595 | |||
| 524 | 6. | 1707 – July 1708 | Quodlibet (incomplete; wedding?) | SATB (SBBB) Bc | NBG 322 | I/41: 69 | 00596 | ||
| 7. | Works for organ (see also:List of organ compositions by Johann Sebastian Bach) | Up ↑ | |||||||
| 525 | 7. | 1727–1731 | Trio Sonata No. 1/6 | E♭ maj. | Organ | 15: 3 | IV/7: 1 | →BWV 525a | 00597 |
| 526 | 7. | 1727–1731 | Trio Sonata No. 2/6 | C min. | Organ | 15: 13 | IV/7: 14 | 00598 | |
| 527 | 7. | 1727–1731 | Trio Sonata No. 3/6 (+e. v. for /1) | D min. | Organ | 15: 26 | IV/7: 28 | →BWV 1044/2 | 00599 |
| 528 | 7. | 1727–1731 | Trio Sonata No. 4/6 (+e. v. for /2, /3) | E min. | Organ | 15: 40 | IV/7: 44 | afterBWV 76/8 | 00600 |
| 529 | 7. | 1727–1731 | Trio Sonata No. 5/6 (+e. v. for /2) | C maj. | Organ | 15: 50 | IV/7: 56 | 00601 | |
| 530 | 7. | 1727–1731 | Trio Sonata No. 6/6 | G maj. | Organ | 15: 66 | IV/7: 76 | 00602 | |
| 531 | 7. | c. 1703–1706 | Prelude and Fugue | C maj. | Organ | 15: 81 | IV/5: 3 | inMöllersche Handschrift | 00603 |
| 532.2 | 7. | c. 1708–1712 | Prelude and Fugue | D maj. | Organ | 15: 88 | IV/5: 58 | afterBWV 912/1,532.1 | 00604 |
| 532.1 | 7. | Fugue (early version) | D maj. | Organ | IV/6: 95 | →BWV 532.2/2 | 00605 | ||
| 533 | 7. | c.1704 | Prelude and Fugue ("Cathedral") | E min. | Organ | 15: 100 | IV/5: 90 | ↔BWV 533a | 00606 |
| 533a | 7. | Prelude and Fugue | E min. | Keyboard | IV/6: 106 | ↔BWV 533 | 00607 | ||
| 535 | 7. | after 1717 | Prelude and Fugue | G min. | Organ | 15: 112 | IV/5: 157 | afterBWV 535a | 00609 |
| 535a | 7. | c.1702–1704 | Prelude and Fugue (incomplete) | G min. | Organ | IV/6: 109 | →BWV 535; inMöllersche Handschrift | 00610 | |
| 536 | 7. | 1708–1717 | Prelude and Fugue | A maj. | Organ | 15: 120 | IV/5: 180 | ↔BWV 152/1; →536a | 00611 |
| 537 | 7. | 1729–1750 | Fantasia and Fugue | C min. | Organ | 15: 129 | IV/5: 47 | 00613 | |
| 538 | 7. | 1712–1717 | Toccata and Fugue ("Dorian") | D min. | Organ | 15: 136 | IV/5: 76 | 00614 | |
| 539 | 7. | 1724–1750? | Prelude and Fugue | D min. | Organ | 15: 148 | IV/5: 70 | afterBWV 1001/2,1000 | 00615 |
| 540 | 7. | c.1712–1717? | Toccata and Fugue | F maj. | Organ | 15: 154 | IV/5: 112 | 00616 | |
| 541 528/3 | 7. | c.1712–1717? | Toccata and Fugue (Trio BWV 528/3 e. v. as possible middle movement) | G maj. | Organ | 15: 169 | IV/5: 146 | →BWV 528/3 | 00617 |
| 542 | 7. | c.1714–1720? | Fantasia and Fugue ("Great"; independent compositions?; fugue also in F minor) | G min. | Organ | 15: 177 | IV/5: 167 | 00618 | |
| 543 | 7. | afterc.1730 | Prelude and Fugue | A min. | Organ | 15: 189 | IV/5: 186 | afterBWV 543/1a | 00619 |
| 543/1a | 7. | bef.c.1725 | Prelude | A min. | Organ | IV/6: 121 | →BWV 543/1 | 00620 | |
| 544 | 7. | 1727–1731 (JSB) | Prelude and Fugue | B min. | Organ | 15: 199 | IV/5: 198 | 00621 | |
| 545 529/2 | 7. | 1708–1717 after 1722 | Prelude and Fugue (middle movementBWV 529/2 e. v. removed after 1722) | C maj. | Organ | 15: 212 | IV/5: 10 | afterBWV 545a,b; →529/2 | 00622 |
| 545a | 7. | 1708–1717 | Prelude and Fugue (early version) | C maj. | Organ | IV/6: 77 | →BWV 545b,545 | 00623 | |
| 546 | 7. | 1708–1750 | Prelude and Fugue | C min. | Organ | 15: 218 | IV/5: 35 | 00625 | |
| 547 | 7. | 1719–1750 | Prelude and Fugue | C maj. | Organ | 15: 228 | IV/5: 20 | 00626 | |
| 548 | 7. | 1727–1731 (JSB) | Prelude and Fugue ("Wedge") | E min. | Organ | 15: 236 | IV/5: 94 | 00627 | |
| 549 | 7. | 1705–1750 | Prelude and Fugue | C min. | Organ | 38: 3 | IV/5: 30 | afterBWV 549a | 00628 |
| 549a | 7. | bef.c.1703 | Prelude (or: Fantasia) and Fugue | D min. | Organ | IV/6: 101 | →BWV 549; inMöllersche Handschrift | 00629 | |
| 550 | 7. | c.1708–1712 | Prelude and Fugue | G maj. | Organ | 38: 9 | IV/5: 138 | 00630 | |
| 551 | 7. | c.1699 | Prelude and Fugue | A min. | Organ | 38: 17 | IV/6: 63 | 00631 | |
| 552 | 7. | 1739 | Prelude and Fugue ("St Anne") fromClavier-Übung III | E♭ maj. | Organ | 3: 173, 254 | IV/4: 2, 105 | 00632 | |
| 562 | 7. | 1720–c.1748 | Fantasia and Fugue (unfinished fugue addedc.1747–1748) | C min. | Organ | 38: 64, 209 44: 4 | IV/5: 54 | 00642 | |
| 563 | 7. | c.1704 | Fantasia and Imitatio | C maj. | Organ | 38: 59 | IV/6: 68 | inAndreas-Bach-Buch | 00643 |
| 564 | 7. | 1708–1717 | Toccata, Adagio and Fugue | C maj. | Organ | 15: 253 | IV/6: 3 | 00644 | |
| 565 | 7. | c.1704? | Toccata and Fugue | D min. | Organ | 15: 267 | IV/6: 31 | 00645 | |
| 566 | 7. | 1703–1707 | Prelude and Fugue (earliest manuscripts: C major; /1 as Toccata in BGA) | E maj. C maj. | Organ | 15: 276 | IV/6: 40 | 00646 | |
| 569 | 7. | 1703–c.1704 | Prelude | A min. | Organ | 38: 89 | IV/6: 59 | 00649 | |
| 1121 | 7. | c.1708–1709 | Fantasia | C min. | Organ | IV/11: 54 | inAndreas-Bach-Buch; was Anh. 205 | 01516 | |
| 570 | 7. | c.1698–1704 | Fantasia | C maj. | Organ | 38: 62 | IV/6: 16 | inAndreas-Bach-Buch | 00650 |
| 572 | 7. | 1708–c.1712 | Fantasia, a.k.a.Pièce d'Orgue (+reworked version) | G maj. | Organ | 38: 75 | IV/7: 130, 144 | 00652 | |
| 573 | 7. | c.1723–1724 | Notebook A. M. Bach (1722) No. 6 Fantasia (incomplete?) | C maj. | Keyboard | 38: 209 432: 3 | V/4: 39 IV/6: 18 | 00653 | |
| 574 | 7. | afterc.1708? | Fugue on a theme by Legrenzi | C min. | Organ | 38: 94 | IV/6: 19 | afterBWV 574b; ↔574a | 00654 |
| 574a | 7. | afterc.1708? | Fugue on a theme by Legrenzi (variant) | C min. | Organ | 38: 205 | IV/6: 82 | afterBWV 574b; ↔574 | 00655 |
| 574b | 7. | c.1707–1713 or earlier | Fugue on a theme by Legrenzi (early version) | C min. | Organ | IV/6: 88 | afterLegrenzi (theme); →BWV 574a,574; inAndreas-Bach-Buch | 00656 | |
| 575 | 7. | 1708–1717? | Fugue | C min. | Organ | 38: 101 | IV/6: 26 | 00657 | |
| 578 | 7. | c.1713 or earlier | Fugue ("Little") | G min. | Organ | 38: 116 | IV/6: 55 | inAndreas-Bach-Buch | 00660 |
| 579 | 7. | c.1703–1707 | Fugue on a theme by Corelli | B min. | Organ | 38: 121 | IV/6: 71 | afterCorelli (theme) | 00661 |
| 582 | 7. | c.1709–1710 | Passacaglia (and Fugue) | C min. | Organ | 15: 289 | IV/7: 98 | inAndreas-Bach-Buch | 00664 |
| 583 | 7. | c.1708–1717 | Trio | D min. | Organ | 38: 143 | IV/7: 94 | 00665 | |
| 585 | 7. | c.1726–1727 (JSB) | Trio | C min. | Organ | 38: 219 | IV/8: 73 | afterFasch J. F.,FaWV N:c2/1, /2; arr. by Bach | 00667 |
| 586 | 7. | bef.c.1740 | Trio | G maj. | Organ | IV/8: 78 | afterTelemann? | 00668 | |
| 587 | 7. | c.1714? | Aria | F maj. | Organ | 38: 222 | IV/8: 82 | afterCouperin,Les NationsIII/4 | 00669 |
| 588 | 7. | c.1703–1707 | Canzona | D min. | Organ | 38: 126 | IV/7: 118 | inMöllersche Handschrift | 00670 |
| 589 | 7. | bef.c.1742 | Alla breve | D maj. | Organ | 38: 131 | IV/7: 114 | 00671 | |
| 590 | 7. | c.1723–1727 or later | Pastorella (/1 incomplete?) | F maj. | Organ | 38: 135 | IV/7: 122 | 00672 | |
| 592 | 7. | c.1714–1717 | Concerto for solo organ | G maj. | Organ | 38: 149 | IV/8: 56 | afterJ. E. of Saxe-Weimar,Concerto a 8; →BWV 592a | 00674 |
| 592a | 7. | c.1714–1717 | Concerto for solo harpsichord | G maj. | Keyboard | 42: 282 | V/11: 150 | afterBWV 592 | 00675 |
| 593 | 7. | c.1714–1717 | Concerto for solo organ | A min. | Organ | 38: 158 | IV/8: 16 | afterVivaldi,Op. 3 No. 8 (RV 522) | 00676 |
| 594 | 7. | c.1714–1717 | Concerto for solo organ | C maj. | Organ | 38: 171 | IV/8: 30 | afterVivaldi,RV 208,Grosso Mogul | 00677 |
| 595 | 7. | c.1714–1717 | Concerto for solo organ | C maj. | Organ | 38: 196 | IV/8: 65 | afterBWV 984/1 | 00678 |
| 596 | 7. | c.1714–1717 | Concerto for solo organ (arrangement previously attributed toW. F. Bach) | D min. | Organ | IV/8: 3 | afterVivaldi,Op. 3 No. 11 (RV 565) | 00679 | |
| 599 | 7. | c.1711–1713 | chorale setting "Nun komm, der Heiden Heiland" (Orgelbüchlein No. 1) | A min. | Organ | 252: 3 | IV/1: 3 | afterZ 1174 | 00682 |
| 600 | 7. | c.1711–1713 | chorale setting "Gott durch deine Güte" (Orgelbüchlein No. 2) | F maj. | Organ | 252: 4 | IV/1: 4 | afterZ 3294 | 00683 |
| chorale setting "Gottes Sohn ist kommen" (Orgelbüchlein No. 2) | |||||||||
| 601 | 7. | c.1708–1711 or earlier | chorale setting "Herr Christ, der ein'ge Gottes Sohn" (Orgelbüchlein No. 3; also inNeumeister Collection) | A maj. | Organ | 252: 5 | IV/1: 6 | afterZ 4297a | 00684 |
| chorale setting "Herr Gott, nun sei gepreiset" (Orgelbüchlein No. 3; also inNeumeister Collection) | |||||||||
| 602 | 7. | c.1711–1713 | chorale setting "Lob sei dem allmächtigen Gott" (Orgelbüchlein No. 4) | D min. | Organ | 252: 6 | IV/1: 7 | afterZ 339 | 00685 |
| 603 | 7. | c.1711–1713 | chorale setting "Puer natus in Bethlehem" (Orgelbüchlein No. 5) | G min. | Organ | 252: 6 | IV/1: 8 | afterZ 192b | 00686 |
| 604 | 7. | c.1711–1713 | chorale setting "Gelobet seist du, Jesu Christ" (Orgelbüchlein No. 6) | G maj. | Organ | 252: 7 | IV/1: 11 | afterZ 1947 | 00687 |
| 605 | 7. | c.1711–1713 | chorale setting "Der Tag, der ist so freudenreich" (Orgelbüchlein No. 7) | G maj. | Organ | 252: 8 | IV/1: 11 | afterZ 7870 | 00688 |
| 606 | 7. | c.1708–1711 or earlier | chorale setting "Vom Himmel hoch, da komm ich her" (Orgelbüchlein No. 8) | D maj. | Organ | 252: 9 | IV/1: 13 | afterZ 346 | 00689 |
| 607 | 7. | c.1711–1713 | chorale setting "Vom Himmel kam der Engel Schar" (Orgelbüchlein No. 9) | G min. | Organ | 252: 10 | IV/1: 14 | afterZ 192a | 00690 |
| 608 | 7. | c.1711–1713 | chorale setting "In dulci jubilo" (Orgelbüchlein No. 10) | A maj. | Organ | 252: 12 | IV/1: 16 | afterZ 4947 | 00691 |
| 609 | 7. | c.1711–1713 | chorale setting "Lobt Gott, ihr Christen allzugleich" (Orgelbüchlein No. 11) | G maj. | Organ | 252: 13 | IV/1: 18 | afterZ 198 | 00692 |
| 610 | 7. | c.1711–1713 | chorale setting "Jesu, meine Freude" (Orgelbüchlein No. 12) | C min. | Organ | 252: 14 | IV/1: 19 | afterZ 8032 | 00693 |
| 611 | 7. | c.1714–1716 | chorale setting "Christum wir sollen loben schon" (Orgelbüchlein No. 13) | E min. | Organ | 252: 15 | IV/1: 20 | afterZ 297c | 00694 |
| 612 | 7. | c.1711–1713 | chorale setting "Wir Christenleut" (Orgelbüchlein No. 14) | G min. | Organ | 252: 16 | IV/1: 22 | afterZ 2072 | 00695 |
| 613 | 7. | c.1740 | chorale setting "Helft mir Gotts Güte preisen" (Orgelbüchlein No. 15) | B min. | Organ | 252: 18 | IV/1: 24 | afterZ 5267 | 00696 |
| 614 | 7. | c.1711–1713 | chorale setting "Das alte Jahr vergangen ist" (Orgelbüchlein No. 16) | A min. | Organ | 252: 19 | IV/1: 25 | afterZ 381c | 00697 |
| 615 | 7. | c.1708–1711 | chorale setting "In dir ist Freude" (Orgelbüchlein No. 17) | G maj. | Organ | 252: 20 | IV/1: 27 | afterZ 8537 | 00698 |
| 616 | 7. | c.1714–1716 | chorale setting "Mit Fried und Freud ich fahr dahin" (Orgelbüchlein No. 18) | D min. | Organ | 252: 24 | IV/1: 30 | afterZ 3986 | 00699 |
| 617 | 7. | c.1714–1716 | chorale setting "Herr Gott, nun schleuß den Himmel auf" (Orgelbüchlein No. 19) | A min. | Organ | 252: 26 | IV/1: 32 | afterZ 7641b | 00700 |
| 618 | 7. | c.1714–1716 | chorale setting "O Lamm Gottes, unschuldig" (Orgelbüchlein No. 20) | F maj. | Organ | 252: 28 | IV/1: 34 | afterZ 4361a | 00701 |
| 619 | 7. | c.1714–1716 | chorale setting "Christe, du Lamm Gottes" (Orgelbüchlein No. 21) | F maj. | Organ | 252: 30 | IV/1: 36 | afterZ 58 | 00702 |
| 620 | 7. | c.1726 | chorale setting "Christus, der uns selig macht" (Orgelbüchlein No. 22) | A min. | Organ | 252: 30 | IV/1: 37 | afterBWV 620a | 00703 |
| 620a | 7. | c.1714–1716 | chorale setting "Christus, der uns selig macht" (Orgelbüchlein No. 22, e. v.) | A min. | Organ | 252: 149 | IV/1: 78 | afterZ 6283b; →BWV 620 | 00704 |
| 621 | 7. | c.1711–1713 | chorale setting "Da Jesus an dem Kreuze stund" (Orgelbüchlein No. 23) | A min. | Organ | 252: 32 | IV/1: 39 | afterZ 1706 | 00705 |
| 622 | 7. | c.1711–1713 | chorale setting "O Mensch, bewein dein Sünde groß" (Orgelbüchlein No. 24) | E♭ maj. | Organ | 252: 33 | IV/1: 40 | afterZ 8303; →BWV 622 (var.) | 00706 |
| 622 (var.) | 7. | 1716–1789 | chorale setting "O Mensch, bewein dein Sünde groß" (variant) | Organ | afterBWV 622 | 00707 | |||
| 623 | 7. | c.1714–1716 | chorale setting "Wir danken dir, Herr Jesu Christ" (Orgelbüchlein No. 25) | G maj. | Organ | 252: 35 | IV/1: 42 | afterZ 423 | 00708 |
| 624 | 7. | c.1714–1716 | chorale setting "Hilf Gott, dass mir's gelinge" (Orgelbüchlein No. 26) | G min. | Organ | 252: 36 | IV/1: 44 | afterZ 4329 | 00709 |
| 625 | 7. | c.1708–1711 or earlier | chorale setting "Christ lag in Todesbanden" (Orgelbüchlein No. 27) | D min. | Organ | 252: 38 | IV/1: 46 | afterZ 7012a | 00710 |
| 626 | 7. | c.1711–1713 | chorale setting "Jesus Christus, unser Heiland, der den Tod überwand" (Orgelbüchlein No. 28) | A min. | Organ | 252: 39 | IV/1: 48 | afterZ 1978 | 00711 |
| 627 | 7. | c.1711–1713 | chorale setting "Christ ist erstanden" (Orgelbüchlein No. 29) | D min. | Organ | 252: 40 | IV/1: 49 | afterZ 8584 | 00712 |
| 628 | 7. | c.1711–1713 | chorale setting "Erstanden ist der heilge Christ" (Orgelbüchlein No. 30) | D maj. | Organ | 252: 44 | IV/1: 54 | afterZ 1747a | 00713 |
| 629 | 7. | c.1711–1713 | chorale setting "Erschienen ist der herrliche Tag" (Orgelbüchlein No. 31) | D min. | Organ | 252: 45 | IV/1: 55 | afterZ 1743 | 00714 |
| 630 | 7. | c.1708–1711 or earlier | chorale setting "Heut triumphieret Gottes Sohn" (Orgelbüchlein No. 32) | D min. | Organ | 252: 46 | IV/1: 56 | afterBWV 630a | 00715 |
| 630a | 7. | c.1708–1711 or earlier | chorale setting "Heut triumphieret Gottes Sohn" (Orgelbüchlein No. 32, e. v.) | Organ | IV/1: 80 | afterZ 2585; →BWV 630 | 00716 | ||
| 631 | 7. | c.1726 | chorale setting "Komm, Gott Schöpfer, heiliger Geist" (Orgelbüchlein No. 33) | D min. | Organ | 252: 47 | IV/1: 58 | afterBWV 631a | 00717 |
| 631a | 7. | c.1711–1713 | chorale setting "Komm, Gott Schöpfer, heiliger Geist" (Orgelbüchlein No. 33, e. v.) | G maj. | Organ | 252: 150 | IV/1: 82 | afterZ 295; →BWV 631 | 00718 |
| 632 | 7. | c.1711–1713 | chorale setting "Herr Jesu Christ, dich zu uns wend" (Orgelbüchlein No. 34) | F maj. | Organ | 252: 48 | IV/1: 59 | afterZ 624 | 00719 |
| 633 | 7. | c.1711–1713 | chorale setting "Liebster Jesu, wir sind hier" distinctus (Orgelbüchlein No. 36) | A maj. | Organ | 252: 49 | IV/1: 61 | afterBWV 634 | 00720 |
| 634 | 7. | c.1711–1713 | chorale setting "Liebster Jesu, wir sind hier" (Orgelbüchlein No. 35) | A maj. | Organ | 252: 50 | IV/1: 60 | afterZ 3498b; →BWV 633 | 00721 |
| 635 | 7. | c.1711–1713 | chorale setting "Dies sind die heilgen zehn Gebot" (Orgelbüchlein No. 37) | C maj. | Organ | 252: 50 | IV/1: 62 | afterZ 1951 | 00722 |
| 636 | 7. | c.1711–1713 | chorale setting "Vater unser im Himmelreich" (Orgelbüchlein No. 38) | D min. | Organ | 252: 52 | IV/1: 64 | afterZ 2561 | 00723 |
| 637 | 7. | c.1711–1713 | chorale setting "Durch Adams Fall ist ganz verderbt" (Orgelbüchlein No. 39) | A min. | Organ | 252: 53 | IV/1: 65 | afterZ 7549 | 00724 |
| 638 | 7. | c.1708–1711 or earlier | chorale setting "Es ist das Heil uns kommen her" (Orgelbüchlein No. 40) | D maj. | Organ | 252: 54 | IV/1: 66 | afterBWV 638a | 00725 |
| 638a | 7. | c.1708–1711 or earlier | chorale setting "Es ist das Heil uns kommen her" (Orgelbüchlein No. 40, e. v.) | Organ | IV/1: 83 | afterZ 4430; →BWV 638 | 00726 | ||
| 639 | 7. | c.1708–1711 or earlier | chorale setting "Ich ruf zu dir, Herr Jesu Christ" (Orgelbüchlein No. 41; also inNeumeister Collection) | F min. | Organ | 252: 55 | IV/1: 68 | afterZ 7400; →BWV Anh. 73 | 00727 |
| 640 | 7. | c.1711–1713 | chorale setting "In dich hab ich gehoffet, Herr" (Orgelbüchlein No. 42) | E min. | Organ | 252: 56 | IV/1: 70 | afterZ 2459 | 00728 |
| 641 | 7. | c.1711–1713 | chorale setting "Wenn wir in höchsten Nöten sein" (Orgelbüchlein No. 43) | G maj. | Organ | 252: 57 | IV/1: 71 | afterZ 394 | 00729 |
| 642 | 7. | c.1711–1713 | chorale setting "Wer nur den lieben Gott lässt walten" (Orgelbüchlein No. 44) | A min. | Organ | 252: 58 | IV/1: 72 | afterZ 2778 | 00730 |
| 643 | 7. | c.1711–1713 | chorale setting "Alle Menschen müssen sterben" (Orgelbüchlein No. 45) | G maj. | Organ | 252: 59 | IV/1: 74 | afterZ 6779a | 00731 |
| 644 | 7. | c.1711–1713 | chorale setting "Ach wie nichtig, ach wie flüchtig" (Orgelbüchlein No. 46) | G min. | Organ | 252: 60 | IV/1: 75 | afterZ 1887b | 00732 |
| 645 | 7. | 1747–1748 | chorale setting "Wachet auf, ruft uns die Stimme" (Schübler Chorales No. 1) | E♭ maj. | Organ | 252: 63 | IV/1: 86 | afterBWV 140/4 | 00733 |
| 646 | 7. | 1747–1748 | chorale setting "Wo soll ich fliehen hin" (Schübler Chorales No. 2) | E min. | Organ | 252: 66 | IV/1: 90 | afterZ 2164 | 00734 |
| chorale setting "Auf meinen lieben Gott" (Schübler Chorales No. 2) | |||||||||
| 647 | 7. | 1747–1748 | chorale setting "Wer nur den lieben Gott lässt walten" (Schübler Chorales No. 3) | C min. | Organ | 252: 68 | IV/1: 92 | afterBWV 93/4 | 00735 |
| 648 | 7. | 1747–1748 | chorale setting "Meine Seele erhebt den Herren" (Schübler Chorales No. 4) | D min. | Organ | 252: 70 | IV/1: 94 | afterBWV 10/5 | 00736 |
| 649 | 7. | 1747–1748 | chorale setting "Ach bleib bei uns, Herr Jesu Christ" (Schübler Chorales No. 5) | B♭ maj. | Organ | 252: 71 | IV/1: 95 | afterBWV 6/3 | 00737 |
| 650 | 7. | 1747–1748 | chorale setting "Kommst du nun, Jesu, vom Himmel herunter" (Schübler Chorales No. 6) | G maj. | Organ | 252: 74 | IV/1: 98 | afterBWV 137/2 | 00738 |
| 651 | 7. | c.1740 | chorale setting "Komm, heiliger Geist" (Fantasia;Leipzig Chorales 1/18) | F maj. | Organ | 252: 79 | IV/2: 3 | afterBWV 651a | 00739 |
| 651a | 7. | 1708–1714 | chorale setting "Komm, heiliger Geist, Herre Gott" (Fantasia; e. v.: Weimar) | Organ | 252: 151 | IV/2: 117 | afterZ 7445a; →BWV 651 | 00740 | |
| 652 | 7. | c.1740 | chorale setting "Komm, heiliger Geist, Herre Gott" (alio modo;Leipzig Chorales 2/18) | G maj. | Organ | 252: 86 | IV/2: 13 | afterBWV 652a | 00741 |
| 652a | 7. | 1708–1714 | chorale setting "Komm, heiliger Geist, Herre Gott" (e. v.: Weimar) | Organ | IV/2: 121 | afterZ 7445a; →BWV 652 | 00742 | ||
| 653 | 7. | c.1740 | chorale setting "An Wasserflüssen Babylon" (Leipzig Chorales 3/18) | G maj. | Organ | 252: 92 | IV/2: 22 | afterBWV 653a | 00743 |
| 653a | 7. | 1708–1717 | chorale setting "An Wasserflüssen Babylon" (alio modo; 2nd v.: Weimar) | Organ | 252: 157 | IV/2: 133 | afterBWV 653b; →BWV 653 | 00744 | |
| 653b | 7. | 1708–1714 | chorale setting "An Wasserflüssen Babylon" (à 5; 1st v.: Weimar) | Organ | 40: 49 | IV/2: 130 | afterZ 7663; →BWV 653a | 00745 | |
| 654 | 7. | c.1740 | chorale setting "Schmücke dich, o liebe Seele" (Leipzig Chorales 4/18) | E♭ maj. | Organ | 252: 95 | IV/2: 26 | afterBWV 654a | 00746 |
| 654a | 7. | 1708–1714 | chorale setting "Schmücke dich, o liebe Seele" (e. v.: Weimar) | Organ | IV/2: 136 | afterZ 6923; →BWV 654 | 00747 | ||
| 655 | 7. | c.1740 | chorale setting "Herr Jesu Christ, dich zu uns wend" (Trio;Leipzig Chorales 5/18) | G maj. | Organ | 252: 98 | IV/2: 31 | afterBWV 655a; ↔655 var. 1–4; →655b–c | 00748 |
| 655 var. 1 | 7. | 1708–1798 | chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 1) | Organ | afterZ 624; ↔BWV 655(a), var. 2–4 | 00749 | |||
| 655 var. 2 | 7. | 1708–1798 | chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 2) | F maj. | Organ | afterZ 624; ↔BWV 655(a), var. 1, 3–4 | 00750 | ||
| 655 var. 3 | 7. | 1708–1798 | chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 3) | F maj. | Organ | afterZ 624; ↔BWV 655(a), var. 1–2, 4 | 00751 | ||
| 655 var. 4 | 7. | 1708–1798 | chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 4) | F maj. | Organ | afterZ 624; ↔BWV 655(a), var. 1–3 | 00752 | ||
| 655a | 7. | 1708–1714 | chorale setting "Herr Jesu Christ, dich zu uns wend" (Trio; e. v.: Weimar) | Organ | 252: 162 | IV/2: 140 | afterZ 624; ↔BWV 655 var. 1–4; →655 | 00753 | |
| 656 | 7. | c.1740 | chorale setting "O Lamm Gottes, unschuldig" (Leipzig Chorales 6/18) | A maj. | Organ | 252: 102 | IV/2: 38 | afterBWV 656a | 00756 |
| 656a | 7. | 1708–1714 | chorale setting "O Lamm Gottes, unschuldig" (e. v.: Weimar) | Organ | 252: 166 | IV/2: 146 | afterZ 4361b; →BWV 656 | 00757 | |
| 657 | 7. | 1708–1714 | Chorale preludeNun danket alle Gott (Leipzig Chorales 7/18) | G maj. | Organ | 252: 108 | IV/2: 46 | afterZ 5142 | 00758 |
| 658 | 7. | c.1740 | chorale setting "Von Gott will ich nicht lassen" (Leipzig Chorales 8/18) | F min. | Organ | 252: 112 | IV/2: 51 | afterBWV 658a | 00759 |
| 658a | 7. | 1708–1714 | chorale setting "Von Gott will ich nicht lassen" (Fantasia; e. v.: Weimar) | Organ | 252: 170 | IV/2: 154 | afterZ 5264b →BWV 658 | 00760 | |
| 659 | 7. | c.1740 | chorale setting "Nun komm, der Heiden Heiland" (Leipzig Chorales 9/18) | G min. | Organ | 252: 114 | IV/2: 55 | afterBWV 659a | 00761 |
| 659a | 7. | 1708–1714 | chorale setting "Nun komm, der Heiden Heiland" (Fantasia; e. v.: Weimar) | Organ | 252: 172 | IV/2: 157 | afterZ 1174; →BWV 659 | 00762 | |
| 660 | 7. | c.1740 | chorale setting "Nun komm, der Heiden Heiland" (Trio;Leipzig Chorales 10/18) | G min. | Organ | 252: 116 | IV/2: 59 | afterBWV 660a | 00763 |
| 660a | 7. | 1714–1717 | chorale setting "Nun komm, der Heiden Heiland" (Trio; e. v.: Weimar) | Organ | 252: 174 | IV/2: 160 | afterZ 1174; →BWV 660,660b | 00764 | |
| 660b | 7. | 1708–1714 | chorale setting "Nun komm, der Heiden Heiland" (arrangement) | Organ | 252: 176 | by Krebs,J. T. (arr.)?; afterBWV 660a | 00765 | ||
| 661 | 7. | c.1740 | chorale setting "Nun komm, der Heiden Heiland" (Leipzig Chorales 11/18) | G min. | Organ | 252: 118 | IV/2: 62 | afterBWV 661a | 00766 |
| 661a | 7. | 1708–1714 | chorale setting "Nun komm, der Heiden Heiland" (e. v.: Weimar) | Organ | 252: 178 | IV/2: 164 | afterZ 1174; →BWV 661 | 00767 | |
| 662 | 7. | c.1740 | chorale setting "Allein Gott in der Höh sei Ehr" (Leipzig Chorales 12/18) | A maj. | Organ | 252: 122 | IV/2: 67 | afterBWV 662a | 00768 |
| 662a | 7. | 1708–1717 | chorale setting "Allein Gott in der Höh sei Ehr" (e. v.: Weimar) | Organ | IV/2: 168 | afterZ 4457; →BWV 662 | 00769 | ||
| 663 | 7. | c.1740 | chorale setting "Allein Gott in der Höh sei Ehr" (Leipzig Chorales 13/18) | G maj. | Organ | 252: 125 | IV/2: 72 | afterBWV 663a | 00770 |
| 663a | 7. | 1708–1717 | chorale setting "Allein Gott in der Höh sei Ehr" (e. v.: Weimar) | Organ | 252: 180 | IV/2: 172 | afterZ 4457; →BWV 663 | 00771 | |
| 664 | 7. | 1746–1747 | chorale setting "Allein Gott in der Höh sei Ehr" (Trio;Leipzig Chorales 14/18) | A maj. | Organ | 252: 130 | IV/2: 79 | afterBWV 664a–b | 00772 |
| 664a | 7. | 1708–1717 | chorale setting "Allein Gott in der Höh sei Ehr" (Trio; e. v.: Weimar; fair copy) | Organ | 252: 183 | IV/2 | afterBWV 664b; →BWV 664 | 00773 | |
| 664b | 7. | 1708–1717 | chorale setting "Allein Gott in der Höh sei Ehr" (Trio; e. v.: Weimar; sketch) | Organ | IV/2: 179 | afterZ 4457; →BWV 664(a) | 00774 | ||
| 665 | 7. | 1746–1747 | chorale setting "Jesus Christus, unser Heiland" (Leipzig Chorales 15/18) | E min. | Organ | 252: 136 | IV/2: 87 | afterBWV 665a | 00775 |
| 665a | 7. | 1708–1714 | chorale setting "Jesus Christus, unser Heiland" (e. v.: Weimar) | Organ | 252: 188 | IV/2: 187 | afterZ 1576; →BWV 665 | 00776 | |
| 666 | 7. | 1708–1748 | chorale setting "Jesus Christus, unser Heiland" (alio modo;Leipzig Chorales 16/18) | E min. | Organ | 252: 140 | IV/2: 91 | afterBWV 666a | 00777 |
| 666a | 7. | 1708–1714 | chorale setting "Jesus Christus, unser Heiland" (alio modo; e. v.: Weimar) | Organ | IV/2: 191 | afterZ 1576; →BWV 666 | 00778 | ||
| 667 | 7. | 1747–1748 | chorale setting "Komm, Gott Schöpfer, heiliger Geist" (Leipzig Chorales 17/18) | C maj. | Organ | 252: 142 | IV/2: 94 | afterBWV 667a | 00779 |
| 667a | 7. | 1708–1717 | chorale setting "Komm, Gott Schöpfer, heiliger Geist" (e. v.: Weimar) | Organ | IV/2 | afterBWV 667b; →BWV 667 | 00780 | ||
| 667b | 7. | 1708–1717 | chorale setting "Komm, Gott Schöpfer, heiliger Geist" (e. v.: Weimar; sketch) | Organ | IV/2: 194 | afterZ 295; →BWV 667(a) | 00781 | ||
| 668 | 7. | 1747–1748 | chorale setting "Vor deinen Thron tret ich hiermit" (fragment;Leipzig Chorales 18/18) | G maj. | Organ | 252: 145 | IV/2: 113 | afterBWV 668a | 00782 |
| 668a | 7. | 1708–1748 | chorale setting "Wenn wir in höchsten Nöten" (e. v.) | Organ | IV/2: 212 | afterZ 394; →BWV 668 | 00783 | ||
| 669 | 7. | 1739 | chorale setting "Kyrie, Gott Vater in Ewigkeit" fromClavier-Übung III | Organ | 3: 184 | IV/4: 16 | afterZ 8600 | 00784 | |
| 670 | 7. | 1739 | chorale setting "Christe, aller Welt Trost" fromClavier-Übung III | Organ | 3: 186 | IV/4: 18 | afterZ 8600 | 00785 | |
| 671 | 7. | 1739 | chorale setting "Kyrie, Gott heiliger Geist" fromClavier-Übung III | Organ | 3: 190 | IV/4: 20 | afterZ 8600 | 00786 | |
| 672 | 7. | 1739 | chorale setting "Kyrie, Gott Vater in Ewigkeit" fromClavier-Übung III | Org/man. | 3: 194 | IV/4: 27 | afterZ 8600 | 00787 | |
| 673 | 7. | 1739 | chorale setting "Christe, aller Welt Trost" fromClavier-Übung III | Org/man. | 3: 194 | IV/4: 28 | afterZ 8600 | 00788 | |
| 674 | 7. | 1739 | chorale setting "Kyrie, Gott heiliger Geist" fromClavier-Übung III | Org/man. | 3: 196 | IV/4: 29 | afterZ 8600 | 00789 | |
| 675 | 7. | 1739 | chorale setting "Allein Gott in der Höh sei Ehr" fromClavier-Übung III | Organ | 3: 197 | IV/4: 30 | afterZ 4457 | 00790 | |
| 676 | 7. | 1739 | chorale setting "Allein Gott in der Höh sei Ehr" fromClavier-Übung III | Organ | 3: 199 | IV/4: 33 | afterZ 4457; →BWV 676a | 00791 | |
| 677 | 7. | 1739 | chorale setting "Allein Gott in der Höh sei Ehr" (Fughetta) fromClavier-Übung III | Org/man. | 3: 205 | IV/4: 41 | afterZ 4457 | 00793 | |
| 678 | 7. | 1739 | chorale setting "Dies sind die heiligen zehen Gebot" fromClavier-Übung III | Organ | 3: 206 | IV/4: 42 | afterZ 1951 | 00794 | |
| 679 | 7. | 1739 | chorale setting "Dies sind die heiligen zehen Gebot" (Fughetta) fromClavier-Übung III | Org/man. | 3: 210 | IV/4: 49 | afterZ 1951 | 00795 | |
| 680 | 7. | 1739 | chorale setting "Wir gläuben all an einen Gott" fromClavier-Übung III | Organ | 3: 212 | IV/4: 52 | afterZ 7971 | 00796 | |
| 681 | 7. | 1739 | chorale setting "Wir gläuben all an einen Gott" (Fughetta) fromClavier-Übung III | Org/man. | 3: 216 | IV/4: 57 | afterZ 7971 | 00797 | |
| 682 | 7. | 1739 | chorale setting "Vater unser im Himmelreich" fromClavier-Übung III | Organ | 3: 217 | IV/4: 58 | afterZ 2561 | 00798 | |
| 683 | 7. | 1739 | chorale setting "Vater unser im Himmelreich" fromClavier-Übung III | Org/man. | 3: 223 | IV/4: 66 | afterZ 2561; →BWV 683a | 00799 | |
| 684 | 7. | 1739 | chorale setting "Christ unser Herr zum Jordan kam" fromClavier-Übung III | Organ | 3: 224 | IV/4: 68 | afterZ 7246 | 00801 | |
| 685 | 7. | 1739 | chorale setting "Christ unser Herr zum Jordan kam" fromClavier-Übung III | Org/man. | 3: 228 | IV/4: 73 | afterZ 7246 | 00802 | |
| 686 | 7. | 1739 | chorale setting "Aus tiefer Not schrei ich zu dir" fromClavier-Übung III | Organ | 3: 229 | IV/4: 74 | afterZ 4437 | 00803 | |
| 687 | 7. | 1739 | chorale setting "Aus tiefer Not schrei ich zu dir" fromClavier-Übung III | Org/man. | 3: 232 | IV/4: 78 | afterZ 4437 | 00804 | |
| 688 | 7. | 1739 | chorale setting "Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt" fromClavier-Übung III | Organ | 3: 234 | IV/4: 81 | afterZ 1576 | 00805 | |
| 689 | 7. | 1739 | chorale setting "Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt" (Fugue) fromClavier-Übung III | Org/man. | 3: 239 | IV/4: 89 | afterZ 1576 | 00806 | |
| 690 | 7. | c.1700–1717 | chorale setting "Wer nur den lieben Gott lässt walten" (Kirnberger collection No. 1) | Organ | 40: 3 | IV/3: 98 | afterZ 2778 | 00807 | |
| 691 | 7. | c.1720 or earlier | Notebook A. M. Bach (1725) No. 11 chorale setting "Wer nur den lieben Gott lässt walten" (WFB No. 3; Kirnb. coll. No. 2) | Organ | 40: 4 432: 30 451: 214 | V/5: 6 V/4: 90 IV/3: 98 | afterZ 2778; →BWV 691a | 00808 | |
| 694 | 7. | c.1700–1717 | chorale setting "Wo soll ich fliehen hin" (Kirnb. coll. No. 5) | Organ | 40: 6 | IV/3: 103 | afterZ 2164 | 00813 | |
| 695 | 7. | c.1700–1717 | chorale setting "Christ lag in Todesbanden" (Fantasia; Kirnb. coll. No. 6) | Organ | 40: 10 | IV/3: 20 | afterZ 7012a; →BWV 695a | 00814 | |
| 695a | 7. | 1700–1789 | chorale setting "Christ lag in Todesbanden" (variant) | Organ | 40: 153 | afterBWV 695 | 00815 | ||
| 696 | 7. | c.1700–1717 | chorale setting "Christum wir sollen loben schon" (Fughetta; Kirnb. coll. No. 7) | Organ | 40: 13 | IV/3: 23 | afterZ 297c | 00816 | |
| chorale setting "Was fürchtest du Feind, Herodes, sehr" (Fughetta; Kirnb. coll. No. 7) | |||||||||
| 697 | 7. | c.1700–1717 | chorale setting "Gelobet seist du, Jesu Christ" (Fughetta; Kirnb. coll. No. 8) | Organ | 40: 14 | IV/3: 32 | afterZ 1947 | 00817 | |
| 698 | 7. | c.1700–1717 | chorale setting "Herr Christ, der ein'ge Gottes Sohn" (Fughetta; Kirnb. coll. No. 9) | Organ | 40: 15 | IV/3: 35 | afterZ 4297a | 00818 | |
| 699 | 7. | c.1700–1717 | chorale setting "Nun komm, der Heiden Heiland" (Fughetta; Kirnb. coll. No. 10) | Organ | 40: 16 | IV/3: 73 | afterZ 1174 | 00819 | |
| 700 | 7. | c.1699 | chorale setting "Vom Himmel hoch da komm ich her" (Kirnb. coll. No. 11) | Organ | 40: 17 | IV/3: 92 | afterZ 346 | 00820 | |
| 701 | 7. | c.1700–1717 | chorale setting "Vom Himmel hoch da komm ich her" (Fughetta; Kirnb. coll. No. 12) | Organ | 40: 19 | IV/3: 96 | afterZ 346 | 00821 | |
| 702 | 7. | c.1700–1717 | chorale setting "Das Jesulein soll doch mein Trost" (Fughetta; Kirnb. coll. No. 13) | Organ | 40: 20 | IV/3: 45 | afterZ 7597 | 00822 | |
| 703 | 7. | c.1700–1717 | chorale setting "Gottes Sohn ist kommen" (Fughetta; Kirnb. coll. No. 14) | Organ | 40: 21 | IV/3: 34 | afterZ 3294 | 00823 | |
| 704 | 7. | c.1700–1717 | chorale setting "Lob sei dem allmächtigen Gott" (Fughetta; Kirnb. coll. No. 15) | Organ | 40: 22 | IV/3: 62 | afterZ 339 | 00824 | |
| 706/1 706/2 | 7. | c.1700–1717 | chorale setting "Liebster Jesu, wir sind hier" (/2 = alio modo; Kirnb. coll. No. 17) | Organ | 40: 25 | IV/3: 59 | afterZ 3498b | 00826 | |
| 707 | 7. | c.1700–1717 | chorale setting "Ich hab mein Sach Gott heimgestellt" (Kirnb. coll. No. 18) | Organ | 40: 26 | IV/10: 87 | afterZ 1679 | 00827 | |
| 709 | 7. | c.1700–1717 | chorale setting "Herr Jesu Christ, dich zu uns wend" (Kirnb. coll. No. 20) | Organ | 40: 30 | IV/3: 43 | afterZ 624 | 00830 | |
| 710 | 7. | c.1700–1717 | chorale setting "Wir Christenleut habn jetzund Freud" (Kirnb. coll. No. 21) | Organ | 40: 32 | IV/3: 100 | afterZ 2072 | 00831 | |
| 711 | 7. | c.1700–1717 | chorale setting "Allein Gott in der Höh sei Ehr" (bicinium; Kirnb. coll. No. 22) | Organ | 40: 34 | IV/3: 11 | afterZ 4457 | 00832 | |
| 712 | 7. | c.1708 | chorale setting "In dich hab ich gehoffet, Herr" (Kirnb. coll. No. 23) | Organ | 40: 36 | IV/3: 48 | afterZ 2461 | 00833 | |
| 713 | 7. | c.1700–1717 | chorale setting "Jesu, meine Freude" (Kirnb. coll. No. 24) | Org/man. | 40: 38 | IV/3: 54 | afterZ 8032; →BWV 713a | 00834 | |
| 713a | 7. | 1700–1789 | chorale setting "Jesu, meine Freude" (Fantasia; variant) | Organ | 40: 155 | IV/10: 93 | afterBWV 713 | 00835 | |
| 714 | 7. | 1708–1717 | chorale setting "Ach Gott und Herr" (Neumeister Chorales No. 13) | Organ | 40: 43 | IV/9: 26 IV/3: 3 | afterZ 2050, 2052 | 00836 | |
| 715 | 7. | 1703–1717 | chorale setting "Allein Gott in der Höh sei Ehr" | Organ | 40: 44 | IV/3: 14 | afterZ 4457 | 00837 | |
| 717 | 7. | 1708–1717 | chorale setting "Allein Gott in der Höh sei Ehr" | Organ | 40: 46 | IV/3: 8 | afterZ 4457 | 00839 | |
| 718 | 7. | 1703–1708 | chorale setting "Christ lag in Todesbanden" | Organ | 40: 52 | IV/3: 16 | afterZ 7012a | 00840 | |
| 719 | 7. | c.1704 | chorale setting "Der Tag, der ist so freudenreich" (Neumeister Chorales No. 1) | Organ | 40: 55 | IV/9: 2, 72 | afterZ 7870 | 00841 | |
| 720 | 7. | 1709? | chorale setting "Ein feste Burg ist unser Gott" | Organ | 40: 57 | IV/3: 24 | afterZ 7377; byBach, J. Michael? | 00842 | |
| 721 | 7. | c.1703–1707 | chorale setting "Erbarm dich mein, o Herre Gott" | Organ | 40: 60 | IV/3: 28 | afterZ 5851 | 00843 | |
| 722 | 7. | 1708–1717 | chorale setting "Gelobet seist du, Jesu Christ" | Organ | 40: 62 | IV/3: 31 | afterBWV 722a | 00844 | |
| 722a | 7. | 1709? | chorale setting "Gelobet seist du, Jesu Christ" (sketch) | Organ | 40: 158 | IV/3: 30 | afterZ 1947; →BWV 722 | 00845 | |
| 724 | 7. | c. 1699 | chorale setting "Gott durch deine Güte" | Organ | 40: 65 | IV/3: 33 | afterZ 3294; inAndreas-Bach-Buch | 00847 | |
| chorale setting "Gottes Sohn ist kommen" | |||||||||
| 725 | 7. | c.1700–1717 | chorale setting "Herr Gott, dich loben wir" | Organ | 40: 66 | IV/3: 36 | afterZ 8652 | 00848 | |
| 727 | 7. | 1708–1717 | chorale setting "Herzlich tut mich verlangen" | Organ | 40: 73 | IV/3: 46 | afterZ 5385a | 00850 | |
| 728 | 7. | 1722–1723 or earlier | Notebook A. M. Bach (1722) No. 8 chorale setting "Jesus, meine Zuversicht" | Organ | 432: 5 40: 74 | V/4: 41 IV/3: 58 | afterZ 3432b | 00851 | |
| 729 | 7. | 1708–1717 | chorale setting "In dulci jubilo" | Organ | 40: 74 | IV/3: 52 | afterBWV 729a | 00852 | |
| 729a | 7. | 1708–1717 | chorale setting "In dulci jubilo" (sketch) | Organ | 40: 158 | IV/3: 50 | afterZ 4947; →BWV 729 | 00853 | |
| 730 | 7. | 1708–1717 | chorale setting "Liebster Jesu, wir sind hier" | Organ | 40: 76 | IV/3: 60 | afterZ 3498b | 00854 | |
| 731 | 7. | 1708–1717 | chorale setting "Liebster Jesu, wir sind hier" | Organ | 40: 77 | IV/3: 61 | afterZ 3498b | 00855 | |
| 732 | 7. | 1708–1717 | chorale setting "Lobt Gott, ihr Christen, allzugleich" | Organ | 40: 78 | IV/3: 64 | afterBWV 732a | 00856 | |
| 732a | 7. | 1708–1717 | chorale setting "Lobt Gott, ihr Christen, allzugleich" (draft) | Organ | 40: 159 | IV/3: 63 | afterZ 198; →BWV 732 | 00857 | |
| 733 | 7. | 1708–1717 | chorale setting "Meine Seele erhebt den Herren" (fugue) | Organ | 40: 79 | IV/3: 65 | afterMagnificat peregrini toni; byKrebs, J. L.? | 00858 | |
| 734 | 7. | 1708–1717 | chorale setting "Nun freut euch, lieben Christen g'mein" | Organ | 40: 160 | IV/3: 70 | afterZ 4429a; →BWV 734a | 00859 | |
| 734a | 7. | 1708–1789 | chorale setting "Es ist gewisslich an der Zeit" | Organ | 40: 84 | IV/10 | afterBWV 734; arr. byScholz? | 00860 | |
| 735 | 7. | c.1700–1717 | chorale setting "Valet will ich dir geben" (Fantasia) | Organ | 40: 86 | IV/3: 77 | afterBWV 735a | 00861 | |
| 735a | 7. | c.1706 | chorale setting "Valet will ich dir geben" (early version) | Organ | 40: 161 | IV/3: 81 | afterZ 5404a; →BWV 735 | 00862 | |
| 736 | 7. | 1708–1717 or later | chorale setting "Valet will ich dir geben" | Org (V Bc) | 40: 90 | IV/3: 84 | afterZ 5404a | 00863 | |
| 737 | 7. | 1703–1707 | chorale setting "Vater unser im Himmelreich" (Neumeister Chorales No. 18) | Organ | 40: 96 | IV/9: 36 IV/3: 90 | afterZ 2561 | 00864 | |
| 738 | 7. | 1708–1717 | chorale setting "Vom Himmel hoch, da komm ich her" | Organ | 40: 97 | IV/3: 94 | afterBWV 738a | 00865 | |
| 738a | 7. | 1708–1717 | chorale setting "Vom Himmel hoch, da komm ich her" (sketch) | Organ | 40: 159 | IV/3: 94 | afterZ 346; →BWV 738 | 00866 | |
| 739 | 7. | c.1704 | chorale setting "Wie schön leuchtet der Morgenstern" | Organ | 40: 99 | IV/10: 2 | afterZ 8359 | 00867 | |
| 741 | 7. | c.1701 | chorale setting "Ach Gott, vom Himmel sieh darein" | Organ | 40: 167 | IV/3: 4 | afterZ 4431 | 00869 | |
| 742 | 7. | c.1704 | chorale setting "Ach Herr, mich armen Sünder" [scores] (Neumeister Chorales No. 14) | Organ | IV/9: 28 | afterZ 5385a | 00870 | ||
| 747 | 7. | 1703–1707 or earlier | chorale setting "Christus, der uns selig macht" [scores] | Organ | IV/10: 38 | afterZ 6283b | 00875 | ||
| 753 | 7. | c.1720 | chorale setting "Jesu, meine Freude" (unfinished;WFB No. 5) | Organ | 40: 163 451: 214 | V/5: 8 | afterZ 8032 | 00882 | |
| 764 | 7. | c.1704–1705 | chorale setting "Wie schön leuchtet der Morgenstern" | Organ | 40: 164 | IV/10: 6 | afterZ 8359 | 00893 | |
| 1085 | 7. | c.1700–1717 | chorale setting "O Lamm Gottes unschuldig" [scores] | Organ | IV/3: 76 | afterZ 4361 | 01683 | ||
| 1090 | 7. | c.1704 | chorale setting "Wir Christenleut" (Neumeister Chorales No. 2) | Organ | IV/9: 4 | afterZ 2072 | 01276 | ||
| 1091 | 7. | c.1699 | chorale setting "Das alte Jahr vergangen ist" (Neumeister Chorales No. 3) | Organ | IV/9: 6 | afterZ 381c | 01277 | ||
| 1092 | 7. | c.1701 | chorale setting "Herr Gott, nun schleuß den Himmel auf" (Neumeister Chorales No. 4) | Organ | IV/9: 8 | afterZ 7641b | 01278 | ||
| 1093 | 7. | c.1704 | chorale setting "Herzliebster Jesu, was hast du verbrochen" (Neumeister Chorales No. 5) | Organ | IV/9: 10 | afterZ 983 | 01279 | ||
| 1094 | 7. | c.1699 | chorale setting "O Jesu, wie ist dein Gestalt" (Neumeister Chorales No. 6) | Organ | IV/9: 12 | afterZ 8360 | 01280 | ||
| 1095 | 7. | c.1704 | chorale setting "O Lamm Gottes unschuldig" (Neumeister Chorales No. 7) | Organ | IV/9: 14 | afterZ 4361a | 01281 | ||
| 1097 | 7. | c.1699 | chorale setting "Ehre sei dir Christe, der du leidest Not" (Neumeister Chorales No. 9) | Organ | IV/9: 18 | afterZ 8187h | 01283 | ||
| 1098 | 7. | c.1704 | chorale setting "Wir glauben all an einen Gott" (Neumeister Chorales No. 10) | Organ | IV/9: 20 | afterZ 7971 | 01284 | ||
| 1099 | 7. | c.1701 | chorale setting "Aus tiefer Not schrei ich zu dir" (Neumeister Chorales No. 11) | Organ | IV/9: 22 | afterZ 4438 | 01285 | ||
| 1100 | 7. | c.1704 | chorale setting "Allein zu dir, Herr Jesu Christ" (Neumeister Chorales No. 12) | Organ | IV/9: 24 | afterZ 7292b | 01286 | ||
| 1101 | 7. | c.1704 | chorale setting "Durch Adams Fall ist ganz verderbt" (Neumeister Chorales No. 15) | Organ | IV/9: 30 | afterZ 7549 | 01287 | ||
| 1102 | 7. | c.1706 | chorale setting "Du Friedefürst, Herr Jesu Christ" (Neumeister Chorales No. 16) | Organ | IV/9: 33 | afterZ 4373 | 01288 | ||
| 1103 | 7. | 1699–1709 | chorale setting "Erhalt uns Herr, bei deinem Wort" (Neumeister Chorales No. 17) | Organ | IV/9: 35 | afterZ 350 | 01289 | ||
| 1104 | 7. | 1699–1709 | chorale setting "Wenn dich Unglück tut greifen an" (Neumeister Chorales No. 19) | Organ | IV/9: 38 | afterZ 499 | 01290 | ||
| 1105 | 7. | c.1701 | chorale setting "Jesu, meine Freude" (Neumeister Chorales No. 20) | Organ | IV/9: 39 | afterZ 8032 | 01291 | ||
| 1106 | 7. | c.1704 | chorale setting "Gott ist mein Heil, mein Hilf und Trost" (Neumeister Chorales No. 21) | Organ | IV/9: 40 | afterZ 4421 | 01292 | ||
| 1107 | 7. | c.1704 | chorale setting "Jesu, meines Lebens Leben" (Neumeister Chorales No. 22) | Organ | IV/9: 42 | afterZ 6794 | 01293 | ||
| 1108 | 7. | c.1704 | chorale setting "Als Jesus Christus in der Nacht" (Neumeister Chorales No. 23) | Organ | IV/9: 44 | afterZ 258 | 01294 | ||
| 1109 | 7. | 1699–1709 | chorale setting "Ach Gott, tu dich erbarmen" (Neumeister Chorales No. 24) | Organ | IV/9: 46 | afterZ 7228c | 01295 | ||
| 1110 | 7. | c.1704 | chorale setting "O Herre Gott, dein göttlich Wort" (Neumeister Chorales No. 25) | Organ | IV/9: 48 | afterZ 5690 | 01296 | ||
| 1111 | 7. | c.1701 | chorale setting "Nun lasset uns den Leib begraben" (Neumeister Chorales No. 26) | Organ | IV/9: 50 | afterZ 352 | 01297 | ||
| 1112 | 7. | c.1699 | chorale setting "Christus, der ist mein Leben" (Neumeister Chorales No. 27) | Organ | IV/9: 52 | afterZ 132 | 01298 | ||
| 1113 | 7. | c.1699 | chorale setting "Ich hab mein Sach Gott heimgestellt" (Neumeister Chorales No. 28) | Organ | IV/9: 54 | afterZ 1679 | 01299 | ||
| 1114 | 7. | c.1701 | chorale setting "Herr Jesu Christ, du höchstes Gut" (Neumeister Chorales No. 29) | Organ | IV/9: 56 | afterZ 4486 | 01300 | ||
| 1115 | 7. | c.1701 | chorale setting "Herzlich lieb hab ich dich, o Herr" (Neumeister Chorales No. 30) | Organ | IV/9: 58 | afterZ 8326 | 01301 | ||
| 1116 | 7. | c.1701 | chorale setting "Was Gott tut, das ist wohlgetan" (Neumeister Chorales No. 31) | Organ | IV/9: 60 | afterZ 5629 | 01302 | ||
| 1117 | 7. | c.1701 | chorale setting "Alle Menschen müssen sterben" (Neumeister Chorales No. 32) | Organ | IV/9: 62 | afterZ 6779a | 01303 | ||
| 1118 | 7. | c.1701 | chorale setting "Werde munter, mein Gemüte" (Neumeister Chorales No. 34) | Organ | IV/9: 66 | afterZ 6551 | 01304 | ||
| 1119 | 7. | c.1699 | chorale setting "Wie nach einer Wasserquelle" (Neumeister Chorales No. 35) | Organ | IV/9: 68 | afterZ 1294 | 01305 | ||
| 1120 | 7. | c.1704 | chorale setting "Christ, der du bist der helle Tag" (Neumeister Chorales No. 36) | Organ | IV/9: 70 | afterZ 384 | 01306 | ||
| 957 | 7. | c.1701 | chorale setting "Machs mit mir, Gott, nach deiner Güt" (Neumeister Chorales No. 33; a.k.a. Fugue = first half in later arr.) | G maj. | Organ | 42: 203 | IV/9: 64, 74 | afterZ 2383 | 01134 |
| 766 | 7. | c.1706 | chorale setting "Christ, der du bist der helle Tag" | Organ | 40: 107 | IV/1: 114 | afterZ 384 | 00895 | |
| 767 | 7. | c.1708 | chorale setting "O Gott, du frommer Gott" | Organ | 40: 114 | IV/1: 122 | afterZ 5138 | 00896 | |
| 768 | 7. | 1708–1717 or earlier | chorale setting "Sei gegrüßet, Jesu gütig" | Organ | 40: 122 | IV/1: 132, 152 | afterZ 3889b | 00897 | |
| 769 | 7. | c.1747–1748 | chorale setting "Vom Himmel hoch da komm ich her'" (canonic variations; print version) | Organ | 40: 137 | IV/2: 197 | afterZ 346; →BWV 769a | 00898 | |
| 769a | 7. | c.1747–1748 | chorale setting "Vom Himmel hoch da komm ich her" (canonic variations; autograph) | Organ | IV/2: 98 | afterBWV 769 | 00899 | ||
| 770 | 7. | c.1704 | chorale setting "Ach, was soll ich Sünder machen" | Organ | 40: 189 | IV/1: 104 | afterZ 3574 | 00900 | |
| 8. | Keyboard compositions (see also:List of solo keyboard compositions by Johann Sebastian Bach) | Up ↑ | |||||||
| 772 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 1 –Invention No. 1 =WFB No. 32: Preamb. 1 | C maj. | Keyboard | 3: 1 451: 221 | V/5: 48 V/3: 2 | →BWV 772a[28] | 00902 |
| 772a | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 1a –Invention No. 1a | C maj. | Keyboard | 3: 342 | V/3: 4 | afterBWV 772[29] | 00903 |
| 773 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 2 –Invention No. 2 =WFB No. 46: Preamb. 15 | C min. | Keyboard | 3: 2 451: 223 | V/5: 76 V/3: 6 | [28] | 00904 |
| 774 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 3 –Invention No. 3 =WFB No. 45: Preamb. 14 | D maj. | Keyboard | 3: 3 451: 223 | V/5: 74 V/3: 8 | [28] | 00905 |
| 775 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 4 –Invention No. 4 =WFB No. 33: Preamb. 2 | D min. | Keyboard | 3: 4 451: 221 | V/5: 50 V/3: 10 | [28] | 00906 |
| 776 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 5 –Invention No. 5 =WFB No. 44: Preamb. 13 | E♭ maj. | Keyboard | 3: 6 451: 222 | V/5: 72 V/3: 12 | [28] | 00907 |
| 777 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 6 –Invention No. 6 =WFB No. 43: Preamb. 12 | E maj. | Keyboard | 3: 7 451: 222 | V/5: 70 V/3: 14 | [28] | 00908 |
| 778 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 7 –Invention No. 7 =WFB No. 34: Preamb. 3 | E min. | Keyboard | 3: 9 451: 221 | V/5: 52 V/3: 16 | [28] | 00909 |
| 779 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 8 –Invention No. 8 =WFB No. 35: Preamb. 4 | F maj. | Keyboard | 3: 10 451: 221 | V/5: 54 V/3: 18 | [28] | 00910 |
| 780 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 9 –Invention No. 9 =WFB No. 42: Preamb. 11 | F min. | Keyboard | 3: 11 451: 222 | V/5: 68 V/3: 20 | [28] | 00911 |
| 781 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 10 –Invention No. 10 =WFB No. 36: Preamb. 5 | G maj. | Keyboard | 3: 12 451: 221 | V/5: 56 V/3: 22 | [28] | 00912 |
| 782 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 11 –Invention No. 11 =WFB No. 41: Preamb. 10 | G min. | Keyboard | 3: 13 451: 222 | V/5: 66 V/3: 24 | [28] | 00913 |
| 783 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 12 –Invention No. 12 =WFB No. 40: Preamb. 9 | A maj. | Keyboard | 3: 14 451: 222 | V/5: 64 V/3: 26 | [28] | 00914 |
| 784 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 13 –Invention No. 13 =WFB No. 37: Preamb. 6 | A min. | Keyboard | 3: 15 451: 221 | V/5: 58 V/3: 28 | [28] | 00915 |
| 785 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 14 –Invention No. 14 =WFB No. 39: Preamb. 8 | B♭ maj. | Keyboard | 3: 16 451: 222 | V/5: 62 V/3: 30 | [28] | 00916 |
| 786 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 15 –Invention No. 15 =WFB No. 38: Preamb. 7 | B min. | Keyboard | 3: 18 451: 222 | V/5: 60 V/3: 32 | [28] | 00917 |
| 787 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 16 –Sinfonia No. 1 =WFB No. 49: Fantasia 1 | C maj. | Keyboard | 3: 19 451: 227 | V/5: 90 V/3: 34 | [28] | 00918 |
| 788 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 17 –Sinfonia No. 2 =WFB No. 63: Fantasia 15 | C min. | Keyboard | 3: 20 451: 231 | V/5: 118 V/3: 36 | [28] | 00919 |
| 789 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 18 –Sinfonia No. 3 =WFB No. 62: Fantasia 14 | D maj. | Keyboard | 3: 22 451: 230 | V/5: 116 V/3: 38 | [28] | 00920 |
| 790 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 19 –Sinfonia No. 4 =WFB No. 50: Fantasia 2 | D min. | Keyboard | 3: 23 451: 227 | V/5: 92 V/3: 40 | [28] | 00921 |
| 791 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 20 –Sinfonia No. 5 =WFB No. 61: Fantasia 13 | E♭ maj. | Keyboard | 3: 24 451: 230 | V/5: 114 V/3: 42 | →BWV 791a[28] | 00922 |
| 791a | 8. | 1723 | Sinfonias and Inventions No. 20a –Sinfonia No. 5a | E♭ maj. | Keyboard | V/3: 44, 80 | afterBWV 791[30] | 00923 | |
| 792 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 21 –Sinfonia No. 6 =WFB No. 60: Fantasia 12 | E maj. | Keyboard | 3: 26 451: 229 | V/5: 112 V/3: 46 | [28] | 00924 |
| 793 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 22 –Sinfonia No. 7 =WFB No. 51: Fantasia 3 | E min. | Keyboard | 3: 28 451: 227 | V/5: 94 V/3: 48 | [28] | 00925 |
| 794 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 23 –Sinfonia No. 8 =WFB No. 52: Fantasia 4 | F maj. | Keyboard | 3: 29 451: 227 | V/5: 96 V/3: 50 | [28] | 00926 |
| 795 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 24 –Sinfonia No. 9 =WFB No. 59: Fantasia 11 | F min. | Keyboard | 3: 30 451: 229 | V/5: 110 V/3: 52 | [28] | 00927 |
| 796 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 25 –Sinfonia No. 10 =WFB No. 53: Fantasia 5 | G maj. | Keyboard | 3: 32 451: 228 | V/5: 98 V/3: 54 | [28] | 00928 |
| 797 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 26 –Sinfonia No. 11 =WFB No. 58: Fantasia 10 | G min. | Keyboard | 3: 34 451: 229 | V/5: 108 V/3: 56 | [28] | 00929 |
| 798 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 27 –Sinfonia No. 12 =WFB No. 57: Fantasia 9 | A maj. | Keyboard | 3: 36 451: 229 | V/5: 106 V/3: 58 | [28] | 00930 |
| 799 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 28 –Sinfonia No. 13 =WFB No. 54: Fantasia 6 | A min. | Keyboard | 3: 38 451: 228 | V/5: 100 V/3: 60 | [28] | 00931 |
| 800 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 29 –Sinfonia No. 14 =WFB No. 56: Fantasia 8 | B♭ maj. | Keyboard | 3: 40 451: 228 | V/5: 104 V/3: 62 | [28] | 00932 |
| 801 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 30 –Sinfonia No. 15 =WFB No. 55: Fantasia 7 | B min. | Keyboard | 3: 41 451: 228 | V/5: 102 V/3: 64 | [28] | 00933 |
| 802 | 8. | 1739 | Duet No. 1 fromClavier-Übung III | E min. | Organ | 3: 242 | IV/4: 92 | 00934 | |
| 803 | 8. | 1739 | Duet No. 2 fromClavier-Übung III | F maj. | Organ | 3: 245 | IV/4: 96 | 00935 | |
| 804 | 8. | 1739 | Duet No. 3 fromClavier-Übung III | G maj. | Organ | 3: 248 | IV/4: 99 | 00936 | |
| 805 | 8. | 1739 | Duet No. 4 fromClavier-Übung III | A min. | Organ | 3: 251 | IV/4: 102 | 00937 | |
| 806 | 8. | 1714–1723 | English Suites,No. 1 | A maj. | Keyboard | 451: 3 132: 3 | V/7: 2 | 00938 | |
| 806a | 8. | 1714–1717 | English Suites,No. 1a | A maj. | Keyboard | V/7: 116 | 00939 | ||
| 807 | 8. | 1725 or earlier | English Suites,No. 2 | A min. | Keyboard | 451: 16 132: 16 | V/7: 20 | 00940 | |
| 808 | 8. | 1725 or earlier | English Suites,No. 3 | G min. | Keyboard | 451: 30 132: 30 | V/7: 38 | 00941 | |
| 809 | 8. | 1725 or earlier | English Suites,No. 4 | F maj. | Keyboard | 451: 41 132: 41 | V/7: 54 | 00942 | |
| 810 | 8. | 1725 or earlier | English Suites,No. 5 | E min. | Keyboard | 451: 53 132: 53 | V/7: 70 | 00943 | |
| 811 | 8. | 1725 or earlier | English Suites,No. 6 | D min. | Keyboard | 451: 68 132: 68 | V/7: 90 | 00944 | |
| 812 | 8. | 1722 or earlier | Notebook A. M. Bach (1722) No. 1 –French Suites,No. 1 | D min. | Keyboard | 432: VI | V/4: 3 | 00945 | |
| Notebook A. M. Bach (1725) No. 30 –French Suites,No. 1 | 432: 40 | V/4: 109 | |||||||
| French Suites,No. 1 – Version A (Altnickol) | 451: 89 132: 89 | V/8: 2 | |||||||
| French Suites,No. 1 – Version B (early version) | V/8: 64 | ||||||||
| 813 | 8. | c. 1722–1725 | Notebook A. M. Bach (1722) No. 2 –French Suites,No. 2 | C min. | Keyboard | 432: VI | V/4: 10, 42 | 00946 | |
| Notebook A. M. Bach (1725) No. 31 –French Suites,No. 2 | 432: 44 | V/4: 116 | |||||||
| French Suites,No. 2 – Version A (Altnickol) | 451: 94 132: 94 | V/8: 10 | |||||||
| French Suites,No. 2 – Version B (early version) | V/8: 72 | ||||||||
| 36: 236 | |||||||||
| 814 | 8. | c. 1722–1725 | Notebook A. M. Bach (1722) No. 3 –French Suites,No. 3 | B min. | Keyboard | 432: VII | V/4: 16, 43 | →BWV 814a | 00948 |
| French Suites,No. 3 – Version A (Altnickol) | 451: 100 132: 100 | V/8: 20 | |||||||
| French Suites,No. 3 – Version B (early version) | V/8: 82 | ||||||||
| 814a | 8. | c. 1720–1739 | French Suites,No. 3 – Variant | B min. | Keyboard | 451: 100 36: 237 132: 100 | V/8: 166 | afterBWV 814/1–/5,929, 814/7 | 00949 |
| 815 | 8. | c. 1722–1725 | Notebook A. M. Bach (1722) No. 4French Suites,No. 4 | E♭ maj. | Keyboard | 432: VII | V/4: 23 | →BWV 815a | 00950 |
| French Suites,No. 4 – Version A (Altnickol) | 451: 106 132: 106 | V/8: 30 | |||||||
| French Suites,No. 4 – Version B (early version) | V/8: 92 | ||||||||
| 36: 236 | |||||||||
| 815a | 8. | c. 1722–1725 or later | French Suites,No. 4 – Variant | E♭ maj. | Keyboard | 36: 234 451: 106 132: 108 | V/8: 176 | afterBWV 815/1–/5 | 00951 |
| 816 | 8. | c. 1724–1725 | Notebook A. M. Bach (1722) No. 5French Suites,No. 5 | G maj. | Keyboard | 432: VII | V/4: 30 | 00952 | |
| French Suites,No. 5 – Version A (Altnickol) | 451: 112 132: 112 | V/8: 40 | |||||||
| French Suites,No. 5 – Version B (early version) | V/8: 102 | ||||||||
| 817 | 8. | c.1725 or later | French Suites,No. 6 – Version A (Altnickol) | E maj. | Keyboard | 451: 120 132: 120 | V/8: 52 | 00953 | |
| French Suites,No. 6 – Version B (early version) | V/8: 114 | ||||||||
| 818 | 8. | 1720–1722 | Suite for keyboard (early version) | A min. | Keyboard | 36: 3 | V/8: 129 | 00954 | |
| 818a | 8. | after 1721 | Suite for keyboard (later version) | A min. | Keyboard | 36: 213 | V/8: 146 | 00955 | |
| 819 | 8. | before 1726 | Suite for keyboard (early version) | E♭ maj. | Keyboard | 36: 8 | V/8: 136 | 00956 | |
| 819a | 8. | 1725–1728 | Suite for keyboard (later version) | E♭ maj. | Keyboard | 36: 217 | V/8: 156 | 00957 | |
| 820 | 8. | 1705–1713 | Suite (Ouverture) for keyboard | F maj. | Keyboard | 36: 14 | V/10: 43 | 00958 | |
| 822 | 8. | Suite for keyboard | G min. | Keyboard | V/10: 68 | after unknown model? | 00960 | ||
| 823 | 8. | before 1727 | Suite for keyboard | F min. | Keyboard | 36: 229 | V/10: 50 | 00961 | |
| 825 | 8. | 1725–1726 | Partita No. 1 fromClavier-Übung I | B♭ maj. | Keyboard | 3: 46 | V/1: 2 | 00963 | |
| 826 | 8. | 1725–1727 | Partita No. 2 fromClavier-Übung I | C min. | Keyboard | 3: 56 | V/1: 15 | 00964 | |
| 827 | 8. | 1725–1727 | Notebook A. M. Bach (1725) No. 1 =Partita No. 3 fromClavier-Übung I | A min. | Keyboard | 3: 70 | V/1: 35 V/4: 47 | 00964 | |
| 828 | 8. | 1725–1728 | Partita No. 4 fromClavier-Übung I | D maj. | Keyboard | 3: 82 | V/1: 50 | 00966 | |
| 829 | 8. | 1725–1730 | Partita No. 5 fromClavier-Übung I | G maj. | Keyboard | 3: 102 | V/1: 72 | 00967 | |
| 830 | 8. | 1725–1730 | Notebook A. M. Bach (1725) No. 2 =Partita No. 6 fromClavier-Übung I | E min. | Keyboard | 3: 116 | V/1: 90 V/4: 60 | afterBWV 1019a/3 /5 | 00968 |
| 831 | 8. | 1733–1735 | Overture in the French style (Clavier-Übung II No. 2) | B min. | Harpsichord | 3: 154 | V/2: 20 | afterBWV 831a | 00969 |
| 831a | 8. | 1727–1733 | Overture in the French style (early version) | C min. | Keyboard | V/2: 43 | →BWV 831 | 00970 | |
| 832 | 8. | before 1707 | Suite for keyboard | A maj. | Keyboard | 42: 255 | V/10: 54 | inMöllersche Handschrift | 00971 |
| 833 | 8. | before 1707 | Prelude and partita for keyboard | F maj. | Keyboard | V/10: 60 | inMöllersche Handschrift | 00972 | |
| 836 | 8. | 1720–1721 | Allemande,Klavierbüchlein WFB No. 6 | G min. | Keyboard | 451: 214 | V/5: 8 | byBach, W. F. & J. S.? | 00975 |
| 837 | 8. | 1720–1721 | Allemande,Klavierbüchlein WFB No. 7 (incomplete) | G min. | Keyboard | 451: 215 | V/5: 10 | byBach, W. F. & J. S.? | 00976 |
| 841 | 8. | 1720–1721 | Notebook A. M. Bach (1722) No. 11 Menuet =WFB No. 11: Menuet 1 | G maj. | Keyboard | 36: 209 451: 215 | V/5: 16 V/4: 44 | byBach, W. F. & J. S.? | 00980 |
| 842 | 8. | 1720–1721 | Klavierbüchlein WFB No. 12: Menuet 2 | G min. | Keyboard | 36: 209 451: 216 | V/5: 17 | byBach, W. F. (BR A43) & J. S.? | 00981 |
| 843 | 8. | 1720–1721 | Klavierbüchlein WFB No. 13: Menuet 3 | G maj. | Keyboard | 36: 210 451: 216 | V/5: 18 | 00982 | |
| 846 | 8. | 1722 | Well-Tempered ClavierI, P. & F. No. 1 | C maj. | Keyboard | 14: 3 | V/6.1: 2 | afterBWV 846a | 00986 |
| 846/1 | 8. | 1725 (AMB) | Notebook A. M. Bach (1725) No. 29 Prelude (short version ofWTC I No. 1/1) | C maj. | Keyboard | V/4: 107 | 00986 | ||
| 846a | 8. | 1720 | Klavierbüchlein WFB No. 14: Praeludium 1 (earlyWTC I No. 1/1) | C maj. | Keyboard | 451: 216 | V/5: 19 V/6.1: 127 | →BWV 846/1 | 00987 |
| 847 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 2 (/1 =WFB No. 15: Praeludium 2) | C min. | Keyboard | 14: 6 451: 216 | V/5: 20 V/6.1: 2 | afterBWV 847a | 00988 |
| 847a | 8. | Prelude and Fughetta (earlyWTC I No. 2) | C min. | Keyboard | V/6.1: 130 | →BWV 847 | 00989 | ||
| 848 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 3 (/1 =WFB No. 21: Praeludium [8]) | C♯ maj. | Keyboard | 14: 10 451: 218 | V/5: 30 V/6.1: 2 | afterBWV 848a | 00990 |
| 848a | 8. | Prelude and Fughetta (earlyWTC I No. 3) | C♯ maj. | Keyboard | V/6.1: 134 | →BWV 848 | 00991 | ||
| 849 | 8. | 1722 | Well-Tempered ClavierI, P. & F. No. 4 (/1 =WFB No. 22: Praeludium [9]) | C♯ min. | Keyboard | 14: 14 451: 218 | V/5: 32 V/6.1: 2 | afterBWV 849a | 00992 |
| 849a | 8. | Prelude and Fughetta (earlyWTC I No. 4) | C♯ min. | Keyboard | V/6.1: 140 | →BWV 849 | 00993 | ||
| 850 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 5 (/1 =WFB No. 17: Praeludium 4) | D maj. | Keyboard | 14: 18 451: 217 | V/5: 23 V/6.1: 2 | afterBWV 850a | 00994 |
| 850a | 8. | Prelude and Fughetta (earlyWTC I No. 5) | D maj. | Keyboard | V/6.1: 146 | →BWV 850 | 00995 | ||
| 851 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 6 (/1 =WFB No. 16: Praeludium 3) | D min. | Keyboard | 14: 22 451: 217 | V/5: 22 V/6.1: 2 | afterBWV 851a | 00996 |
| 851a | 8. | Prelude and Fughetta (earlyWTC I No. 6) | D min. | Keyboard | V/6.1: 150 | →BWV 851 | 00997 | ||
| 852 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 7 | E♭ maj. | Keyboard | 14: 26 | V/6.1: 32 | afterBWV 852a | 00998 |
| 852a | 8. | Prelude and Fughetta (earlyWTC I No. 7) | E♭ maj. | Keyboard | V/6.1: 154 | →BWV 852 | 00999 | ||
| 853 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 8 (/1 =WFB No. 23: Praeludium [10]) | E♭ min. D♯ min. | Keyboard | 14: 32 451: 218 | V/5: 34 V/6.1: 38 | afterBWV 853a; →K. 404a/1 | 01000 |
| 853a | 8. | Prelude and Fughetta (earlyWTC I No. 8) | E♭ min. D♯ min. | Keyboard | V/6.1: 160 | →BWV 853 | 01001 | ||
| 854 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 9 (/1 =WFB No. 19: Praeludium 6) | E maj. | Keyboard | 14: 36 451: 218 | V/5: 26 V/6.1: 44 | afterBWV 854a | 01002 |
| 854a | 8. | Prelude and Fughetta (earlyWTC I No. 9) | E maj. | Keyboard | V/6.1: 166 | →BWV 854 | 01003 | ||
| 855 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 10 | E min. | Keyboard | 14: 38 | V/6.1: 48 | afterBWV 855a | 01004 |
| 855a | 8. | c.1720 | Prelude and Fughetta (earlyWTC I No. 10) (/1 =WFB No. 18:Praeludium 5) | E min. | Keyboard | 451: 217 | V/5: 24 V/6.1: 170 | →BWV 855 | 01005 |
| 856 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 11 (/1 =WFB No. 20: Praeludium 7) | F maj. | Keyboard | 14: 42 451: 218 | V/5: 28 V/6.1: 54 | afterBWV 856a | 01006 |
| 856a | 8. | Prelude and Fughetta (earlyWTC I No. 11) | F maj. | Keyboard | V/6.1: 174 | →BWV 856 | 01007 | ||
| 857 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 12 (/1 =WFB No. 24: Praeludium [11]) | F min. | Keyboard | 14: 44 451: 218 | V/5: 36 V/6.1: 58 | afterBWV 857a | 01008 |
| 857a | 8. | Prelude and Fughetta (earlyWTC I No. 12) | F min. | Keyboard | V/6.1: 178 | →BWV 857 | 01009 | ||
| 858 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 13 | F♯ maj. | Keyboard | 14: 48 | V/6.1: 64 | afterBWV 858a | 01010 |
| 858a | 8. | Prelude and Fughetta (earlyWTC I No. 13) | F♯ maj. | Keyboard | V/6.1: 184 | →BWV 858 | 01011 | ||
| 859 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 14 | F♯ min. | Keyboard | 14: 50 | V/6.1: 64 | afterBWV 859a | 01012 |
| 859a | 8. | Prelude and Fughetta (earlyWTC I No. 14) | F♯ min. | Keyboard | V/6.1: 188 | →BWV 859 | 01013 | ||
| 860 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 15 | G maj. | Keyboard | 14: 52 | V/6.1: 72 | afterBWV 860a | 01014 |
| 860a | 8. | Prelude and Fughetta (earlyWTC I No. 15) | G maj. | Keyboard | V/6.1: 192 | →BWV 860 | 01015 | ||
| 861 | 8. | 1722 | Well-Tempered ClavierI, P. & F. No. 16 | G min. | Keyboard | 14: 57 | V/6.1: 78 | afterBWV 861a | 01016 |
| 861a | 8. | Prelude and Fughetta (earlyWTC I No. 16) | G min. | Keyboard | V/6.1: 198 | →BWV 861 | 01017 | ||
| 862 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 17 | A♭ maj. | Keyboard | 14: 60 | V/6.1: 82 | afterBWV 862a | 01018 |
| 862a | 8. | Prelude and Fughetta (earlyWTC I No. 17) | A♭ maj. | Keyboard | V/6.1: 202 | →BWV 862 | 01019 | ||
| 863 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 18 | G♯ min. | Keyboard | 14: 64 | V/6.1: 86 | afterBWV 863a | 01020 |
| 863a | 8. | Prelude and Fughetta (earlyWTC I No. 18) | G♯ min. | Keyboard | V/6.1: 206 | →BWV 863 | 01021 | ||
| 864 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 19 | A maj. | Keyboard | 14: 66 | V/6.1: 90 | afterBWV 864a | 01022 |
| 864a | 8. | Prelude and Fughetta (earlyWTC I No. 19) | A maj. | Keyboard | V/6.1: 210 | →BWV 864 | 01023 | ||
| 865 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 20 | A min. | Keyboard | 14: 70 | V/6.1: 96 | afterBWV 865a | 01024 |
| 865a | 8. | Prelude and Fughetta (earlyWTC I No. 20) | A min. | Keyboard | V/6.1: 216 | →BWV 865 | 01025 | ||
| 866 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 21 | B♭ maj. | Keyboard | 14: 74 | V/6.1: 104 | afterBWV 866a | 01026 |
| 866a | 8. | Prelude and Fughetta (earlyWTC I No. 21) | B♭ maj. | Keyboard | V/6.1: 224 | →BWV 866 | 01027 | ||
| 867 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 22 | B♭ min. | Keyboard | 14: 78 | V/6.1: 108 | afterBWV 867a; →Hess 38 [commons] | 01028 |
| 867a | 8. | Prelude and Fughetta (earlyWTC I No. 22) | B♭ min. | Keyboard | V/6.1: 228 | →BWV 867 | 01029 | ||
| 868 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 23 | B maj. | Keyboard | 14: 82 | V/6.1: 112 | afterBWV 868a | 01030 |
| 868a | 8. | Prelude and Fughetta (earlyWTC I No. 23) | B maj. | Keyboard | V/6.1: 232 | →BWV 868 | 01031 | ||
| 869 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 24 | B min. | Keyboard | 14: 84 | V/6.1: 116 | afterBWV 869a | 01032 |
| 869a | 8. | Prelude and Fughetta (earlyWTC I No. 24) | B min. | Keyboard | V/6.1: 236 | →BWV 869 | 01033 | ||
| 870b 870/2 | 8. | 1739–1742 | Well-Tempered Clavier II, P. & F. No. 1 (version A) | C maj. | Keyboard | 451: 243 14: 94 | V/6.2: 2, 6, 342 | 01036 | |
| 871 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 2 | C min. | Keyboard | 14: 96 | V/6.2: 8, 160 | →K. 405/1 | 01037 |
| 872 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 3 | C♯ maj. | Keyboard | 14: 100 | V/6.2: 12, 164, 352 | afterBWV 872a | 01038 |
| 872a/1 | 8. | 1739–1740 | Prelude (earlyWTC II, P. & F. No. 3/1) | C maj. | Keyboard | 14: 243 | V/6.2: 344 | →BWV 872/1 | 01039 |
| 872a/2 | 8. | 1738 | Fughetta (earlyWTC II, P. & F. No. 3/2) | C maj. | Keyboard | 36: 224 | V/6.2: 358 | →BWV 872/2 | 01039 |
| 873 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 4 | C♯ maj. | Keyboard | 14: 104 | V/6.2: 16, 168 | 01040 | |
| 874 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 5 | D maj. | Keyboard | 14: 108 | V/6.2: 24, 176 | →K. 405/5 | 01041 |
| 875 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 6 | D min. | Keyboard | 14: 112 | V/6.2: 30 182, 348, 356 | afterBWV 875a | 01042 |
| 875a | 8. | 1739–1740 | Preambulum (earlyWTC II, P. & F. No. 6/1) | D min. | Keyboard | 36: 224 | V/6.2: 346 | →BWV 875/1 | 01043 |
| 876 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 7 | E♭ maj. | Keyboard | 14: 116 | V/6.2: 36, 188, 354 | →K. 405/2 | 01044 |
| 877 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 8 | D♯ min. | Keyboard | 14: 120 | V/6.2: 42, 194 | →K. 405/4 | 01045 |
| 878 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 9 | E maj. | Keyboard | 14: 124 | V/6.2: 48, 200 | →K. 405/3 | 01046 |
| 879 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 10 | E min. | Keyboard | 14: 128 | V/6.2: 54, 206 | 01047 | |
| 880 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 11 | F maj. | Keyboard | 14: 134 | V/6.2: 62, 215 | 01048 | |
| 881 | 8. | 1739–1742 1744 | Well-Tempered ClavierII, P. & F. No. 12 | F min. | Keyboard | 14: 138 | V/6.2: 69, 221 | 01049 | |
| 882 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 13 | F♯ maj. | Keyboard | 14: 142 | V/6.2: 76, 228 | →K. 404a/3 | 01050 |
| 883 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 14 | F♯ min. | Keyboard | 14: 146 | V/6.2: 84, 236 | →K. 404a/2 | 01051 |
| 884 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 15 | G maj. | Keyboard | 14: 150 | V/6.2: 90, 242, 350 | afterBWV 902/2 | 01052 |
| 885 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 16 | G min. | Keyboard | 14: 154 | V/6.2: 94, 246 | 01053 | |
| 886 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 17 | A♭ maj. | Keyboard | 14: 160 | V/6.2: 100, 108, 252 | afterBWV 901/2 | 01054 |
| 887 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 18 | G♯ min. | Keyboard | 14: 166 | V/6.2: 112, 260 | 01055 | |
| 888 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 19 | A maj. | Keyboard | 14: 172 | V/6.2: 120, 268 | 01056 | |
| 889 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 20 | A min. | Keyboard | 14: 176 | V/6.2: 124, 272 | 01057 | |
| 890 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 21 | B♭ maj. | Keyboard | 14: 180 | V/6.2: 128, 276 | 01058 | |
| 891 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 22 | B♭ min. | Keyboard | 14: 186 | V/6.2: 134, 282 | 01059 | |
| 892 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 23 | B maj. | Keyboard | 14: 192 | V/6.2: 142, 290 | 01060 | |
| 893 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 24 | B min. | Keyboard | 14: 198 | V/6.2: 150, 298 | 01061 | |
| 870 | 8. | 1744 | Well-Tempered Clavier II, P. & F. No. 1 (version B) | C maj. | Keyboard | 14: 91 | V/6.2: 156 | afterBWV 870a | 01034 |
| 894 | 8. | 1710–1717 (JTK) | Prelude and Fugue | A min. | Keyboard | 36: 91 | V/9.2: 40 | →BWV 1044/1, /3; in SBBP 801,P 804 | 01062 |
| 895 | 8. | 1709 (JCB) | Prelude and Fugue | A min. | Keyboard | 36: 104 | V/9.2: 69 | in YaleLM 4982 | 01063 |
| 896 | 8. | 1704–1707 | Prelude and Fugue | A maj. | Keyboard | 36: 157 | V/9.2: 72 | inMöllersche Handschrift | 01064 |
| 870a | 8. | before 1727 | Prelude and Fughetta | C maj. | Keyboard | 36: 224 | V/6.2: 307, 310 | →BWV 870; in SBBP 804,P 1089 | 01035 |
| 899 | 8. | before 1727 | Prelude and Fughetta | D min. | Keyboard | 36: 106 | V/6.2: 314 V/12: 24 | in SBBP 804,P 1089 | 01068 |
| 900 | 8. | before 1727 | Prelude and Fughetta | E min. | Keyboard | 36: 108 | V/6.2 V/12 | in SBBP 804,P 1089 | 01069 |
| 901 | 8. | before 1727 | Prelude and Fughetta | F maj. | Keyboard | 36: 112 | V/6.2: 324 | →BWV 886/2; in SBBP 1089 | 01070 |
| 902 | 8. | c.1729 | Prelude and Fughetta | G maj. | Keyboard | 36: 114 | V/6.2: 328 | →BWV 884/2; in SBBP 804,P 1089 | 01071 |
| 902/1a | 8. | before 1727 | Prelude (previous Prelude toBWV 902/2) | G maj. | Keyboard | 36: 220 | V/6.2: 334, 338 | →BWV 884/2; in SBBP 804 | 01072 |
| 903 | 8. | Chromatic Fantasia and Fugue | D min. | Keyboard | 36: 71 | V/9.2: 76 | afterBWV 903a; in SBBP 803,P 651 | 01073 | |
| 903a | 8. | Fantasia (earlyBWV 903/1) | D min. | Keyboard | 36: 219 | V/9.2: 90 | →BWV 903/1; in D-DSMus. ms. 69 | 01074 | |
| 904 | 8. | before 1727 | Fantasia and Fugue | A min. | Keyboard | 36: 81 | V/9.2 | in SBBP 804 | 01075 |
| 906 | 8. | before 1729 c.1738 | Fantasia and Fugue (Fugue incomplete) | C min. | Keyboard | 36: 145, 238 | V/9.2: 110 | in US-BETbc, D-DlMus.2405-T-52 | 01077 |
| 910 | 8. | 1707–1713 | Toccata | F♯ min. | Kb (or) Org | 3: 311 | V/9.1: 1 | inAndreas-Bach-Buch | 01081 |
| 911 | 8. | 1707–1713 | Toccata | C min. | Kb (or) Org | 3: 322 | V/9.1: 13 | inAndreas-Bach-Buch | 01082 |
| 912 | 8. | 1707–1713 | Toccata | D maj. | Kb (or) Org | 36: 26 | V/9.1: 38 | afterBWV 912a; ↔BWV 532/1 | 01083 |
| 912a | 8. | 1704–1707 | Toccata | D maj. | Kb (or) Org | 36: 218 | V/9.1: 26 | →BWV 912; inMöllersche Handschrift | 01084 |
| 913 | 8. | 1707–1709 | Toccata | D min. | Kb (or) Org | 36: 36 | V/9.1: 50, 63 | afterBWV 913a | 01085 |
| 913a | 8. | Toccata | D min. | Kb (or) Org | V/9.1: 52 | →BWV 913; publ. 1801 | 01086 | ||
| 914 | 8. | 1707–1709 | Toccata | E min. | Kb (or) Org | 36: 47 | V/9.1: 78 | 01087 | |
| 915 | 8. | 1707–1709 | Toccata | G min. | Kb (or) Org | 36: 54 | V/9.1: 87 | 01088 | |
| 916 | 8. | 1707–1713 | Toccata | G maj. | Kb (or) Org | 36: 63 | V/9.1: 100 | inAndreas-Bach-Buch | 01089 |
| 917 | 8. | 1704–1707 | Fantasia | G min. | Keyboard | 36: 143 | V/9.1: 14, 16 | inMöllersche Handschrift | 01090 |
| 918 | 8. | Fantasia on a Rondo | C min. | Keyboard | 36: 148 | V/9.1: 14, 18 | 01091 | ||
| 921 | 8. | 1707–1713 | Prelude | C min. | Keyboard | 36: 136 | V/9.1: 24 | inAndreas-Bach-Buch | 01094 |
| 922 | 8. | 1710–1714 (JTK) | Prelude (Fantasia) | A min. | Keyboard | 36: 138 | V/9.2: 27, 34 | in SBBP 803 | 01095 |
| 923 | 8. | c.1723? | Prelude | B min. | Keyboard | 42: 211 | V/9.2: 116 | byPachelbel, W. H.?; →BWV 923a; in SBBP 401 | 01096 |
| 924 | 8. | c.1720 | Twelve Little Preludes No. 1: Preambulum (WFB No. 2) | C maj. | Keyboard | 36: 118 451: 214 | V/5: 4 | →BWV 924a | 01098 |
| 924a | 8. | 1720–1726 | Twelve Little Preludes No. 1a: Preludium ex c♮ (WFB No. 26) | C maj. | Keyboard | 36: 221 451: 220 | V/5: 41 | afterBWV 924;BR A44 F(add) 206 | 01099 |
| 925 | 8. | 1720–1726 | Twelve Little Preludes No. 4: Preludium ex d♮ (WFB No. 27) | D maj. | Keyboard | 36: 121 451: 220 | V/5: 42 | BR A45 F(add) 206 | 01100 |
| 926 | 8. | c.1720 | Twelve Little Preludes No. 5: Preludium (WFB No. 4) | D min. | Keyboard | 36: 122 451: 214 | V/5: 6 | 01101 | |
| 927 | 8. | 1720–1726 | Twelve Little Preludes No. 8: Preambulum (WFB No. 8) | F maj. | Keyboard | 36: 124 451: 215 | V/5: 10 | 01102 | |
| 928 | 8. | 1720–1726 | Twelve Little Preludes No. 9: Preludium (WFB No. 10) | F maj. | Keyboard | 36: 124 451: 215 | V/5: 14 | 01103 | |
| 929 | 8. | 1720–1726 | Twelve Little Preludes No. 10: Trio for a Minuet byStölzel (WFB No. 48e) | G min. | Keyboard | 36: 126 451: 226 | V/5: 89 | →BWV 814a | 01104 |
| 930 | 8. | 1720–1726 | Twelve Little Preludes No. 11: Preambulum (WFB No. 9) | G min. | Keyboard | 36: 126 451: 215 | V/5: 12 | 01105 | |
| 931 | 8. | 1720–1726 | Preludium,Klavierbüchlein WFB No. 29 | A min. | Keyboard | 36: 237 451: 220 | V/5: 45 | BR A47 F(add) 206 | 01106 |
| 932 | 8. | 1720–1726 | Preludium ex e♭,Klavierbüchlein WFB No. 28 (incomplete) | E min. | Keyboard | 36: 237 451: 220 | V/5: 44 | BR A46 F(add) 206 | 01107 |
| 933 | 8. | 1717–1723? | Six Little Preludes No. 1 | C maj. | Keyboard | 36: 128 | V/9.2: 3 | in SBBP 542,P 885 | 01108 |
| 934 | 8. | 1717–1723? | Six Little Preludes No. 2 | C min. | Keyboard | 36: 128 | V/9.2: 4 | in SBBP 542,P 885 | 01109 |
| 935 | 8. | 1717–1723? | Six Little Preludes No. 3 | D min. | Keyboard | 36: 130 | V/9.2: 5 | in SBBP 542,P 885 | 01110 |
| 936 | 8. | 1717–1723? | Six Little Preludes No. 4 | D maj. | Keyboard | 36: 131 | V/9.2: 6 | in SBBP 542,P 885 | 01111 |
| 937 | 8. | 1717–1723? | Six Little Preludes No. 5 | E maj. | Keyboard | 36: 132 | V/9.2: 8 | in SBBP 542,P 885 | 01112 |
| 938 | 8. | 1717–1723? | Six Little Preludes No. 6 | E min. | Keyboard | 36: 133 | V/9.2: 10 | in SBBP 542,P 885 | 01113 |
| 939 | 8. | 1726–1727 | Five Little Preludes No. 1 (=12 L. P. No. 2) | C maj. | Keyboard | 36: 119 | V/12: 50 | by Bach?; in SBBP 804 | 01114 |
| 940 | 8. | 1726–1727 | Five Little Preludes No. 2 (=12 L. P. No. 6) | D min. | Keyboard | 36: 123 | V/12: 50 | by Bach?; in SBBP 804 | 01115 |
| 941 | 8. | 1726–1727 | Five Little Preludes No. 3 (=12 L. P. No. 7) | E min. | Keyboard | 36: 123 | V/12: 51 | by Bach?; in SBBP 804 | 01116 |
| 942 | 8. | 1726–1727 | Five Little Preludes No. 4 (=12 L. P. No. 12) | A min. | Keyboard | 36: 127 | V/12: 52 | by Bach?; in SBBP 804 | 01117 |
| 943 | 8. | 1725–1727 | Five Little Preludes No. 5 | C maj. | Org (Kb?) | 36: 134 | V/12: 53 | in SBBP 804 | 01118 |
| 944 | 8. | 1707–1713 | Fantasia and Fugue | A min. | Keyboard | 3: 334 | V/9.2: 133 | inAndreas-Bach-Buch | 01119 |
| 946 | 8. | early work? | Fugue on a theme by Albinoni | C maj. | Keyboard | 36: 159 | V/9.2: 153 | afterAlbinoni, Op. 1, No. 12/4 (theme) | 01121 |
| 947 | 8. | early work? | Fugue | A min. | Keyboard | 36: 161 | V/12: 55 | by Bach? | 01122 |
| 948 | 8. | early work? | Fugue | D min. | Keyboard | 36: 164 | V/9.2: 156 | in D-B N.Mus. ms. 10580 | 01123 |
| 949 | 8. | 1707–1713 | Fugue | A maj. | Keyboard | 36: 169 | V/9.2: 163 | afterAlbinoni (theme)?; inAndreas-Bach-Buch | 01124 |
| 950 | 8. | before 1725 | Fugue on a theme by Albinoni | A maj. G maj. | Keyboard | 36: 173 | V/9.2: 168 | afterAlbinoni (theme); in SBBP 804 | 01125 |
| 951 | 8. | 1714–1717 | Fugue on a theme by Albinoni | B min. | Keyboard | 36: 178 | V/9.2: 118 | afterBWV 951a; in SBBP 801 | 01126 |
| 951a | 8. | 1714–1717 | Fugue on a theme by Albinoni (early version) | B min. | Keyboard | 36: 221 | V/9.2: 127 | afterAlbinoni (theme); →BWV 951; in D-LEmPoel. mus. Ms. 9 | 01127 |
| 952 | 8. | Fugue | C maj. | Keyboard | 36: 184 | V/9.2: 176 | 01128 | ||
| 953 | 8. | 1720–1726 | Fugue a 3,Klavierbüchlein WFB No. 31 | C maj. | Keyboard | 36: 186 451: 220 | V/5: 46 | 01129 | |
| 954 | 8. | early work? | Fugue on a theme byReincken | B♭ maj. | Keyboard | 42: 50 | V/11: 200 | afterReincken,Hortus Musicus No. 2/2 (theme)[31] | 01130 |
| 955 | 8. | early work | Fugue | B♭ maj. | Keyboard | 42: 55 | V/12: 60 | afterBWV 955a; in SBBP 425,P 804 | 01131 |
| 955a | 8. | early work | Fugue | B♭ maj. | Organ | 42: 298 | V/12: 65 | byErselius?; →BWV 955; in SBBP 247,P 595 | 01132 |
| 959 | 8. | Fugue | A min. | Keyboard | 42: 208 | V/9.2: 178 | by Bach? | 01136 | |
| 961 | 8. | ? | Fughetta | C min. | Keyboard | 36: 154 | V/9.2: 182 | in SBBP 823 | 01138 |
| 963 | 8. | early work | Sonata for keyboard | D maj. | Keyboard | 36: 19 | V/10: 32 | in SBBP 804 | 01140 |
| 965 | 8. | c.1714–1717 or earlier | Sonata for keyboard afterReincken | A min. | Keyboard | 42: 29 | V/11: 173 | afterReincken,Hortus Musicus No. 1/1–/5; in SBBP 803 | 01142 |
| 966 | 8. | c.1714–1717 or earlier | Sonata for keyboard afterReincken | A min. | Keyboard | 42: 42 | V/11: 188 | afterReincken,Hortus Musicus No. 3/1–/5; in SBBP 803 | 01143 |
| 967 | 8. | 1704–1707 | Sonata transcription, 1st movement | A min. | Keyboard | 451: 168 | V/9.2: 184 | in SBBP 804 | 01144 |
| 971 | 8. | 1733–1735 | Italian Concerto (Clavier-Übung II No. 1) | F maj. | Harpsichord | 3: 139 | V/2: 2 | 01148 | |
| 972 | 8. | July 1713– July 1714 | Concerto for solo keyboard (1/16) | D maj. | Keyboard | 42: 59 | V/11: 3 | afterVivaldi,Op. 3 No. 9 | 01149 |
| 972a | 8. | July 1713– July 1714 | Concerto for solo keyboard (1/16), early version | D maj. | Keyboard | V/11: 161 | afterVivaldi,Op. 3 No. 9 | 01150 | |
| 973 | 8. | July 1713– July 1714 | Concerto for solo keyboard (2/16) | G maj. | Keyboard | 42: 59 | V/11: 12 | afterVivaldi,Op. 7 No. 8 | 01151 |
| 974 | 8. | July 1713– July 1714 | Concerto for solo keyboard (3/16) | D min. | Keyboard | 42: 59 | V/11: 20 | afterMarcello, A.,Oboe Concerto | 01152 |
| 975 | 8. | July 1713– July 1714 | Concerto for solo keyboard (4/16) | G min. | Keyboard | 42: 59 | V/11: 30 | afterVivaldi,Op. 4 No. 6 | 01153 |
| 976 | 8. | July 1713– July 1714 | Concerto for solo keyboard (5/16) | C maj. | Keyboard | 42: 59 | V/11: 39 | afterVivaldi,Op. 3 No. 12 | 01154 |
| 977 | 8. | July 1713– July 1714 | Concerto for solo keyboard (6/16) | C maj. | Keyboard | 42: 59 | V/11: 50 | after unknown model | 01155 |
| 978 | 8. | July 1713– July 1714 | Concerto for solo keyboard (7/16) | F maj. | Keyboard | 42: 59 | V/11: 56 | afterVivaldi,Op. 3 No. 3 (RV 310) | 01156 |
| 979 | 8. | July 1713– July 1714 | Concerto for solo keyboard (8/16) | B min. | Keyboard | 42: 59 | V/11: 64 | afterVivaldi, RV 813 (previously:Torelli)[32] | 01157 |
| 980 | 8. | July 1713– July 1714 | Concerto for solo keyboard (9/16) | G maj. | Keyboard | 42: 59 | V/11: 79 | afterVivaldi,Op. 4 No. 1 (RV 381) | 01158 |
| 981 | 8. | July 1713– July 1714 | Concerto for solo keyboard (10/16) | C min. | Keyboard | 42: 59 | V/11: 90 | afterMarcello, B., Op. 1 No. 2 | 01159 |
| 982 | 8. | July 1713– July 1714 | Concerto for solo keyboard (11/16) | B♭ maj. | Keyboard | 42: 59 | V/11: 100 | afterJ. E. of Saxe-Weimar, Op. 1 No. 1 | 01160 |
| 983 | 8. | July 1713– July 1714 | Concerto for solo keyboard (12/16) | G min. | Keyboard | 42: 59 | V/11: 110 | after unknown model | 01161 |
| 984 | 8. | July 1713– July 1714 | Concerto for solo keyboard (13/16) | C maj. | Keyboard | 42: 59 | V/11: 118 | afterJ. E. of Saxe-Weimar,lost Concerto; →BWV 595 | 01162 |
| 985 | 8. | July 1713– July 1714 | Concerto for solo keyboard (14/16) | G min. | Keyboard | 42: 59 | V/11: 128 | afterTelemann,TWV 51:g1[33] | 01163 |
| 986 | 8. | July 1713– July 1714 | Concerto for solo keyboard (15/16) | G min. | Keyboard | 42: 59 | V/11: 137 | after unknown model | 01164 |
| 987 | 8. | July 1713– July 1714 | Concerto for solo keyboard (16/16) | D min. | Keyboard | 42: 59 | V/11: 142 | afterJ. E. of Saxe-Weimar, Op. 1 No. 4 | 01165 |
| 988 | 8. | 1741–1742 | Goldberg Variations (Clavier-Übung IV) | G maj. | Harpsichord | 3: 263 | V/2: 69 | →BWV 1087 | 01166 |
| 988/1 | 8. | c.1740? (AMB) | Notebook A. M. Bach (1725) No. 26 Aria of theGoldberg Variations | G maj. | Harpsichord | 3: 263 | V/4: 103 | →BWV 1087 | 01166 |
| 989 | 8. | 1707–1713 | Aria variata | A min. | Keyboard | 36: 203 | V/10: 21 | inAndreas-Bach-Buch | 01167 |
| 991 | 8. | 1722 | Notebook A. M. Bach (1722) No. 7 Air with variations (incomplete) | C min. | Keyboard | 432: 4 | V/4: 40 | 01169 | |
| 992 | 8. | 1704–1707 | Capriccio on the departure of a beloved brother | B♭ maj. | Keyboard | 36: 190 | V/10: 3 | inMöllersche Handschrift | 01170 |
| 993 | 8. | c.1705 | Capriccio in honorem Johann Christoph Bachii Ohrdrufiensis [scores] | E maj. | Keyboard | 36: 197 | V/10: 12 | in SBBP 804 | 01171 |
| 994 | 8. | 1720 | Klavierbüchlein WFB No. 1: Applicatio | C maj. | Keyboard | 36: 237 451:214 | V/5: 4 | 01172 | |
| 9. | Lute compositions (see also:List of solo lute compositions by Johann Sebastian Bach) | Up ↑ | |||||||
| 995 | 9. | Fall 1727 – Winter 1731 | Suite for lute | G min. | Lu | V/10: 81 | afterBWV 1011[34][35][36] [37][38][39][40][41][42] [43][44][45][46][47][48] | 01173 | |
| 996 | 9. | 1710–1717 (JGW) | Suite for lute | E min. | Lu (Lw?) | 451: 149 | V/10: 94 | in SBBP 801, pp. 385–395[49][50] [40][42][43][51][52][53] | 01174 |
| 997.1 | 9. | 1720–1739 | Suite (1st version) | C min. | Lw | 451: 156 | V/10: 102 | in SBBP 650; →BWV 997.2[37][40][54] [42][43][47][48][51][52] | 01175 |
| 997.2 | 9. | 1720–1739 | Suite (2nd version) | C min. | Lu | 451: 156 | V/10: 102 | in D LEm III 11.5; afterBWV 997.1[37][40][54] [42][43][47][48][51][52] | 11576 |
| 998 | 9. | 1735–1745 | Prelude, Fugue and Allegro | E♭ maj. | Lu (or) Hc | 451: 141 | V/10: 114 | [40][55][56] [41][42][43][48][52][57] | 01176 |
| 999 | 9. | 1717–1723 | Prelude for lute (Twelve Little Preludes No. 3) | C min. | Lu | 36: 119 | V/10: 122 | in SBBP 804, pp. 101–103[58][40][42][59][60] | 01177 |
| 1000 | 9. | after 1720 | Fugue | G min. | Lu | V/10: 124 | afterBWV 1001/2; →539/2; in MB LpzIII.11.4[37][54] [40][42][47][48][51][61] | 01178 | |
| 1006.2 | 9. | c.1736–1737 | Suite | E maj. | Lu? | 42: 16 | V/10: 134 | afterBWV 1006.1[35][40][62] [42][48][57][63][64][65] | 01185 |
| 10. | Chamber music (see also:List of chamber music works by Johann Sebastian Bach) | Up ↑ | |||||||
| 1001 | 10. | 1720 | Sonatas and partitas for solo violin No. 1:Sonata No. 1 | G min. | Vl | 271: 3 | VI/1: 3 rev 3: 3 | →BWV 1000,539/2 | 01179 |
| 1002 | 10. | 1720 | Partitas and sonatas for solo violin No. 2:Partita No. 1 | B min. | Vl | 271: 3 | VI/1: 10 rev 3: 10 | 01180 | |
| 1003 | 10. | 1720 | Sonatas and partitas for solo violin No. 3:Sonata No. 2 | A min. | Vl | 271: 3 | VI/1: 20 rev 3: 20 | →BWV 964 | 01181 |
| 1004 | 10. | 1720 | Partitas and sonatas for solo violin No. 4:Partita No. 2 | D min. | Vl | 271: 3 | VI/1: 30 rev 3: 30 | 01182 | |
| 1005 | 10. | 1720 | Sonatas and partitas for solo violin No. 5:Sonata No. 3 | C maj. | Vl | 271: 3 | VI/1: 42 rev 3: 42 | after "Komm, Heiliger Geist, Herre Gott"; →BWV 968 | 01183 |
| 1006.1 | 10. | 1720 | Partitas and sonatas for solo violin No. 6:Partita No. 3 | E maj. | Vl | 271: 3 | VI/1: 54 rev 3: 54 | →BWV 1006.2,29/1 and120a/4 | 01184 |
| 1007 | 10. | 1720 (AMB) | Suite for cello No. 1 | G maj. | Vc | 271: 59 | VI/2: 2 | 01186 | |
| 1008 | 10. | 1720 (AMB) | Suite for cello No. 2 | D min. | Vc | 271: 59 | VI/2: 8 | 01187 | |
| 1009 | 10. | 1720 (AMB) | Suite for cello No. 3 | C maj. | Vc | 271: 59 | VI/2:14 | 01188 | |
| 1010 | 10. | 1720 (AMB) | Suite for cello No. 4 | E♭ maj. | Vc | 271: 59 | VI/2: 22 | 01189 | |
| 1011 | 10. | 1720 (AMB) | Suite for cello No. 5 | C min. | Vc | 271: 59 | VI/2: 32 | →BWV 995 | 01190 |
| 1012 | 10. | 1720 (AMB) | Suite for cello No. 6 | D maj. | Vc | 271: 59 | VI/2:40 | 01191 | |
| 1013 | 10. | 1717–1723? | Partita for flute | A min. | Fl | VI/3: 3 | 01192 | ||
| 1014 | 10. | 1717–1723? | Sonata for violin and harpsichordNo. 1 | B min. | Vl Hc | 9: 69 | VI/1: 83 rev 3: 83 | 01193 | |
| 1015 | 10. | 1717–1723? | Sonata for violin and harpsichordNo. 2 | A maj. | Vl Hc | 9: 84 | VI/1: 99 rev 3: 99 | 01194 | |
| 1016 | 10. | 1717–1723? | Sonata for violin and harpsichordNo. 3 | E maj. | Vl Hc | 9: 98 | VI/1: 115 rev 3: 115 | 01195 | |
| 1017 | 10. | 1717–1723? | Sonata for violin and harpsichordNo. 4 | C min. | Vl Hc | 9: 120 | VI/1: 136 rev 3: 136 | 01196 | |
| 1018.2 | 10. | 1717–1723? | Sonata for violin and harpsichord No. 5 | F min. | Vl Hc | 9: 136 | VI/1: 153 rev 3: 153 | afterBWV 1018.1 | 01197 |
| 1018.1 | 10. | 1717–1723? | Adagio, early version of BWV 1018/3 | F min. | Vl Hc | 9: 250 | VI/1: 195 rev 3: 194 | →BWV 1018.2/3 | 01198 |
| 1019.3 | 10. | after 1729? | Sonata for violin and harpsichord No. 6 | G maj. | Vl Hc | 9: 154 | VI/1: 172 rev 3: 172 | afterBWV 1019.2 | 01200 |
| 1019.1 | 10. | 1725 | Sonata for violin and harpsichord No. 6, early version 1 (partially lost) | 9: 252 | VI/1: 197 rev 3: 196 | →BWV 830/3, /6,1019.2 | 01199 | ||
| 1019.2 | c. 1730–1731 | Sonata for violin and harpsichord No. 6, early version 2 | VI/1: 197 rev 3: 218 | afterBWV 1019.1,120.1/4; →BWV 1019.3 | 11577 | ||||
| 1021 | 10. | 1732–1733 | Sonata for violin and continuo | G maj. | Vl Bc | VI/1: 65 rev 3: 65 | →BWV 1022,1038 | 01202 | |
| 1023 | 10. | c.1714–1717? | Sonata for violin and continuo | E min. | Vl Bc | 431: 31 | VI/1: 73 rev 3: 73 | 01204 | |
| 1025.1 | 10. | after 1739? | Suite for violin and keyboard | A maj. | Vl Kb | 9: 43 | VI/5: 67 | afterWeiss; →BWV 1025.2 | 11578 |
| 1025.2 | 10. | c. 1746–1747? | Suite for violin and keyboard (incomplete) | A maj. | Vl Kb | 9: 43 | VI/5: 97 | afterBWV 1025.1 | 01206 |
| 1026 | 10. | c.1714–1717 | Fugue for violin and continuo | G min. | Vl Bc | 431: 39 | VI/5: 59 | 01207 | |
| 1027 | 10. | c.1742 | Sonata for gamba and harpsichord No. 1 | G maj. | Gam Hc | 9: 175 | VI/4: 3 | afterBWV 1039; →1027/1a /2a /4a | 01208 |
| 1028 | 10. | Sonata for gamba and harpsichord No. 2 | D maj. | Gam Hc | 9: 175 | VI/4: 21 | 01210 | ||
| 1029 | 10. | Sonata for gamba and harpsichord No. 3 | G min. | Gam Hc | 9: 175 | VI/4: 36 | →BWV 545b | 01211 | |
| 1030.2 | 10. | 1736–1737 | Sonata for flute and harpsichord | B min. | Fl Hc | 9: 3 | VI/3: 33 | afterBWV 1030.1 | 11579 |
| 1030.1 | 10. | 1717–1736 | Sonata for unknown instrument and harpsichord | G min. | v Hc | VI/3: 89 | →BWV 1030.2 | 01212 | |
| 1032 | 10. | 1736–1737 | Sonata for flute and harpsichord (/1 incomplete) | A maj. | Fl Hc | 9: 32, 245 | VI/3: 54 | →BWV 525a | 01214 |
| 1034 | 10. | after 1723 | Sonata for flute and continuo | E min. | Fl Bc | 431: 9 | VI/3: 11 | 01216 | |
| 1035 | 10. | 1740s | Sonata for flute and continuo | E maj. | Fl Bc | 431: 21 | VI/3: 23 | 01217 | |
| 1039 | 10. | 1708–1726 | Sonata | G maj. | 2Fl Bc | 9: 260 | VI/3: 71 | →BWV 1027 | 01221 |
| 11. | Works for orchestra (see also:List of orchestral works by Johann Sebastian Bach) | Up ↑ | |||||||
| 1041 | 11. | 1730 | Concerto for violin and orchestra No. 1 | A min. | Vl Str Bc | 211: 3 451: 233 | VII/3: 3 | →BWV 1058 | 01223 |
| 1042 | 11. | Concerto for violin and orchestra No. 2 | E maj. | Vl Str Bc | 211: 21 | VII/3: 35 | →BWV 1054 | 01224 | |
| 1043 | 11. | 1730–1731 or earlier | Concerto for 2 violins and orchestra –Double Concerto | D min. | 2Vl Str Bc | 211: 41 | VII/3: 71 | →BWV 1062 | 01225 |
| 1044 | 11. | 1727 or later | Concerto for flute, violin, harpsichord and orchestra –Triple Concerto | A min. | Fl Vl Hc Str Bc | 17: 223 | VII/3: 105 | afterBWV 894/1,527/2, 894/2 | 01226 |
| 1045 | 11. | 1743–1746 | Cantata opening: "Concerto" (Symphonic movement for violin and orchestra) | D maj. | Vl 3Tr Tmp 2Ob Str Bc | 211: 65 | I/34: 305 | after unknown model by other composer?[66][67][68] | 01227 |
| 1046.2 | 11. | 1721-03-24 | Brandenburg Concerto No. 1 | F maj. | 2Nho 3Ob Bas Vlp Str Bc | 19: 3 | VII/2: 3 | afterBWV 1046.1; /3, /7 →BWV 207(a)/1, /5a | 01228 |
| 1046.1 | 11. | c.1712- 1713? | Sinfonia (opening ofBWV 208?) | F maj. | 2Nho 3Ob Str Bas Bc | 311: 69 | VII/2: 225 | →BWV 1046.2; /1 →BWV 52/1; was BWV 1046a, 1071[66] | 01229 |
| 1047 | 11. | 1721-03-24 | Brandenburg Concerto No. 2 | F maj. | Tr Fl Ob Vl Str Vne Bc | 19: 3 | VII/2: 43 | 01230 | |
| 1048 | 11. | 1721-03-24 | Brandenburg Concerto No. 3 | G maj. | 3Vl 3Vla 3Vc Vne Hc | 19: 3 | VII/2: 73 | →BWV 174/1 | 01231 |
| 1049 | 11. | 1721-03-24 | Brandenburg Concerto No. 4 | G maj. | Vl 2Fl Str Vc Vne Bc | 19: 3 | VII/2: 99 | →BWV 1057 | 01232 |
| 1050.2 | 11. | 1721-03-24 | Brandenburg Concerto No. 5 (early version) | D maj. | Fl Vl Hc Vl Va Vc Vne | 19: 3 | VII/2: 145 | afterBWV 1050.1 | 01233 |
| 1050.1 | 11. | 1720–1721 | Brandenburg Concerto No. 5 (revised version) | D maj. | Fl Vl Hc Vl Va Vne | 19: 3 | VII/2: 145 | →BWV 1050.2 | 01234 |
| 1051 | 11. | 1721-03-24 | Brandenburg Concerto No. 6 | B♭ maj. | 2Vla 2Gam Vc Vne Hc | 19: 3 | VII/2: 197 | 01235 | |
| 1052.2 | 11. | c.1738 | Concerto for harpsichord and orchestra No. 1 (revised version) | D min. | Hc Str Bc | 17: 3 | VII/4: 3 | afterBWV 1052.1,BWV 146/1, /2 and188/1 | 01236 |
| 1052.1 | 11. | before 1726 | Concerto for harpsichord and orchestra No. 1 (early version) | D min. | Hc Str Bc | 17: 3 | VII/4: 317 | byBach, C. P. E.?; →BWV 1052.2,BWV 146/1, /2 and188/1 | 01237 |
| 1053 | 11. | c.1738 | Concerto for harpsichord and orchestra No. 2 | E maj. | Hc Str Bc | 17: 3 | VII/4: 79 | afterBWV 169/1, /5 and49/1 | 01238 |
| 1054 | 11. | c.1738 | Concerto for harpsichord and orchestra No. 3 | D maj. | Hc Str Bc | 17: 3 | VII/4: 127 | afterBWV 1042 | 01239 |
| 1055 | 11. | c.1738 | Concerto for harpsichord and orchestra No. 4 | A maj. | Hc Str Bc | 17: 3 | VII/4: 161 | afterBWV 1055R? | 01240 |
| 1056 | 11. | c.1738 | Concerto for harpsichord and orchestra No. 5 | F min. | Hc Str Bc | 17: 3 | VII/4: 197 | afterBWV 1056R?; /2 afterBWV 156/1 | 01241 |
| 1057 | 11. | c.1738 | Concerto for harpsichord and orchestra No. 6 | F maj. | Hc 2Fl Str Bc | 17: 3 | VII/4: 221 | afterBWV 1049 | 01242 |
| 1058 | 11. | c.1738 | Concerto for harpsichord and orchestra No. 7 | G min. | Hc Str Bc | 17: 3 | VII/4: 283 | afterBWV 1041 | 01243 |
| 1059 | 11. | c.1738 | Concerto for harpsichord and orchestra No. 8 (abandoned fragment of 1st movement) | D min. | Hc Ob Str Bc | 17: 3 | VII/4: 313 | afterBWV 35/1 and earlier model (for oboe?); completions/ reconstructions usually based on BWV 35/1, /2 and /5 | 01244 |
| 1060 | 11. | c.1736 | Concerto for 2 harpsichords and orchestra No. 1 | C min. | 2Hc Str Bc | 212: 3 | VII/5: 3 | afterBWV 1060R? | 01245 |
| 1061.2 | 11. | after 1732–1733 | Concerto for 2 harpsichords and orchestra No. 2 | C maj. | 2Hc Str Bc | 212: 39 | VII/5: 109 | afterBWV 1061.1 | 01246 |
| 1061.1 | 11. | 1732–1733 or earlier | Concerto for 2 harpsichords (No. 2) | C maj. | 2Hc | 212: 39 | VII/5: 83 | →BWV 1061.2 | 01247 |
| 1062 | 11. | 1736 | Concerto for 2 harpsichords and orchestra No. 3 | C min. | 2Hc Str Bc | 212: 83 | VII/5: 43 | afterBWV 1043 | 01248 |
| 1063 | 11. | c.1730 | Concerto for 3 harpsichords and orchestra No. 1 | D min. | 3Hc Str Bc | 313: 3 | VII/6: 3 | after unknown model? | 01249 |
| 1064 | 11. | c.1730 | Concerto for 3 harpsichords and orchestra No. 2 | C maj. | 3Hc Str Bc | 313: 53 | VII/6: 55 | afterBWV 1064R? | 01250 |
| 1065 | 11. | c.1730 | Concerto for 4 harpsichords and orchestra | A min. | 4Hc Str Bc | 431: 71 | VII/6: 117 | afterVivaldi,Op. 3 No. 10 | 01251 |
| 1066 | 11. | May 1724–End 1725 | Orchestral Suite No. 1 | C maj. | 2Ob Bas Str Bc | 311: 3 | VII/1: 3 | Ouverture Courante 2Gavotte Forlane 2Minuet 2Bourrée 2Passepied | 01252 |
| 1067 | 11. | 1738–1739 | Orchestral Suite No. 2 | B min. | Fl Str Bc | 311: 24 | VII/1: 27 | Ouverture Rondeau Sarabande 2Bourrée 2Polonaise Minuet Badinerie | 01253 |
| 1068 | 11. | c.1730 | Orchestral Suite No. 3 | D maj. | 3Tr Tmp 2Ob (Vl) Str Bc | 311: 40 | VII/1: 49, 119 | OuvertureAir 2Gavotte Bourrée Gigue | 01254 |
| 1069 | 11. | before late 1727 | Orchestral Suite No. 4 | D maj. | 3Tr Tmp 2Ob Bas Str Bc | 311: 66 | VII/1: 79 | Ouverture 2Bourrée Gavotte 2Minuet Réjouissance; /1 →BWV 110/1 | 01255 |
| 1071 | seeBWV 1046.1 | 01229 | |||||||
| 12. | Canons (see also:List of canons by Johann Sebastian Bach) | Up ↑ | |||||||
| 1072 | 12. | Canontrias harmonica a 8 | D maj. | 8V | 451: 131 | VIII/1: 3, 6 | [43][69] | 01258 | |
| 1073 | 12. | 1713-08-02 | Canonâ 4. Voc: perpetuus | A min. | 4V | 451: 132 | VIII/1: 3 | in US-CAhbMS Eng 870 (35b)[70][71][72][73][74] | 01259 |
| 1074 | 12. | 1727 | Canona 4 (forLudwig Friedrich Hudemann [de]) | A min. | 4V | 451: 134 | VIII/1: 3 | [75][76] [43][72][77][78][79][80] | 01260 |
| 1075 | 12. | 1734-01-10 | Canona 2. perpetuus | D maj. | 2V | VIII/1: 3 | [72] | 01261 | |
| 1076 | 12. | 1746 | Canontriplex a 6 | G maj. | 6V | 451: 138 | VIII/1: 3 | afterBWV 1087/13 [57][81][82][83] [43][84][85][86][87][88] | 01262 |
| 1077 | 12. | 1747-10-15 | Canone doppio sopr' il soggetto (dedicated toJohann Fulde [de]) | G maj. | 4V Bc | VIII/1: 4 IX/2: 81 | afterBWV 1087/11[62][72][88][89] | 01263 | |
| 1078 | 12. | 1749-03-01 | CanonFa Mi, et Mi Fa est Tota Musica, a.k.a.Canon super Fa Mi, a 7. post Tempus Musicum | F maj. | 7V Bc | 451: 136 | VIII/1: 4 | in SBBP 611[72][90][91] | 01264 |
| 1086 | 12. | 1750? | CanonConcordia discors | D maj. | 2V | VIII/1: 4 III/1: VIII | in SLB DresdenR 291s[43][92][93][94][95] | 01272 | |
| 1087 | 12. | 1747/1748 or earlier | 14 Canons on the first eight notes of the Goldberg ground | G maj. | 6V | V/2: 119 | afterBWV 988/1; /11 →BWV 1077; /13 →1076; in BN ParisMs. 17669, Bl. 18v [57][96][97][98][99][100] | 01273 | |
| 13. | Musical Offering, Art of the Fugue (see also:List of late contrapuntal works by Johann Sebastian Bach) | Up ↑ | |||||||
| 1079 | 13. | 1747-07-07 | Musical Offering | Kb Fl 2Vl Bc | 312 | VIII/1: 46 | [101] | 01265 | |
| 1080.1 | 13. | 1742–1749 | The Art of Fugue (autograph) | Hc (?) | 251 | VIII/2.1 | →BWV 1080.2 | 01266 | |
| 1080.2 | c. 1747–1748 | The Art of Fugue (print version) | 47 | VIII/2.2 | afterBWV 1080.1[102] | 11581 | |||
| Later | Later additions to the main catalogue (above BWV 1128:BWV3) | Up ↑ | |||||||
| 1127 | 1713-10-30 | aria "Alles mit Gott und nichts ohn' ihn" | C maj. | s Str Bc | Sppl: 237 | text byMylius [scores][103] | 01307 | ||
| 1128 | II | 1707–1708 | chorale setting "Wo Gott der Herr nicht bei uns hält" | G min. | Organ | IV/10 | afterZ 4441a; was BWV Anh. 71[104][105] | 01725 | |
| 1129 | c. 1742–1745 | music theoryTheoretische Aufzeichnungen zum fünfstimmigen Satz | Sppl: 63 | 11582 | |||||
| 1130 | c. 1742–1743 | music theoryTheoretische Aufzeichnungen zum Kontrapunkt | Sppl: 45 | 11583 | |||||
| 1131 | c. 1743–1746 | music theoryRegeln zum Gebrauch von Synkopen im doppelten Kontrapunkt | Sppl: 41 | 11584 | |||||
| 1132 | c. 1736–1739 | Counterpoint studies with W. F. Bach | Sppl: 67 | 11585 | |||||
| 1133 | c. 1740–1745 | thorough-bass rules IEinige höchst nöthige Regeln vom General Basse | V/4: 131 Sppl: 37 | 11586 | |||||
| 1134 | 1738? | thorough-bass rules IIPrecepts and Principles For Playing the Thorough-Bass or Accompanying in Four Parts | Sppl: 3 | 11587 | |||||
| 1135 | I | 1724-03-25 | CantataSiehe, eine Jungfrau ist schwanger (25 March:Annunciation) | was BWV Anh. 199; text extant[106][107][108] | 01510 | ||||
| 1136 | I | 1708–1717? 1725-09-09? 1727-02-06 | CantataLiebster Gott, vergißt du mich (1711: libretto for Trin. VII; 1725: Trin. XV?; 1727, withBWV 157.1: funeral in Pomßen) | was BWV Anh. 209; text byLehms[109][110] | 01520 | ||||
| 1137 | I | 1729-10-23? | Cantata (sketch:Gott, du Richter der Gedanken for Trinity XIX byPicander?) | SATB Vl Str Bc | III/1 | was BWV Anh. 2; in SBBP 36: 18[111] | 01309 | ||
| 1138.1 | I | 1709-02-04 | Cantata for Ratswahl in Mühlhausen No. 2 | wasBWV Anh. 192[112] | 01503 | ||||
| 1138.2 | 1710-02-04 | Cantata for Ratswahl in Mühlhausen No. 3 | lost | 11382 | |||||
| 1139.1 | I | 1725-08-27 | CantataWünschet Jerusalem Glück (council election) | wasBWV Anh. 4; text byPicander; →BWV 1139.2[51][113] | 01311 | ||||
| 1139.2 | I | 1730-06-27 | CantataWünschet Jerusalem Glück (200th anniversary of theAugsburg Confession) | was BWV Anh. 4a; text byPicander; afterBWV 1139.1[114] | 01312 | ||||
| 1140 | I | 1730-08-25 | CantataGott, gib dein Gerichte dem Könige (council election) | I/32.2 | wasBWV Anh. 3; text byPicander[114][113] | 01310 | |||
| 1141 | I | 1740-08-29 | CantataHerrscher des Himmels, König der Ehren (council election) | I/32.2 | wasBWV Anh. 193; text extant; /7 afterBWV 208/15?[115][116] | 01504 | |||
| 1142 | 1716-04-02 | CantataWas ist, das wir Leben nennen (funeral service forJohann Ernst of S.-W.) | text extant | 01531 | |||||
| 1143 | 4. | 1729-03-24 | CantataKlagt, Kinder, klagt es aller Welt (funeral ofLeopold of Anhalt-Köthen; music lost but partially reconstructible) | I/34 | wasBWV 244a; text byPicander; ↔BWV 198/1, /10,244b/6, /8, /39, /49, /57, /23, /20, /65, /13, /68 | 00305 | |||
| 1144 | I | 1725-02-12 | CantataSein Segen fließt daher wie ein Strom (wedding) | wasBWV Anh. 14; text extant[117][118] | 01322 | ||||
| 1145 | I | 1729-01-18 | CantataDer Herr ist freundlich dem, der auf ihn harret (wedding) | wasBWV Anh. 211; text byPicander[119][120] | 01522 | ||||
| 1146 | I | 1729-07-26 | CantataVergnügende Flammen, verdoppelt die Macht (wedding) | wasBWV Anh. 212; text byPicander[121][122][120] | 01523 | ||||
| 1147 | I | 1718-12-10 | CantataLobet den Herrn, alle seine Heerscharen (birthday ofLeopold of A.-K.) | I/34 | wasBWV Anh. 5; text byHunold[123] | 01313 | |||
| 1148 | I | 1724-04-27 | CantataSiehe, der Hüter Israel (doctorate) | SATB 3Tr Tmp 2Ob 3Vl Va Bc | I/34 | wasBWV Anh. 15; lost[124][125] | 01323 | ||
| 1150 | I | 1721-01-01? 1722-01-01? | CantataIhr wallenden Wolken (New Year) | b 2Fl Str Vc Hc Bc | I/4 | wasBWV Anh. 197; lost[126][127] | 01508 | ||
| 1151 | I | 1720-01-01 | Secular cantataDich loben die lieblichen Strahlen der Sonne (New Year) | I/35 | wasBWV Anh. 6; text byHunold[128][129] | 01314 | |||
| 1152 | I | 1723-01-01 | Secular cantata for New Year (congratulation ofLeopold of Anhalt-Köthen and his wifeFrederica Henriette) | I/35 | wasBWV Anh. 8; lost[130] | 01316 | |||
| 1153 | I | 1720-12-10 | Secular cantataHeut ist gewiß ein guter Tag (birthday ofLeopold of Anhalt-Köthen) | I/35 | wasBWV Anh. 7; text byHunold[131][132] | 01315 | |||
| 1154 | I | 1722-07-29 | CantataO vergnügte Stunden (birthday ofJohn Augustus of Anhalt-Zerbst) | wasBWV Anh. 194; text extant[133][134] | 01505 | ||||
| 1155 | I | 1723-08-09 | Ode in Latin (birthday ofFrederick II of Saxe-Gotha) | I/38 | wasBWV Anh. 20; lost[135][136] | 01328 | |||
| 1156 | I | 1727-05-12 | Secular cantataEntfernet euch, ihr heitern Sterne (57th birthday ofAugustus II) | I/36 | wasBWV Anh. 9; text byHaupt, C. F.; /1 →BWV 232II/6?[137][138][139] | 01317 | |||
| 1157 | I | 1732-08-03 | Secular cantataEs lebe der König, der Vater im Lande (name day ofAugustus II) | I/36 | wasBWV Anh. 11; text byPicander; /1 & /11 →BWV 215/1 → 232IV/1=/3; /7 →248/39?; /9 →212/14[113][121][140] | 01319 | |||
| 1158 | I | 1733-08-03 | Secular cantataFrohes Volk, vergnügte Sachsen (name day ofAugustus III) | I/36 | wasBWV Anh. 12; text byPicander; afterBWV Anh. 18; /1 →BWV 11/1[113][121][141] | 01320 | |||
| 1159 | 1739-10-07 | Secular cantata "Serenade" (birthday ofAugustus III) | lost | 01536 | |||||
| 1160 | I | 1731-08-25 | Secular cantataSo kämpfet nur, ihr muntern Töne (birthday ofJoachim Friedrich von Flemming [de]) | I/39 | wasBWV Anh. 10; text byPicander; /1 →BWV 248VIa/1?[121][142] | 01318 | |||
| 1161 | I | 1738-04-28 | Secular cantataWillkommen! Ihr herrschenden Götter der Erden in honour of the royal couple (Augustus III andMaria Josepha), and for the forthcoming marriage of princessMaria Amalia withCharles of Sicily | I/37 | wasBWV Anh. 13; text byGottsched, J. C. inRiemersche Chronik [113][143][144][145] | 01321 | |||
| 1162 | I | 1732-06-05 | Secular cantataFroher Tag, verlangte Stunden (inauguration ofSt. Thomas school after renovation) | I/39 | wasBWV Anh. 18; text byWinckler; /1 →BWV 11/1; /1 /3 /5 /6 /8 /10 →BWV Anh. 12[146][147][148] | 01326 | |||
| 1163 | I | 1725-11-27 | Secular cantataAuf, süß entzückende Gewalt (wedding ofPeter, eldest son ofPeter Hohmann, and Christiana Sibylla Mencke) | I/40 | wasBWV Anh. 196; text byGottsched, C.; /3 →BWV 11/4 →232IV/4; /5 →BWV 11/8[149][150][151][152] | 01507 | |||
| 1164 | II | 1712–1713 or earlier | MotetIch lasse dich nicht, du segnest mich denn | F min. | 2SATB | 39: 157 | III/3: 3 | byBach, J. Christoph?; wasBWV Anh. 159; ↔BWV 421 (/2)[20][153] | 01470 |
| R | Reconstructions (see alsoReconstruction of music by Johann Sebastian Bach) | Up ↑ | |||||||
| 1052R | R | 1970 | Concerto | D min. | Vl Str Bc | VII/7: 3 | by Fischer; afterBWV 1052[154] | 01236 | |
| 1055R | R | 1970 | Concerto | A maj. | Oba Str Bc | VII/7: 33 | by Fischer; afterBWV 1055[154] | 01240 | |
| 1056R | R | 1970 | Concerto | G min. | Vl Str Bc | VII/7: 59 | by Fischer; afterBWV 1056[154] | 01241 | |
| 1060R | R | 1970 | Concerto | C min. | VlOb Str Bc | VII/7: 75 | by Fischer; afterBWV 1060[154] | 01245 | |
| 1064R | R | 1970 | Concerto | D maj. | 3Vl Str Bc | VII/7: 103 | by Fischer; afterBWV 1064[154] | 01250 | |
| Anh. I | Fragments – lost works | Up ↑ | |||||||
| I 1 | I | 1725-07-15? | CantataGesegnet ist die Zuversicht (Trinity VII) | SATB 2Fl Str Bc | byTelemann (TWV 1:617)?; text byNeumeister? | 01308 | |||
| I 2 | I | seeBWV 1137 | 01309 | ||||||
| I 3 | I | seeBWV 1140 | 01310 | ||||||
| I 4 | I | seeBWV 1139.1 | 01311 | ||||||
| I 4a | I | seeBWV 1139.2 | 01312 | ||||||
| I 5 | I | seeBWV 1147 | 01313 | ||||||
| I 6 | I | seeBWV 1151 | 01314 | ||||||
| I 7 | I | seeBWV 1153 | 01315 | ||||||
| I 8 | I | seeBWV 1152 | 01316 | ||||||
| I 9 | I | seeBWV 1156 | 01317 | ||||||
| I 10 | I | seeBWV 1160 | 01318 | ||||||
| I 11 | I | seeBWV 1157 | 01319 | ||||||
| I 12 | I | seeBWV 1158 | 01320 | ||||||
| I 13 | I | seeBWV 1161 | 01321 | ||||||
| I 14 | I | seeBWV 1144 | 01322 | ||||||
| I 15 | I | seeBWV 1148 | 01323 | ||||||
| I 16 | I | 1735-11-09 | CantataSchließt die Gruft! ihr Trauerglocken (mourning ofHedwig of Merseburg) | byRoemhildt;[155] text byHoffmann, B.[156] | 01324 | ||||
| I 17 | I | CantataMein Gott, nimm die gerechte Seele (funeral) | SATB 2Oba Str Bas Bc | I/33 | 01325 | ||||
| I 18 | I | seeBWV 1162 | 01326 | ||||||
| I 19 | I | 1734-11-21 | Secular cantataThomana saß annoch betrübt (welcome toJohann August Ernesti as new rector ofSt. Thomas school) | I/39 | text byLandvoigt [de]? | 01327 | |||
| I 20 | I | seeBWV 1155 | 01328 | ||||||
| N 190 | I | 1729-04-18 | CantataIch bin ein Pilgrim auf der Welt (Easter 2) | b Bc ... | I/33 | byBach, C. P. E.?; text byPicander | 01501 | ||
| N 191 | I | 1715-05-19 | CantataLeb ich oder leb ich nicht (Cantate) | text byFranck, S. | 01502 | ||||
| N 192 | I | seeBWV 1138.1 | 01503 | ||||||
| N 193 | I | seeBWV 1141 | 01504 | ||||||
| N 194 | I | seeBWV 1154 | 01505 | ||||||
| N 195 | I | 1723-06-09 | Secular cantataMurmelt nur, ihr heitern Bäche (celebration ofJohann Florenz Rivinus [de]) | text inActa Lipsiensium 1723, Vol. 5, pp. 515–619 | 01506 | ||||
| N 196 | I | seeBWV 1163 | 01507 | ||||||
| N 197 | I | seeBWV 1150 | 01508 | ||||||
| N 198 | I | seeBWV 149/1a | 01509 | ||||||
| N 199 | I | seeBWV 1135 | 01510 | ||||||
| N 200 | I | c.1740 | chorale setting "O Traurigkeit, o Herzeleid" (unused sketch forOrgelbüchlein) | Organ | IV/1: 46 | afterZ 1915;[157] in SBBP 283 | 01511 | ||
| N 209 | I | seeBWV 1136 | 01520 | ||||||
| N 210 | I | 1734-10-04 | CantataWo sind meine Wunderwerke [it] (leave-taking ofJohann Matthias Gesner) | text in2° Poet. Germ. I, 6425: 4 Rara; /1 →BWV 193a/7, 193/3?[158][159] | 01521 | ||||
| N 211 | I | seeBWV 1145 | 01522 | ||||||
| N 212 | I | seeBWV 1146 | 01523 | ||||||
| N 213 | I | Concerto | F maj. | Org | byTelemann; arr. by Bach | 01524 | |||
| 223 | I | 1717–1718? | CantataMeine Seele soll Gott loben | B♭ maj. | I/34 | byHandel?[160] | 00280 | ||
| 224 | I | 1732 | Aria "Reißt euch los, bekränkte Sinnen" (fragment) | S | I/41 | byBach, C. P. E.?; in SBBP 491[161] | 00281 | ||
| Anh. II | Works of doubtful authenticity | Up ↑ | |||||||
| 53 | II | Aria "Schlage doch, gewünschte Stunde" (Funeral) | E maj. | a Bel Str Bc | 122: 53 | I/41 | byHoffmann, M.? | 00068 | |
| 142 | II | CantataUns ist ein Kind geboren (Christmas) | A min. | atbSATB 2Fl 2Ob Str Bc | 30: 19 | I/41 | text byNeumeister (reworked) | 00174 | |
| 189 | II | CantataMeine Seele rühmt und preist (German Magnificat, Visitation) | B♭ maj. | t Fl Ob Vl Bc | 37: 213 | I/41 | byHoffmann, M. | 00229 | |
| 217 | II | CantataGedenke, Herr, wie es uns gehet (Epiphany I) | satbSATB Fl Str Bc | 41: 207 | I/41 | byAltnickol? | 00274 | ||
| 220 | II | CantataLobt ihn mit Herz und Munde (24 June: feast of John the Baptist) | atbSATB Fl 2Ob Str Bc | 41: 259 | I/41 | 00277 | |||
| 221 | II | CantataWer sucht die Pracht, wer wünscht den Glanz | tb 2Vl Bas Vc Org | I/41 | in SBBP 191: 83–113 | 00278 | |||
| III 159 | II | seeBWV 1164 | 01470 | ||||||
| II 25 | II | 1740–1742 (JSB) | Kyrie–Gloria Mass | C maj. | SATB 2Tr 2Vl Org | 111: XVI | II/9 | byBach, J. L.? | 01333 |
| 239 | II | 1738–1741 (JSB) | Sanctus | D min. | SATB Str Bc | 111: 89 | II/9 | afterCaldara,Missa Providentiae/4[162][163] | 00298 |
| II 28 | II | Sanctus | B♭ maj. | SATB 2Ob 2Cor Str Bc | 111: XVII | II/9 | 01336 | ||
| II 29 | II | c.1714–17 | Kyrie–Gloria Mass (only cello part extant) | C min. | II/9 | in BKrakówSt 547 | 01337 | ||
| III 167 | II | 1738–1739 (JSB) | Kyrie–Gloria Mass for two choirs | G maj. | 3SATB 3Ob Tai 2Vl 2Va 2Vne Bc Org | II/9 | byBernhard,Krieger orPohle?; in SBBP 659[164][165][166] | 01478 | |
| II 30 | II | 1690s (Tor.) c.1742 (JSB) | Magnificat for double choir | C maj. | 2SATB 3Tr Tmp 2Vl 2Vla Bc | 111: XV | II/9 | afterTorri,Magnificat; Tr3, Tmp by Bach[167][168][169] | 01338 |
| 246 | II | 1732-04-11 (JSB) | PassionSt Luke Passion | ssatbSATB 2Fl 2Ob Tai Bas Str Bc | 452 | II/9: 65 | →BWV 246/40a; in SBBP 1017[170] | 00311 | |
| II 31 | II | chorale setting "Herr Gott, dich loben alle wir" | SATB 2Tr 3Ob Str Bc | in SBBP 101 | 01339 | ||||
| N 201 | II | chorale setting "Du Friedefürst, Herr Jesu Christ" | SATB | byVetter, D.[171] | 01512 | ||||
| N 202 | II | chorale setting "Gott hat das Evangelium" | SATB | byVetter, D.[172] | 01513 | ||||
| N 203 | II | chorale setting "Ich hebe meine Augen auf" | SATB | byVetter, D.[173] | 01514 | ||||
| N 204 | II | chorale setting "O Traurigkeit, o Herzeleid" | SATB | byVetter, D.[174] | 01515 | ||||
| II 32 | II | 1704 | Sieben geistliche Oden und ein Gedicht [scores] No. 1 "Getrost mein Geist, wenn Wind und Wetter krachen" | Voice Bc | inDeutsche Übersetzungen und Gedichte[175] | 01340 | |||
| II 33 | II | 1704 | Sieben geistliche Oden und ein Gedicht [scores] No. 2 "Mein Jesus, spare nicht" | Voice Bc | inDeutsche Übersetzungen und Gedichte[175] | 01341 | |||
| II 34 | II | 1704 | Sieben geistliche Oden und ein Gedicht [scores] No. 3 "Kann ich mit einem Tone" | Voice Bc | inDeutsche Übersetzungen und Gedichte[175] | 01342 | |||
| II 35 | II | 1704 | Sieben geistliche Oden und ein Gedicht [scores] No. 4 "Meine Seele lass die Flügel" | Voice Bc | inDeutsche Übersetzungen und Gedichte[175] | 01343 | |||
| II 36 | II | 1704 | Sieben geistliche Oden und ein Gedicht [scores] No. 5 "Ich stimm' itzund ein Straff-Lied an" | Voice Bc | inDeutsche Übersetzungen und Gedichte[175] | 01344 | |||
| II 37 | II | 1704 | Sieben geistliche Oden und ein Gedicht [scores] No. 6 "Der schwarze Flügel trüber Nacht" | Voice Bc | inDeutsche Übersetzungen und Gedichte[175] | 01345 | |||
| II 38 | II | 1704 | Sieben geistliche Oden und ein Gedicht [scores] No. 7 "Das Finsterniß tritt ein" | Voice Bc | inDeutsche Übersetzungen und Gedichte[175] | 01346 | |||
| II 39 | II | 1704 | Sieben geistliche Oden und ein Gedicht [scores] No. 8 "Ach was wollt ihr trüben Sinnen" | Voice Bc | inDeutsche Übersetzungen und Gedichte[175] | 01347 | |||
| II 40 | II | 1736 | Song "Ich bin nun wie ich bin" [scores] | Voice Kb | inSingende Muse an der Pleiße [scores][176][177][178] | 01348 | |||
| II 41 | II | 1736 | Song "Dir zu Liebe, wertes Herze" [scores] | Voice Kb | inSingende Muse an der Pleiße [scores][176][179][180] | 01349 | |||
| 571 | II | c. 1704 | Fantasia, a.k.a. Concerto | G maj. | Organ | 38: 67 | IV/11: 35 | [181][182] | 00651 |
| 580 | II | Fugue | D maj. | Organ | 38: 215 | [183] | 00662 | ||
| II 42 | II | Fugue [scores] | F maj. | Organ | in SBBP 817: 1–3 | 01350 | |||
| 576 | II | Fugue | G maj. | Organ | 38: 106 | IV/11 | [184] | 00658 | |
| 577 | II | Fugue | G maj. | Organ | 38: 111 | IV/11: 44 | [185] | 00659 | |
| 581 | II | Fugue [scores] | G maj. | Organ | IV/11 | byHomilius?[186] | 00663 | ||
| 131a | II | Fugue | G min. | Organ | 38: 217 | IV/11: 3 | afterBWV 131/5[187] | 00161 | |
| 534 | II | Prelude and Fugue | F min. | Organ | 15: 104 | IV/5: 130 | byBach, W. F.? | 00608 | |
| 536a | II | c.1760–1789? | Prelude and Fugue | A maj. | Organ | IV/6: 114 | afterBWV 536,152/1; arr. byScholz?[188] | 00612 | |
| 545b | II | 1708–1717 | Prelude, Trio and Fugue | B♭ maj. | Organ | IV/11: 6 | afterBWV 545a; ↔545,1029/3[189][190] | 00624 | |
| 553 | II | Eight Short Preludes and Fugues No. 1 | C maj. | Organ | 38: 23 | IV/11 | by Krebs,J. T. orJ. L.?[191][192] | 00633 | |
| 554 | II | Eight Short Preludes and Fugues No. 2 | D min. | Organ | 38: 27 | IV/11 | by Krebs,J. T. orJ. L.?[191][192] | 00634 | |
| 555 | II | Eight Short Preludes and Fugues No. 3 | E min. | Organ | 38: 30 | IV/11 | by Krebs,J. T. orJ. L.?[191][192] | 00635 | |
| 556 | II | Eight Short Preludes and Fugues No. 4 | F maj. | Organ | 38: 33 | IV/11 | by Krebs,J. T. orJ. L.?[191][192] | 00636 | |
| 557 | II | Eight Short Preludes and Fugues No. 5 | G maj. | Organ | 38: 36 | IV/11 | by Krebs,J. T. orJ. L.?[191][192] | 00637 | |
| 558 | II | Eight Short Preludes and Fugues No. 6 | G min. | Organ | 38: 39 | IV/11 | by Krebs,J. T. orJ. L.?[191][192] | 00638 | |
| 559 | II | Eight Short Preludes and Fugues No. 7 | A min. | Organ | 38: 42 | IV/11 | by Krebs,J. T. orJ. L.?[191][192] | 00639 | |
| 560 | II | Eight Short Preludes and Fugues No. 8 | B♭ maj. | Organ | 38: 45 | IV/11 | by Krebs,J. T. orJ. L.?[191][192] | 00640 | |
| 561 | II | Fantasia and Fugue | A min. | Organ | 38: 48 | 00641 | |||
| 568 | II | Prelude | G maj. | Organ | 38: 85 | IV/6: 51 | 00648 | ||
| 584 | II | Trio [scores] | G min. | Organ | I/12: 23 IV/11 | afterBWV 166/2[193] | 00666 | ||
| 1027 /1a /2a /4a | II | Trio [scores] | G maj. | Organ | IV/11 | afterBWV 1027/1–2 /4,1039/1–2 /4; arr. byKellner, J. P.?[194] | 01209 | ||
| 591 | II | Kleines harmonisches Labyrinth | Organ | 38: 225 | IV/11: 50 | byHeinichen?[195][196] | 00673 | ||
| 597 | II | Concerto for solo organ | E♭ maj. | Organ | IV/11 | after lost model? | 00680 | ||
| 598 | II | Pedal-Exercitium (fragment) | Organ | 38: 210 | byBach, C. P. E.? | 00681 | |||
| 676a | II | 1739–1789 | chorale setting "Allein Gott in der Höh sei Ehr" (later variant) | Organ | 40: 208 | IV/4: KB 48 | afterBWV 676 | 00792 | |
| 683a | II | 1739–1789 | chorale setting "Vater unser im Himmelreich" (later variant) | Organ | IV/4: KB 51 | afterBWV 683 | 00800 | ||
| N 205 | II | seeBWV 1121 | 01516 | ||||||
| II 48 | II | chorale setting "Allein Gott in der Höh sei Ehr" | Organ | byWalther (&Scholz?) | 01356 | ||||
| II 49 | II | chorale setting "Ein feste Burg ist unser Gott" | Organ | byWalther? | 01357 | ||||
| II 50 | II | chorale setting "Erhalt uns, Herr, hei deinem Wort" | Organ | 01358 | |||||
| II 51 | II | chorale setting "Erstanden ist der heilge Christ" | Organ | 01359 | |||||
| II 52 | II | chorale setting "Freu dich sehr, o meine Seele" | Organ | 01360 | |||||
| II 53 | II | chorale setting "Freu dich sehr, o meine Seele" | Organ | 01361 | |||||
| II 54 | II | chorale setting "Helft mir Gotts Güte preisen" | Organ | 01362 | |||||
| chorale setting "Von Gott will ich nicht lassen" | |||||||||
| II 55 | II | 1714-1717 or earlier | chorale setting "Herr Christ, der einig Gottes Sohn" [scores] | Organ | 01363 | ||||
| II 58 | II | chorale setting "Jesu, meine Freude" | Organ | 01366 | |||||
| II 59 | II | chorale setting "Jesu, meine Freude" | Organ | 01367 | |||||
| II 60 | II | chorale setting "Nun lob, mein Seel, den Herren" [scores] | Organ | byWalther? | 01368 | ||||
| II 62a | II | chorale setting "Sei Lob und Ehr mit hohem Preis" | Organ | 01370 | |||||
| II 62b | II | chorale setting "Sei Lob und Ehr mit hohem Preis" | Organ | 01371 | |||||
| II 63 | II | chorale setting "Vom Himmel hoch" | Organ | 01372 | |||||
| II 64 | II | chorale setting "Vom Himmel hoch" | Organ | 01373 | |||||
| II 65 | II | chorale setting "Vom Himmel hoch" | Organ | 01374 | |||||
| II 66 | II | chorale setting "Wachet auf, ruft uns" | Organ Tr | byKrebs, J. L.? | 01375 | ||||
| II 67 | II | chorale setting "Was Gott tut, das ist wohlgetan" | Organ | 01376 | |||||
| II 68 | II | chorale setting "Wer nur den lieben Gott läßt walten" | Organ | 01377 | |||||
| II 69 | II | chorale setting "Wir glauben all an einen Gott" | Organ | 01378 | |||||
| II 70 | II | chorale setting "Wir glauben all an einen Gott" [scores] | Organ | 01379 | |||||
| II 71 | II | seeBWV 1128 | 01725 | ||||||
| II 72 | II | chorale setting "Christus der uns selig macht" (Canon) | Organ | 01381 | |||||
| II 74 | II | chorale setting "Schmücke dich, o liebe Seele" [scores] | Organ | 01383 | |||||
| II 75 | II | chorale setting "Herr Christ, der einig Gottes Sohn" [scores] | Organ | 01384 | |||||
| II 76 | II | chorale setting "Jesu, meine Freude" [scores] | Organ | 01385 | |||||
| II 77 | II | chorale setting "Herr Christ, der einig Gottes Sohn" [scores] | Organ | 01386 | |||||
| II 78 | II | chorale setting "Wenn wir in höchsten Nöten sein" [scores] | Organ | 01387 | |||||
| II 79 | II | chorale setting "Befiehl du deine Wege" | Organ | 01388 | |||||
| 691a | II | 1720–1789 | chorale setting "Wer nur den lieben Gott läßt walten" (variant) | Organ | 40: 151 | afterBWV 691 | 00809 | ||
| 705 | II | chorale setting "Durch Adams Fall ist ganz verderbt" (Kirnb. coll. No. 16) | Organ | 40: 23 | IV/10: 47 | afterZ 7549 | 00825 | ||
| 708 | II | 1700–1789 | chorale setting "Ich hab mein Sach Gott heimgestellt" (alio modo; Kirnb. coll. No. 19) | Organ | 40: 30 | IV/10: 86 | afterZ 1679 | 00828 | |
| 708a | II | 1700–1789 | chorale setting "Ich hab mein Sach Gott heimgestellt" | Organ | 40: 152 | IV/10: 86 | afterZ 1679 | 00829 | |
| 716 | II | chorale setting "Allein Gott in der Höh sei Ehr" (Fantasia) | Organ | 40: 45 | IV/10: 14 | afterZ 4457 | 00838 | ||
| 726 | II | bef.c.1727 | chorale setting "Herr Jesu Christ, dich zu uns wend" | Organ | 40: 72 | IV/3: 45 | afterZ 624 | 00849 | |
| 743 | II | bef.c.1740 | chorale setting "Ach, was ist doch unser Leben" [scores] | Organ | IV/10: 11 | afterZ 1208b; byButtstett, J. H.? | 00871 | ||
| 745 | II | 1700–1788 | chorale setting "Aus der Tiefe rufe ich" | Organ | 40: 171 | IV/10: 22 | afterZ 1217; byBach, C. P. E.? | 00873 | |
| 749 | II | c.1700–1717 | chorale setting "Herr Jesu Christ, dich zu uns wend" [scores] | Organ | IV/10: 80 | afterZ 624; byBach, J. Christoph orTelemann? | 00878 | ||
| 750 | II | c.1700–1703 | chorale setting "Herr Jesu Christ, meins Lebens Licht" [scores] | Organ | IV/10: 81 | 00879 | |||
| 752 | II | c.1700–1717 | chorale setting "Jesu, der du meine Seele" [scores] | Organ | afterZ 6779a | 00881 | |||
| 754 | II | bef.c.1740 | chorale setting "Liebster Jesu, wir sind hier" [scores] | Organ | afterZ 3498b | 00883 | |||
| 755 | II | chorale setting "Nun freut euch, lieben Christen g'mein" [scores] | Organ | afterZ 4429a | 00884 | ||||
| 756 | II | chorale setting "Nun ruhen alle Wälder" [scores] | Organ | afterZ 2293b | 00885 | ||||
| 757 | II | chorale setting "O Herre Gott, dein göttlichs Wort" [scores] | Organ | afterZ 5690 | 00886 | ||||
| 758 | II | chorale setting "O Vater, allmächtiger Gott" | Organ | 40: 179 | IV/11: 69 | afterZ 8603b | 00887 | ||
| 762 | II | bef.c.1717 | chorale setting "Vater unser im Himmelreich" [scores] | Organ | IV/10: 142 | afterZ 2561 | 00891 | ||
| 763 | II | chorale setting "Wie schön leucht uns der Morgenstern" [scores] | Organ | afterZ 8359 | 00892 | ||||
| 765 | II | bef.c.1717 | chorale setting "Wir glauben all an einen Gott" | Organ | 40: 187 | afterZ 7971 | 00894 | ||
| N 206 | II | chorale setting "Ach bleib mit deiner Gnade" [scores] | Organ | byPachelbel (P 376)[197][198] | 01517 | ||||
| chorale setting "Christus, der ist mein Leben" [scores] | |||||||||
| II 80 | II | 1707–1708 or earlier | Suite [scores] | F maj. | Keyboard | V/12 | 01389 | ||
| 821 | II | Suite | B♭ maj. | Keyboard | 42: 213 | V/12: 3 | [199] | 00959 | |
| 834 | II | Allemande | C min. | Keyboard | 42: 259 | V/12 | [200] | 00973 | |
| 839 | II | 1735-03-07 or earlier | Sarabande [scores] | G min. | Keyboard | V/12 | inNotenbuch der Zeumerin[201][202] | 00978 | |
| 844 | II | Toccatina No. 4 Scherzo | D min. | Keyboard | 42: 220 | V/12: 16 | byBach, W. F.? ↔ BWV 844a[203] | 00983 | |
| 844a | II | Scherzo | E min. | Keyboard | 42: 281 | V/12: 22 | byBach, W. F.? (BR A55); ↔ BWV 844[203] | 00984 | |
| 845 | II | Gigue | F min. | Keyboard | 42: 263 | V/12 | [200] | 00985 | |
| II 81 | II | Gigue [scores] (incomplete) | D min. | Keyboard | V/12 | byKellner, J. P.? | 01390 | ||
| II 82 | II | Ciacona [scores] | B♭ maj. | Keyboard | V/12 | byBach, J. B.? | 01391 | ||
| II 83 | II | Ciacona [scores] | A maj. | Keyboard | V/12 | byBach, J. B. orH.? | 01392 | ||
| II 84 | II | Ciacona [scores] | G maj. | Keyboard | V/12 | byBach, J. B.? | 01393 | ||
| II 85 | II | Toccata and Fugue [scores] | F min. | Keyboard | 42: XXXV | V/12: 114, 122 | byDobenecker?[204][205] | 01394 | |
| 898 | II | Prelude and Fugue [scores] on B-A-C-H | B♭ maj. | Keyboard | 42: XXXIV | V/12 | 01067 | ||
| II 86 | II | Fantasia | C min. | Keyboard | 42: 243 | V/12 | byGronau? | 01395 | |
| II 87 | II | Fantasia [scores] | C maj. | Keyboard | V/12 | byBenda? | 01396 | ||
| 905 | II | Fantasia and Fugue | D min. | Keyboard | 42: 179 | V/12: 24 | [206] | 01076 | |
| 907 | II | Fantasia and Fughetta | B♭ maj. | Keyboard | 42: 268 | V/12: 28 | byKirchhoff [de]?[207] | 01078 | |
| 908 | II | Fantasia and Fughetta | D maj. | Keyboard | 42: 272 | V/12: 34 | byKirchhoff [de]?[207] | 01079 | |
| 909 | II | Concerto e Fuga | C min. | Keyboard | 42: 190 | V/12: 38 | 01080 | ||
| 919 | II | Fantasia | C min. | Keyboard | 36: 152 | V/12: 48 | byBach, J. B. orJ. B. the Younger?[208] | 01092 | |
| 920 | II | Fantasia | G min. | Keyboard | 42: 183 | V/12 | [206] | 01093 | |
| 923a | II | Toccatina No. 3 Prelude | A min. | Keyboard | 42: 279 | V/12: 14 | afterBWV 923[209] | 01097 | |
| II 89 | II | Fugue [scores] | C maj. | Keyboard | 42: XXXIV | V/12 | 01398 | ||
| II 90 | II | Fugue | C maj. | Kb (with ped?) | 38: 213 | IV/11: 58, 61 | byBach, C. P. E. (H 388) orPachelbel? | 01399 | |
| II 91 | II | Fugue [scores] | G maj. | Keyboard | 42: XXXIV | V/12 | 01401 | ||
| II 92 | II | Fugue [scores] | G maj. | Keyboard | V/12 | 01402 | |||
| II 93 | II | Fugue [scores] | E min. | Keyboard | 42: XXXIV | V/12 | 01403 | ||
| II 95 | II | Fugue [scores] | E min. | Keyboard | 42: XXXIV | V/12 | 01405 | ||
| II 96 | II | Fugue [scores] | D maj. | Keyboard | V/12 | byBach, C. P. E.? (H 373.5) | 01406 | ||
| II 98 | II | Fugue [scores] | D min. | Keyboard | V/12 | byBach, C. P. E.? (H 373.5) | 01408 | ||
| II 99 | II | Fugue [scores] | D min. | Keyboard | V/12 | 01409 | |||
| II 100 | II | Fugue [scores] | D min. | Keyboard | V/12 | byBach, C. P. E.? (H 373.5) | 01410 | ||
| II 101 | II | Fugue [scores] | G min. | Keyboard | 42: XXXV | V/12: 130 | byDobenecker?[205] | 01411 | |
| II 102 | II | Fugue [scores] | E♭ min. | Keyboard | V/12 | 01412 | |||
| 897/2 | II | Fugue | A min. | Keyboard | 42: 175 | V/12 | byDretzel orBach, W. F.? | 01066 | |
| 945 | II | Fugue | E min. | Keyboard | 36: 155 | V/12 | byGraupner?[210] | 01120 | |
| 956 | II | Fugue | E min. | Keyboard | 42: 200 | V/12: 70 | 01133 | ||
| 958 | II | Fugue | A min. | Keyboard | 42: 205 | V/12: 74 | 01135 | ||
| 960 | II | Fugue (incomplete) | E min. | Keyboard | 42: 276 | V/12 | [211] | 01137 | |
| N 207 | II | Fugue | E min. | Keyboard | IV/11 | bySeger?[212] | 01518 | ||
| II 109 | II | Fugue [scores] on B-A-C-H | G min. | Keyboard | V/12 | 01419 | |||
| 964 | II | Sonata | D min. | Keyboard | 42: 3 | V/12: 78 | afterBWV 1003[213] | 01141 | |
| II 111 | II | Largo and Allegro [scores] | G maj. | Keyboard | 42: XXXV | V/12 | 01421 | ||
| 968 | II | Adagio | G maj. | Keyboard | 42: 27 | V/12: 94 | afterBWV 1005/1[213] | 01145 | |
| 969 | II | Toccatina No. 5 Andante | G min. | Keyboard | 42: 218 | V/12: 18 | [203] | 01146 | |
| II 113 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 3 Minuet | F maj. | Keyboard | 432: 25 | V/4: 82 | 01423 | |
| II 116 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 7 Minuet | G maj. | Keyboard | 432: 28 | V/4: 87 | 01426 | |
| II 117 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 8a and 8b two Polonaises | F maj. | Keyboard | 432: 28 | V/4: 88 | 01427 01428 | |
| II 118 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 9 Minuet | B♭ maj. | Keyboard | 432: 29 | V/4: 89 | 01429 | |
| II 119 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 10 Polonaise | G min. | Keyboard | 432: 30 | V/4: 90 | 01430 | |
| II 120 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 14 Minuet | A min. | Keyboard | 432: 31 | V/4: 92 | 01431 | |
| II 121 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 15 Minuet | C min. | Keyboard | 432: 32 | V/4: 92 | 01432 | |
| II 126 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 22 Musette | D maj. | Keyboard | 432: 35 | V/4: 99 | 01437 | |
| II 127 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 23 March | E♭ maj. | Keyboard | 432: 35 | V/4: 100 | byBach, C. P. E. | 01438 |
| II 128 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 24 (Polonaise) | D min. | Keyboard | 432: 36 | V/4: 101 | 01439 | |
| II 132 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 36 Minuet | D min. | Keyboard | 432: 48 | V/4: 125 | 01443 | |
| II 151 | II | Concerto | C maj. | Keyboard | 42: XXXIV | V/12 | 01462 | ||
| II 152 | II | Concerto | G maj. | Vl Hc | 42: XXXIV | VI/5 | 01463 | ||
| 990 | II | Sarabanda con Partitis | C maj. | Keyboard | 42: 221 | V/12: 97 | [214] | 01168 | |
| II 153 | II | Sonata | A maj. | Vl Bc | VI/5 | 01464 | |||
| II 154 | II | Sonata | E♭ maj. | Vl Hc | VI/5 | [215] | 01465 | ||
| 1020 | II | Sonata | G min. | Vl Hc | 9: 274 | VI/5 | byBach, C. P. E.? (H 542.5)[216][217] | 01201 | |
| 1022 | II | Sonata [scores] | F maj. | Vl Hc | VI/5: 27 | byBach, C. P. E.?; afterBWV 1021; ↔BWV 1038[217][218] | 01203 | ||
| 1024 | II | Sonata [scores] | C min. | Vl Bc | VI/5 | [219][220] | 01205 | ||
| 1031 | II | Sonata | E♭ maj. | Fl Hc | 9: 22 | VI/5: 13 | byBach, C. P. E.? (H 545)[217][221] | 01213 | |
| 1033 | II | Sonata | C maj. | Fl Bc | 431: 3 | VI/5: 3 | byBach, C. P. E.? (H 564.5)[217][222] | 01215 | |
| 1038 | II | 1732–1735 | Sonata | G maj. | Fl Vl Bc | 9: 219 | VI/5: 45 | byBach, C. P. E.? (H 590.5); afterBWV 1021; ↔BWV 1022[218] | 01220 |
| 525a | II | Concerto (Trio sonata) | C maj. | Vl Vc Bc | VI/5 | afterBWV 525/1,1032/2, 525/3[223][224] | 01718 | ||
| II 155 | II | Concerto | A maj. | Kb Str Bc | VI/5 | 01466 | |||
| I 22 | II | Concerto [scores] | B♭ maj. | ObVl Str Bc | VI/5 | by Förster (C.?)?[225] | 01330 | ||
| 1070 | II | Orchestral Suite (No. 5) | G min. | Str Bc | 451: 190 | VI/5 | byBach, W. F.?[226][227] | 01256 | |
| Anh. III | Works of other composers, spuriously attributed to Bach | Up ↑ | |||||||
| III 156 | III | CantataHerr Christ, der einge Gottes Sohn (Annunciation) | SATB Str Bc | byTelemann (TWV 1:732)[228] | 01467 | ||||
| III 157 | III | CantataIch habe Lust zu scheiden (Purification) | s 2Fl Str Bc | byTelemann (TWV 1:836)[229] | 01468 | ||||
| 15 | III | 1726-04-21 (JSB) | CantataDenn du wirst meine Seele nicht in der Hölle lassen (Easter) | satbSATB 3Tr Tmp Str Bc | 2: 135 | I/41 | byBach, J. L. (JLB 21); text inMeiningen 1704[230] | 00017 | |
| 141 | III | CantataDas ist je gewißlich wahr (3rd Sunday of Advent) | atbSATB 2Ob Str Bc | 30: 3 | I/41 | byTelemann (TWV 1:183)[231] | 00173 | ||
| 145/b | III | Cantata movementSo du mit deinem Munde bekennest Jesum (Easter) | D maj. | SATB Tr Str Bc | 30: 96 | I/10: 142 | byTelemann (TWV 1:1350/1)[232] | 00178 | |
| 160 | III | 1725–1732? | CantataIch weiß, daß mein Erlöser lebt (Easter) | C maj. | t Vl Bas Bc | 32: 171 | I/41 | byTelemann (TWV 1:877)[233] | 00194 |
| 218 | III | CantataGott der Hoffnung erfülle euch (Pentecost) | satbSATB 2Hn Str Bc | 41: 223 | byTelemann (TWV 1:634)[234] | 00275 | |||
| 219 | III | CantataSiehe, es hat überwunden der Löwe (Michaelmas) | sabSATB Str Bc | 41: 239 | byTelemann (TWV 1:1328)[235] | 00276 | |||
| 222 | III | CantataMein Odem ist schwach (Purification) | sabSATB Str Bc | byBach, J. Ernst; →BWV Anh. 165 | 00279 | ||||
| III 158 | III | Aria "Andrò dall'colle al Prato" | s 2Fl (2Hn) Str Bc | byBach, J. C. | 03022 | ||||
| III 160 | III | 1750–1755? (Harrer?) | MotetJauchzet dem Herrn alle Welt,TWV 8:10 | C maj. | 2SATB | III/3: 15 | afterTelemann (/1; /3 afterTWV 1:1066),BWV 28/2 (/2 =BWV 28/2a); text afterPsalm 100[236] | 01471 | |
| III 161 | III | MotetKündlich groß ist das gottselige Geheimnis/1 (Christmas) | D maj. | SATB Str? Bc | III/3 | by Graun (C. H.?), precedes laudesA andB ofBWV 243a | 01472 | ||
| III 162 | III | MotetLob und Ehre und Weisheit und Dank | 2SATB | III/3 | byWagner, G. G. | 01473 | |||
| III 163 | III | MotetMerk auf, mein Herz, und sieh dorthin | 2SATB | III/3 | by Bach,J. B. orJ. Ernst | 01474 | |||
| III 164 | III | MotetNun danket alle Gott [scores] | SSATB | III/3: 52 | byAltnickol | 01475 | |||
| III 165 | III | MotetUnser Wandel ist im Himmel | SATB | III/3 | byBach, J. Ernst; afterBWV 222/3 /4 /6 | 01476 | |||
| III 166 | III | 1716 (JLB) 1729 (JSB) | Kyrie–Gloria MassMissa sopra cantilena "Allein Gott in der Höh' sei Ehr" | E min. | SSATB 2Vl 2Vla Vc Bc | 111: XV 41: 276 | II/9 | byBach, J. L. (JLB 38), start of Gloria arr. by Bach | 01477 |
| II 24 | III | 1715–1717, 1724 (JSB) | Kyrie–Gloria Mass | A min. | SATB Str Bc | 111: XV | II/9 | afterMissa Sancti Lamberti byPez, J. C. | 01332 |
| II 26 | III | 1727–1732 (JSB) | Kyrie–Gloria Mass [scores] | C min. | satbSATB 3Tbn 2Vl Bc | 41: 193 111: XVI | II/2: 295 | byDurante (alternative Christe:BWV 242) | 01334 |
| II 27 | III | c. 1745? (JLK) | Sanctus | F maj. | SATB 2Hn 2Ob Str Bc | 111: XVII | II/9 | byKrebs, J. L. (Krebs‑WV 104)[237] | 01335 |
| III 168 | III | c. 1747? (WFB) | Kyrie and German Gloria | G min. | sSATB Str Bc | 111: XVII | II/9 | byBach, W. F. (BR E1 F 100) | 01479 |
| I 21 | III | c. 1707 (MH) | MagnificatMeine Seel erhebt den Herren | A min. | s Fl 2Vl Bc | 111: XVIII | II/9 | byHoffmann, M.[238] | 01329 |
| III 169 | III | 1724–1725 | PassionErbauliche Gedanken auf den Grünen Donnerstag und Charfreitag über den Leidenden Jesum | text byPicander partly used inBWV 244 but no other known setting[239] | 01480 | ||||
| 8/6 | III | 1713 (Vet.) 1724-09-24 (JSB) | chorale setting "Liebster Gott, wenn werd ich sterben" (s. 5) | E maj. | SATB | 1: 241 | I/23: 161 | byVetter, D. (Z 6634); text byNeumann[240][241][242] | 00009 |
| III/2.1: 63 III/2.2: 25 | 11228 | ||||||||
| D maj. | I/23: 219 | 00010 | |||||||
| 27/6 | III | 1652 (Ros.) 1726-10-06 (JSB) | chorale setting "Welt, ade, ich bin dein müde" (s. 1) | B♭ maj. | SSATB | 51: 244 | I/23: 251 | byRosenmüller (Z 6531); text byAlbinus[241] | 01481 |
| III 170 | III/2.2: 86 | 11345 | |||||||
| 43/11 | III | 1652 (Pet.) 1726-05-30 (JSB) | chorale setting "Du lebensfürst, Herr Jesu Christ" [choralwiki] (ss. 1, 13) | G maj. | SATB | 10: 126 | I/12: 164 | byPeter [de] afterZ 5741b; text byRist[243] | 11241 |
| chorale setting "Ermuntre dich, mein schwacher Geist" | III/2.1: 74 III/2.2: 57 | ||||||||
| 567 | III | Prelude | C maj. | Organ | 38: 84 | IV/11 | byKrebs, J. L. (Krebs‑WV 401)[244] | 00647 | |
| III 178 | III | last third of 17th century | Toccata quasi Fantasia con Fuge | A maj. | Organ | 42: 250 | V/12 | byReincken?[245] | 01489 |
| II 43 | III | c. 1788 | Fugue [scores] | B min. | Organ | IV/11 | byPölitz [de]; afterH 776/18 | 01351 | |
| II 44 | III | Fugue [scores] | G maj. | Organ | IV/11 | byKellner, J. P. orJ. C.[246] | 01352 | ||
| II 45 | III | c. 1799 | Fugue [scores] on B-A-C-H | B♭ maj. | Organ | IV/11 | byKnecht | 01353 | |
| II 88 | III | 1765 | Fugue [scores] | C maj. | Keyboard | V/12 | byKellner, J. C. | 01397 | |
| II 97 | III | Fugue [scores] | F♯ maj. | Keyboard | 42: XXXV | IV/11: 63 | byKrebs, J. L. (Krebs‑WV 409/2) | 01407 | |
| II 103 | III | c. 1711–1718 (GFH) | Fugue [scores] | A min. | Keyboard | V/12 | byHandel (HWV 609 [scores]) | 01413 | |
| II 104 | III | c. 1711–1718 (GFH) | Fugue [scores] | C min. | Keyboard | V/12 | byHandel (HWV 610 [scores]) | 01414 | |
| II 105 | III | c. 1711–1718 (GFH) | Fugue [scores] | B♭ maj. | Keyboard | V/12 | byHandel (HWV 607 [scores]) | 01415 | |
| II 106 | III | c. 1711–1718 (GFH) | Fugue [scores] | G min. | Keyboard | V/12 | byHandel (HWV 605 [scores]) | 01416 | |
| N 208 | III | 1747 (JEE) | Fugue | E♭ min. | Keyboard | IV/11 | AfterToccata nona [scores] byEberlin | 01519 | |
| II 46 | III | Trio [scores] | C min. | Organ | IV/11 | byKrebs, J. T.[247] | 01354 | ||
| 692 | III | chorale setting "Ach Gott und Herr" (Kirnb. coll. No. 3) | C maj. | Organ | 40: 4 | IV/11 | byWalther; afterBWV 692a | 00810 | |
| 692a | III | chorale setting "Ach Gott und Herr" (early version) | C maj. | Organ | 40: 152 | IV/11 | byWalther; →BWV 692 | 00811 | |
| 693 | III | chorale setting "Ach Gott und Herr" (Kirnb. coll. No. 4) | C maj. | Organ | 40: 5 | IV/11 | byWalther | 00812 | |
| 723 | III | chorale setting "Gelobet seist du, Jesu Christ" (also inNeumeister Collection) | Organ | 40: 63 | afterZ 1947; byBach, J. Michael | 00846 | |||
| 740 | III | chorale setting "Wir glauben all an einen Gott" | Organ | 40: 103 | afterZ 4000; byKrebs, J. L. (Krebs‑WV 554c) | 00868 | |||
| 744 | III | chorale setting "Auf meinen lieben Gott" | Organ | 40: 170 | IV/10: 20 | afterZ 2164; byKrebs, J. L. (Krebs‑WV 517) | 00872 | ||
| 746 | III | 1715 or earlier (JCFF) | chorale setting "Christ ist erstanden" | D min. | Organ | 40: 173 | IV/10 | byFischer (Ariadne Musica [scores] No. 24) | 00874 |
| 748 | III | 1700–1739 | chorale setting "Gott der Vater wohn uns bei" | D maj. | Organ | 40: 177 | IV/10 | byWalther; →BWV 748a | 00876 |
| 748a | III | 1700–1789 | chorale setting "Gott der Vater wohn uns bei" (variant) | D maj. | Organ | IV/10 | byScholz (arr.)?; afterBWV 748 | 00877 | |
| 751 | III | chorale setting "In dulci jubilo" [scores] (also inNeumeister Collection) | Organ | IV/10 | byBach, J. Michael | 00880 | |||
| 759 | III | chorale setting "Schmücke dich, o liebe Seele" | F maj. | Organ | 40: 181 | IV/10 | byHomilius (HoWV VIII.17 [scores])[212] | 00888 | |
| 760 | III | chorale setting "Vater unser im Himmelreich" | Organ | 40: 183 | IV/10 | byBöhm | 00889 | ||
| 761 | III | chorale setting "Vater unser im Himmelreich" | Organ | 40: 184 | IV/10 | byBöhm | 00890 | ||
| 1096 | III | chorale setting "Christe, der du bist Tag und Licht" [scores] (3 versions;Neumeister Chorales No. 8) | A min. | Organ | IV/9: 16, 76 | byPachelbel?[248][249] | 01282 | ||
| chorale setting "Wir danken dir, Herr Jesu Christ" [scores] (3 versions;Neumeister Chorales No. 8) | |||||||||
| 771 | III | chorale setting "Allein Gott in der Höh sei Ehr" | G maj. | Organ | 40: 195 | IV/11 | byVetter, A. N.[250] | 00901 | |
| II 47 | III | chorale setting "Herzlich tut mich verlangen" [scores] | A min. | Organ | IV/10 | byKellner, J. P.[246] | 01355 | ||
| chorale setting "Ach Herr, mich armen Sünder" [scores] | |||||||||
| II 56 | III | 1735 (Telem.) | chorale setting "Herr Jesu Christ dich zu uns wend" [scores] | Organ | IV/10 | byTelemann (TWV 31:8) | 01364 | ||
| II 57 | III | chorale setting "Jesu Leiden, Pein und Tod" [scores] | Organ | IV/10 | byVogler | 01365 | |||
| II 61 | III | chorale setting "O Mensch, bewein dein Sünde groß" [scores] | F maj. | Organ | IV/10 | byPachelbel (P 396)[251] | 01369 | ||
| II 73 | III | 1720–1788 | chorale setting "Ich ruf zu dir, Herr Jesu Christ" [scores] | F min. | Organ | IV/10 | byBach, C. P. E.; afterBWV 639 | 01382 | |
| III 171 | III | chorale setting "Christ lag in Todesbanden" [scores] | Organ | 40: 174 | IV/10 | byPachelbel (P 58)[252] | 01482 | ||
| III 172 | III | chorale setting "Herr Jesu Christ, dich zu uns wend" [scores] | G maj. | Organ | IV/10 | byKrebs, J. L. (Krebs‑WV 524) | 01483 | ||
| 824 | III | 1720 (WFB) | Klavierbüchlein WFB No. 47: Suite | A maj. | Keyboard | 36: 231 | V/5: 78 | byTelemann (TWV 32:14)[28] | 00962 |
| 835 | III | 1761 (Kirnb.) | Allemande | A min. | Keyboard | 42: 267 | V/12 | byKirnberger (EngK 74)[253] | 00974 |
| 838 | III | Allemande and Courante | A maj. | Keyboard | 42: 265 | V/12 | byGraupner (GWV 849/2 /3)[253] | 00977 | |
| 840 | III | Courante [scores] | G maj. | Keyboard | V/12 | byTelemann (TWV 32:13/2) | 00979 | ||
| 897/1 | III | c. 1736–1743 (CHD) | Prelude | A min. | Keyboard | 42: 173 | V/12 | byDretzel ("Adagiosissimo")[254] | 01065 |
| 962 | III | c. 1783 (JGA) | Fugue | E min. | Keyboard | 42: 198 | V/12 | byAlbrechtsberger (Op. 1/8)[255] | 01139 |
| 970 | III | Toccatina No. 6 Presto | D min. | Keyboard | 42: XXXIV | V/12 | byBach, W. F. (BR A49 F 25/2) | 11148 | |
| II 94 | III | 1774 (Kirnb.) | Fugue [scores] | E min. | Keyboard | 42: XXXIV | V/12 | byKirnberger (EngK 35)[256] | 01404 |
| II 107 | III | Fugue [scores] on B-A-C-H | C maj. | Keyboard | 42: XXXIV | V/12 | bySorge? | 01417 | |
| II 108 | III | Fugue [scores] on B-A-C-H | C maj. | Keyboard | 42: XXXIV | V/12 | byBach, C. P. E. (H 373) orSorge? | 01418 | |
| II 110 | III | Fugue [scores] on B-A-C-H | C min. | Keyboard | 42: XXXIV | V/12 | bySorge? | 01420 | |
| II 112 | III | 1780 (Kirnb.) | Grave [scores] | E min. | Keyboard | V/12 | byKirnberger (EngK 16)[257] | 01422 | |
| II 114 | III | 1725 (AMB) | Notebook A. M. Bach (1725)No. 4 Minuet | G maj. | Keyboard | 432: 26 | V/4: 83 | byPetzold[258] | 01424 |
| II 115 | III | 1725 (AMB) | Notebook A. M. Bach (1725)No. 5 Minuet | G min. | Keyboard | 432: 26 | V/4: 84 | byPetzold[258] | 01425 |
| II 122 | III | 1725 (CPE) | Notebook A. M. Bach (1725) No. 16 March | D maj. | Keyboard | 432: 32 | V/4: 94 | byBach, C. P. E. (H 1/1) | 01433 |
| II 123 | III | 1725 (CPE) | Notebook A. M. Bach (1725) No. 17 Polonaise | G min. | Keyboard | 432: 32 | V/4: 95 | byBach, C. P. E. (H 1/2) | 01434 |
| II 124 | III | 1725 (CPE) | Notebook A. M. Bach (1725) No. 18 March | G maj. | Keyboard | 432: 33 | V/4: 96 | byBach, C. P. E. (H 1/3) | 01435 |
| II 125 | III | 1725 (CPE) | Notebook A. M. Bach (1725) No. 19 Polonaise | G min. | Keyboard | 432: 33 | V/4: 97 | byBach, C. P. E. (H 1/4) | 01436 |
| II 129 | III | 1725 (AMB) | Notebook A. M. Bach (1725) No. 27 Solo per il cembalo | E♭ maj. | Keyboard | 432: 38 | V/4: 104 | byBach, C. P. E. (H 16) | 01440 |
| II 130 | III | 1725 (AMB) | Notebook A. M. Bach (1725) No. 28 Polonaise | G maj. | Keyboard | 432: 39 | V/4: 106 | byHasse[259] | 01441 |
| II 131 | III | c.1745? | Notebook A. M. Bach (1725) No. 32 | F maj. | Keyboard | 432: 46 | V/4: 121 | byBach, J. C. (W A22)[260] | 01442 |
| II 133 | III | 1763 or later | Musical clock [scores] No. 1 Fantasia | G maj. | Musical clock | V/12 | byBach, W. F. (BR A63 F 207) | 01444 | |
| II 134 | III | 1763 or later | Musical clock [scores] No. 2 Scherzo | G maj. | Musical clock | V/12 | byBach, W. F. (BR A64 F 207) | 01445 | |
| II 135 | III | 1763 or later | Musical clock [scores] No. 3 Bourlesca | A min. | Musical clock | V/12 | byBach, W. F. (BR A65 F 207) | 01446 | |
| II 136 | III | 1763 or later | Musical clock [scores] No. 4 Trio | A min. | Musical clock | V/12 | byBach, W. F. (BR A66 F 207) | 01447 | |
| II 137 | III | 1763 or later | Musical clock [scores] No. 5 L'Intrada della Caccia | E♭ maj. | Musical clock | V/12 | byBach, W. F. (BR A67 F 207) | 01448 | |
| II 138 | III | 1763 or later | Musical clock [scores] No. 6 Continuazione della Caccia | E♭ maj. | Musical clock | V/12 | byBach, W. F. (BR A68 F 207) | 01449 | |
| II 139 | III | 1763 or later | Musical clock [scores] No. 7 Il Fine delle Caccia I | D maj. | Musical clock | V/12 | byBach, W. F. (BR A69 F 207) | 01450 | |
| II 140 | III | 1763 or later | Musical clock [scores] No. 8 Il Fine delle Caccia II | D min. | Musical clock | V/12 | byBach, W. F. (BR A70 F 207) | 01451 | |
| II 141 | III | 1763 or later | Musical clock [scores] No. 9 Song "O Gott die Christenheit" | F maj. | Musical clock | V/12 | byBach, W. F. (BR A71 F 207) | 01452 | |
| II 142 | III | 1763 or later | Musical clock [scores] No. 10 Psalm 110 | A min. | Musical clock | V/12 | byBach, W. F. (BR A72 F 207) | 01453 | |
| II 143 | III | 1763 or later | Musical clock [scores] No. 11 Polonaise | E min. | Musical clock | V/12 | byBach, W. F. (BR A73 F 207) | 01454 | |
| II 144 | III | 1763 or later | Musical clock [scores] No. 12 Polonaise Trio | A min. | Musical clock | V/12 | byBach, W. F. (BR A74 F 207) | 01455 | |
| II 145 | III | 1763 or later | Musical clock [scores] No. 13 March | C maj. | Musical clock | V/12 | byBach, W. F. (BR A75 F 207) | 01456 | |
| II 146 | III | 1763 or later | Musical clock [scores] No. 14 March | F maj. | Musical clock | V/12 | byBach, W. F. (BR A76 F 207) | 01457 | |
| II 147 | III | 1763 or later | Musical clock [scores] No. 15 La Combattuta | G maj. | Musical clock | V/12 | byBach, W. F. (BR A77 F 207) | 01458 | |
| II 148 | III | 1763 or later | Musical clock [scores] No. 16 Scherzo | G min. | Musical clock | V/12 | byBach, W. F. (BR A78 F 207) | 01459 | |
| II 149 | III | 1763 or later | Musical clock [scores] No. 17 Minuet | G maj. | Musical clock | V/12 | byBach, W. F. (BR A79 F 207) | 01460 | |
| II 150 | III | 1763 or later | Musical clock [scores] No. 18 Trio | G min. | Musical clock | V/12 | byBach, W. F. (BR A80 F 207) | 01461 | |
| III 177 | III | Prelude and Fugue | E♭ maj. | Keyboard | 36: 88 | V/12: 134 | byBach, J. Christoph?[261] | 01488 | |
| III 179 | III | 1728 (JDH) | Fantasia durch alle Tonarten gehend [scores] | A min. | Keyboard | V/12 | byHeinichen[262] | 01490 | |
| III 180 | III | Fugue | D min. | Keyboard | 36: 188 | V/12 | byKellner, J. P.[212] | 01491 | |
| III 181 | III | Fugue [scores] | A min. | Keyboard | V/12 | byKrebs, J. L. (Krebs‑WV 825/2) | 01492 | ||
| III 182 | III | Passacaglia | D min. | Keyboard | 42: 234 | V/12 | byWitt | 01493 | |
| III 183 | III | 1725 (AMB) | Notebook A. M. Bach (1725) No. 6 Rondeau | B♭ maj. | Keyboard | 432: 27 | V/4: 85 | byCouperin (6ième Ordre: Les Bergeries) | 01494 |
| 1036 | III | 1731 (CPE) | Trio | D min. | Vl Hc (2Vl Bc) | VI/5 | byBach, C. P. E. (H 569; Wq 145) | 01218 | |
| 1037 | III | c. 1740s (JGG) | Sonata | C maj. | 2Vl Bc | 9: 229 | VI/5 | byGoldberg[263] | 01219 |
| III 173 | III | 1712 (FAB) c. 1723 (JSB) | Invention | B min. | Vl Kb | 451: 172 | VI/5 | byBonporti (Op. 10 No. 2)[264] | 01484 |
| III 174 | III | 1712 (FAB) c. 1723 (JSB) | Invention | B♭ maj. | Vl Kb | 451: 176 | VI/5 | byBonporti (Op. 10 No. 5)[265] | 01485 |
| III 175 | III | 1712 (FAB) c. 1723 (JSB) | Invention | C min. | Vl Kb | 451: 181 | VI/5 | byBonporti (Op. 10 No. 6)[266] | 01486 |
| III 176 | III | 1712 (FAB) c. 1723 (JSB) | Invention | D maj. | Vl Kb | 451: 185 | VI/5 | byBonporti (Op. 10 No. 7)[267] | 01487 |
| III 184 | III | c. 1747 (Zuc.) | Sonata | A min. | Vl Bc | VI/5 | byZuccari (Op. 1 [scores] No. 10)[268] | 01495 | |
| III 185 | III | Sonata | D maj. | 2Vl Bc | VI/5 | byBach, C. P. E. (H 585; ≈H 507; Wq 74) | 01496 | ||
| III 186 | III | Sonata [scores] | F maj. | 2Vl Bc | VI/5 | byBach, C. P. E. (H 576; Wq 154) | 01497 | ||
| III 187 | III | Sonata (Trio) [scores] | F maj. | Bas Fl Vne | VI/5 | byBach, C. P. E. (H 589) | 02454 | ||
| III 188 | III | c. 1740 (WFB) | Sonata (Concerto) | F maj. | 2Hc | 431: 47 | V/12 | byBach, W. F. (BR A12 F 10) | 01499 |
| I 23 | III | 1710 (Alb.) c.1710 (JSB) | Concerto [scores] | E min. | 2Vl Va Vc Vne | VI/5 | byAlbinoni (Op. 2 No. 4 = 2nd Concerto) | 01331 | |
| III 189 | III | 1745–1747 (JSB) | Concerto [scores] | A min. | Hc Str Bc | VI/5 | byBach, C. P. E. (H 403; Wq 1) | 01500 | |
| Anh. N | New additions to theAnhang | Up ↑ | |||||||
| — | Up ↑ | ||||||||
| 655b | – | 1708–1789 | chorale setting "Herr Jesu Christ, dich zu uns wend" (alternative version "a" in BGA) | Organ | 252: 159 | afterBWV 655(a); ↔655c | 00754 | ||
| 655c | – | 1708–1789 | chorale setting "Herr Jesu Christ, dich zu uns wend" (alternative version "b" in BGA) | Organ | 252: 160 | afterBWV 655(a); ↔655b | 00755 | ||
| 813a | – | French Suites,No. 2 – Version B (early version): No. 6 Menuet II | C min. | Keyboard | 36: 236 | V/8: 79 | 00947 | ||
| deest | BC C 8 | 1723–1750? (JSB?) | MotetDer Gerechte kömmt um (Wer ist der, so von Edom kömmt/39; funer. motet?) | E min. | SSATB 2Fl 2Ob Str Bc | I/41: 127 | byKuhnau? (Tristis est...); arr. by Bach? | 01532 | |
| deest | BC D 1 | 1717-03-28? | PassionWeimarer Passion | ?stbSATB 2Fl 2Ob Str Bc | →BWV 23/4 (and55/3;244/29;245a–c;283?) | 01533 | |||
| deest | BC D 5a | 1707 (Kei) before 1713 (JSB) | PassionJesus Christus ist um unsrer Missetat willen verwundet (St Mark Passion pastiche, Weimar version) | SATB 2Vl 2Va Hc | II/9: 69 | Pasticcio (Keiser G.?, Bach) | 01534 | ||
| deest | BC D 5b | 1726-04-19 (JSB) | PassionJesus Christus ist um unsrer Missetat willen verwundet (St Mark Passion pastiche, 1st Leipzig version) | SATB 2Vl 2Va Org | II/9 | Pasticcio afterBC D 5a (Keiser G.?, Bach) addingBWV 500a and1084) | 01535 | ||
| deest | BC D 10 | c.1750? | PassionWer ist der, so von Edom kömmt | D min. | satbSSATB 2Fl 2Ob Str Bc | I/41: 95 | Pasticcio (Graun, C. H.;Telemann; Bach; ...) | 10991 | |
| deest (8/6*) | BC F 131 .1c | c. 1735 | chorale setting "Liebster Gott, wenn werd ich sterben" | E♭ maj. | SATB | III/2.1: 100 | afterZ 6634; text byNeumann | 11072 | |
| BGA | 1725 (JSB) | Notebook A. M. Bach (1725) No. 21Menuet fait par Mons. Böhm | G maj. | Keyboard | 432: 35 | V/4: 82 | byBöhm | ||
| BNB I/B /48 | 1709 (Bas.) c.1738 (JSB) | 6 Masses without Benedictus and Agnus Dei fromAcroama missale [scores] | 2SATB 3Tbn Str Bc | byBassani; copied by Bach (BNB I/B/48), later addingBWV 1081[269] | 08834 | ||||
| BNB I/C/1 | 1740–1742 (JSB) | Magnificat | C maj. | SATB 4Tbn Tmp Bc | byCaldara; →BWV 1082; inDBB 2755/1 | 08841 | |||
| deest | BNB I/K/2 | before 1719 (Han.) 1743–1748 (JSB) | PassionJesus Christus ist um unsrer Missetat willen verwundet (St Mark Passion pastiche, 2nd Leipzig version) | stSATB 2Ob 2Bas 2Vl 2Va Vc Vne Hc | II/9 | Pasticcio afterBC D 5b (Keiser G.?, Bach) andHWV 48/9 /23 /41 /44 /47 /52 /55 (Handel) | 01680 | ||
| deest | NBA | 1591 (Pal.) c.1742 (JSB) | Kyrie–Gloria Mass arranged fromMissa sine nomine a 6 | E min. | SSATTB 2Co 4Tro Vne Hc Org | II/9: 13 | byPalestrina after anon. motetBeata Dei genitrix; arr. by Bach | 01676 | |
| NBA | 1720-01-22 | Klavierbüchlein WFB, p. 3a: Claves signatae (introduction onclefs) | 451: 213 | V/5 | [28] | ||||
| NBA | 1720-01-22 | Klavierbüchlein WFB, p. 3b: Explication... (introduction onornaments) | 451: 213 | V/5 | [28] | ||||
| NBA | 1720 (WFB) | Klavierbüchlein WFB No. 25: Pièce pour le Clavecin | Keyboard | 451: 218 | V/5: 40 | byRichter, J. C. [de][28] | |||
| deest | NBA | 1720 (anon) | Klavierbüchlein WFB No. 30: Bass sketch | G min. | 451: 220 | V/5: 45 | [28] | ||
| NBA | 1720 (WFB) | Klavierbüchlein WFB No. 48a–d: Partita | Keyboard | 451: 223 | V/5: 82 | byStölzel[28] | |||
| Voices (see alsoSATB) | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| a | A | b | B | s | S | t | T | v | V | |||
| alto (solo part) | alto (choir part) | bass (solo part) | bass (choir part) | soprano (solo part) | soprano (choir part) | tenor (solo part) | tenor (choir part) | voice (includesparts for unspecified voices or instruments as in some canons) | vocal music for unspecifiedvoice type | |||
| Winds and battery (bold = soloist) | ||||||||||||
| Bas | Bel | Cnt | Fl | Hn | Ob | Oba | Odc | Tai | Tbn | Tdt | Tmp | Tr |
| bassoon (can be part of Bc, see below) | bell(s) (musical bells) | cornett,cornettino | flute (traverso,flauto dolce,piccolo,flauto basso) | natural horn,corno da caccia,corno da tirarsi,lituo | oboe | oboe d'amore | oboe da caccia | taille | trombone | tromba da tirarsi | timpani | tromba (natural trumpet,clarino trumpet) |
| Strings and keyboard (bold = soloist) | ||||||||||||
| Bc | Hc | Kb | Lu | Lw | Org | Str | Va | Vc | Vdg | Vl | Vne | |
| basso continuo: Vdg, Hc, Vc, Bas, Org, Vne and/or Lu | harpsichord | keyboard (Hc, Lw, Org orclavichord) | lute,theorbo | Lautenwerck (lute-harpsichord) | organ (/man. = manualiter, withoutpedals) | strings: Vl I, Vl II and Va | viola(s),viola d'amore,violetta | violoncello,violoncello piccolo | viola da gamba | violin(s),violino piccolo | violone, violone grosso | |
In the 1950 first edition of the BWV thecantatas were largely listed according to their BGA number:
Additionally Anh. I of the first edition of the BWV started with a list of some 20 lost cantatas, while Anh. III of that edition listed a few cantata (movements) by other composers (Anh. 156–158).
BWV2a added many more lost cantatas (BWV Anh. 190–199 and 209–212) and alternative versions to known works indicating (partially) lost cantatas or cantata versions, e.g.BWV 244a, the music of which was partially preserved in theSt Matthew Passion, BWV 244.
There are over a dozenmotets attributed to Bach, about half of which are authentic by all accounts:
Bach's involvement with Latinchurch music, as composer, arranger or copyist, includes:
Passions andoratorios composed or contributed to by Bach include:
Bach'schorale settings (usually for SATB choir) are included in:
Songs and (separate)arias by Bach are included in several collections:
Associated with the Songs and Arias group:
Bach's organ compositions include:
Bach's works for harpsichord, clavichord and other keyboard instruments include:
Bach's compositions for lute or lute-harpsichord (Lautenwerck) include:
Bach wrotechamber music for solo violin, cello or flute, sonatas for harpsichord and an instrumental soloist, and trio sonatas:
Bach wroteconcertos and orchestral suites:
Separate canons by Bach are listed in the 12th chapter of the BWV:
The list of latecontrapuntal works contains only two items:
Additions as published in BWV2a
BWV Anh. 190–213 were added between the 1950 and 1990s editions of the catalogue
BWV numbers assigned after the publication of BWV2a:
There is not much system in the way works derived from Bach's compositions are listed. The "R" addition to the BWV number is only well-established for the reconstructions included in NBA VII/7 (e.g. solo violin reconstructions of BWV 565 are not usually indicated as BWV 565R, neither is the system used for reconstructed vocal works). For some series of transcriptions and arrangements works catalogues of these transcribers/arrangers may hold sublists with works derived from compositions by Bach.
Each reconstructed concerto is created after the harpsichord concerto for the presumed original instrument. Such reconstructions are commonly referred to as, for example, BWV 1052R (where the R stands for 'reconstructed'). Other reconstructions and completions of for instance BWV 1059 have been indicated as BWV 1059,[276] or BWV 1059a.[277]
Transcriptions and arrangements in the catalogues of works by other composers include:
For abbreviations used in the references see alsoBibliography atwww
Bibliography
Der inzwischen durch zahlreiche Verschiebungen unübersichtlich gewordene Anhang wird ebenfalls komplett überarbeitet (transl.: TheAnhang, which in the meanwhile has become confusing because of many changes, will also be completely reworked)
Preface in English and German.
Unaltered up unto its eighth printing in 1986.
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