Lists of |
Compositions by Johann Sebastian Bach |
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Organ compositions byJohann Sebastian Bach refers to the compositions in theseventh chapter of theBach-Werke-Verzeichnis (BWV, catalogue of Bach's compositions),[1] or, in theNew Bach Edition, the compositions in Series IV.[2]
Traditionally known aschorale preludes, the compositions in the BWV 599–771 range of theBach-Werke-Verzeichnis, and later additions BWV 1085,1090–1120 (Neumeister Chorales) and1128, are also indicated aschorale settings for organ,[15] and include multi-movementchorale partitas[16] and sets ofvariations.[17]
column | content | links to | |
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1 | Name | Name of thechorale prelude, byJ. S. Bach unless otherwise indicated | Work page atBach Digital website |
2 | BWV | Number of the composition in theBach-Werke-Verzeichnis | Description of the chorale prelude |
3 | Zahn | Zahn number of thehymn tune used in the chorale prelude.[18] | Description of theLutheran hymn or tune |
4 | Other | Works by Bach, other than chorale preludes, using the same hymn tune[19] | Description of the related composition |
TheOrgelbüchlein contains 46 chorale preludes, and a fragment (BWV Anh. 200).
Most of theSchübler Chorales, which were published around 1748 asSechs Chorale von verschiedener Art (Six Chorales of Various Kinds), are transcriptions of extant cantata movements:
The 24 chorale preludes and five variants published as "from the Kirnberger Collection" ("in Kirnberger's Sammlung") in the 40th volume of theBach-Gesellschaft Ausgabe (1893) were all retained in the 690–713a range of theBach-Werke-Verzeichnis.Johann Kirnberger's involvement with this collection of chorale preludes, some of which are spurious or doubtful, is however uncertain: modern scholarship no longer refers to this set as "Kirnberger Collection" (unless with qualifiers such as "so-called" or "formerly").[20]
31 chorale preludes for organ, discovered 1985 in the archives of theYale University library.
column | content | |
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1 | BWV | Bach-Werke-Verzeichnis (lit. 'Bach-works-catalogue'; BWV) numbers.Anhang (Annex; Anh.) numbers are indicated as follows: |
2 | 2a | Section in which the composition appears in BWV2a:
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3 | Date | Date associated with the completion of the listed version of the composition. Exact dates (e.g. for most cantatas) usually indicate the assumed date of first (public) performance. When the date is followed by an abbreviation in brackets (e.g. JSB for Johann Sebastian Bach) it indicates the date of that person's involvement with the composition as composer, scribe or publisher. |
4 | Name | Name of the composition: if the composition is known by a Germanincipit, that German name is preceded by the composition type (e.g. cantata, chorale prelude, motet, ...) |
5 | Key | Key of the composition |
6 | Scoring | Seescoring table below for the abbreviations used in this column |
7 | BG | Bach Gesellschaft-Ausgabe (BG edition; BGA): numbers before the colon indicate the volume in that edition. After the colon an Arabic numeral indicates the page number where the score of the composition begins, while a Roman numeral indicates a description of the composition in theVorwort (Preface) of the volume.[45] |
8 | NBE | New Bach Edition (German:Neue Bach-Ausgabe, NBA): Roman numerals for the series, followed by a slash, and the volume number in Arabic numerals. A page number, after a colon, refers to the "Score" part of the volume. Without such page number, the composition is only described in the "Critical Commentary" part of the volume. The volumes group Bach's compositions by genre:[46]
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9 | Additional info | may include:
Provenance of standard texts and tunes, such asLutheran hymns andtheir chorale melodies, Latin liturgical texts (e.g.Magnificat) and common tunes (e.g.Folia), are not usually indicated in this column. For an overview of such resources used by Bach, see individual composition articles, and overviews in, e.g.,Chorale cantata (Bach)#Bach's chorale cantatas,List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections andList of organ compositions by Johann Sebastian Bach#Chorale Preludes. |
10 | BD | Bach Digital Work page |
Voices (see alsoSATB) | ||||||||||||
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a | A | b | B | s | S | t | T | v | V | |||
alto (solo part) | alto (choir part) | bass (solo part) | bass (choir part) | soprano (solo part) | soprano (choir part) | tenor (solo part) | tenor (choir part) | voice (includesparts for unspecified voices or instruments as in some canons) | vocal music for unspecifiedvoice type | |||
Winds and battery (bold = soloist) | ||||||||||||
Bas | Bel | Cnt | Fl | Hn | Ob | Oba | Odc | Tai | Tbn | Tdt | Tmp | Tr |
bassoon (can be part of Bc, see below) | bell(s) (musical bells) | cornett,cornettino | flute (traverso,flauto dolce,piccolo,flauto basso) | natural horn,corno da caccia,corno da tirarsi,lituo | oboe | oboe d'amore | oboe da caccia | taille | trombone | tromba da tirarsi | timpani | tromba (natural trumpet,clarino trumpet) |
Strings and keyboard (bold = soloist) | ||||||||||||
Bc | Hc | Kb | Lu | Lw | Org | Str | Va | Vc | Vdg | Vl | Vne | |
basso continuo: Vdg, Hc, Vc, Bas, Org, Vne and/or Lu | harpsichord | keyboard (Hc, Lw, Org orclavichord) | lute,theorbo | Lautenwerck (lute-harpsichord) | organ (/man. = manualiter, withoutpedals) | strings: Vl I, Vl II and Va | viola(s),viola d'amore,violetta | violoncello,violoncello piccolo | viola da gamba | violin(s),violino piccolo | violone, violone grosso |
Colour | Meaning |
---|---|
green | extant or clearly documented partial or complete manuscript (copy) by Bach and/or first edition under Bach's supervision |
yellow | extant or clearly documented manuscript (copy) or print edition, in whole or in part, by close relative, i.e. brother (J. Christoph), wife (A. M.), son (W. F. /C. P. E. /J. C. F. /J. Christian) or son-in-law (Altnickol) |
orange-brown | extant or clearly documented manuscript (copy) by close friend and/orpupil (Kellner, Krebs, Kirnberger,Walther, ...), or distant family member |
BWV | 2a | Date | Name | Key | Scoring | BG | NBE | Additional info | BD |
---|---|---|---|---|---|---|---|---|---|
525 | 7. | 1727–1731 | Trio Sonata No. 1/6 | E♭ maj. | Organ | 15: 3 | IV/7: 1 | →BWV 525a | 00597 |
526 | 7. | 1727–1731 | Trio Sonata No. 2/6 | C min. | Organ | 15: 13 | IV/7: 14 | 00598 | |
527 | 7. | 1727–1731 | Trio Sonata No. 3/6 (+e. v. for /1) | D min. | Organ | 15: 26 | IV/7: 28 | →BWV 1044/2 | 00599 |
528 | 7. | 1727–1731 | Trio Sonata No. 4/6 (+e. v. for /2, /3) | E min. | Organ | 15: 40 | IV/7: 44 | afterBWV 76/8 | 00600 |
529 | 7. | 1727–1731 | Trio Sonata No. 5/6 (+e. v. for /2) | C maj. | Organ | 15: 50 | IV/7: 56 | 00601 | |
530 | 7. | 1727–1731 | Trio Sonata No. 6/6 | G maj. | Organ | 15: 66 | IV/7: 76 | 00602 | |
531 | 7. | c. 1703–1706 | Prelude and Fugue | C maj. | Organ | 15: 81 | IV/5: 3 | inMöllersche Handschrift | 00603 |
532.2 | 7. | c. 1708–1712 | Prelude and Fugue | D maj. | Organ | 15: 88 | IV/5: 58 | afterBWV 912/1,532.1 | 00604 |
532.1 | 7. | Fugue (early version) | D maj. | Organ | IV/6: 95 | →BWV 532.2/2 | 00605 | ||
533 | 7. | c.1704 | Prelude and Fugue ("Cathedral") | E min. | Organ | 15: 100 | IV/5: 90 | ↔BWV 533a | 00606 |
533a | 7. | Prelude and Fugue | E min. | Keyboard | IV/6: 106 | ↔BWV 533 | 00607 | ||
535 | 7. | after 1717 | Prelude and Fugue | G min. | Organ | 15: 112 | IV/5: 157 | afterBWV 535a | 00609 |
535a | 7. | c.1702–1704 | Prelude and Fugue (incomplete) | G min. | Organ | IV/6: 109 | →BWV 535; inMöllersche Handschrift | 00610 | |
536 | 7. | 1708–1717 | Prelude and Fugue | A maj. | Organ | 15: 120 | IV/5: 180 | ↔BWV 152/1; →536a | 00611 |
537 | 7. | 1729–1750 | Fantasia and Fugue | C min. | Organ | 15: 129 | IV/5: 47 | 00613 | |
538 | 7. | 1712–1717 | Toccata and Fugue ("Dorian") | D min. | Organ | 15: 136 | IV/5: 76 | 00614 | |
539 | 7. | 1724–1750? | Prelude and Fugue | D min. | Organ | 15: 148 | IV/5: 70 | afterBWV 1001/2,1000 | 00615 |
540 | 7. | c.1712–1717? | Toccata and Fugue | F maj. | Organ | 15: 154 | IV/5: 112 | 00616 | |
541 528/3 | 7. | c.1712–1717? | Toccata and Fugue (Trio BWV 528/3 e. v. as possible middle movement) | G maj. | Organ | 15: 169 | IV/5: 146 | →BWV 528/3 | 00617 |
542 | 7. | c.1714–1720? | Fantasia and Fugue ("Great"; independent compositions?; fugue also in F minor) | G min. | Organ | 15: 177 | IV/5: 167 | 00618 | |
543 | 7. | afterc.1730 | Prelude and Fugue | A min. | Organ | 15: 189 | IV/5: 186 | afterBWV 543/1a | 00619 |
543/1a | 7. | bef.c.1725 | Prelude | A min. | Organ | IV/6: 121 | →BWV 543/1 | 00620 | |
544 | 7. | 1727–1731 (JSB) | Prelude and Fugue | B min. | Organ | 15: 199 | IV/5: 198 | 00621 | |
545 529/2 | 7. | 1708–1717 after 1722 | Prelude and Fugue (middle movementBWV 529/2 e. v. removed after 1722) | C maj. | Organ | 15: 212 | IV/5: 10 | afterBWV 545a,b; →529/2 | 00622 |
545a | 7. | 1708–1717 | Prelude and Fugue (early version) | C maj. | Organ | IV/6: 77 | →BWV 545b,545 | 00623 | |
546 | 7. | 1708–1750 | Prelude and Fugue | C min. | Organ | 15: 218 | IV/5: 35 | 00625 | |
547 | 7. | 1719–1750 | Prelude and Fugue | C maj. | Organ | 15: 228 | IV/5: 20 | 00626 | |
548 | 7. | 1727–1731 (JSB) | Prelude and Fugue ("Wedge") | E min. | Organ | 15: 236 | IV/5: 94 | 00627 | |
549 | 7. | 1705–1750 | Prelude and Fugue | C min. | Organ | 38: 3 | IV/5: 30 | afterBWV 549a | 00628 |
549a | 7. | bef.c.1703 | Prelude (or: Fantasia) and Fugue | D min. | Organ | IV/6: 101 | →BWV 549; inMöllersche Handschrift | 00629 | |
550 | 7. | c.1708–1712 | Prelude and Fugue | G maj. | Organ | 38: 9 | IV/5: 138 | 00630 | |
551 | 7. | c.1699 | Prelude and Fugue | A min. | Organ | 38: 17 | IV/6: 63 | 00631 | |
552 | 7. | 1739 | Prelude and Fugue ("St Anne") fromClavier-Übung III | E♭ maj. | Organ | 3: 173, 254 | IV/4: 2, 105 | 00632 | |
562 | 7. | 1720–c.1748 | Fantasia and Fugue (unfinished fugue addedc.1747–1748) | C min. | Organ | 38: 64, 209 44: 4 | IV/5: 54 | 00642 | |
563 | 7. | c.1704 | Fantasia and Imitatio | C maj. | Organ | 38: 59 | IV/6: 68 | inAndreas-Bach-Buch | 00643 |
564 | 7. | 1708–1717 | Toccata, Adagio and Fugue | C maj. | Organ | 15: 253 | IV/6: 3 | 00644 | |
565 | 7. | c.1704? | Toccata and Fugue | D min. | Organ | 15: 267 | IV/6: 31 | 00645 | |
566 | 7. | 1703–1707 | Prelude and Fugue (earliest manuscripts: C major; /1 as Toccata in BGA) | E maj. C maj. | Organ | 15: 276 | IV/6: 40 | 00646 | |
569 | 7. | 1703–c.1704 | Prelude | A min. | Organ | 38: 89 | IV/6: 59 | 00649 | |
1121 | 7. | c.1708–1709 | Fantasia | C min. | Organ | IV/11: 54 | inAndreas-Bach-Buch; was Anh. 205 | 01516 | |
570 | 7. | c.1698–1704 | Fantasia | C maj. | Organ | 38: 62 | IV/6: 16 | inAndreas-Bach-Buch | 00650 |
572 | 7. | 1708–c.1712 | Fantasia, a.k.a.Pièce d'Orgue (+reworked version) | G maj. | Organ | 38: 75 | IV/7: 130, 144 | 00652 | |
573 | 7. | c.1723–1724 | Notebook A. M. Bach (1722) No. 6 Fantasia (incomplete?) | C maj. | Keyboard | 38: 209 432: 3 | V/4: 39 IV/6: 18 | 00653 | |
574 | 7. | afterc.1708? | Fugue on a theme by Legrenzi | C min. | Organ | 38: 94 | IV/6: 19 | afterBWV 574b; ↔574a | 00654 |
574a | 7. | afterc.1708? | Fugue on a theme by Legrenzi (variant) | C min. | Organ | 38: 205 | IV/6: 82 | afterBWV 574b; ↔574 | 00655 |
574b | 7. | c.1707–1713 or earlier | Fugue on a theme by Legrenzi (early version) | C min. | Organ | IV/6: 88 | afterLegrenzi (theme); →BWV 574a,574; inAndreas-Bach-Buch | 00656 | |
575 | 7. | 1708–1717? | Fugue | C min. | Organ | 38: 101 | IV/6: 26 | 00657 | |
578 | 7. | c.1713 or earlier | Fugue ("Little") | G min. | Organ | 38: 116 | IV/6: 55 | inAndreas-Bach-Buch | 00660 |
579 | 7. | c.1703–1707 | Fugue on a theme by Corelli | B min. | Organ | 38: 121 | IV/6: 71 | afterCorelli (theme) | 00661 |
582 | 7. | c.1709–1710 | Passacaglia (and Fugue) | C min. | Organ | 15: 289 | IV/7: 98 | inAndreas-Bach-Buch | 00664 |
583 | 7. | c.1708–1717 | Trio | D min. | Organ | 38: 143 | IV/7: 94 | 00665 | |
585 | 7. | c.1726–1727 (JSB) | Trio | C min. | Organ | 38: 219 | IV/8: 73 | afterFasch J. F.,FaWV N:c2/1, /2; arr. by Bach | 00667 |
586 | 7. | bef.c.1740 | Trio | G maj. | Organ | IV/8: 78 | afterTelemann? | 00668 | |
587 | 7. | c.1714? | Aria | F maj. | Organ | 38: 222 | IV/8: 82 | afterCouperin,Les NationsIII/4 | 00669 |
588 | 7. | c.1703–1707 | Canzona | D min. | Organ | 38: 126 | IV/7: 118 | inMöllersche Handschrift | 00670 |
589 | 7. | bef.c.1742 | Alla breve | D maj. | Organ | 38: 131 | IV/7: 114 | 00671 | |
590 | 7. | c.1723–1727 or later | Pastorella (/1 incomplete?) | F maj. | Organ | 38: 135 | IV/7: 122 | 00672 | |
592 | 7. | c.1714–1717 | Concerto for solo organ | G maj. | Organ | 38: 149 | IV/8: 56 | afterJ. E. of Saxe-Weimar,Concerto a 8; →BWV 592a | 00674 |
592a | 7. | c.1714–1717 | Concerto for solo harpsichord | G maj. | Keyboard | 42: 282 | V/11: 150 | afterBWV 592 | 00675 |
593 | 7. | c.1714–1717 | Concerto for solo organ | A min. | Organ | 38: 158 | IV/8: 16 | afterVivaldi,Op. 3 No. 8 (RV 522) | 00676 |
594 | 7. | c.1714–1717 | Concerto for solo organ | C maj. | Organ | 38: 171 | IV/8: 30 | afterVivaldi,RV 208,Grosso Mogul | 00677 |
595 | 7. | c.1714–1717 | Concerto for solo organ | C maj. | Organ | 38: 196 | IV/8: 65 | afterBWV 984/1 | 00678 |
596 | 7. | c.1714–1717 | Concerto for solo organ (arrangement previously attributed toW. F. Bach) | D min. | Organ | IV/8: 3 | afterVivaldi,Op. 3 No. 11 (RV 565) | 00679 | |
599 | 7. | c.1711–1713 | chorale setting "Nun komm, der Heiden Heiland" (Orgelbüchlein No. 1) | A min. | Organ | 252: 3 | IV/1: 3 | afterZ 1174 | 00682 |
600 | 7. | c.1711–1713 | chorale setting "Gott durch deine Güte" (Orgelbüchlein No. 2) | F maj. | Organ | 252: 4 | IV/1: 4 | afterZ 3294 | 00683 |
chorale setting "Gottes Sohn ist kommen" (Orgelbüchlein No. 2) | |||||||||
601 | 7. | c.1708–1711 or earlier | chorale setting "Herr Christ, der ein'ge Gottes Sohn" (Orgelbüchlein No. 3; also inNeumeister Collection) | A maj. | Organ | 252: 5 | IV/1: 6 | afterZ 4297a | 00684 |
chorale setting "Herr Gott, nun sei gepreiset" (Orgelbüchlein No. 3; also inNeumeister Collection) | |||||||||
602 | 7. | c.1711–1713 | chorale setting "Lob sei dem allmächtigen Gott" (Orgelbüchlein No. 4) | D min. | Organ | 252: 6 | IV/1: 7 | afterZ 339 | 00685 |
603 | 7. | c.1711–1713 | chorale setting "Puer natus in Bethlehem" (Orgelbüchlein No. 5) | G min. | Organ | 252: 6 | IV/1: 8 | afterZ 192b | 00686 |
604 | 7. | c.1711–1713 | chorale setting "Gelobet seist du, Jesu Christ" (Orgelbüchlein No. 6) | G maj. | Organ | 252: 7 | IV/1: 11 | afterZ 1947 | 00687 |
605 | 7. | c.1711–1713 | chorale setting "Der Tag, der ist so freudenreich" (Orgelbüchlein No. 7) | G maj. | Organ | 252: 8 | IV/1: 11 | afterZ 7870 | 00688 |
606 | 7. | c.1708–1711 or earlier | chorale setting "Vom Himmel hoch, da komm ich her" (Orgelbüchlein No. 8) | D maj. | Organ | 252: 9 | IV/1: 13 | afterZ 346 | 00689 |
607 | 7. | c.1711–1713 | chorale setting "Vom Himmel kam der Engel Schar" (Orgelbüchlein No. 9) | G min. | Organ | 252: 10 | IV/1: 14 | afterZ 192a | 00690 |
608 | 7. | c.1711–1713 | chorale setting "In dulci jubilo" (Orgelbüchlein No. 10) | A maj. | Organ | 252: 12 | IV/1: 16 | afterZ 4947 | 00691 |
609 | 7. | c.1711–1713 | chorale setting "Lobt Gott, ihr Christen allzugleich" (Orgelbüchlein No. 11) | G maj. | Organ | 252: 13 | IV/1: 18 | afterZ 198 | 00692 |
610 | 7. | c.1711–1713 | chorale setting "Jesu, meine Freude" (Orgelbüchlein No. 12) | C min. | Organ | 252: 14 | IV/1: 19 | afterZ 8032 | 00693 |
611 | 7. | c.1714–1716 | chorale setting "Christum wir sollen loben schon" (Orgelbüchlein No. 13) | E min. | Organ | 252: 15 | IV/1: 20 | afterZ 297c | 00694 |
612 | 7. | c.1711–1713 | chorale setting "Wir Christenleut" (Orgelbüchlein No. 14) | G min. | Organ | 252: 16 | IV/1: 22 | afterZ 2072 | 00695 |
613 | 7. | c.1740 | chorale setting "Helft mir Gotts Güte preisen" (Orgelbüchlein No. 15) | B min. | Organ | 252: 18 | IV/1: 24 | afterZ 5267 | 00696 |
614 | 7. | c.1711–1713 | chorale setting "Das alte Jahr vergangen ist" (Orgelbüchlein No. 16) | A min. | Organ | 252: 19 | IV/1: 25 | afterZ 381c | 00697 |
615 | 7. | c.1708–1711 | chorale setting "In dir ist Freude" (Orgelbüchlein No. 17) | G maj. | Organ | 252: 20 | IV/1: 27 | afterZ 8537 | 00698 |
616 | 7. | c.1714–1716 | chorale setting "Mit Fried und Freud ich fahr dahin" (Orgelbüchlein No. 18) | D min. | Organ | 252: 24 | IV/1: 30 | afterZ 3986 | 00699 |
617 | 7. | c.1714–1716 | chorale setting "Herr Gott, nun schleuß den Himmel auf" (Orgelbüchlein No. 19) | A min. | Organ | 252: 26 | IV/1: 32 | afterZ 7641b | 00700 |
618 | 7. | c.1714–1716 | chorale setting "O Lamm Gottes, unschuldig" (Orgelbüchlein No. 20) | F maj. | Organ | 252: 28 | IV/1: 34 | afterZ 4361a | 00701 |
619 | 7. | c.1714–1716 | chorale setting "Christe, du Lamm Gottes" (Orgelbüchlein No. 21) | F maj. | Organ | 252: 30 | IV/1: 36 | afterZ 58 | 00702 |
620 | 7. | c.1726 | chorale setting "Christus, der uns selig macht" (Orgelbüchlein No. 22) | A min. | Organ | 252: 30 | IV/1: 37 | afterBWV 620a | 00703 |
620a | 7. | c.1714–1716 | chorale setting "Christus, der uns selig macht" (Orgelbüchlein No. 22, e. v.) | A min. | Organ | 252: 149 | IV/1: 78 | afterZ 6283b; →BWV 620 | 00704 |
621 | 7. | c.1711–1713 | chorale setting "Da Jesus an dem Kreuze stund" (Orgelbüchlein No. 23) | A min. | Organ | 252: 32 | IV/1: 39 | afterZ 1706 | 00705 |
622 | 7. | c.1711–1713 | chorale setting "O Mensch, bewein dein Sünde groß" (Orgelbüchlein No. 24) | E♭ maj. | Organ | 252: 33 | IV/1: 40 | afterZ 8303; →BWV 622 (var.) | 00706 |
622 (var.) | 7. | 1716–1789 | chorale setting "O Mensch, bewein dein Sünde groß" (variant) | Organ | afterBWV 622 | 00707 | |||
623 | 7. | c.1714–1716 | chorale setting "Wir danken dir, Herr Jesu Christ" (Orgelbüchlein No. 25) | G maj. | Organ | 252: 35 | IV/1: 42 | afterZ 423 | 00708 |
624 | 7. | c.1714–1716 | chorale setting "Hilf Gott, dass mir's gelinge" (Orgelbüchlein No. 26) | G min. | Organ | 252: 36 | IV/1: 44 | afterZ 4329 | 00709 |
625 | 7. | c.1708–1711 or earlier | chorale setting "Christ lag in Todesbanden" (Orgelbüchlein No. 27) | D min. | Organ | 252: 38 | IV/1: 46 | afterZ 7012a | 00710 |
626 | 7. | c.1711–1713 | chorale setting "Jesus Christus, unser Heiland, der den Tod überwand" (Orgelbüchlein No. 28) | A min. | Organ | 252: 39 | IV/1: 48 | afterZ 1978 | 00711 |
627 | 7. | c.1711–1713 | chorale setting "Christ ist erstanden" (Orgelbüchlein No. 29) | D min. | Organ | 252: 40 | IV/1: 49 | afterZ 8584 | 00712 |
628 | 7. | c.1711–1713 | chorale setting "Erstanden ist der heilge Christ" (Orgelbüchlein No. 30) | D maj. | Organ | 252: 44 | IV/1: 54 | afterZ 1747a | 00713 |
629 | 7. | c.1711–1713 | chorale setting "Erschienen ist der herrliche Tag" (Orgelbüchlein No. 31) | D min. | Organ | 252: 45 | IV/1: 55 | afterZ 1743 | 00714 |
630 | 7. | c.1708–1711 or earlier | chorale setting "Heut triumphieret Gottes Sohn" (Orgelbüchlein No. 32) | D min. | Organ | 252: 46 | IV/1: 56 | afterBWV 630a | 00715 |
630a | 7. | c.1708–1711 or earlier | chorale setting "Heut triumphieret Gottes Sohn" (Orgelbüchlein No. 32, e. v.) | Organ | IV/1: 80 | afterZ 2585; →BWV 630 | 00716 | ||
631 | 7. | c.1726 | chorale setting "Komm, Gott Schöpfer, heiliger Geist" (Orgelbüchlein No. 33) | D min. | Organ | 252: 47 | IV/1: 58 | afterBWV 631a | 00717 |
631a | 7. | c.1711–1713 | chorale setting "Komm, Gott Schöpfer, heiliger Geist" (Orgelbüchlein No. 33, e. v.) | G maj. | Organ | 252: 150 | IV/1: 82 | afterZ 295; →BWV 631 | 00718 |
632 | 7. | c.1711–1713 | chorale setting "Herr Jesu Christ, dich zu uns wend" (Orgelbüchlein No. 34) | F maj. | Organ | 252: 48 | IV/1: 59 | afterZ 624 | 00719 |
633 | 7. | c.1711–1713 | chorale setting "Liebster Jesu, wir sind hier" distinctus (Orgelbüchlein No. 36) | A maj. | Organ | 252: 49 | IV/1: 61 | afterBWV 634 | 00720 |
634 | 7. | c.1711–1713 | chorale setting "Liebster Jesu, wir sind hier" (Orgelbüchlein No. 35) | A maj. | Organ | 252: 50 | IV/1: 60 | afterZ 3498b; →BWV 633 | 00721 |
635 | 7. | c.1711–1713 | chorale setting "Dies sind die heilgen zehn Gebot" (Orgelbüchlein No. 37) | C maj. | Organ | 252: 50 | IV/1: 62 | afterZ 1951 | 00722 |
636 | 7. | c.1711–1713 | chorale setting "Vater unser im Himmelreich" (Orgelbüchlein No. 38) | D min. | Organ | 252: 52 | IV/1: 64 | afterZ 2561 | 00723 |
637 | 7. | c.1711–1713 | chorale setting "Durch Adams Fall ist ganz verderbt" (Orgelbüchlein No. 39) | A min. | Organ | 252: 53 | IV/1: 65 | afterZ 7549 | 00724 |
638 | 7. | c.1708–1711 or earlier | chorale setting "Es ist das Heil uns kommen her" (Orgelbüchlein No. 40) | D maj. | Organ | 252: 54 | IV/1: 66 | afterBWV 638a | 00725 |
638a | 7. | c.1708–1711 or earlier | chorale setting "Es ist das Heil uns kommen her" (Orgelbüchlein No. 40, e. v.) | Organ | IV/1: 83 | afterZ 4430; →BWV 638 | 00726 | ||
639 | 7. | c.1708–1711 or earlier | chorale setting "Ich ruf zu dir, Herr Jesu Christ" (Orgelbüchlein No. 41; also inNeumeister Collection) | F min. | Organ | 252: 55 | IV/1: 68 | afterZ 7400; →BWV Anh. 73 | 00727 |
640 | 7. | c.1711–1713 | chorale setting "In dich hab ich gehoffet, Herr" (Orgelbüchlein No. 42) | E min. | Organ | 252: 56 | IV/1: 70 | afterZ 2459 | 00728 |
641 | 7. | c.1711–1713 | chorale setting "Wenn wir in höchsten Nöten sein" (Orgelbüchlein No. 43) | G maj. | Organ | 252: 57 | IV/1: 71 | afterZ 394 | 00729 |
642 | 7. | c.1711–1713 | chorale setting "Wer nur den lieben Gott lässt walten" (Orgelbüchlein No. 44) | A min. | Organ | 252: 58 | IV/1: 72 | afterZ 2778 | 00730 |
643 | 7. | c.1711–1713 | chorale setting "Alle Menschen müssen sterben" (Orgelbüchlein No. 45) | G maj. | Organ | 252: 59 | IV/1: 74 | afterZ 6779a | 00731 |
644 | 7. | c.1711–1713 | chorale setting "Ach wie nichtig, ach wie flüchtig" (Orgelbüchlein No. 46) | G min. | Organ | 252: 60 | IV/1: 75 | afterZ 1887b | 00732 |
645 | 7. | 1747–1748 | chorale setting "Wachet auf, ruft uns die Stimme" (Schübler Chorales No. 1) | E♭ maj. | Organ | 252: 63 | IV/1: 86 | afterBWV 140/4 | 00733 |
646 | 7. | 1747–1748 | chorale setting "Wo soll ich fliehen hin" (Schübler Chorales No. 2) | E min. | Organ | 252: 66 | IV/1: 90 | afterZ 2164 | 00734 |
chorale setting "Auf meinen lieben Gott" (Schübler Chorales No. 2) | |||||||||
647 | 7. | 1747–1748 | chorale setting "Wer nur den lieben Gott lässt walten" (Schübler Chorales No. 3) | C min. | Organ | 252: 68 | IV/1: 92 | afterBWV 93/4 | 00735 |
648 | 7. | 1747–1748 | chorale setting "Meine Seele erhebt den Herren" (Schübler Chorales No. 4) | D min. | Organ | 252: 70 | IV/1: 94 | afterBWV 10/5 | 00736 |
649 | 7. | 1747–1748 | chorale setting "Ach bleib bei uns, Herr Jesu Christ" (Schübler Chorales No. 5) | B♭ maj. | Organ | 252: 71 | IV/1: 95 | afterBWV 6/3 | 00737 |
650 | 7. | 1747–1748 | chorale setting "Kommst du nun, Jesu, vom Himmel herunter" (Schübler Chorales No. 6) | G maj. | Organ | 252: 74 | IV/1: 98 | afterBWV 137/2 | 00738 |
651 | 7. | c.1740 | chorale setting "Komm, heiliger Geist" (Fantasia;Leipzig Chorales 1/18) | F maj. | Organ | 252: 79 | IV/2: 3 | afterBWV 651a | 00739 |
651a | 7. | 1708–1714 | chorale setting "Komm, heiliger Geist, Herre Gott" (Fantasia; e. v.: Weimar) | Organ | 252: 151 | IV/2: 117 | afterZ 7445a; →BWV 651 | 00740 | |
652 | 7. | c.1740 | chorale setting "Komm, heiliger Geist, Herre Gott" (alio modo;Leipzig Chorales 2/18) | G maj. | Organ | 252: 86 | IV/2: 13 | afterBWV 652a | 00741 |
652a | 7. | 1708–1714 | chorale setting "Komm, heiliger Geist, Herre Gott" (e. v.: Weimar) | Organ | IV/2: 121 | afterZ 7445a; →BWV 652 | 00742 | ||
653 | 7. | c.1740 | chorale setting "An Wasserflüssen Babylon" (Leipzig Chorales 3/18) | G maj. | Organ | 252: 92 | IV/2: 22 | afterBWV 653a | 00743 |
653a | 7. | 1708–1717 | chorale setting "An Wasserflüssen Babylon" (alio modo; 2nd v.: Weimar) | Organ | 252: 157 | IV/2: 133 | afterBWV 653b; →BWV 653 | 00744 | |
653b | 7. | 1708–1714 | chorale setting "An Wasserflüssen Babylon" (à 5; 1st v.: Weimar) | Organ | 40: 49 | IV/2: 130 | afterZ 7663; →BWV 653a | 00745 | |
654 | 7. | c.1740 | chorale setting "Schmücke dich, o liebe Seele" (Leipzig Chorales 4/18) | E♭ maj. | Organ | 252: 95 | IV/2: 26 | afterBWV 654a | 00746 |
654a | 7. | 1708–1714 | chorale setting "Schmücke dich, o liebe Seele" (e. v.: Weimar) | Organ | IV/2: 136 | afterZ 6923; →BWV 654 | 00747 | ||
655 | 7. | c.1740 | chorale setting "Herr Jesu Christ, dich zu uns wend" (Trio;Leipzig Chorales 5/18) | G maj. | Organ | 252: 98 | IV/2: 31 | afterBWV 655a; ↔655 var. 1–4; →655b–c | 00748 |
655 var. 1 | 7. | 1708–1798 | chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 1) | Organ | afterZ 624; ↔BWV 655(a), var. 2–4 | 00749 | |||
655 var. 2 | 7. | 1708–1798 | chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 2) | F maj. | Organ | afterZ 624; ↔BWV 655(a), var. 1, 3–4 | 00750 | ||
655 var. 3 | 7. | 1708–1798 | chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 3) | F maj. | Organ | afterZ 624; ↔BWV 655(a), var. 1–2, 4 | 00751 | ||
655 var. 4 | 7. | 1708–1798 | chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 4) | F maj. | Organ | afterZ 624; ↔BWV 655(a), var. 1–3 | 00752 | ||
655a | 7. | 1708–1714 | chorale setting "Herr Jesu Christ, dich zu uns wend" (Trio; e. v.: Weimar) | Organ | 252: 162 | IV/2: 140 | afterZ 624; ↔BWV 655 var. 1–4; →655 | 00753 | |
656 | 7. | c.1740 | chorale setting "O Lamm Gottes, unschuldig" (Leipzig Chorales 6/18) | A maj. | Organ | 252: 102 | IV/2: 38 | afterBWV 656a | 00756 |
656a | 7. | 1708–1714 | chorale setting "O Lamm Gottes, unschuldig" (e. v.: Weimar) | Organ | 252: 166 | IV/2: 146 | afterZ 4361b; →BWV 656 | 00757 | |
657 | 7. | 1708–1714 | Chorale preludeNun danket alle Gott (Leipzig Chorales 7/18) | G maj. | Organ | 252: 108 | IV/2: 46 | afterZ 5142 | 00758 |
658 | 7. | c.1740 | chorale setting "Von Gott will ich nicht lassen" (Leipzig Chorales 8/18) | F min. | Organ | 252: 112 | IV/2: 51 | afterBWV 658a | 00759 |
658a | 7. | 1708–1714 | chorale setting "Von Gott will ich nicht lassen" (Fantasia; e. v.: Weimar) | Organ | 252: 170 | IV/2: 154 | afterZ 5264b →BWV 658 | 00760 | |
659 | 7. | c.1740 | chorale setting "Nun komm, der Heiden Heiland" (Leipzig Chorales 9/18) | G min. | Organ | 252: 114 | IV/2: 55 | afterBWV 659a | 00761 |
659a | 7. | 1708–1714 | chorale setting "Nun komm, der Heiden Heiland" (Fantasia; e. v.: Weimar) | Organ | 252: 172 | IV/2: 157 | afterZ 1174; →BWV 659 | 00762 | |
660 | 7. | c.1740 | chorale setting "Nun komm, der Heiden Heiland" (Trio;Leipzig Chorales 10/18) | G min. | Organ | 252: 116 | IV/2: 59 | afterBWV 660a | 00763 |
660a | 7. | 1714–1717 | chorale setting "Nun komm, der Heiden Heiland" (Trio; e. v.: Weimar) | Organ | 252: 174 | IV/2: 160 | afterZ 1174; →BWV 660,660b | 00764 | |
660b | 7. | 1708–1714 | chorale setting "Nun komm, der Heiden Heiland" (arrangement) | Organ | 252: 176 | by Krebs,J. T. (arr.)?; afterBWV 660a | 00765 | ||
661 | 7. | c.1740 | chorale setting "Nun komm, der Heiden Heiland" (Leipzig Chorales 11/18) | G min. | Organ | 252: 118 | IV/2: 62 | afterBWV 661a | 00766 |
661a | 7. | 1708–1714 | chorale setting "Nun komm, der Heiden Heiland" (e. v.: Weimar) | Organ | 252: 178 | IV/2: 164 | afterZ 1174; →BWV 661 | 00767 | |
662 | 7. | c.1740 | chorale setting "Allein Gott in der Höh sei Ehr" (Leipzig Chorales 12/18) | A maj. | Organ | 252: 122 | IV/2: 67 | afterBWV 662a | 00768 |
662a | 7. | 1708–1717 | chorale setting "Allein Gott in der Höh sei Ehr" (e. v.: Weimar) | Organ | IV/2: 168 | afterZ 4457; →BWV 662 | 00769 | ||
663 | 7. | c.1740 | chorale setting "Allein Gott in der Höh sei Ehr" (Leipzig Chorales 13/18) | G maj. | Organ | 252: 125 | IV/2: 72 | afterBWV 663a | 00770 |
663a | 7. | 1708–1717 | chorale setting "Allein Gott in der Höh sei Ehr" (e. v.: Weimar) | Organ | 252: 180 | IV/2: 172 | afterZ 4457; →BWV 663 | 00771 | |
664 | 7. | 1746–1747 | chorale setting "Allein Gott in der Höh sei Ehr" (Trio;Leipzig Chorales 14/18) | A maj. | Organ | 252: 130 | IV/2: 79 | afterBWV 664a–b | 00772 |
664a | 7. | 1708–1717 | chorale setting "Allein Gott in der Höh sei Ehr" (Trio; e. v.: Weimar; fair copy) | Organ | 252: 183 | IV/2 | afterBWV 664b; →BWV 664 | 00773 | |
664b | 7. | 1708–1717 | chorale setting "Allein Gott in der Höh sei Ehr" (Trio; e. v.: Weimar; sketch) | Organ | IV/2: 179 | afterZ 4457; →BWV 664(a) | 00774 | ||
665 | 7. | 1746–1747 | chorale setting "Jesus Christus, unser Heiland" (Leipzig Chorales 15/18) | E min. | Organ | 252: 136 | IV/2: 87 | afterBWV 665a | 00775 |
665a | 7. | 1708–1714 | chorale setting "Jesus Christus, unser Heiland" (e. v.: Weimar) | Organ | 252: 188 | IV/2: 187 | afterZ 1576; →BWV 665 | 00776 | |
666 | 7. | 1708–1748 | chorale setting "Jesus Christus, unser Heiland" (alio modo;Leipzig Chorales 16/18) | E min. | Organ | 252: 140 | IV/2: 91 | afterBWV 666a | 00777 |
666a | 7. | 1708–1714 | chorale setting "Jesus Christus, unser Heiland" (alio modo; e. v.: Weimar) | Organ | IV/2: 191 | afterZ 1576; →BWV 666 | 00778 | ||
667 | 7. | 1747–1748 | chorale setting "Komm, Gott Schöpfer, heiliger Geist" (Leipzig Chorales 17/18) | C maj. | Organ | 252: 142 | IV/2: 94 | afterBWV 667a | 00779 |
667a | 7. | 1708–1717 | chorale setting "Komm, Gott Schöpfer, heiliger Geist" (e. v.: Weimar) | Organ | IV/2 | afterBWV 667b; →BWV 667 | 00780 | ||
667b | 7. | 1708–1717 | chorale setting "Komm, Gott Schöpfer, heiliger Geist" (e. v.: Weimar; sketch) | Organ | IV/2: 194 | afterZ 295; →BWV 667(a) | 00781 | ||
668 | 7. | 1747–1748 | chorale setting "Vor deinen Thron tret ich hiermit" (fragment;Leipzig Chorales 18/18) | G maj. | Organ | 252: 145 | IV/2: 113 | afterBWV 668a | 00782 |
668a | 7. | 1708–1748 | chorale setting "Wenn wir in höchsten Nöten" (e. v.) | Organ | IV/2: 212 | afterZ 394; →BWV 668 | 00783 | ||
669 | 7. | 1739 | chorale setting "Kyrie, Gott Vater in Ewigkeit" fromClavier-Übung III | Organ | 3: 184 | IV/4: 16 | afterZ 8600 | 00784 | |
670 | 7. | 1739 | chorale setting "Christe, aller Welt Trost" fromClavier-Übung III | Organ | 3: 186 | IV/4: 18 | afterZ 8600 | 00785 | |
671 | 7. | 1739 | chorale setting "Kyrie, Gott heiliger Geist" fromClavier-Übung III | Organ | 3: 190 | IV/4: 20 | afterZ 8600 | 00786 | |
672 | 7. | 1739 | chorale setting "Kyrie, Gott Vater in Ewigkeit" fromClavier-Übung III | Org/man. | 3: 194 | IV/4: 27 | afterZ 8600 | 00787 | |
673 | 7. | 1739 | chorale setting "Christe, aller Welt Trost" fromClavier-Übung III | Org/man. | 3: 194 | IV/4: 28 | afterZ 8600 | 00788 | |
674 | 7. | 1739 | chorale setting "Kyrie, Gott heiliger Geist" fromClavier-Übung III | Org/man. | 3: 196 | IV/4: 29 | afterZ 8600 | 00789 | |
675 | 7. | 1739 | chorale setting "Allein Gott in der Höh sei Ehr" fromClavier-Übung III | Organ | 3: 197 | IV/4: 30 | afterZ 4457 | 00790 | |
676 | 7. | 1739 | chorale setting "Allein Gott in der Höh sei Ehr" fromClavier-Übung III | Organ | 3: 199 | IV/4: 33 | afterZ 4457; →BWV 676a | 00791 | |
677 | 7. | 1739 | chorale setting "Allein Gott in der Höh sei Ehr" (Fughetta) fromClavier-Übung III | Org/man. | 3: 205 | IV/4: 41 | afterZ 4457 | 00793 | |
678 | 7. | 1739 | chorale setting "Dies sind die heiligen zehen Gebot" fromClavier-Übung III | Organ | 3: 206 | IV/4: 42 | afterZ 1951 | 00794 | |
679 | 7. | 1739 | chorale setting "Dies sind die heiligen zehen Gebot" (Fughetta) fromClavier-Übung III | Org/man. | 3: 210 | IV/4: 49 | afterZ 1951 | 00795 | |
680 | 7. | 1739 | chorale setting "Wir gläuben all an einen Gott" fromClavier-Übung III | Organ | 3: 212 | IV/4: 52 | afterZ 7971 | 00796 | |
681 | 7. | 1739 | chorale setting "Wir gläuben all an einen Gott" (Fughetta) fromClavier-Übung III | Org/man. | 3: 216 | IV/4: 57 | afterZ 7971 | 00797 | |
682 | 7. | 1739 | chorale setting "Vater unser im Himmelreich" fromClavier-Übung III | Organ | 3: 217 | IV/4: 58 | afterZ 2561 | 00798 | |
683 | 7. | 1739 | chorale setting "Vater unser im Himmelreich" fromClavier-Übung III | Org/man. | 3: 223 | IV/4: 66 | afterZ 2561; →BWV 683a | 00799 | |
684 | 7. | 1739 | chorale setting "Christ unser Herr zum Jordan kam" fromClavier-Übung III | Organ | 3: 224 | IV/4: 68 | afterZ 7246 | 00801 | |
685 | 7. | 1739 | chorale setting "Christ unser Herr zum Jordan kam" fromClavier-Übung III | Org/man. | 3: 228 | IV/4: 73 | afterZ 7246 | 00802 | |
686 | 7. | 1739 | chorale setting "Aus tiefer Not schrei ich zu dir" fromClavier-Übung III | Organ | 3: 229 | IV/4: 74 | afterZ 4437 | 00803 | |
687 | 7. | 1739 | chorale setting "Aus tiefer Not schrei ich zu dir" fromClavier-Übung III | Org/man. | 3: 232 | IV/4: 78 | afterZ 4437 | 00804 | |
688 | 7. | 1739 | chorale setting "Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt" fromClavier-Übung III | Organ | 3: 234 | IV/4: 81 | afterZ 1576 | 00805 | |
689 | 7. | 1739 | chorale setting "Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt" (Fugue) fromClavier-Übung III | Org/man. | 3: 239 | IV/4: 89 | afterZ 1576 | 00806 | |
690 | 7. | c.1700–1717 | chorale setting "Wer nur den lieben Gott lässt walten" (Kirnberger collection No. 1) | Organ | 40: 3 | IV/3: 98 | afterZ 2778 | 00807 | |
691 | 7. | c.1720 or earlier | Notebook A. M. Bach (1725) No. 11 chorale setting "Wer nur den lieben Gott lässt walten" (WFB No. 3; Kirnb. coll. No. 2) | Organ | 40: 4 432: 30 451: 214 | V/5: 6 V/4: 90 IV/3: 98 | afterZ 2778; →BWV 691a | 00808 | |
694 | 7. | c.1700–1717 | chorale setting "Wo soll ich fliehen hin" (Kirnb. coll. No. 5) | Organ | 40: 6 | IV/3: 103 | afterZ 2164 | 00813 | |
695 | 7. | c.1700–1717 | chorale setting "Christ lag in Todesbanden" (Fantasia; Kirnb. coll. No. 6) | Organ | 40: 10 | IV/3: 20 | afterZ 7012a; →BWV 695a | 00814 | |
695a | 7. | 1700–1789 | chorale setting "Christ lag in Todesbanden" (variant) | Organ | 40: 153 | afterBWV 695 | 00815 | ||
696 | 7. | c.1700–1717 | chorale setting "Christum wir sollen loben schon" (Fughetta; Kirnb. coll. No. 7) | Organ | 40: 13 | IV/3: 23 | afterZ 297c | 00816 | |
chorale setting "Was fürchtest du Feind, Herodes, sehr" (Fughetta; Kirnb. coll. No. 7) | |||||||||
697 | 7. | c.1700–1717 | chorale setting "Gelobet seist du, Jesu Christ" (Fughetta; Kirnb. coll. No. 8) | Organ | 40: 14 | IV/3: 32 | afterZ 1947 | 00817 | |
698 | 7. | c.1700–1717 | chorale setting "Herr Christ, der ein'ge Gottes Sohn" (Fughetta; Kirnb. coll. No. 9) | Organ | 40: 15 | IV/3: 35 | afterZ 4297a | 00818 | |
699 | 7. | c.1700–1717 | chorale setting "Nun komm, der Heiden Heiland" (Fughetta; Kirnb. coll. No. 10) | Organ | 40: 16 | IV/3: 73 | afterZ 1174 | 00819 | |
700 | 7. | c.1699 | chorale setting "Vom Himmel hoch da komm ich her" (Kirnb. coll. No. 11) | Organ | 40: 17 | IV/3: 92 | afterZ 346 | 00820 | |
701 | 7. | c.1700–1717 | chorale setting "Vom Himmel hoch da komm ich her" (Fughetta; Kirnb. coll. No. 12) | Organ | 40: 19 | IV/3: 96 | afterZ 346 | 00821 | |
702 | 7. | c.1700–1717 | chorale setting "Das Jesulein soll doch mein Trost" (Fughetta; Kirnb. coll. No. 13) | Organ | 40: 20 | IV/3: 45 | afterZ 7597 | 00822 | |
703 | 7. | c.1700–1717 | chorale setting "Gottes Sohn ist kommen" (Fughetta; Kirnb. coll. No. 14) | Organ | 40: 21 | IV/3: 34 | afterZ 3294 | 00823 | |
704 | 7. | c.1700–1717 | chorale setting "Lob sei dem allmächtigen Gott" (Fughetta; Kirnb. coll. No. 15) | Organ | 40: 22 | IV/3: 62 | afterZ 339 | 00824 | |
706/1 706/2 | 7. | c.1700–1717 | chorale setting "Liebster Jesu, wir sind hier" (/2 = alio modo; Kirnb. coll. No. 17) | Organ | 40: 25 | IV/3: 59 | afterZ 3498b | 00826 | |
707 | 7. | c.1700–1717 | chorale setting "Ich hab mein Sach Gott heimgestellt" (Kirnb. coll. No. 18) | Organ | 40: 26 | IV/10: 87 | afterZ 1679 | 00827 | |
709 | 7. | c.1700–1717 | chorale setting "Herr Jesu Christ, dich zu uns wend" (Kirnb. coll. No. 20) | Organ | 40: 30 | IV/3: 43 | afterZ 624 | 00830 | |
710 | 7. | c.1700–1717 | chorale setting "Wir Christenleut habn jetzund Freud" (Kirnb. coll. No. 21) | Organ | 40: 32 | IV/3: 100 | afterZ 2072 | 00831 | |
711 | 7. | c.1700–1717 | chorale setting "Allein Gott in der Höh sei Ehr" (bicinium; Kirnb. coll. No. 22) | Organ | 40: 34 | IV/3: 11 | afterZ 4457 | 00832 | |
712 | 7. | c.1708 | chorale setting "In dich hab ich gehoffet, Herr" (Kirnb. coll. No. 23) | Organ | 40: 36 | IV/3: 48 | afterZ 2461 | 00833 | |
713 | 7. | c.1700–1717 | chorale setting "Jesu, meine Freude" (Kirnb. coll. No. 24) | Org/man. | 40: 38 | IV/3: 54 | afterZ 8032; →BWV 713a | 00834 | |
713a | 7. | 1700–1789 | chorale setting "Jesu, meine Freude" (Fantasia; variant) | Organ | 40: 155 | IV/10: 93 | afterBWV 713 | 00835 | |
714 | 7. | 1708–1717 | chorale setting "Ach Gott und Herr" (Neumeister Chorales No. 13) | Organ | 40: 43 | IV/9: 26 IV/3: 3 | afterZ 2050, 2052 | 00836 | |
715 | 7. | 1703–1717 | chorale setting "Allein Gott in der Höh sei Ehr" | Organ | 40: 44 | IV/3: 14 | afterZ 4457 | 00837 | |
717 | 7. | 1708–1717 | chorale setting "Allein Gott in der Höh sei Ehr" | Organ | 40: 46 | IV/3: 8 | afterZ 4457 | 00839 | |
718 | 7. | 1703–1708 | chorale setting "Christ lag in Todesbanden" | Organ | 40: 52 | IV/3: 16 | afterZ 7012a | 00840 | |
719 | 7. | c.1704 | chorale setting "Der Tag, der ist so freudenreich" (Neumeister Chorales No. 1) | Organ | 40: 55 | IV/9: 2, 72 | afterZ 7870 | 00841 | |
720 | 7. | 1709? | chorale setting "Ein feste Burg ist unser Gott" | Organ | 40: 57 | IV/3: 24 | afterZ 7377; byBach, J. Michael? | 00842 | |
721 | 7. | c.1703–1707 | chorale setting "Erbarm dich mein, o Herre Gott" | Organ | 40: 60 | IV/3: 28 | afterZ 5851 | 00843 | |
722 | 7. | 1708–1717 | chorale setting "Gelobet seist du, Jesu Christ" | Organ | 40: 62 | IV/3: 31 | afterBWV 722a | 00844 | |
722a | 7. | 1709? | chorale setting "Gelobet seist du, Jesu Christ" (sketch) | Organ | 40: 158 | IV/3: 30 | afterZ 1947; →BWV 722 | 00845 | |
724 | 7. | c. 1699 | chorale setting "Gott durch deine Güte" | Organ | 40: 65 | IV/3: 33 | afterZ 3294; inAndreas-Bach-Buch | 00847 | |
chorale setting "Gottes Sohn ist kommen" | |||||||||
725 | 7. | c.1700–1717 | chorale setting "Herr Gott, dich loben wir" | Organ | 40: 66 | IV/3: 36 | afterZ 8652 | 00848 | |
727 | 7. | 1708–1717 | chorale setting "Herzlich tut mich verlangen" | Organ | 40: 73 | IV/3: 46 | afterZ 5385a | 00850 | |
728 | 7. | 1722–1723 or earlier | Notebook A. M. Bach (1722) No. 8 chorale setting "Jesus, meine Zuversicht" | Organ | 432: 5 40: 74 | V/4: 41 IV/3: 58 | afterZ 3432b | 00851 | |
729 | 7. | 1708–1717 | chorale setting "In dulci jubilo" | Organ | 40: 74 | IV/3: 52 | afterBWV 729a | 00852 | |
729a | 7. | 1708–1717 | chorale setting "In dulci jubilo" (sketch) | Organ | 40: 158 | IV/3: 50 | afterZ 4947; →BWV 729 | 00853 | |
730 | 7. | 1708–1717 | chorale setting "Liebster Jesu, wir sind hier" | Organ | 40: 76 | IV/3: 60 | afterZ 3498b | 00854 | |
731 | 7. | 1708–1717 | chorale setting "Liebster Jesu, wir sind hier" | Organ | 40: 77 | IV/3: 61 | afterZ 3498b | 00855 | |
732 | 7. | 1708–1717 | chorale setting "Lobt Gott, ihr Christen, allzugleich" | Organ | 40: 78 | IV/3: 64 | afterBWV 732a | 00856 | |
732a | 7. | 1708–1717 | chorale setting "Lobt Gott, ihr Christen, allzugleich" (draft) | Organ | 40: 159 | IV/3: 63 | afterZ 198; →BWV 732 | 00857 | |
733 | 7. | 1708–1717 | chorale setting "Meine Seele erhebt den Herren" (fugue) | Organ | 40: 79 | IV/3: 65 | afterMagnificat peregrini toni; byKrebs, J. L.? | 00858 | |
734 | 7. | 1708–1717 | chorale setting "Nun freut euch, lieben Christen g'mein" | Organ | 40: 160 | IV/3: 70 | afterZ 4429a; →BWV 734a | 00859 | |
734a | 7. | 1708–1789 | chorale setting "Es ist gewisslich an der Zeit" | Organ | 40: 84 | IV/10 | afterBWV 734; arr. byScholz? | 00860 | |
735 | 7. | c.1700–1717 | chorale setting "Valet will ich dir geben" (Fantasia) | Organ | 40: 86 | IV/3: 77 | afterBWV 735a | 00861 | |
735a | 7. | c.1706 | chorale setting "Valet will ich dir geben" (early version) | Organ | 40: 161 | IV/3: 81 | afterZ 5404a; →BWV 735 | 00862 | |
736 | 7. | 1708–1717 or later | chorale setting "Valet will ich dir geben" | Org (V Bc) | 40: 90 | IV/3: 84 | afterZ 5404a | 00863 | |
737 | 7. | 1703–1707 | chorale setting "Vater unser im Himmelreich" (Neumeister Chorales No. 18) | Organ | 40: 96 | IV/9: 36 IV/3: 90 | afterZ 2561 | 00864 | |
738 | 7. | 1708–1717 | chorale setting "Vom Himmel hoch, da komm ich her" | Organ | 40: 97 | IV/3: 94 | afterBWV 738a | 00865 | |
738a | 7. | 1708–1717 | chorale setting "Vom Himmel hoch, da komm ich her" (sketch) | Organ | 40: 159 | IV/3: 94 | afterZ 346; →BWV 738 | 00866 | |
739 | 7. | c.1704 | chorale setting "Wie schön leuchtet der Morgenstern" | Organ | 40: 99 | IV/10: 2 | afterZ 8359 | 00867 | |
741 | 7. | c.1701 | chorale setting "Ach Gott, vom Himmel sieh darein" | Organ | 40: 167 | IV/3: 4 | afterZ 4431 | 00869 | |
742 | 7. | c.1704 | chorale setting "Ach Herr, mich armen Sünder" [scores] (Neumeister Chorales No. 14) | Organ | IV/9: 28 | afterZ 5385a | 00870 | ||
747 | 7. | 1703–1707 or earlier | chorale setting "Christus, der uns selig macht" [scores] | Organ | IV/10: 38 | afterZ 6283b | 00875 | ||
753 | 7. | c.1720 | chorale setting "Jesu, meine Freude" (unfinished;WFB No. 5) | Organ | 40: 163 451: 214 | V/5: 8 | afterZ 8032 | 00882 | |
764 | 7. | c.1704–1705 | chorale setting "Wie schön leuchtet der Morgenstern" | Organ | 40: 164 | IV/10: 6 | afterZ 8359 | 00893 | |
1085 | 7. | c.1700–1717 | chorale setting "O Lamm Gottes unschuldig" [scores] | Organ | IV/3: 76 | afterZ 4361 | 01683 | ||
1090 | 7. | c.1704 | chorale setting "Wir Christenleut" (Neumeister Chorales No. 2) | Organ | IV/9: 4 | afterZ 2072 | 01276 | ||
1091 | 7. | c.1699 | chorale setting "Das alte Jahr vergangen ist" (Neumeister Chorales No. 3) | Organ | IV/9: 6 | afterZ 381c | 01277 | ||
1092 | 7. | c.1701 | chorale setting "Herr Gott, nun schleuß den Himmel auf" (Neumeister Chorales No. 4) | Organ | IV/9: 8 | afterZ 7641b | 01278 | ||
1093 | 7. | c.1704 | chorale setting "Herzliebster Jesu, was hast du verbrochen" (Neumeister Chorales No. 5) | Organ | IV/9: 10 | afterZ 983 | 01279 | ||
1094 | 7. | c.1699 | chorale setting "O Jesu, wie ist dein Gestalt" (Neumeister Chorales No. 6) | Organ | IV/9: 12 | afterZ 8360 | 01280 | ||
1095 | 7. | c.1704 | chorale setting "O Lamm Gottes unschuldig" (Neumeister Chorales No. 7) | Organ | IV/9: 14 | afterZ 4361a | 01281 | ||
1097 | 7. | c.1699 | chorale setting "Ehre sei dir Christe, der du leidest Not" (Neumeister Chorales No. 9) | Organ | IV/9: 18 | afterZ 8187h | 01283 | ||
1098 | 7. | c.1704 | chorale setting "Wir glauben all an einen Gott" (Neumeister Chorales No. 10) | Organ | IV/9: 20 | afterZ 7971 | 01284 | ||
1099 | 7. | c.1701 | chorale setting "Aus tiefer Not schrei ich zu dir" (Neumeister Chorales No. 11) | Organ | IV/9: 22 | afterZ 4438 | 01285 | ||
1100 | 7. | c.1704 | chorale setting "Allein zu dir, Herr Jesu Christ" (Neumeister Chorales No. 12) | Organ | IV/9: 24 | afterZ 7292b | 01286 | ||
1101 | 7. | c.1704 | chorale setting "Durch Adams Fall ist ganz verderbt" (Neumeister Chorales No. 15) | Organ | IV/9: 30 | afterZ 7549 | 01287 | ||
1102 | 7. | c.1706 | chorale setting "Du Friedefürst, Herr Jesu Christ" (Neumeister Chorales No. 16) | Organ | IV/9: 33 | afterZ 4373 | 01288 | ||
1103 | 7. | 1699–1709 | chorale setting "Erhalt uns Herr, bei deinem Wort" (Neumeister Chorales No. 17) | Organ | IV/9: 35 | afterZ 350 | 01289 | ||
1104 | 7. | 1699–1709 | chorale setting "Wenn dich Unglück tut greifen an" (Neumeister Chorales No. 19) | Organ | IV/9: 38 | afterZ 499 | 01290 | ||
1105 | 7. | c.1701 | chorale setting "Jesu, meine Freude" (Neumeister Chorales No. 20) | Organ | IV/9: 39 | afterZ 8032 | 01291 | ||
1106 | 7. | c.1704 | chorale setting "Gott ist mein Heil, mein Hilf und Trost" (Neumeister Chorales No. 21) | Organ | IV/9: 40 | afterZ 4421 | 01292 | ||
1107 | 7. | c.1704 | chorale setting "Jesu, meines Lebens Leben" (Neumeister Chorales No. 22) | Organ | IV/9: 42 | afterZ 6794 | 01293 | ||
1108 | 7. | c.1704 | chorale setting "Als Jesus Christus in der Nacht" (Neumeister Chorales No. 23) | Organ | IV/9: 44 | afterZ 258 | 01294 | ||
1109 | 7. | 1699–1709 | chorale setting "Ach Gott, tu dich erbarmen" (Neumeister Chorales No. 24) | Organ | IV/9: 46 | afterZ 7228c | 01295 | ||
1110 | 7. | c.1704 | chorale setting "O Herre Gott, dein göttlich Wort" (Neumeister Chorales No. 25) | Organ | IV/9: 48 | afterZ 5690 | 01296 | ||
1111 | 7. | c.1701 | chorale setting "Nun lasset uns den Leib begraben" (Neumeister Chorales No. 26) | Organ | IV/9: 50 | afterZ 352 | 01297 | ||
1112 | 7. | c.1699 | chorale setting "Christus, der ist mein Leben" (Neumeister Chorales No. 27) | Organ | IV/9: 52 | afterZ 132 | 01298 | ||
1113 | 7. | c.1699 | chorale setting "Ich hab mein Sach Gott heimgestellt" (Neumeister Chorales No. 28) | Organ | IV/9: 54 | afterZ 1679 | 01299 | ||
1114 | 7. | c.1701 | chorale setting "Herr Jesu Christ, du höchstes Gut" (Neumeister Chorales No. 29) | Organ | IV/9: 56 | afterZ 4486 | 01300 | ||
1115 | 7. | c.1701 | chorale setting "Herzlich lieb hab ich dich, o Herr" (Neumeister Chorales No. 30) | Organ | IV/9: 58 | afterZ 8326 | 01301 | ||
1116 | 7. | c.1701 | chorale setting "Was Gott tut, das ist wohlgetan" (Neumeister Chorales No. 31) | Organ | IV/9: 60 | afterZ 5629 | 01302 | ||
1117 | 7. | c.1701 | chorale setting "Alle Menschen müssen sterben" (Neumeister Chorales No. 32) | Organ | IV/9: 62 | afterZ 6779a | 01303 | ||
1118 | 7. | c.1701 | chorale setting "Werde munter, mein Gemüte" (Neumeister Chorales No. 34) | Organ | IV/9: 66 | afterZ 6551 | 01304 | ||
1119 | 7. | c.1699 | chorale setting "Wie nach einer Wasserquelle" (Neumeister Chorales No. 35) | Organ | IV/9: 68 | afterZ 1294 | 01305 | ||
1120 | 7. | c.1704 | chorale setting "Christ, der du bist der helle Tag" (Neumeister Chorales No. 36) | Organ | IV/9: 70 | afterZ 384 | 01306 | ||
957 | 7. | c.1701 | chorale setting "Machs mit mir, Gott, nach deiner Güt" (Neumeister Chorales No. 33; a.k.a. Fugue = first half in later arr.) | G maj. | Organ | 42: 203 | IV/9: 64, 74 | afterZ 2383 | 01134 |
766 | 7. | c.1706 | chorale setting "Christ, der du bist der helle Tag" | Organ | 40: 107 | IV/1: 114 | afterZ 384 | 00895 | |
767 | 7. | c.1708 | chorale setting "O Gott, du frommer Gott" | Organ | 40: 114 | IV/1: 122 | afterZ 5138 | 00896 | |
768 | 7. | 1708–1717 or earlier | chorale setting "Sei gegrüßet, Jesu gütig" | Organ | 40: 122 | IV/1: 132, 152 | afterZ 3889b | 00897 | |
769 | 7. | c.1747–1748 | chorale setting "Vom Himmel hoch da komm ich her'" (canonic variations; print version) | Organ | 40: 137 | IV/2: 197 | afterZ 346; →BWV 769a | 00898 | |
769a | 7. | c.1747–1748 | chorale setting "Vom Himmel hoch da komm ich her" (canonic variations; autograph) | Organ | IV/2: 98 | afterBWV 769 | 00899 | ||
770 | 7. | c.1704 | chorale setting "Ach, was soll ich Sünder machen" | Organ | 40: 189 | IV/1: 104 | afterZ 3574 | 00900 |
Various lost, doubtful and spurious organ works are included in theBWV Anhang: