


Ashlar (/ˈæʃlər/) is cut and dressedstone worked to achieve a specific form, typically rectangular; a structure built from such stones;[1] and the look created by the dressing technique. Ashlar stone may bedry laid or bedded inmortar.
An ashlar block is the finest stonemasonry unit, and they generally arerectangular. It was described byVitruvius asopus isodomum, ortrapezoidal. Precisely cut "on all faces adjacent to those of other stones", ashlar masonry is capable of requiring only very thin joints between blocks, and the exposed face of the stone may be smoothly polished,quarry-faced,rusticated, or tooled for decorative effect;[2][3] an example of the latter is "mason's drag", where a metal comb is used to cut small grooves, usually on softer stones.[4]
Ashlar masonry is in contrast torubble masonry, which employs irregularly shaped stones, such as flat ledge or rounded river or lake stones, sometimes minimally worked or selected for similar size, or both. Ashlar masonry is related butgenerally distinct[clarify] from other stone masonry that is finely dressed but not quadrilateral, such as curvilinear andpolygonal masonry.[3][5]
Ashlar masonry may becoursed, with stone blocks laid in continuous horizontal layers. Ashlar may also be random, which involves stone blocks laid with deliberately discontinuous courses, interrupted both vertically and horizontally, as insnecked masonry. In either case it is generally joined with a bonding material such asmortar, althoughdry laid ashlar construction is found, and metal ties and other methods of assembly have been used. The dry ashlar ofInca architecture inCusco andMachu Picchu is particularly fine and famous.
The word is attested inMiddle English and derives from theOld Frenchaisselier, from theLatinaxilla, a diminutive ofaxis, meaning "plank".[6] "Clene hewen ashler" often occurs in medieval documents; this means tooled or finely worked, in contradistinction to rough-axed faces.[7]
In tilecarpet installation "ashlar" refers to a vertical 1/2 offset pattern.[8]
Ashlar blocks have been used in the construction of many buildings as an alternative tobrick or other materials.[9]
Inclassical architecture, ashlar wall surfaces were often contrasted withrustication, each employing different chisels and techniques.
The term is frequently used to describe the dressed stone work ofprehistoric Greece and Crete, although the dressed blocks are usually much larger than modern ashlar. For example, thetholos tombs ofBronze AgeMycenae use ashlar masonry in the construction of the so-called "beehive" dome. This dome consists of finely cut ashlar blocks that decrease in size and terminate in a centralcapstone.[10] These domes are not true domes, but are constructed using thecorbel arch.
Ashlar masonry was also heavily used in the construction of palace facades onCrete, includingKnossos andPhaistos. These constructions date to theMM III-LM Ib period,c. 1700–1450 BC.
In large scale modern European construction ashlar blocks are generally about 35 centimetres (14 in) in height.[citation needed] When shorter than 30 centimetres (12 in), they are usually calledsmall ashlar.[citation needed]
In someMasonic groupings, which such societies termjurisdictions, ashlars are used as a symbolic metaphor for how one'spersonal development relates to the tenets of theirlodge. As described in the explanation of theFirst Degree Tracing Board, inEmulation and otherMasonic rituals the rough ashlar is a stone as taken directly from the quarry, and allegorically represents the Freemason prior to his initiation; a smooth ashlar (or "perfect ashlar") is a stone that has been smoothed and dressed by the experiencedstonemason, and allegorically represents the Freemason who, through education and diligence, has learned the lessons of Freemasonry and who lives an upstanding life.[11]