| Successor | Comics Magazine Association of America |
|---|---|
| Formation | May 1947; 78 years ago (1947-05) |
| Dissolved | c. 1954 |
| Purpose | To regulate the content ofcomic books in the face of public criticism |
| Headquarters | New York,NY |
President | George T. Delacorte Jr. |
Executive Director | Henry E. Schultz |
TheAssociation of Comics Magazine Publishers (ACMP) was an Americanindustry trade group formed in the late 1940s to regulate the content ofcomic books in the face of public criticism during that time. It was a precursor to theComics Magazine Association of America, and the ACMP Publishers Code served as the template for a more detailed set of rules enforced by the CMAA'sComics Code Authority.
The ACMP was formed in May 1947[1] and publicly announced on July 1, 1948.[2] Founding members included:
George T. Delacorte, Jr., founder ofDell Publishing, which includedDell Comics, served as president,[1] andManhattan attorney Henry E. Schultz, president of the board ofQueens College and a member of theNew York City Board of Higher Education, as executive director.[3]The ACMP was formed after "accusations from several fronts charged comic books with contributing to the rising rates ofjuvenile delinquency",[1] and city and county ordinances had banned some publications[4] though these were effectively overturned with a March 29, 1948,United States Supreme Court ruling that a 64-year-oldNew York State law outlawing publications with "pictures and stories of deeds of bloodshed, lust or crime" was unconstitutional.[5] Regardless, the uproar increased upon the publication of two articles:
Spencer, West Virginia held acomic-book burning on October 26, 1948.[8] After theAssociated Press reported on it, copycat comic-book burnings followed around the country, particularity inCatholic parishes.[9][10]
In 1948, the association released their "Publishers Code," drawing on the HollywoodProduction Code (better known as the "Hays Code"), which had also been drafted to stave off external regulation. Like the Production Code, it forbid portrayals of crime that might "throw sympathy against the law" or "weaken respect for established authority," and prohibited "ridicule or attack on any religious or racial group." "Sexy, wanton comics" were not to be published, anddivorce was not to be "treated humorously or represented as glamorous or alluring." Comics that complied with the code were offered a "Seal of Approval."
The code, however, was not a success, ignored by both large and small publishers. Some publishers, such asDell Comics,Archie Comics,DC Comics,Fawcett Comics, and initiallyMarvel Comics, refused to join the organization, the latter three had its own editorial advisory boards.[12][13] Marvel later resisted and the group begin using the ACMP seal by 1952.[13] Others, such as founding member EC Comics, terminated their participation. Those who continued as members made use of the ACMP seal of approval without any formal process of review. Describing the situation in 1954 at a comic book hearing conducted by theSenate Subcommittee on Juvenile Delinquency, Director Schultz said: "The association, I would say, is out of business and so is the code."[14]
In 1954, a mounting tide of criticism, including a new book by Wertham —Seduction of the Innocent — and congressional hearings, spurred the formation of the ACMP's successor, theComics Magazine Association of America (CMAA). The ACMP Publishers Code served as the template for a more detailed set of rules enforced by the CMAA'sComics Code Authority.
EC comics and Mad magazine publisher,William M. Gaines, in a 1983 interview withThe Comics Journal revealed:
After the Senate Subcommittee hearings, and this isn’t very well known, but I can prove it again, I sent a letter to every comics publisher, invited them to a meeting and footed the bill for the hall. We took a big place somewhere, and all these people showed up and I tried to convince them that we should form an association and hire theGleuks of Harvard or anybody else we could find who could do some sort of independent, honest research into whether comic books in truth were the horrendous things that people said they were. And since I really didn’t think they were, I figured, such a study would exonerate us. None of these guys wanted to do that, and right away the whole thing was taken away from me, and they turned it into a situation where they wrote a Code, and the Code forbade the use of the words 'horror,' 'terror,' or 'crime' — this was all my books — and 'weird,' even 'weird,' [laughter] so that would wipe me out. So I didn’t join the association. But then I decided to drop all those books anyway and put out theNew Direction stuff. I put out the six first issues, six bi-monthlies, and they sold 10, 15 percent. You can’t believe how horrendous the sales were. And I later found out that it was because the word was passed by the wholesalers, "Get ‘im!" So they got me.[15]
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