 | |
| Discipline | Art,archeology |
|---|---|
| Language | English |
| Edited by | Amy McNair |
| Publication details | |
| History | 1925–present |
| Publisher | Museum Rietberg (Switzerland) |
| Frequency | Biannual |
| Delayed (after 5 years) | |
| Standard abbreviations ISO 4 (alt) · Bluebook (alt) NLM (alt) · MathSciNet (alt  ) | |
| ISO 4 | Artibus Asiae |
| Indexing CODEN (alt · alt2) · JSTOR (alt) · LCCN (alt) MIAR · NLM (alt) · Scopus · W&L | |
| ISSN | 0004-3648 |
| JSTOR | 00043648 |
| OCLC no. | 61966661 |
| Links | |
Artibus Asiae is a biannualacademic journal specialising in thearts andarchaeology of Asia. Along with theOstasiatische Zeitschrift (founded in 1912) it was one of the most successful journals in its field in the German-speaking part of Europe.[1] The first number ofArtibus Asiae appeared in 1925. While earlier issues contained articles in German, French and English, today's contributions are mainly in English.Artibus Asiae is owned and published by theMuseum Rietberg inZurich.Artibus Asiae also published occasional monographs since 1937.
The first volume of the journal was published by the Avalun-Verlag Hellerau-Dresden in 1925 and was edited by Carl Hentze (1883–1975) and Alfred Salmony (1890–1958).[2] The early volumes appeared in four issues each, up to vol. 59. All subsequent volumes were published in two parts.
The typographer, publisher and latereditor-in-chief Richard Hadl (1876–1944) had worked for theLeipzig-based publisherDrugulin as a director since 1922.[3]Drugulin was one of the leading publishing houses and known for their wide array of unusual typesets. Hadl established his own publishing house, "Offizin Richard Hadl", in 1926.[4] and published five volumes of the journalArtibus Asiae.[5]
During theSecond World War all publishing activities were moved toSwitzerland and the journal would only appear irregularly.[6] Vol. 8 no. 1 was the first issue to be published in Switzerland, printed by theKommissionsverlag Braus Riggenbach inBasel. All further volumes were published byArtibus Asiae in Ascona, where Hadl and his co-worker and publisher, Luise C. Tarabori-Flesch fromTrier had settled in 1938/39. After Hadl had died in 1944,[7] Miss Flesch kept the journal afloat on her own until 1946, when Alfred Salmony became editor-in-chief.[8] Salmony edited the journal until his death in 1958.[9]
Artibus Asiae's link to the current owner, theMuseum Rietberg, was established through the museums's former directorElsy Leuzinger, who edited an issue (vol. 20 no. 1, 1957) to commemorate the founding donor of the Museum Rietberg,Eduard von der Heydt.[10] In 1985 (from vol. 46 on), theArthur M. Sackler Foundation started to sponsor the journal. TheMuseum Rietberg was granted a special publication endowment in 1991 (vol. 51) and it henceforth became the owner of both the journal and the monograph series.
The following persons have served as editors-in-chief ofArtibus Asiae:
| Name | Place | Volumes | Years |
|---|---|---|---|
| Carl Hentze & Alfred Salmony | Antwerp and Cologne | vol. 1–vol. 4 no. 3 | 1925–1932 |
| Richard Hadl | Leipzig and Ascona | vol. 4 no. 4–vol. 8 | 1925–1945 |
| Alfred Salmony | Institute of Fine Arts,New York University | vols. 9–20 | 1945–1957 |
| Alexander Soper | Institute of Fine Arts,New York University | vols. 21–52 | 1958–1992 |
| Thomas Lawton | Arthur M. Sackler Gallery, Washington D.C. | vols. 53–61 | 1993–2001 |
| François Louis | Bard Graduate Center, New York | vol. 62–vol. 68 no. 1 | 2002–2008 |
| Amy McNair | University of Kansas | vol. 68 no. 2–present | 2008–present |
Longer articles submitted toArtibus Asiae were often split into parts and published in several numbers of the journal.Artibus Asiae started to publish monographs on selected topics in 1937 to allow more lengthy contributions to the field.[11] They are conceived as a supplemental series to the journal and present a broad range of lavishly illustrated studies. Early monographs were on topics only remotely related to the arts, such as publications on the Tibetan grammar books Sum cu pa and Rtags kyi ‘ajug[12] or on Chinese literature.[13]